• 한국의류산업학회지
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• 제10권2호
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• pp.236-241
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• 2008

Hair manicure is usually and widely operated in the area of hair-dyeing by the reason that acidic hair color is less damaged and more stable than other chemical color treatment. However, there is no an in-depth study to prove them. This study purposes to provide basic resources for effectively using products of hair manicure by experiments on Physical Properties of Hair. Hair of one healthy woman in mid-20's, Level 4, was sampled for experiments. For the tests, hair samples were classified by the frequency of hair manicure treatment The control group(a), once treatment(b), twice(c), three times(d), four times(e) and five times(f). The results were measured with Scanning Electron Microscopy(SEM) and Tensile Strength and Elongation test. The lower Values of Tensile Strength according to repeated hair manicure treatment. Elongation is not affected by the frequency of hair manicure treatment. There was no remarkable change of hair surface in once(b) and twice(c) treatment. The change of hair surface which was able to judge by cuticle layers looseness, tunics and the transformation of cuticle cell were observed in the hair samples operating more than three times(d) of hair manicure treatment.

• 한국염색가공학회지
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• 제21권6호
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• pp.29-38
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• 2009

Natural dyes seem to be more profitable on human and environment, and recently they could be considered as a better alternative to synthesized dyes. The aim of the current work was to investigate the dyeing property and antimicrobial activity of commercial cotton fabrics dyed with kumazasa (usually called in japan) which is known as conventional japan bamboo leaves. Actually, the dyeability and antimicrobial property of dyed fabric with natural mordant/dyeing was compared with synthetic mordant/dye process. The results of this study obtained are as follows. The apparently colour of kumazasa leaves extract dyed fabrics showed with light green or slightly yellow-green. In colorfastness to washing, ${\Delta}E$ and K/S values of dyed fabrics with natural chitosan as mordant used was shown to be more excellent results, than was synthetic mordant used. However, the decrease rate was recorded nearly 50% when washing repeated 20 cycles. In result of antimicrobial effect for bacteria, the dyed fabrics didn't show the significant antimicrobial activity to the both dyed with and without mordant. Results of this investigation considered that low-cost, natural, bio-mordant are relatively effective in natural coloration.

• 패션비즈니스
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• 제12권6호
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• pp.61-72
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• 2008

The UV-protection effect of green-tea dyed fabrics was reported in our previous studies. The chitosan was used as a natural mordant of cellulose fiber for green tea extract because chitosan is a natural bio-polymer. The increase in the UV protection property of summer cellulose fabrics, cotton and linen, upon the repetition of chitosan mordanting and green tea dyeing was observed. However, the physical property change would be followed by this repeated wet processing of the cellulose fabric. Therefore, the physical changes of the chitosan mordanted and green tea dyed cotton and linen fabrics were evaluated by KES-FB system. Tensile, shear, bending, compression, and surface characteristics were tested upon the repetition of mordanting and dyeing treatments. Linearity of tensile force increased in the treated cotton and linen samples. Tensile energy and resilience decreased in all treated fabrics. Shear stiffness increased in the treated cotton and linen in general. Shear hysteresis was increased in all cotton samples and some linen samples. In cotton, the bending rigidity in all treated cottons increased except C3G3. As the chitosan mordanting numbers increased, the bending rigidity tended to decrease. In linen, the bending rigidity and hysteresis increased in all treated samples. Compressional energy and resilience increased as the number of chitosan mordanting increased both in cotton and linen. This could be the result of the increase in thickness upon chitosan mordanting. Surface coefficient of friction increased in the treated cotton and linen in general. Surface roughness tended to increase in cotton.

• 융합정보논문지
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• 제11권12호
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• pp.221-228
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• 2021

본 연구는 염색 과정에 유기산을 이용한 후처리를 적용하여 염색의 지속성을 높이고 모발의 손상을 억제하고자 하였다. 체리레드와 블루실버 색상으로 탈색모를 염색하는 과정에 succinic acid와 tartaric acid를 이용하여 후처리 하고 염색된 모발의 색 지속성, 인장강도, 기공, 표면 특성을 알아보았다. 반복적인 샴푸 세척을 진행한 후 모발의 색상변화를 측정한 결과 succinic acid와 tartaric acid 실험군은 대조군 보다 효율적으로 모발의 색상을 유지할 수 있었다. 염색 후 모발의 손상도를 측정한 결과, succinic acid와 tartaric acid 실험군은 대조군 보다 높은 인장강도, 낮은 기공도, 매끄러운 표면 특성을 나타내어 모발 보호 효과를 나타냈다. 특히, tartaric acid는 succinic acid 보다 높은 효율로 염색모의 색을 지속시키고, 모발을 보호할 수 있었다.

