• 한국수학교육학회지시리즈E:수학교육논문집
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• 제23권3호
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• pp.563-581
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• 2009

본 연구에서는 중국과 한국의 산학서의 서문에서 산학과 산학교육의 중요성 및 필요성을 강조하기 위하여 사용된 표현들을 살펴본다. 이를 위해 첫째 육예지일(六藝之一), 둘째 복회(伏羲) 주공(周公) 공자(孔子) 공문(孔門), 셋째 도(道) 색 미오(微奧) 정미(精微), 넷째 경세지실용(經世之實用)을 중심으로 살펴본다. 여러 산학서에서 공통적으로 보이는 이러한 표현들을 통해 산학의 활성화를 위한 산학서 저자들의 노력을 되짚어 보고자 한다.

• 동양고전연구
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• 제37호
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• pp.189-216
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• 2009

두보(杜甫)의 <음중팔선가(飮中八仙歌)>와 이를 화제(畵題)로 삼아 회화화(繪?化)한 시의도(詩意圖) 3편과, 원텍스트를 패러디한 <음중팔선도(飮中八仙圖)>를 다시 원텍스트로 삼아 패러디한 세편의 서발(序跋)을 살펴보면서 시라는 양식의 원텍스트가 그림이라는 양식으로, 다시 산문이라는 양식으로 그 모습을 바꾸면서 패러디되는 모습을 보았다. 개원(開元) 천보(天寶) 연간에 취중기행(醉中奇行)로 유명했던 여덟 명의 기인(奇人)을 노래한 두보(杜甫)의 <음중팔선가(飮中八仙歌)>는 많은 화가들에 의해 사랑받는 화제(畵題)가 되어 송(宋) 원(元) 명(明) 청(淸), 조선(朝鮮), 일본(日本) 등지에서 <음중팔선도(飮中八仙圖)>로 다시 태어났다. 이처럼 화가가시에 대한 해석을 회화적으로 재창조한 것을 시의도(詩意圖)라고 하는데 시의도(詩意圖)는 이미 존재하는 시를 전제로 하고 있으므로 이 둘 사이에는 원텍스트와 패러디 텍스트라는 관계가 성립한다. 두보의 마음에 공명한 화가들의 그림 3점, 명대(明代) 우구(尤求)의 <음중팔선도(飮中八仙圖)>, 조선(朝鮮) 김홍도(金弘道)의 <두보시의신선도(杜甫詩意神仙圖)>, 일본모모야마(桃山)시대의 가이호유쇼(海北友松)의 <음중팔선도(음중팔선도(飮中八仙圖)>를 살펴보며 원텍스트를 반복하면서도 각 화가의 개성에 따른 차이를 고찰하였다. 언어로 표현된 <음중팔선가(飮中八仙歌)>를 원텍스트로 삼아 패러디한 시의도(詩意圖) <음중팔선도(飮中八仙圖)>는 문인들이 그림에 부친 서문(序文) 및 제발문(題跋文)을 통해 다시 언어화된 텍스트로 패러디되었다. 화가의 마음에 공명한 조선의 세 문인 이덕무(李德懋), 박제가(朴齊家), 이봉환(李鳳煥)의 서발(序跋)을 통해 <음중팔선가(飮中八仙歌)>가 어떻게 변주되는지 살펴보았다. 이를 통해 원텍스트와 연속적인 관계에 의한 반복과 각 작가의 독자적인 해석에 의한 차이를 알 수 있었는데, 이덕무(李德懋)는 집정자에 대한 경계로, 이봉환은 회재불우(懷才不遇)한 현인(賢人)으로, 박제가는 현세의 규율을 초월한 천연(天然)스러운 선계(仙界)를 꿈꾸게 하는 대자유인으로 음중팔선(飮中八仙)을 이해하였음을 알 수 있었다.

