• 복식
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• 제63권8호
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• pp.1-13
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• 2013

This study examines the processes and characteristics of modern Korean embroidery art from the beginning of Korean modern times to 1945 which was the year of independence from Japan. An objective basis is presented by the analysis of articles and illustrations from the press and publications of the corresponding times. The significance of this study is to research the modern Korean embroidery art, which connected traditional times with modern Korean culture in order to investigate its identity. Due to Korea's modern embroidery art being started in the Japanese colonial times, there are some limits in it because of it being influenced by Western modern embroidery art and Japanese embroidery design. However, modern Korean embroidery art expanded from the private space to public space such as schools, open lectures and exhibitions. It has also accepted diverse foreign embroidery forms, which have been commercialized and accepted as art. The embroidery craft as commerce and art has given women the chance to achieve economic independence and to improve their social status. Modern Korean embroidery was art for the modern woman who had been educated in academic art, as well as a liberal art for wealthy housewives. It was the foundation of economic independence for poor rural women. It can be concluded that Modern Korean embroidery art has been accepted and developed by women in modern times.

• 복식
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• 제61권5호
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• pp.106-122
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• 2011

The ultimate purpose of the research is to solve the problem that fashion inspired by les Nouveau Pop Artic criticism and satirical factors is interpreted as concept of American Pop Art style, even though there is distinct difference between les Nouveau Pop Art style and American Pop Art style. We think that the reason causing the problem is that les Nouveau Pop Art is not familiar to the general public, even though it is getting attentions as trends treated by les Nouveau Pop Artists. Above all there is insufficient study to establish a theoretical system and a concrete concept on les Nouveau Pop Art. Therefore, this study is to set up the theoretical concept on les Nouveau Pop Art based on comparisons and analysis of the characteristics of works expressed les Nouveau Pop artists, and to draw the concept of les Nouveau Pop image fashion. The result of this study indicate that les Nouveau Pop Art Image Fashion is defined as "fashion design borrowing the concept and image from les Nouveau Pop Art and blending and consisting of the themes, characteristics and techniques from les Nouveau Pop Art.

• 한국중재학회지:중재연구
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• 제28권3호
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• pp.75-88
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• 2018

As the Korean economy continues to grow, the desire to own art increases. Despite a number of recent controversies surrounding the sale of counterfeit art pieces, the scale of the problem remains small. Nevertheless, there is a lack of relevant analysis and research. Given the increased interest in Korean arts and crafts and the growing awareness of counterfeit art, it is useful to study legal problems related to counterfeit art. The purpose of this review is to examine the concept and range of counterfeit artwork and explore corresponding legal problems and solutions.

• 한국식생활문화학회지
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• 제20권6호
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• pp.731-737
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• 2005

The purpose of this study was to investigate the preference of the general public about Japanese foods. Self-adminitered questionnaires were collected from 217 residents in seoul and its vicinities. Data was analysed by chi-square test, t-test and one-way ANOVA. The preference of Japanese food was generally high except for the items. These was a significant difference in the average score of preference for each kind of Japanese food according to gender and age. Saengsunchobab, Saewootuegim, Gowangawhae, Yhachai tuegim, Naembiwoodong and kimchobab are highly preferred Japanese foods, whereas Domijiri, Moduemnaembi, Haesamchowhae and Mooneachowhae are poorly considered among the general public.

• 디자인학연구
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• 제20권1호
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• pp.65-78
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• 2007

