• 한국콘텐츠학회논문지
• /
• 제13권6호
• /
• pp.95-107
• /
• 2013

영화의 언어적 요소인 대사(dialogue)는 영화의 서사 전개에서 중요한 역할을 한다. 하지만 스토리를 이미지로 표현하는 영화의 매체적 특성상 영화 분석의 초점은 주로 영상에 맞추어져 있었고, 대사는 평가절하되거나 그 중요성에 비해 연구가 미흡한 것이 사실이다. 본 연구는 그동안 영화 연구에서 부차적이고 주변적인 위치에 머물러 있던 대사가 서사의 진행에서 어떤 기능을 하는지 살펴보고, 대사가 영화에서 갖는 의미를 조명한다. 이를 위해 영화 속 등장인물들의 발화를 통해 표출된 감정 표현(emotion expressions)들을 대사로부터 수작업으로 선별하여 긍정과 부정으로 극성 분류를 한 후, 감정 표현들의 비율이 어떻게 서사와 연관성을 갖는지를 정량적으로 분석하였다.

• International journal of advanced smart convergence
• /
• 제13권2호
• /
• pp.172-186
• /
• 2024

With the globalization of the film industry, ethnic minority films have been developed and studied by many scholars for their special ethnic representation. The film "Tharlo" directed by Pema Tseden carefully explores the identity anxiety of a Tibetan shepherd. Through the connection and separation between the protagonist and traditional culture, it shows a complexity of modern ethnic identity for minority people. This study explores what kind of cinematic techniques and symbolic elements the director uses to shape ordinary characters, build a narrative space, and show ethnic representation. This paper puts forward a theoretical framework combining cinematic quantitative methods with qualitative narrative and semiotic analysis, aiming to deepen our understanding of cinematic techniques and ethnic representation, and provides a new perspective and profound insights for discussing the complexity faced by ethnic minorities in contemporary films. This study finds that Tseden's "Tharlo" successfully portrays the complex transformation of Tibetan cultural identity in the context of globalization and modernization through cinematic techniques such as fixed camera positions, long take and black-and-white cinematography, combined with the use of symbolic elements like mirrors, lambs and identity cards.

• International Journal of Contents
• /
• 제13권3호
• /
• pp.43-48
• /
• 2017

As a computational approach to literary criticism, the method of character network analysis has attracted attention. The character network is composed of nodes as characters and links as relationship between characters, and has been used to analyze literary works systematically. However, there were limitations in that relationships between characters were so superficial that they could not reflect intimate relationships and quantitative data from the network were not interpreted in depth regarding meaning of literary works. In this study, we propose an improved method of character network analysis through a case study on the play . First, we segmented the character network into a dialogue network focused on speaker-to-listener relationship and an opinion network focused on subject-to-object relationship. We analyzed these networks in various ways and discussed how analysis results could reflect structure and meaning of the work. Through these studies, we strived to find a way of organic and meaningful connection between literary criticism in humanities and network analysis in computer science.

• 대한인간공학회지
• /
• 제33권1호
• /
• pp.69-76
• /
• 2014

Objective: This study aims to present literature providing researchers with insights on specific fields of research and highlighting the major issues in the research topics. A systematic review is suggested using content analysis on literatures regarding "visual search", "eye movement", and "eye track". Background: Literature review can be classified as "narrative" or "systematic" depending on its approach in structuring the content of the research. Narrative review is a traditional approach that describes the current state of a study field and discusses relevant topics. However, since literatures on specific area cover a broad range, reviewers inherently give subjective weight on specific issues. On the contrary, systematic review applies explicit structured methodology to observe the study trends quantitatively. Method: We collected meta-data of journal papers using three search keywords: visual search, eye movement, and eye track. The collected information contains an unstructured data set including many natural languages which compose titles and abstracts, while the keyword of the journal paper is the only structured one. Based on the collected terms, seven categories were evaluated by inductive categorization and quantitative analysis from the chronological trend of the research area. Results: Unstructured information contains heavier content on "stimuli" and "condition" categories as compared with structured information. Studies on visual search cover a wide range of cognitive area whereas studies on eye movement and eye track are closely related to the physiological aspect. In addition, experimental studies show an increasing trend as opposed to the theoretical studies. Conclusion: By systematic review, we could quantitatively identify the characteristic of the research keyword which presented specific research topics. We also found out that the structured information was more suitable to observe the aim of the research. Chronological analysis on the structured keyword data showed that studies on "physical eye movement" and "cognitive process" were jointly studied in increasing fashion. Application: While conventional narrative literature reviews were largely dependent on authors' instinct, quantitative approach enabled more objective and macroscopic views. Moreover, the characteristics of information type were specified by comparing unstructured and structured information. Systematic literature review also could be used to support the authors' instinct in narrative literature reviews.

