• 대한가정학회지
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• 제40권7호
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• pp.173-192
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• 2002

This study is intended to observe the meaning, aesthetic formative characteristics of the human body which is introduced and applied to the fashion design. The analysis of the modern fashion design describing the human body refers to the extracted fashion design which expresses the human body appearing in domestic & foreign fashion magazines as well as publications associated with it and published since 1990. The analysis of the way of expression, the image and the design elements in these fashion design works, has had to formative characteristics in each of the three parts. The pursuit of formative characteristics through simplifying the expression of the human body, uprising of anatomical expression, and metaphorical expression with the help of personification and objectification can be thought of as characteristics of expressing pattern. And the op-art, optical illusion by virtue of pointillism, the use of non-woven molding, and action painting technique can be described as expression tools to recognize the human body. Images are presented in the characteristics of being grotesque, humorous, erotic, futuristic and mysterious. The characteristics of designs are expressed in creative detail, trimming, pattern and accessory using the form of human body itself as an item of clothing tends to show the unity of human body and clothing. The human body in the modern era reflects the post human image as well as its meaning as a medium and tool. It is also perceived as a specific object to be self-conscious of in this reality with the loss of humanity, alienation and the confusion of identity. The analysis of the image and way of expression of human body in the fashion design, and the meaning of human body will play an important role of identifying tole viewpoint about human body as well as prospecting what the human being will be in the future.

• 복식문화연구
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• 제18권4호
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• pp.612-625
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• 2010

People have more expectations for arts and design and accordingly, various artworks were combined with fashion to meet the consumer needs. As people live a decent life, the development of leisure activities and industry has a much effect on apparel. With this phenomenon, a free and active casual look is making progress centering around the practical apparel, pursuing diversified efficiency irrespective of a season and considering sensibility not formality. In this study, paintings of Henri Matisse were analyzed in every respect and were applied in apparel design with diverse color arrangement and a motif originating in the phenomenon of modern fashion design which leads to the integration of arts and design. Painting image and color of Henri Matisse were used. Sportive casual and cultural casual was used in design as well. Originality of its color in the paintings which were used an a motif is coming from Gauguin and Gogh. Henri had influenced to the next generation with pursuit of violent color. The following conclusions were drawn from this study. First, the color of Henri Matisse's paintings has a strong contrast effect. It combines notable violent color with a simple yet decorative motif. Therefore color from Matisse's paintings suit for apparel of marked individuality with its free color arrangement. Second, free and active image in Henri Matisse's paintings is easy to express efficiency and popularity. It accords with the feature of casual wear. Third, through adding a flowing curved line in Henri Matisse's paintings to materials and applying various colors putting into a curved line image to a rib section, a decorative effect which goes with the whole shape is obtained. This study presents possibility of emergence of unique design using free color arrangement and motif from the image of paintings and aims development of modern fashion design in accordance with modern fashion giving importance to the difference and sensibility by integration of modern garments and artworks.

• 복식
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• 제61권2호
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• pp.1-19
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• 2011

As modern society advances, women's self-consciousness and attitudes toward beautiful appearances have changed. Amid this trend, the young and slim body of adolescent girls expressed in contemporary fashion incites fantasy on continuing youth among women. In modern society, women's youth is frequently regarded as a subject of consumption and a sex product in the mass media. In this regard, the study is focused on examining desire and psychology of worshipping women's youth and beauty in connection with flapper fashion in the 1920s. In the process, the study took a look at the social and cultural background of flapper fashion and conducted an analysis on formative characteristics and aesthetic sense of flapper fashion as follows: First, the formative characteristics include a short skirt that expresses straight lined shape and the beauty of exposure, lighter clothing, thick make-up, short hair style and black or vivid colors, and they lead to exceptional and innovative aesthetic sense in flapper fashion. Flapper fashion style is focused on completely denying outdated fashion worn by women in the age right before. Second, pursuit of mature, graceful and classical beauty that had continued in previous ages has gone through complete changes in the flapper era in the name of pursuit of youth, and the flapper fashion expresses sensual image through the exposure of slim arms and legs of a young girl. In the formative characteristics, aesthetic sense of youth and sensuality inherent in the flapper fashion was generated. Third, women's free-spirited lifestyle at that time and 'aesthetic sense of freedom and amusement that reflected the speed of machine civilization could be found in the flapper fashion. Material and decoration of the flapper fashion pertained to clothing that enabled a free expression through rapid movements. Aesthetic sense of the flapper fashion generated in the process could be defined as women's internal determination to express individual and free-spirited ideas through the use of fashion when tradition and order of the old age were torn down. And this aesthetic sense is continuously affecting modern fashion design.