• Parasites, Hosts and Diseases
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• 제57권6호
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• pp.565-566
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• 2019

• 인문언어
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• 제2권2호
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• pp.163-182
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• 2002

In Origin of the German Mourning Play(1928), the critic Waltre Benjamin strongly criticized the German Romantic concept of the symbol, according to which the universal and ideal can be represented wholly in the particular and empirical by virtue of an ontological connection between them. Yet this criticism did not prevent Benjamin, in his epistemological preface to the book, from availing himself of the same monadological model (derived from Leibniz and Goethe) on which the Romantics had relied. Although he specifically rejected their insistence on the fusion of the phenomenal and the ideal in the symbol, his own theory of Ideas and their presentation in criticism nonetheless requires just such a fusion. This is not immediately apparent for two reasons: first, Benjamin proposes, in contrast to Platonic and Romantic theory, that Ideas themselves are subject to historical change, and therefore not capable of manifesting themselves fully in any given historical phenomenon; and second, he proposes that Ideas rather than phenomena are monads, individually representing the whole of the world in which they participate. The task of the critic, which Benjamin calls Darstellung("presentation"), consists in revealing Ideas by reducing historical phenomena to their constituent elements and reassembling those elements in what amounts to a mosaic of quotations. But this task is possible only if the critic has a preconception of the Idea he is trying to reveal-a possibility that Benjamin′s theory of knowledge does not allow for at all- or if he can discern the Ideas in the individual phenomenal fragments from which he creates his mosaic, in which case phenomena and Ideas must be related monadologically after all. Benjamin seems to admit the latter possibility in a cryptic sentence in the manuscript draft of his preface to the Origin, but he does not do so in the final printed version. Thus he effectively deprived the critic of an epistemological basis for the presentation of Ideas.

• 논리연구
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• 제17권2호
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• pp.253-287
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• 2014

영어 'any'는 일차술어논리에서 'every', 'all', 'each' 등과 유사하게 다루어지지만, 자연언어에서 이들은 서로 다른 의미를 갖는다. 특히 'any'는 부정어와 함께 사용되는데, 언어학자들은 이 현상에 주목하고 이를 설명하고자 하였다. 필자는 기존의 언어학적 설명이 만족스럽지 못한 점을 지적하고 벤들러가 'any'의 논리적 특성에 관해서 오래 전에 제시한 철학적 통찰에 주목한다. 필자의 분석에 따르면 'any'는 벤들러가 '선택의 자유'라고 부르는 특성을 일차적으로 가지며 파인이 '임의의 대상'이라고 부르는 것을 가리킨다. 이 과정에서 필자는 'any'의 논리적 특성이 한국어 '아무'의 분석을 통해서 더 잘 드러난다는 점을 보인다. 필자는 이러한 분석이 중요한 철학적 함축을 갖는다고 생각하며, 그 한 가지 사례로 보편 일반화 규칙과 서문의 역설이 제기하는 문제가 'any'의 논리적 특성에 대한 분석을 통해서 새롭게 조망될 수 있음을 보인다.

• 대한한의진단학회지
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• 제10권1호
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• pp.1-35
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• 2006

Background and purpose: Giu Ga Chu Yo(診家樞要) was written in the year 1359 by Hwal Su(滑壽) who was a famous oriental doctor between Won(元) and Myeong(明) dynasty. As specialized in sphygmology (脈學), this book was brought together most things about sphygmology(脈擧) before Won(元) dynasty by e author. Moreover he added the self-realized things to this book. Methods: In this book, besides a author's preface, there are all 20 chapters which are Chu Yo Hyeon Eon(權要玄言), Jwa U Su Bae Jang Bu Bu Wi(左右手配臟腑部位), O Jang(五臟), Sa Si Peong Maek(四時平脈), Nae Gyeong Sam Bu Maek Beop(內經三部脈法), Ho Heup Chim Bu Jeong O Jang Beop(呼吸沈浮定五臟法), In Ji Ha Gyeong Jung I Jeing O Jang Beop(因指下重以定五腑法), Sam Bu So Ju(三部所主), Ji Maek Su Beop(持脈手法), Maek Gwi Yu Sin(脈貴有神), Maek Eum Yang Yu Seong(脈陰陽類成), Gyeom Hyeon Maek Ryu(兼見脈類), Je Maek Ui Gi Ryu(諾脈宜忌類), Heom Je Sa Jeung Ryu(驗諸死症類), Sa Jeol Maek Ryu(死絶脈類), O Jang Dong Ji Maek(五藏動止脈), Bu In Maek Beop(婦人脈法), So A Mrek Beop(小兒脈法), Maek Sang Tong Hoe(脈象統會), Maek Sang Ga(脈象歌) and an epilogue in the end. Result and Conclusion: Looking into this book, we can know that it is very detail in analyzing item by item, bright and simple in explaining and it is very useful in studying pulse evaluation(脈診). In his preface, Hwal Su(辨壽) expresses his opinion with firm confidence that 'Do(道) of the World scattered in several scholarships and books of method and technique(術). Nothing of method and technique(力術) is more important than medicine. Nothing of medicine goes before pulse evaluation(脈診).' With such good reasons, as a student of sphygmology(脈學), I think this book is very valuable in studying pulse evaluation.' So I add Hangul suffixes(吐) to a part of this book and translate it into Korean.