• 한국수학교육학회지시리즈C:초등수학교육
• /
• 제24권4호
• /
• pp.203-216
• /
• 2021

이 연구의 목적은 초등학교 수학교실에서 시행되는 경과시간 수업에서 학생들에게 제공되는 수학 학습기회를 탐색하는 것이다. 경과시간을 도입하는 데에 있어 후속 학년과의 수학적 연결성을 갖도록 경과시간을 양적으로 대상화하려는 교사들의 노력을 문서화하고자 하였다. 이를 위해 세 초등교사의 경과시간 도입 수업을 관찰하고 내러티브 분석을 시행하였다. 그 결과, 교사들은 도구를 사용하여 학생들이 경과시간을 양적으로 접근할 수 있도록 지원하고 있었으며, 같은 도구라도 서로 다른 양적 측면을 강조하였다. 아날로그 시계의 경우 한 교사는 시계바늘의 회전 바퀴 수로 양적 대상화를 시도한 반면, 다른 교사는 시계바늘이 아동한 거리로 경과시간의 양을 표상하였다. 시간띠의 길이 속성으로 경과시간의 양을 표상하는 경우도 있었다. 결과를 바탕으로 경과시간의 수업에서 다양하게 포착된 양적 대상화 사례들의 교수학적 의미를 논의하였다.

• 한국어교육
• /
• 제28권1호
• /
• pp.79-111
• /
• 2017

This study is a trend analysis study that discusses the current status and directions of research methods of KAP research. The existing trend ana lysis studies dealing with research methods have problems in that the classification criteria of the studies used are rough and different from each other, rendering comparison between studies being difficult, and do not comprehensively cover research methods of diversified KAP research. Therefore, this study examined the research methods of KAP research from a critical point of view and suggested a set of classification criteria and an analysis framework that can be used consistently in classification and analysis of future KAP research methods. Based on the theoretical background of second language studies and applied linguistics, this study revised and supplemented Brown (2015)'s research method types and selected 289 journals and theses/dissertations from 2012 to 2016 and classified them into a new analysis framework. The primary and secondary studies, which are the major categories, were 219 and 70, respectively, so it was confirmed that there were much more primary studies. The primary studies then were subdivided into 128 qualitative research studies, 142 survey research studies, and 23 quantitative research studies, pointing to the trend that survey and qualitative research methods were preferred. In the qualitative research approaches, there were 21 action research studies, which were used the most. In addition, such qualitative research approaches as case studies and narrative inquiries which were difficult to find in the past, have gradually increased, confirming that the diversification of research methods is becoming common. However, there were still many studies that did not explicitly put forward research questions and there were many studies that did not report reliability and effect sizes in quantitative research. Of the 23 quantitative studies, only 50% reported reliability, and only three reported effect sizes. In order to enable systematic reviews (meta-analysis) of quantitative research and expect quality improvement of research in future KAP research, reporting of quantitative research should be done more systematically. This study is meaningful in that a systematic and detailed analysis framework was proposed to classify various research methods in the future and that the problems and directions for improvement of the KAP research methods were discussed through the analysis of the research trend of the KAP studies for the last 5 years.

• 한국의류학회지
• /
• 제22권7호
• /
• pp.952-962
• /
• 1998

본 연구의 목적은 지난 20여 년간 발표되었던 복식사 연구 논문의 연구방법을 검토, 분석함으로서 복식 연구의 학문적 기초를 다지며, 아울러 미래의 복식 연구가 나아가야 할 바람직한 연구 방향을 모색하는데 있다. 본 연구를 위하여 1977년부터 1996년 사이 미국의 복식관련 학술지에 발표된 총 34편의 복식 연구논문을 수집하여, 각 논문의 연구방법과 주제, 사용된 자료, 다른 학문과의 연계성에 관한 내용을 분석하였다. 본 논문에서는 복식연구의 방법을 질적(Qualitative)연구방법으로 서술형(Narrative)과 해석형(Interpretive), 그리고 양적(Quantitative) 연구방법의 세 가지 유형으로 분류하여 분석하였다. 본 연구의 결과에 의하면, 복식학자들은 복식사가 갖는 다른 여러 학문영역과의 연계성(Interdis-ciplinary nature)으로 인하여, 광대한 연구주제에 따라, 각종 연구자료를 이용하여, 여러 학문적 관점에서, 다양한 연구 방법을 적용시켜 왔던 것을 알 수 있다. 적절한 연구방법의 선택은 각 논문에 따라 연구자의 의도, 주어진 연구주제, 가능한 모든 자료를 근거로 하여 결정되어야 하며, 하나의 논문 내에서도 각 부분에 적합한 여러 연구방법을 병행하여 사용함으로서 가장 효과적으로 연구의 목적을 달성할 수 있어야 한다.