핸드폰과 무선 네트워크, 위치기반 기술 등 새롭게 등장한 기술들과 커뮤니케이션 미디어는 유비쿼터스라는 신조어를 낳으며 인간 삶의 모습들을 변화시켜 가고 있다. 이러한 기술과 커뮤니케이션 미디어의 영향은 예술계에서도 예외는 아니어서 이를 활용한 뉴 미디어 예술작품들이 늘어가고 있으며, 이는 미술관과 갤러리의 벽을 넘어 도시라는 광범위한 영역을 배경으로 공공 예술로서의 성격을 띄어가고 있다. 이 중에서도 위치 기반 미디어(locative media)를 이용한 위치기반 미디어 예술(locative media art)은 그 어떤 예술보다도 도시 공간과 밀접한 관계를 가지고, 도시 공간을 재해석, 경험하게 하고, 소통을 끌어내는 다양한 시도들을 보여주고 있다. 이러한 위치기반 미디어 예술의 성격은 도시 공간에서의 질적인 문제들, 특히 장소성 상실과 소통의 부재를 해결할 수 있는 하나의 방법으로 고려되기도 한다. 따라서 본 논문에서는 부산의 광복로를 프로젝트의 대상지로 설정, 위치기반의 드로잉과 스토리텔링을 이용한 프로젝트를 제안하여, 도시 공간에서의 질적인 문제들, 그 중에서도 상업적 장소에서의 장소성 회복과 소통의 가능성을 모색해 보고자 하였다. 프로젝트는 도시의 거리를 캔버스로, 사람들의 움직임을 붓으로, 거리의 색을 팔레트로 상정하여 참여자 각각이 자신만의 path를 그리고 그 path를 공유함으로써 사람들이 그와 관련한 이야기를 다른 사람과 나눌 수 있게 하며, 이러한 과정을 통해 만들어진 path는 온, 오프라인을 공유, 도시에 관한 보다 풍부한 이야기를 생성, 소통함을 기대할 수 있다.

• 한국콘텐츠학회논문지
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• 제12권1호
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• pp.211-224
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• 2012

본 연구에서는 야외공연장과 관련된 공연법, 도시공원 및 녹지에 관한 법률 그리고 건축법에 대하여 살펴보았다. 그 결과, 공연과 관련된 산업은 그동안 국가의 큰 정책과 법의 테두리에서 보호받지 못하고 독자적으로 성장해 왔다. 공연법제적인 측면에서도 공연예술의 자유나 공연활동의 진흥보다는 법제를 세분화 시켜가며 문화예술에 대한 규제 일변도의 정책을 취했다. 1999년 1월 각본심의제 폐지를 포함한 총 17건의 규제가 전면 폐지되었고, 6건의 규제도 대폭 완화하였다. 또한 문화예술의 중요성이 인식되어 정부 차원에서 육성 및 지원하기 위하여 공연예술 스태프 인력양성, 공연장에 대한 국가보조 등 실질적인 공연예술정책 제도가 도입되었다. 공연예술에 있어 무대조명, 음향, 무대기계 등 전문인의 참여의 필요성이 각인되었다. 이로써 정부수립 이후 50여년만에 공연예술에 대한 많은 규제가 공공질서 유지를 위한 최소한의 사항만 제외하고 모두 폐지되었다. 2002년엔 '공연'의 정의에서 '영화'를 제외시킴으로써 일제시대부터 제도적으로 남아있던 공연신고 제도가 영원히 폐지되었다. 이후 공연법이 규제위주의 법에서 공공복리 증진에 기여해야 하는 시대적 상황을 반영한 지원 육성 정책의 법제로 전환되었다.

• 미술이론과 현장
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• 제8호
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• pp.145-162
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• 2009

Space is a phenomenon which is formed in the connection between environment and human beings and public space is built by a complex phenomenon of space. Each and every individual is connected to an environment and these individuals are connected to one another. A public commemorative space means souvenir and memorial which is designed for special purpose of remembrance of a specific area. One of the purposes of public commemorative space is memorial and that is the reason of doing public relation and educating citizens over the transom. However, the meaning and value of commemorative subject cannot be delivered or stuffed one-sidely. The target who receives messages from public commemorative space has reinterpreted the messages of his own with his personal experience, knowledge and sensitivity. It results in an unexpected phenomenon of public commemorative space. Therefore, public commemorative space should be considered in a mutual communication structure rather than a purpose of memorial itself. Korean public commemorative space is focused on public relation and education for memorial. In other words, Korean public commemorative space is neglected its important possibility of the productive chapter of mutual communication. The mutual communication structure of public commemorative space which is based on variety and haecceity is ripped up by the message over the transom. It destroys the self-control and creativity of public commemorative space, and derives a negative result. By studying the function and meaning of public commemorative space, we should make the best use of it.

