• 미술이론과 현장
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• 제14호
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• pp.159-186
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• 2012

Julio Romano decorated the facade of his house in Mantua with a statue of Mercury to give expressions to his ideas on painting. Hereby the painter from Rome could show his home to the world as that of a painter. To be concrete, Mercury was the planet god to which visual artists belonged, and so was basically related to visual arts. In his role to deliver diverse features of art works Mercury could also convey concepts and emotions expressed in a picture to the viewer. The power of a painting to arouse certain emotions or move the mind of the viewer was further connected to the role of Mercury as the guide of the human soul. This function again related the Roman god to the characteristic of a portrait to present absent persons to the viewer. Above the statue of Mercury, a Lucian head of the god is seen, so that they together form the central axis of the facade. This seems to emphasize that the theme of the facade decoration was the powerful persuasive forces of eloquence. The two masks on the left could then refer to sources of eloquence, I.e. various beautiful expressions of a language and its generative process. On the other hand, the masks on the right could represent consequences of eloquence, for instance, prudence, evil effects which come about to imprudent listeners, and other influences on listeners. Finally, it would be useful to remind us of a line from On Architecture by Leon Battista Alberti. According to the humanist architect parts of a building which are seen from the outside, like a facade, should be appropriately designed, since the decoration of a house could play a significant role to enhance the fame and honor of the family and its fatherland. This theory of Alberti could have provided the foundation to the facade decoration of the Casa Pippi which proudly presented the profession of painting to the public in visual form.

• Nutrition Research and Practice
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• 제10권3호
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• pp.359-363
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• 2016

BACKGROUND/OBJECTIVES: This study aimed to examine the association of Japanese schoolchildren's involvement in at-home meal preparation with food intake and cooking skill. SUBJECTS/METHODS: We included 1,207 fifth-grade children aged 10-11 years and one parent of each child. A cross-sectional survey was used to collect data on involvement in at-home meal preparation. Correspondence analysis was used to classify involvement in at-home meal preparation into three groups: food-related activities (cooking only or with other activities such as shopping, table-setting, clean up, and dishwashing), non-food-related activities (table-setting and/or clean up), and no (helping) activities. Food intake was assessed using a food frequency questionnaire. Logistic regression models were used to examine involvement in at-home meal preparation associations. RESULTS: The sample consisted of 1,207 fifth-grade children. Vegetable intake was lower in the no (helping) activities group than the food-related activities group (95% CI; boys: 1.2, 5.1, girls: 2.0, 8.9). Fewer children in the non-food-related activities group reported they were able to make a portion of their meals compared with the food-related activities group (95% CI; boys: 1.6, 3.5; girls: 1.5, 3.2). CONCLUSIONS: Children in the food-related activities group showed more favorable food intake and cooking skills than children in the no (helping) activities or non-food-related activities group.

• 한국언론정보학보
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• 제29권
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• pp.147-188
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• 2005

이 논문의 목적은 프랑스 사회학자 피에르 부르디외가 보여준 '참여적 지식인‘으로서의 독특한 면모를 재조명하고 평가해보는 데 있다. 논문의 전반부에서는 '사회학적참여'의 개념과 방법에 대한 부르디외 나름의 입장을 설명하고, 그 특징들을 제시하였다. 논문의 후반부에서는 부르디외가 프랑스 학계와 시민사회의 공론장에 효과적으로 개입하기 위해 구사했던 일종의 대안미디어 전략들을 검토하였다. 부르디외의 '사회학적 참여' 논리는 다음과 같이 요약될 수 있다. 첫째, 특정한 분야에서 전문성을 축적한 '특수한 지식인들'은 이른바 '보편적인 것'의 실현과 전파를 위해 서로 연대해야 하며, 그럼으로써 '집단적 지식인'을 구성해야 한다. 둘째, '집단적 지식인'은 무엇보다도 '문화생산의 장'의 자율성을 성취하고 증진시키기 위한 조합주의적 노력을 기울여야 한다. '문화생산의 장'의 자율성이야말로 '보편적인 것'의 생산을 가능하게 만드는 조건이기 때문이다. 부르디외는 일생동안의 연구활동과 다양한 미디어 전략을 통해 이러한 논리를 실제로 구현하고자 했다. 이 논문에서는 부르디외의 사회학적 논의와 다양한 참여 활동에 나타난 일관성과 독창성을 긍정적으로 평가하면서도, 그것이 보여주는 몇 가지 논리적, 현실적 문제점들 역시 비판적으로 성찰해보았다.