• 한국의류학회지
• /
• 제47권3호
• /
• pp.544-559
• /
• 2023

Social discourses surrounding diversity, equity, and inclusion (DE&I) in the fashion industry are vital as they extend beyond language and encompass social practices. This study aimed to understand how discourses on DE&I with in the fashion industry are reconstructed and practiced in society. Therefore, this paper analyzed DE&I in the fashion industry, by focusing on the New York Times articles, employing a quantitative research model based on corpus analysis and a qualitative approach through critical discourse analysis. Results of the analysis of textual practice, showed that the New York Times emphasized black individuals as the central discourse and created a critical racial narrative regarding DE&I in the fashion industry characterized by a dichotomy of black vs. white confrontation. Furthermore, results of the discourse practice analysis revealed that the dichotomy of racial confrontation in the New York Times article tended to select the subject of discourse related to racial DE&I in the fashion industry according based on social and historical context. Thirdly, the analytical results of sociocultural practices indicated that the dichotomous racial discourse between black and white, propagated by the New York Times, spread across social media, transforming fashion from an industry to a domain where black individuals struggle for human rights.

• 한국실내디자인학회논문집
• /
• 제20권4호
• /
• pp.155-162
• /
• 2011

In order to pursue the traces of truth, boundaries set by man for convenience were crossed or Integrated leading to the discovery of new paradigms. Such phenomena including collaboration, convergence, crossover and etc. are expressed in various forms across the society and culture. In particular, development of digital technology is moving away from its previous color based on scientific, statistical and quantitative perspective by using diverse variables. Also, as the borderlines of genres become increasingly more ambiguous, various concepts of color blending developed rapidly. Thus These chaosmos-like color blending have created new contents. This research aims to understand the principle of color blending in Karim Rashid's work, which advocates the world of design in diverse fields from industrial products to architecture. The principle of color blending such as information change, source color and destination color, interaction, and etc. makes it possible to extract the expressed element and method of color blending. Meanwhile, the features of color blending such as integrated space and time, vague form, and narrative genre can be inferred from case analysis.

• 대중서사연구
• /
• 제25권3호
• /
• pp.303-345
• /
• 2019

이 논문은 포탈사이트 Daum에 연재되고 있는 김나임 작가(글/그림)의 웹툰 <바리공주>를 대상으로, 콘텐츠의 서사 구조와 댓글 분석을 질적/양적 방법론을 병행해 수행함으로써, 바리공주 서사무가라는 고전을 기반으로 한 웹툰 콘텐츠의 창작과 수용에 매개된 다층적 대화 양상을 해명했다. 웹툰 <바리공주>는 단위 서사가 독립적, 다선적, 중층적으로 연결되는 옴니버스 구성을 취하되, 바리의 성장담과 로맨스를 통해 개별서사를 통합하는 서사적 장치를 활용했다. 이때 작가는 예고편을 통해 고전원작(서사무가)을 웹툰의 프리퀄에 해당하는 전사(前史)로 활용했고, 원작이 지닌 젠더 비대칭성과 가부장제의 문제에 서사적으로 응답하는 서사적 재구성을 시도했다. 이에 대해 수용자는 비평적/성찰적 차원의 댓글로 토의하는 대화적 공론장을 형성했다. 표집을 통한 통계 분석에 따르면, 댓글의 양상은 〔콘텐츠에 대한 감상과 비평 ≫ 감정 반응 ≫ 직관적 총평 ≫ 지식과 성찰 ≫ 댓글평〕의 순으로 나타났다. 웹툰 <바리공주>의 창작과 수용에는 고전과 현대, 콘텐츠와 수용자, 수용과 창작 차원의 다층적 대화 양상이 작동했다. 창작의 차원에서 작가는 신화적 상징의 간극을 메우는 장치를 활용했으며, 수용자의 차원에서는 댓글을 통해 전통/민속/문화에 대한 정보와 지식, 성찰을 공유하는 문화를 형성했다. 이는 웹툰을 매개로 한 고전과 현대의 대화에 해당한다. 수용자는 웹툰의 향유를 통해, 정보를 보완하고 공감대를 형성하며, 해석학적 조율을 시도하고, 논쟁을 통해 시각을 조율하는 과정을 보였다. 또한 댓글을 다는 태도, 시각, 입장에 대해 논평함으로써, 문학에서의 메타비평에 해당하는 행위 양태를 보였다. 수용자의 댓글은 웹툰의 창작에 피드백 정보로 작용함으로써, 창작과 수용 자체가 웹툰 콘텐츠 제작에 영향을 미치는 실천적 역량으로 작동했다. 이 글은 고전을 기반으로 한 웹툰 <바리공주>가 고전과 현대, 작가와 수용자, 연구자간의 다양한 대화성을 형성함으로써, 감각, 사유, 비평, 성찰에 이르는 '움직이며 역동하는' 콘텐츠로 재구성된다는 것을 구체적으로 해명하는 케이스 스터디로 수행되었다.