• Title/Summary/Keyword: Pyeongsijo

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A examination of 'Gakssi (각씨)~' Sijo and interpret of $\lceil$Gaksine nae cheobi doena(각시니 내 첩이 되나)$\rfloor$ (각씨니[네]~' 시조의 검토와 "각시니 내 첩이 되나"의 해석)

  • Lee young-tae
    • Sijohaknonchong
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    • v.22
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    • pp.225-247
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    • 2005
  • This article is aimed at reviewing the series of 'Gakssi (각씨)$\~$' Sijo or Saseolsijo. We can find the word 'Gakssi' having a very close relationship with alcohol. side dishes and the space where music is played in a record published before the late Chosun dynasty and it was recited in Korean verses. 'Gakssi' appeared in the verses did not mean average woman but a character raising the singing climate at the 'Juyeonseok(주연석) or Pungnyujang(풍류장)', as a mood-maker. $\lceil$Gaksine nae cheobi doena(각시니 내 첩이 되나)$\rfloor$($\#48$), the forerunner among the 'Gakssi (각씨)' verses, is no exception. In this context, we can come to the conclusion that this verse is closely related to such places as 'Juyeonseok(주연석) or Pungnyujang(풍류장)‘. Therefore, the others coming after $\#48$ can provide reasonable bases to consider this song associated with people who were able to visit those locations.

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A Study on compiling way of gosijo anthology - Focusing on the classic gosijos(模範의 古時調) wascompiled by Anhwak(安廓) - (고시조 앤솔로지 편찬 방법 연구 - 자산 안확의 <모범의 고시조>를 중심으로 -)

  • Kim, Tai-Woong
    • Sijohaknonchong
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    • v.43
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    • pp.67-94
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    • 2015
  • This paper presents a method and necessity of this research to study the gosijo Anthology compilation method. The cataloging work was carried out 53 species of gosijo Anthology ranging from 1910-2000's, in order to proceed with the study. There was no way to analyze the compilation of all gosijo Anthology ranging from 53 species in this article. For this reason, select the classic gosijos(模範의 古時調) of Anhwak(安廓) conducted a study gosijo Anthology compilation method. The classic gosijos(模範의 古時調) of Anhwak(安廓) are no new works, will be named as one of the subheadings of the magazine. But not less that 100 can work with and all the works reveal the artist. It also select a topic classification scheme. This point is analyzed with focus on the text to be responsible enough to think that the role of gosijo Anthology. The classic gosijos(模範의 古時調) is thought to have great significance in a few aspects. First, the gosijo The Anthology is only pyeongsijo(平時調) and can be called only sijojip which the artist recorded all the work. Second, the work presented in this gosijo Anthology are the popular songs contained in a number of Gagip(歌集) majority. Third, there is a new artist appears gosijo Anthology does not appear as a writer in the gosijosa(古時調史). They BakDaegil(朴大吉), ChoiSeobung(崔瑞鵬), OhHuisang(吳喜常), JangWooByouk(張友璧), AnSapil(安思弼), AnYungi(安胤基). Fourth, gosijo Anthology reveals the Woodae gagaek(歌客) locality and the foundation of JoSeon(朝鮮) gagok(歌曲).

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