• 한국의상디자인학회지
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• 제23권3호
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• pp.23-42
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• 2021

The purpose of this study is to analyze the characteristics of the Chinese Miao people's Batik patterns and provide data in the field of fashion design for the utilization of the traditional patterns. This study investigated and analyzed the regional characteristics of Batik dyeing, which was listed on China's national intangible cultural heritage list; Danzhai, Anshun, Huangping, and Gonghyeon. The expressive characteristics were classified into four categories: symbolism, abstraction, decorativeness, and playfulness. The results are as follows. First, symbolism can be classified into the origins of the Miao, symbols of faith, history of migration, and the symbols of status with Batik patterns from different regions, seemingly involving various symbolic implications. Due to the absence of letters, Miao people expressed their emotions and history in the design patterns. A series of developments in recent years has led to incorporating the temperament of the Miao people, history of migration, expression of emotions, and ideal hopes in Batik dyed design patterns and the symbolic functions have been significantly emphasized. Second, the decorativeness is mainly characterized by repeated patterns of the Miao Batik dyeing design. The overall patterns demonstrate design features characterized by regularization and simplification, along with a sense of rhythm with the unique arrangement of patterns. Third, the abstractness of the Batik dyeing design patterns is often found in plant and animal patterns, properly delivering new designs created by Miao women by extracting and rearranging various elements, including dots, lines, and faces shown in natural images. Fourth, playfulness is expressed by the transformation and distortion of Miao Batik patterns, and were created by applying patterns or other elements to original forms to express animal or plant patterns in a playful way.

• 한국염색가공학회지
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• 제18권2호
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• pp.8-14
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• 2006

The pigment extraction of Opuntia ficus-indica has been conducted to develop useful natural dyes in place of synthetic dyes which are suspected to bring serious environmental pollutions. The dyeing ability on wool fabric by addition of ascorbic acid and several mordants were investigated by means of color measurement. In addition, the fastness of washing, perspiration, rubbing, light, dry cleaning, effect on bacterial reduction and UV-B protection were also investigated. From these investigation, it is suggested that the pigment extracted from Opuntia ficus-indica can be used as a source of natural dyes and the obtained result are as follows. 1. Maximum absorption band (${\lambda}max$) of Opuntia ficus-indica extract is 533nm. 2. The wool fabric dyed with Opuntia ficus-indica extract has stable color by the addition of ascorbic acid and is achieved with addition of 0.1% ascorbic acid, 0.5% several mordant, and three repeated dying at $50^{\circ}C$ for 1.5hr. 3. The wash fastness of the dyed wool fabric when it is washed with neutral detergent is more effective than alkaline detergent. The dry cleaning fastness of the dyed wool fabric is more excellent. In addition, the perspiration fastness of the dyed wool fabric is increased by mordanting method. And than the rubbing fastness of the dyed wool fabric is showed excellent under dryness and wetness. Light fastness of the dyed wool fabric, however is showed inferiority. 4. The wool fabric dyed with Opuntia ficus-indica extract is showed effective bacterial reduction and UV-B protection is increased remarkably.

• 한국의류산업학회지
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• 제6권1호
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• pp.17-22
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• 2004

The purpose of this study was to obtain the basic element of patterns, which is the motif, from the existing art works and use it to create and simulate a variety of patterns to show the practical use of the computer. Natural dyed works of geometric shapes like squares and 1/4 of circles, each dyed with a different natural dyes, were produced and motifs were extracted. Then using the 4D box in Adobe Photoshop v.6.0, the developing pattern change and simulation effects when using different patterns and different repetition settings were examined. Observations were made as the motifs were replicated. Different patterns like a diagonal line, a square and a circle appeared. In order to find out the effects according to the changes, the motifs from work's square portions, circle centre, and the composition of eight motifs were extracted and used. The repeated patterns according to the extracted motifs simply showed that in the case of just repeating and arranging, square patterns appeared. By replicating and arranging, the motif and the allophone were matched and patterns with regular lines were formed, like a twill, pointed twill line. By setting the direction to Y and X in the repetition methodes, a typical half-drop arrangement or a brick pattern arrangement were formed according to 1/4, 2/4, 3/4, 1/3, or 2/3 in changes. Also the steepness of the slope changes quickly or in turn slowly as the rhombus shape appears. However in the case of a composed motif, an ogee pattern appeared. Lastly, by 3-D mapping patterns like a slant line, pointed twill patterns, diamond patterns, and the repeat patterns of a motif with a circle and a line combined, and a circle motif, an optical illusion could be observed.