• 인지과학
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• 제13권2호
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• pp.37-45
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• 2002

추적 눈 운동에 의해 망막에서의 상이 역동적으로 변화함에도 불구하고 우리는 외부세계의 공간속성을 대부분 안정적으로 지각한다. Helmholtz를 비롯한 많은 연구자들은 우리의 시각체계가 망막에서의 상의 움직임과 눈 운동정보를 동시에 고려하여 외부세계의 공간속성을 지각한다고 믿어 왔다. Helmholtz가 제안한 체계가 완벽하게 작용하지 않음을 나타내는 증거들을 여러 연구들이 제시하여 왔지만, 대부분의 연구는 두 눈이 같은 방향으로 움직이는 상황에 국한되었다. 본 연구는 관찰자로부터 멀어지거나 가까워지는 대상을 두 눈으로 추적하는 경우에서처럼 두 눈이 각기 반대 방향으로 움직이는 상황에 의해 유발되는 양안부등이 시각체계에 의해 교정되는지를 검증하였으며, 피험자들은 반향 눈 운동 동안에 시공간적인 중침패턴에 의해 정의되는 대상의 경사를 2AFC과제를 이용하여 보고하였다. 실제 제시되는 대상이 피험자와 평행하게 경사 없이 놓여 있음에도 불구하고 반향 눈 운동에 의해 망막에 생성되는 양안부등과 일치하는 방향으로 피험자들은 대상의 경사를 왜곡하여 지각하였다. 이러한 실험결과는 우리의 시각체계가 반향 눈 운동에 의해 유발되는 양안부등을 적절히 교정하지 못함을 의미한다.

• 한국전자파학회논문지
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• 제28권8호
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• pp.636-645
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• 2017

실 개구(real-aperture)를 사용하는 스캐닝 레이다(scanning radar)는 지상을 감시하거나 재난 구조를 하는 등 폭 넓게 이용 가능하다. 그러나 스캐닝 레이다의 특성상 거리 방향의 분해능은 송신하는 신호의 대역폭에 의해 제한되며, 거리방향에 수직한 방향의 분해능은 빔 폭에 의해 결정된다. 본 논문에서는 초해상도(super-resolution) 레이다 영상 기법을 제안한다. 산란체가 스캔 영역에 드문드문 존재한다면 반사율의 분포를 sparse 신호로 간주할 수 있게 되고, '압축 감지(compressive sensing)' 문제로 수식화하는 것이 가능하다. 본 논문에서는 '재가중치 ${\ell}_1$-최소화'를 통해 2차원 레이다 이미지를 얻는다. 모의실험 결과에서는 제안하는 기법으로 얻은 이미지와 더불어 기존에 널리 쓰이는 Orthogonal Matching Pursuit(OMP), 합성 개구 레이다(Synthetic Aperture Radar : SAR)의 결과와 비교하였다.

• 디지털융복합연구
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• 제17권5호
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• pp.179-189
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• 2019

최근 몇 년 동안 차세대 친환경 자동차의 주요 제조업체의 개발 및 시장 참여가 가속화되고 있으며, 소비자 관심도 증가했다. 본 연구는 차세대 친환경 자동차의 소비자 특성, 소비 유형, 정부 정책 등에 중점을 두어 연구하였다. 본 연구의 결과로 소비자 유형 (가격 가치 추구 유형, 개인 가치 추구 유형, 소비자 사이의 유의 한 차이는 없음)과 소비자의 특성 (성별, 연령, 월평균 소득)와 구매 의도는 연령, 성별, 월평균 소득에 따라 유의 한 차이가 없었으나 소비자의 유형에 따라 구매 의도가 유의미한 차이를 보였으며 디자인브랜드, 색상, 이미지는 친환경 자동차에 긍정적 (+)의 영향을 미치는 것으로 나타났다. 이는 최근 차세대 친환경 자동차의 개발 및 시장 참여가 가속화되고 소비자의 관심이 증대되고 있음을 시사하며, 친환경 차량의 특성 및 정부의 정책적 지원이 중요한 요소임을 알 수 있다.

