• STI Policy Review
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• 제8권1호
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• pp.113-156
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• 2017

Although technological progress is considered a key element for economic growth and development of a country, strong empirical evidence in this regard is not available yet. Therefore, to establish the empirical link between technology progress and economic development, it is advisable to carry out a time series analysis. In this regard, the Technology Achievement Index (TAI) of 100 top economies has been developed to examine the position of countries' technological progress for the 21 years spanning 1995 to 2015. Countries have been ranked on their TAI which is based on four pillars; technology creation, diffusion of older innovations, diffusion of recent innovations, and development of human skills. As well, this current study re-calculates the Humane Development Index (HDI) of 100 top economies for the 21 years from 1995 to 2015. Ranking of countries' HDI values reflects three dimensions: A long lifespan (life expectancy index), knowledge (Education Index) and a decent standard of living (Gross National Income Index, or GNI). The Standard Deviation (SD) technique has been used to investigate the technological gap between individual countries and groups of countries or regions. For a more meaningful assessment, technological gaps from the maximum achievement value (i.e., one of the countries under study) are presented as well. To investigate the impact of technological progress on economic development, this study introduces a model in which the HDI is used as the dependent variable and the TAI and Gross Capital Formation (GCF) are used as independent variables. The HDI, TAI and GCF are used in this model as proxy variables for economic development, technological progress and capital respectively. Econometric techniques have been used to show the impact of technological progress on economic development. The results show that long-term associations exist between technology progress and economic development; the impact of technology progress on economic development is 13.2% while the impact is 4.3% higher in eight selected East South Asian countries, at 13.5%, than in eight selected highly developed countries (9.2%).

• 한국문헌정보학회지
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• 제49권4호
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• pp.203-220
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• 2015

본 연구는 국내 도서관에서 AACR2와 RDA 서지레코드의 공존에 따라 서지레코드의 디스플레이와 검색을 위한 하이브리드 서지레코드 생성 방안을 제안하고자 한다. 연구방법으로 문헌연구와 사례조사를 실시하였다. 분석대상은 도서관으로 Kent State University, University of Houston이고, 하이브리드레코드 생성 알고리즘으로 Backstage Library Works이었다. 조사를 바탕으로 국내에서 하이브리드 서지레코드 생성을 위해서는 첫째, 하이브리드 서지레코드와 RDA 레코드의 식별이 필요하다. 둘째, 판사항에서 약어를 무조건 확장하여 기술하는 것은 바람직하지 않으므로 250에 기술된 정보를 그대로 유지하도록 한다. 셋째, 260을 264로 변환하는 것보다는 260을 유지하도록 한다. 넷째, 자원유형을 정확히 변환할 수 있는 신뢰할 매핑표가 작성되어야 한다. 본 연구는 국내 서지데이터에서 서양서의 기존 레코드를 하이브리드레코드로 변환하여 통일된 디스플레이와 검색이 가능하도록 제안하였다.

• 시스템엔지니어링학술지
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• 제15권1호
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• pp.1-8
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• 2019

Reverse engineering involves examining a system or component so as to comprehend its structure, functionality, and operation. Creation of a system model in reverse engineering can serve several purposes: test generation, change impact analysis, and the creation of a new or modified system. When attempting to reverse engineering a system, often the most readily accessible information is the system description, which does not readily lend itself to use in Model Based System Engineering (MBSE). Therefore, it is necessary to be able to transform this description into a diagram, which clearly depicts the behavior of the system as well as the interaction between components. This study demonstrates how sequence diagrams can be extracted from the systems description. Using MBSE software, the sequence diagrams for the Engineered Safety Features Component Control System (ESF-CCS) of the Nuclear Power Plant are created. Sequence diagrams are chosen because they are a means of representing the systems behavior and the interaction between components. In addition, from these diagrams, the system's functional requirements can be elicited. These diagrams then serve as the baseline of the reverse engineering process and multiple system views are subsequently be created from them, thus speeding up the development process. In addition, the use of MBSE ensures that any additional information obtained from auxiliary sources can then be input into the system model, ensuring data consistency.