• 한국의류학회지
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• 제37권7호
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• pp.874-881
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• 2013

Dansam (Salvia miltiorrhiza Bunge) is a perennial plant that belongs to the Labiatae family and is characterized by red pigment found in the epidermis of its roots. Research on the dyeability of Dansam extract was performed with repeated trials under various conditions such as temperature, time, and mordant treatment. Silk fabrics were dyed with Dansam extract and mordanted with various agents such as Al, Fe, Cu, and Sn to evaluate the dyeability and functionality of Dansam extract; subsequently, the K/S value and the change of surface color were analyzed using a colorimeter. In addition, the dyeability of dyed fabrics (such as color fastness to washing, dry cleaning fastness, rubbing fastness and light fastness) and functionality (such as antibacterial activity and deodorization) were analyzed. The surface colors of all dyed fabrics were recorded and the results showed the presence of mostly YR series of colors; in addition, a GY color series appeared in the Fe pre-mordants of the silk fabric. The highest K/S values were recorded in Fe post-mordants. The washing fastness were Level 3 and Level 4; in addition, the dry-cleaning fastness showed excellent results at Level 4 and Level 5. The rubbing fastness was satisfactory at Level 3 and Level 4 and the light fastness was satisfactory at Level 4. The results of the measurements (that pertained to the antibacterial activity of fabrics dyed with Dansam extract) showed a 99.9% bacteria reduction rate of Staphylococcus aureus and Klebsiella pneumoniae. In regards to deodorization ability, dyed fabrics were found to have higher deodorization rates than those not dyed. The dyed fabric demonstrated exceptional deodorization qualities.

• 한국의류산업학회지
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• 제7권5호
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• pp.472-480
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• 2005

It was proved the practical use of the unique traditional Korean paper through the previous researches. The purpose of this study was to suggest the adequate application which is making various applied patterns in the fashion products so as to contribute to textile, fashion, and Korean paper industry. Six kinds of vests with the same fashion material using the Korean traditional paper were manufactured in order to investigate the images of materials in case of wearing them on the actual human bodies. As the results of image assessment for the materials and the factor analysis, 'classical', 'natural', 'Korean traditional', 'rural' and 'luxury' images were presented as the representative image of the Korean traditional paper material. Making repeated patterns of stripes and zigzag by sewing-machine stitches showed the natural effect on Korean traditional paper. Well-matched harmony was shown between holes made by the needle in sewing and slits torn by the tension to the needle and the thread. Especially, transparency by irregular holes formed by artificial frictional washing could shown special formative arts harmoniously with semi-transparency of Korea traditional paper and touch of sewing yarn. After the unripe persimmon dyeing, holes made by the needle became more hard and tight. The changes were no longer shown by the artificial frictional washing and then fixed. As the result of applying the Korean traditional paper fashion materials with various patterns for the basic formed garments, it was shown that the common and simple garments were changed the garments with special formation which could be found on the art garments due to the creative touch and formative arts using the Korea traditional paper fashion material. A variety of formative application by means of the developed samples was suggested to enlarge the practicality. As the result of this study, it was discovered that the possibility and application of fashion goods through the developed samples made of Korean traditional paper.

• 보존과학회지
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• 제37권2호
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• pp.120-134
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• 2021

조선 말기 방한용 깔개인 모담(毛毯)이 창덕궁 성정각의 해체 공사 중 발견되었다. 문헌기록에 비해 현전하는 조선시대 모직물 유물이 많지 않아 유물로서 가치가 높다. 특히 1907년 창덕궁 성정각을 수리한 기록이 있어, 모담은 19세기 말 또는 20세기 초에 제작된 것으로 생각된다. 출토 모담은 자적색 계열의 바탕 직물로 위에 황색, 홍색 등으로 선염한 색사를 표면에만 삽입하여 문양을 시문하였다. 모담의 식서부분은 S연의 면사가 확인되었으며, 지경사는 Z연의 황마사, 지위사는 S연의 황마사, 문경사는 S연의 모사를 사용했다. 특히 무늬는 루프파일의 색사로, 색사의 경계면에서 일부 컷 파일이 확인되나 지위사로 고정되어 표면에 거의 드러나지 않는 다. 황마사와 모사를 사용한 것은 18세기 중엽 유럽의 브뤼셀 카펫의 영향을 받은 것으로 짐작된다. 모담의 문양을 밝히는 데 한계가 있으며 다만 문양이 부분적으로 반복됨을 알 수 있다. 이상의 연구내용을 도출하기 위해 문헌과 회화자료 외에 현미경 분석, 적외선 분광분석을 실시하였다. 또한 유물에 사용된 염료를 밝히기 위해 색도측정을 토대로 자외-가시광 분광분석을 실시하여 천연 염색한 직물 샘플에 대한 교차분석을 시도하였다. 그 결과 모담의 녹색 모사는 쪽을 사용하지 않았으며, 자적색의 바탕조직은 소목으로 염색한 것으로 추정할 수 있다.