• 한국콘텐츠학회논문지
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• 제14권2호
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• pp.84-93
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• 2014

본문은 만화의 텍스트가 내용적 의미를 전달한다면 이미지는 어떻게 텍스트와 결합하여 서사적 기능을 하는가에 대한 연구에 목적을 두었다. 이에 한국과 일본의 만화 <형가자진왕>에 나타난 텍스트와 이미지 표현, 만화의 서사방식과 소통 그리고 도상적 표현의 비교분석을 통해 그 서사방식의 특징을 살펴보았다. 만화의 창작 모티브로서 형가의 이미지는 서사의 흐름에서 탈피하여 현재화하고 독자와 공감하는 타자이다. 고우영과 스메라기 나츠키의 만화에서 선, 면, 공간, 음영 등을 통해 가상의 서사적 시공간을 구축하였으며 작가의 상상력이 더해져 불가능한 역사적 현실의 재현과 서사적 의미를 실현하였다. 스메라기 나츠키의 만화는 지속적인 역사적 진실과 추동력에 기초한 섬세한 정물화적인 서사적 표현이며, 객관적 묘사에 집중하면서 역사적 재현을 넘어 감각적인 현실의 이미지를 추구하였다. 하지만 고우영 만화의 도상적 서사는 주관적이고 낭만적인 이미지를 역사적 서사 속에 고착시키고 독자의 기억을 자각시키며 서사의 흐름과 충돌하면서 균형을 유지하려 하였다. 만화의 순간의 이미지는 역사적 현실의 재현이 아니라 고우영 자신이 추구한 서사적 실재의 재구성화된 도상이다.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2008년도 International Meeting on Information Display
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• pp.1039-1042
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• 2008

We propose a novel method to measure moving picture quality of display. This method simulates human visual system based on CSF (Contrast Sensitivity Function). And it evaluates moving picture quality of display on the image captured by pursuit camera. The results from this method are correlated with human visual perception test very well.

• 한국의류산업학회지
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• 제10권2호
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• pp.198-208
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• 2008

The study applies lifestyles based on the list of values(LOV) to the college student-consumers, classifies them and compares traits. The study also looks into store images of internet fashion shopping malls and differences in purchasing behaviors. The results of the study show that there are three types, namely 'self-confidence and pursuit-of-success type,'family-oriented and responsible type', and 'passive and popular-culture-consumer type'. Among the elements constituting the store images of internet fashion shopping malls, there were considerable differences between groups on 'product and information service' element and 'convenience' element. On shopping mall purchasing behavior, the study confirmed some differences on 'information source', 'product purchase amount', and 'payment method' when purchasing a product. Furthermore, there were considerable differences on shopping mall satisfaction level and repurchasing intention between groups by lifestyle-type.

• International Journal of Human Ecology
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• 제15권2호
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• pp.23-31
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• 2014

Neo-Confucianism was the dominant ideology of the Joseon Dynasty Korea. Male and female costumes reflected a clear distinction in male and female sex roles. This study analyzes cross-dressing in sword dance performances. The research method examines relics, paintings, pictures, and documents relevant to sword dance costumes as well as for the military. The results are: First, the composition of sword dance costume was jeogori (upper garment), skirt, and shoes with military costume of jeollip (hat), jeonbok (long vest), and jeondae (belt). Second, the sword dance costume and military costume are very similar except for the basic inner wear, shoes, some details and methods of wearing. Third, the sword dance costume gradually adopted military items and features. The sword dance costume was basically female, with overall additions of a male costume, to express an androgynous image; however, the cross-dressing phenomena in the sword dance were not intended for the pursuit of sexual pleasure.