• 한국경제지리학회지
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• 제15권1호
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• pp.131-145
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• 2012

선진공업국들은 1970년대 이후 2차 산업의 사양화로 인해 탈공업화 현상을 경험하기 시작하였다. 탈공업화 현상은 대량 실업 및 도시환경의 파괴, 도시기반시설의 피폐 등과 같은 문제를 야기하였는데, 철강산업, 자동차산업, 조선산업의 중심도시들이 큰 피해를 보았다. 영국의 글라스고우, 뉴카슬, 맨체스터 등을 비롯하여 미국의 버팔로, 디트로이트 등이 그 대표적인 예이다. 그러나 1980년대 이후 그러한 도시의 일부는 문화예술활동을 도입하여 기업파산과 환경오염으로 얼룩진 탈공업도시의 경제와 환경, 그리고 지역정체성을 회복하고 있다. 영국의 뉴카슬과 그에 인접한 게이츠헤드는 1980년대 중반부터 시 정부가 중심이 되어 역사적인 의미가 있고 예술적 가치가 있는 대형 조형물을 조성하고, 방치된 창고건물을 보수하여 예술품 전시장으로 개조하는 한편, 황폐한 공간에 대형 음악당을 건축하고 그 주변을 정화하여 고급 주거 및 여가 공간으로 개발하였다. 이 연구는 뉴카슬/게이츠헤드의 이러한 도시재개발사업의 추진형태와 거버넌스 구조를 조사, 분석하였다.

• 한국콘텐츠학회논문지
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• 제18권1호
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• pp.381-394
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• 2018

본 연구의 목적은 2015 음악과 교육과정의 초등학교 교육과정과 연계하여 스마트 기기를 활용한 초등 '방과 후 학교' 스마트음악교육 프로그램을 개발하는 것이다. 연구 방법으로는 방과 후 교육 프로그램의 관련된 자료와 현재 시행되고 있는 초등학교 교육과정의 음악 관련 내용과 교과서 15종을 토대로 분석하였다. 그리고 초등학교 음악 교과서를 기반으로 한 교육 프로그램을 개발하고 태블릿PC와 애플리케이션을 활용하여 교육의 적합한 활용요소를 반영한 스마트 음악 교육 프로그램을 개발하였다. 연구를 통해 사용된 애플리케이션은 총 14종이고 제시된 교육 프로그램은 16 차시로 개발하였다. 본 스마트 음악 교육 프로그램을 통해 기존 공교육과정의 일방향의 음악교육이 아닌 다양하고, 체계적이며 지속적인 음악교육을 기대할 수 있을 것이다. 그리고 현장성을 통해 학생들에게 다양한 예술과 문화를 직접 경험하고 보여주는 것은 물론 잠재된 예술성과 창의성을 일깨워 줄 수 있을 것이다. 또한, 통합적 예술교육을 제공하고 예술교육의 평등을 지향하며 태블릿PC의 활용을 통해 미래 사회의 핵심적인 사고 과정을 기를 수 있을 것이다.

• 건축역사연구
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• 제14권4호
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• pp.59-72
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• 2005

Architectural embodiment of a national identity has long been a significant topic in Korean architectural circles. For this reason, it must be helpful to examine the so-called, 'National Romanticism' of Finnish architecture around 1900 in that Finnish architects of the time struggled to embody their national identity through their projects. Considering the historical and linguistic affinities between Finland and Korea, the Finnish architectural situation draws . our additional attention. This paper aims at showing its historical background, the meaning of each type of buildings in the stream, and limitations it implies. The atmosphere of Finnish nationalist movement, which was provoked by [Kalevala] publications (1835; 1845) and shown in Karelianism, was heightened by Tsarist Empire's Russification programme of Finland in the late 19th century Architecture was one of the most important genres expressing her national identity. Finnish national romantic architecture could be divided into three. The first is a log house style for artists' studio house, motivated by the Finnish vernacular farmstead - especially by Karelian farmhouse. This type of building signifies the Finns' will to return to their motherly soil. The second is a stone architecture style for public buildings, inspired by Finnish church or castle of an early medieval time. By using roughly-cut granite as the main exterior material, buildings of this type symbolise the toughness of legendary heroes and Finns' desire for national Independence. The third type of building was based on both of the former or more dependent on architects' Imagination and creativity. However, Finnish national romantic architecture has been criticised by some critics owing to its decorative, eclectic and self-indulgent characteristics. Probably, it was not really national but rather inter-national because of the Influences of English Arts and Crafts Movement, the American Richardsonian architecture and the continental Art Nouveau. And the negative images of 'national' and 'romantic' made some historians coin other terms like 'national realism' or 'material realism'. As another limitation, one raises the low degree of its contribution to the entire architectural history. Despite these criticisms, however, this paper argues that Finnish national romantic architecture is meaningful in itself, particularly because it illustrates vividly Finns' struggle to search for their national identity and, after all, their craving for national independence.