• 복식
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• 제58권8호
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• pp.91-105
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• 2008

Spatial multiplication phenomenon, expressed through de-constructive trend since the late of 20C, have got changed existing fixed and dis-variable space to smooth, fluid, and changeable space. Ex-form and fluidity of new spatial paradigm have been focused through lots of scientific theories studied between digital thought and indeterminacy and rankless nature phenomena. In 21C fashion, indeterminate and irregular form and space have been crested continuously, which could not explain simply according as the fluidity theory Different from the space crested for multi-function and multipurpose, this is revealed the characteristics of chaosmos that communizes the order and the disorder, deconstruction and creation. Ex-formal space of fashion have shown the relationship of de-centerizing, de-territorial, and do-structural phenomenon among different fashion elements. This paper intends to understand the concept of ex-form, and study expressive manners of ex-formal space of 21C fashion, and conclusion as follows. 1) Overlap changes single space of fashion to multi-layered space through the repeat system of pleats, origami, and folding. 2) Ex-gravity expressed in deviation of the gravity acting vertical direction, for example, twisting, curve, winding, portion. 3) Morphing is shown the change process from single fixed form to different complex form. 4) Blurring is expressed in re-combination and re-arrangement among elements of fashion. 5) Blob shows hybrid fashion space through the liberal compounding and separation of a lot of different elements.

• 한국게임학회 논문지
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• 제5권1호
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• pp.45-52
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• 2005

조선시대의 기생의 기원과 제도, 기생의 역할, 평양기생학교를 통한 기생의 원래의 의미인 전통적인 조선시대의 아티스트(Artist)임을 재조명하고, 기생학교의 제도와 규칙, 교육과정, 수업시간표, 졸업 앨범, 각종 사진첩을 통해서 조선시대의 기생의 역할과 평양기생학교 등의 재조명 및 분석을 통하여 전통적인 문화를 디지털콘텐츠의 창작소재로 발굴하므로 이를 디지털콘텐츠인 게임콘텐츠, 디지털애니메이션, 드라마, 영화화 할 수 있도록 소재화 하는 것이 본 논문의 목적이다. 특히, 조선의 기생의 아름다움과 아트적인 재능, 사회제도 및 기생학교 등을 발굴하여 원화기획(컨셉 디자인) 및 디지털시나리오 화하므로 경제성이 강한 문화콘텐츠로 발전시키며, 평양기생학교의 교육시스템, 교육내용, 학생 현황 등을 발굴하여 육성 및 경영시뮬레이션 게임의 제작 컨셉 도출 및 게임제작, 애니메이션 및 TV드라마, 디지털 애니메이션 및 영화 제작의 문화콘텐츠의 창작소재로 활용할 수 있도록 제안한다.

• 한국의상디자인학회지
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• 제9권2호
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• pp.167-178
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• 2007

The purpose of this study is to systematically examine fusion phenomenon in the cultural aspect aiming to grasp the characteristics of fusion phenomenon, which has a steady impact on fashion trend. A reason for fusion to be noted as a cultural code is because diversely cultural interpretations are impossible from one viewpoint. Therefore, it is aimed to inquire into the characteristics of fusion culture, which is one phenomenon of newly mass culture, and to examine which cultural fusion phenomenon in modern fashion is being displayed in fashion design. First, the culturally fusion phenomenon, which was indicated in modern fashion, is displayed as repetition. The fusion, which integrates into fashion as a cultural code, is a trend of pursuing the experience with different culture. The needs of consumers are shown as fusion fashion that repeatedly uses the traditional detail and the modern detail through cultural repetition. Second, it is displayed as transformation. A concept of fusion is not the simple aggregate in [1+1=2], but the creation of new culture called [1+1=1]. In modern fashion, the cultures in the East and the West are harmoniously transformed, and through transformation, each culture is being compressively delivered. Third, it is displayed as interdependency. The fusion fashion which was newly re-interpreted while having reciprocal influence upon mutual culture, is re-interpreted by forming the equal relationship in heterogeneous elements without destroying fashion that was made previously.

• International Journal of Costume and Fashion
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• 제8권1호
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• pp.36-52
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• 2008

Writer Hong Myung-hee, author of the novel Im Kkeok Jeong, provided an excellent description of the costume customs of the Chosun era, based on an understanding of various historical texts and literature by practical science proponents, and experience gained from the Hong household of Pungsan, a noble family of high standing during the Chosun dynasty. However, there is a tendency towards descriptions of late Chosun era customs, rather than 16th century customs, with the intent of heightening the image of what most people felt to represent Chosun and its prestige, thereby generating greater reader sympathy. Therefore, information on the costume customs of the novel 1m Kkeok Jeong is analyzed and re-formed to fit with the temporal setting of the 16th century. By providing data to aid visual understanding and re-creation, the intent is to accept it as material for the rumination of our ancestors and their lifestyles in the 16th century. The novel provides a good description of Chosun economic customs, in which cotton and hemp were used not only as fabric for clothes, but also as currency. The trade value of cotton drapery or hemp drapery with dimensions of 5 strand density at a length of 35 ja per roll was designated as 5 mal (about 90 liters) of rice by national law, but the actual value varied depending on the production of rice. Also, it is possible to confirm the existence of sang po with dimensions of 3 strand density at a length of 30 ja per roll, or 2 strand density seochongdae cotton, which was used only as currency due to the rough quality. Characteristics of the Chosun dynasty, a class-based society, are described through distinctions of attire. The writer's intent regarding the symbolic nature of attire reflecting social position, a characteristic of the entire Chosun period, is analyzed with the presentation of visual material.