• 한국실내디자인학회논문집
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• 제3호
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• pp.33-37
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• 1994

Increasing interest and providing educational experience for the public have long been a major ARt Museum goal. This interest raises the question of how visitors respond to museum exhibits. Much researches have been done which indicate the newer and more interactive exhibits are indeed more didactic and enjoyable than conventional exhibits. This study examined the effectiveness of art exhibits which display information about the creative process of developing a work art along with the final work of art to test if they results in more viewer interest and greater appreciation of the final work of art than those which display only the final work of art. In the early part of the 1991 spring, a counterblancing AB/BA quasi-experiment was carried out in the Jhnson Museum of Art, Cornell University. Methods used to collect and measure visitory interest and appreciation were unobtrusive observation and survey questionnaire. As the indirect measurement of visitor interest, attracting power and holding power were measured by unobstrusive observation of visitor time spent, while the direct measurement of visitor interest and appreciation, visitor's interest, understanding , and degree of favorableness were measured by survey questinnaire. Data analysis reached conclusion that the process approach fine art exhibit designs significantly resulted in more viewer interest and greater appreciation of art work than the conventional fine art exhibit design.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.152-161
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• 2014

Beijing, the capital city of China, has gradually increased its amount of culture space and has also introduced a diverse range of cultural facilities to improve the satisfaction of its citizens lives. In particular are its art museums, which are a symbol of the urban culture and enrich the cultural life of its citizens and are also expected to play a role as a psychological pivot point. However, in comparison with the characteristics of various ethics, local, and the influence on the museums of China, studies which analyze the exterior of the art museums are not sufficient. This is because previous research has focused too heavily on the interior of the art museums. This paper aims to derive distinction through the analysis of the exterior of several art museums and present design factors and application methodology. This research looks at art museums in China and analyzes the current state of the art museums that have been developed based on the culture of Beijing. Through analyzing the case study of five art museums that have been selected in Beijing we can improve our understanding of Chinese culture space and derive distinct design factors. Distinct factors in the exterior of art museums include connection, culture, geographic features, public, and creation. This study is expected to contribute to that exterior of the art museum will be as a contact zone to form a spatial connection and a cultural symbol that can reflect Beijing's unique culture characteristics.

• 만화애니메이션 연구
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• 통권39호
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• pp.297-320
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• 2015

현대 테크놀로지의 발달과 예술의 융합은 디지털 미디어를 적극적으로 수용한 '매체예술'인 미디어아트의 비약적 발전을 가지고 왔다. 이는 21세기 새로운 창의성의 근간인 커뮤니케이션 예술로서 그 영역과 한계를 확장해 가고 있으며, 현대 디지털 기술의 집결체인 모바일을 통하여 기존의 장르와 분야 간의 경계를 허물고 인터랙티브 즉, 상호작용적 커뮤니케이션을 기반으로 하는 새로운 대중예술로 진화하고 있다. 이러한 첨단기술과 예술의 융합인 모바일 인터랙티브 미디어아트는 시간과 물리적 공간의 한계를 극복하고, 상호작용과 참여의 능동적인 주체로서 체험적 커뮤니케이션의 범위를 확장시키고 있으며, 예술과 학문, 문화산업 등의 다양한 분야에서의 유동적인 플랫폼을 제공해 주고 있다. 본 연구에서는 새로운 커뮤니케이션의 확장된 패러다임을 제시하고 있는 인터랙티브 미디어아트에 대한 정의를 문헌 연구를 통하여 고찰해 보고, 모바일을 예술적 표현의 매개체로 활용하고 있는 모바일 인터랙티브 미디어아트의 사례 연구를 통하여 체험적 커뮤니케이션의 상호작용적 효과와 대중예술로서의 새로운 가능성을 분석하였다. 융합과 상호작용, 체험을 화두로 하는 모바일 인터랙티브 미디어아트는 첨단기술과 예술 그리고 새로운 감성이 만나 우리의 생활과 커뮤니케이션의 새로운 접근방법을 제시하고 있으며, 융합과 통섭의 시대적 트랜드에 걸맞는 무한한 가능성을 지닌 새로운 예술장르로서 진화와 발전을 거듭할 것으로 기대된다.