• 디지털융복합연구
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• 제12권10호
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• pp.541-556
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• 2014

본 연구의 목적은 스토리텔링광고의 실제적인 광고효과과정을 총체적으로 설명하는 것이다. 연구결과 스토리텔링광고는 소비자들의 광고효과 인식에 과정에서 감정적 반응이 공감과 몰입 태도간의 강한 연합관계를 갖는 것을 확인 할 수 있었다. 이는 광고에 대한 보다 체계적이고 강력한 태도를 유인할 수 있는 측면으로 해석 할 수 있다. 특히 기존 연구에서 논의된 광고에 의해 생성된 감정이 수용자의 광고에 대한 태도와 브랜드 태도에 영향을 준다는 주장이 다시 확인되었다. 이를 통해 특징적인 광고전략이 있음을 보여줌으로서 광고전략과 광고 형태에 대한 관계를 제시할 수 있으며, 광고 유형에 따라 수용자의 반응 유발을 위한 고려가 있음을 확인 할 수 있었다.

• 복식
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• 제61권7호
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• pp.110-124
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• 2011

As modern society leads to distinguished, sensuous, and diversity styles, a woman who enjoys putting on Garu makeup appeared on a popular TV talk show in winter 2010, which aroused public interest in the method of Garu makeup. However, as interest in Garu makeup and individuals who put on Garu makeup spread, some began to consider Garu makeup as the imitation of indiscreet Japanese culture or a vulgar culture. Thus the purposes of this study is to understand the characteristics of Garu makeup and its forms of expression by considering its type, origin and style. In turn, this study will provide basic data for the makeup trend and act as an aid to improve the image of Garu makeup through investigating its image and preference. To accomplish this purpose, this study reviewed relevant literatures and web resources, conducted a survey of students who study beauty art at two-year junior colleges in Seoul, and analyzed 195 answers by using SPSS 18.0. The results are as follows: It was proved that in the preliminary inspection of comprehension, 98.3% of college students majoring in beauty art had known Garu makeup, 53% understood somewhat the characteristic and concept of Garu makeup, 36.8% gave preference to Garu makeup. It was proved that in the investigation by the image of Garu makeup, as over 70% of students thought that Ogaru and Yamamba makeup were detestable, but other Garus were lovely and sexy, students perceived as a diversity of images by their own preferences and tastes, and 73% of respondents selected Onegaru as Garu makeup that they gave preference to and wanted to put on. The result of this study represents that mass consumers in the existing culture, who are college students majoring in beauty art and selected as a sample group in this study, reflect the stream of culture and trend, but also demassification, mass customization by their areas of interests and preferences and connective massification of individuals with similar interests.

• 한국의류산업학회지
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• 제17권2호
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• pp.147-156
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• 2015

Lately, unique hats, which worn by iconic figures in fashion industry, like Anna Piaggi and Isabella Blow to express the originality and self-awareness, received attention from the mass media along with their styles. The purpose of this research is to investigate, analyze, and media-specific characteristics of objet hats which are used to show various items, shape up targets, and express the concept of attires. In order to fulfill this, this study focuses on objet hat designers who have been influential from the 1980's to recent years. As for the research methodologies, this study conducts investigating examples from fashion related books, research papers, and websites along with literary research. Study of objet hat is based on cases and works of designer in objet hat in contemporary fashion expression shape. As a result, objet hat, First, the experimental work to maximize the effectiveness as a fashion objet containing the concept of designer in the runway shows. Second, as pieces displayed on art galleries and museums, objet hats are recognized as artistically defined world of conceptual designers' imaginations. Third, objet hats function as ways of celebrities' expression, who affects the public as fashion leaders. Lastly, objet hat designers's activities operate the story and notion contained in the work through a variety of genres. Objet hats, an independent fashion genre, which symbolize creativity and freedom, influenced the fashion industry with astonishing materials, forms, and decorations.

• 한국컴퓨터정보학회논문지
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• 제19권2호
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• pp.173-182
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• 2014

최근에는 인터넷 웹 컨텐츠의 접근성에 대한 표준화 준수와 웹 접근성 향상을 위한 노력이 정부와 공공기관 대학교, 그리고 기업에까지 확산되고 있다. 한국형 웹 접근성 지침인 KWCAG2.0은 1.0에 비해 이미지 컨텐츠에 대한 명확한 대체 텍스트 제공, 데이터 테이블의 명확한 구분 및 키보드 접근과 사용 등에 대한 지침을 더욱 준수하고 있다. 본 논문에서는 급속도로 변화되는 웹 및 모바일 환경에서 모든 사람이 정보에 쉽게 접근하고 사용할 수 있도록 하기 위한 컨텐츠 관리 시스템(CMS : Content Management System)을 개발 하였다. 이를 위하여 KWCAG(Korean Web Contents Accessibility Guideline), W3C XHTML-1.0-Strict DTD, W3C CSS2를 기반으로 웹 접근성 및 웹 표준화 시스템을 설계하고 제작 하였다. 본 시스템은 WYSIWYG 방식으로 제작이 되어 사용 및 관리가 용이하고 웹 뿐만 아니라 다양한 모바일 환경에서 동작하도록 하였다.