• 복식
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• 제27권
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• pp.163-171
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• 1996

As the current stage of the fashion begins to follow the styles of the past the study on he past costume is getting more importance and as the methodology of the study the accurately ap-proached study through the rehabilitation of the past costume is more needed than the simple re-arrangement of the historical documents. By this methodology this study can be positioned as a re-creation activity. The results of the study are as follows. 1) Style: The S-line silhouette remains be-cause of the straight silhouette or the blossom style bodice. This dress has various types of sil-houette but generally it forms one silhouette and is one-piece. 2) color and Material: The material varies hile the color is divided as the main color of ivory and the stress color of brown. This shows not only that the material has been varied but also that they tried to reduce the monotony. 3) Pattern and Sewing: The simple external figure and the previous stage typically shows the movement to the simplicity of the contemporary and the num-ber of patterens is plenty and the sewing method is also complex. 4) Detail. To overcome the simplicity of the style and to show the characteristics of the afternoon dress the skunk fur the net the sash, and the bow are used. 5) Structural Characteristics: The front open-ing the back opening and the side opening coexists in one-pieced dress and this forms unique structure and complex fastening device. The ribbon tape and casing not only finish the seam but also fix the shape of the dress. Synthetically the 1913-14 afternoon dress has the characteristics of transitional stage in which the characteristics of the costume of 1910s and the remnants of the characteristics of the pre-vious costume style and shows the character-istics of afternoon dress well in terms of the ma-terial the structure and the detail.

• 한국콘텐츠학회논문지
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• 제15권8호
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• pp.149-155
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• 2015

마틴 파 사진은 욕망의 소비사회를 통찰하는 문화사회학적 보고서이다. 그의 사진은 현대사회가 펼치는 상상극의 무대를 비추고 현대인이 펼치는 삶의 허구성을 비춘다. 사진의 재현성을 통해서 재현된 사회, 재현된 이미지들을 보여준다. 마틴 파의 사진이 말하듯이 사진은 현실 그 자체가 아니다. 현실의 이미지이다. 실재가 아니라 실재처럼 보이는 실재의 시뮬라크르이다. 이 재현의 코드 망이 우리가 살고 있는 재현된 '소비사회'를 직시한다. 소비사회는 상품사회이다. 또 욕망의 사회이다. 현대성이란 삶의 현재적 조건이다. 결론적으로 본 연구에서는 소비사회의 욕망과 물신성을 통해서 자본주의 시장경제체제의 전면과 이면을 투사하려 했다. 상품들이 욕망을 충족시켜주는 삶, 유혹의 현대 소비사회 속에서 상품은 과연 무엇을 재현하며, 왜 그토록 현대인들이 상품에 집착하는지, 소비사회의 감춰진 이면을 통해서 자본주의 사회의 욕망의 코드를 살피는 데 있다. 그 결과, 후기모더니즘 사회에서 욕망하는 사회야말로 현대인들이 현대를 살아가기 위해 재현의 문화사회학이라는 사실을 마틴 파의 사진을 통해서 논증하고자 했다.

• 한국전자통신학회논문지
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• 제17권2호
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• pp.291-298
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• 2022

생성적 적대 신경망(Generative Adversarial Networks, GAN)은 내부의 두 신경망(생성망, 판별망)이 상호 경쟁하면서 학습하는 네트워크이다. 생성자는 현실과 가까운 이미지를 만들고, 구분자는 생성자의 이미지를 더 잘 감별하도록 프로그래밍 되어있다. 이 기술은 전체 이미지 X를 다른 이미지 Y로 생성, 변환 및 복원하기 위해 다양하게 활용되고 있다. 본 논문에서는 원본 이미지에서 부분 이미지만 추출한 후, 이를 자연스럽게 다른 객체로 위변조할 수 있는 방법에 관해 기술한다. 먼저 원본 이미지에서 부분 이미지만 추출한 후, 기존에 학습시켜놓은 DCGAN 모델을 통해 새로운 이미지를 생성하고, 이를 전체적 스타일 전이(overall style transfer) 기술을 사용하여 원본 이미지의 질감과 크기에 어울리도록 리스타일링(re-styling) 한 후, 원본 이미지에 자연스럽게 결합하는 과정을 거친다. 본 연구를 통해 원본 이미지의 특정 부분에 사용자가 원하는 객체 이미지를 자연스럽게 추가/변형할 수 있음으로써 가짜 이미지 생성의 또 다른 활용 분야로 사용될 수 있을 것이다.