• 대한한의진단학회지
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• 제9권2호
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• pp.25-56
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• 2005

Background and purpose: Gin Ga Chu Yo(診家樞要) was written in the year 1359 by Hwal Su(滑壽) who was a famous oriental doctor between Won(元) and Myeong(明) dynasty. As specialized in sphygmology(脈學), this book was brought together most things about sphygmology(脈學) before Won(元) dynasty by the author. Moreover he added the self-realized things to this book. Methods: In this book, besides a author's preface, there are all 20 chapters which are Chu Yo Hyeon Eon(樞要玄言), Jwa U Su Bae Jang Bu Bu Wi(左右手配臟腑部位), O Jang(五臟), Sa Si peong Maek(四時平脈), Nae Gyeong Sam Bu Maek Beop(內經三部脈法), Ho Heup Chim Bu Jeong O Jang Beop(呼吸沈浮定五臟法), In Ji Ha Gyeong Jung I Jeong 0 Jang Beop(因指下輕重以定五臟法), Sam Bu So Ju(三部所主), Ji Maek Su Beop(持脈手法), Maek Gwi Yu Sin(脈貴有神), Maek Eum Yang Yu Seong(脈陰陽類成), Gyeom Hyeon Maek Ryu(兼見脈類), Je Maek Ui Gi Ryu(諸脈宜忌類), Heom Je Sa Jeung Ryu(驗諸死症類), Sa Jeol Maek Ryu(死絶脈類), O Jang Dong Ji Maek(五藏動止脈), Bu In Maek Beop(婦人脈法), So A Maek Beop(小兒脈法), Maek Sang Tong Hoe(脈象統會), Maek Sang Ga(脈象歌) and an epilogue in the end. Result and Conclusion: Looking into this book, we can know that it is very detail in analyzing item by item, bright and simple in explaining and it is very useful in studying pulse evaluation(脈診). In his preface, Hwal Su(滑壽) expresses his opinion with firm confidence that ‘Do(道) of the World scattered in several scholarships and books of method and technique(方術). Nothing of method and technique(方術) is more important than medicine. Nothing of medicine goes before pulse evaluation(脈診).’ With such good reasons, as a student of sphygmology(脈學), I think this book is very valuable in studying pulse evaluation. So I add Hangul suffixes(吐) to a part of this book and translate it into Korean.

• 영어영문학
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• 제55권2호
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• pp.359-382
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• 2009

Eliot's The Waste Land represents the last century in many respects. While working on the poem in cooperation with Pound, Eliot intended to make "Gerontion" a prelude in The Waste Land. But, as we read in his letter to Eliot, Pound advised him against it. As a result, Eliot had excluded it from The Waste Land. "Gerontion" was published separately, as an independent poem. Between "Gerontion" and The Waste Land, we find that the theme and the techniques are very much alike. However, for this very reason Eliot and Pound must have had thought differently. Eliot must have thought that "Gerontion" would serve well as a preface to the long poem, The Waste Land. It will provide a good introduction to the long poem, he may have thought. In the meantime, Pound must have thought that such similarities in theme and techniques would weaken both works, which would be redundant. To Pound, it would be too much to have the summary of everything that is to be repeated in The Waste Land. Eliot intuitively followed Pound's judgment. Both "Gerontion" and The Waste Land have similarities in theme and techniques. The theme of both works is "aimlessness, spiritual sterility, barrenness" in modern man living in the waste land. For example, in "Gerontion," there appear an old man Gerontion, Mr. Silvero, Hakagawa, Madame de Tornquist, Fraulein von Kulp, who are representative of spiritual barrenness of modern world; in the same context, in The Waste Land those who are most representative of modern world are the Typist, clerk, Thames's daughters, Madamn Sosostris, Tiresias, Phelabas. And in terms of techniques, "Gerontion" and The Waste Land both use dramatic monologues, allusions, and the techniques of modern art, such as montage and mosaic. Here in these works Eliot in fact practises his theory of the "Objective Correlative" that he has invented.

• 대한지리학회지
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• 제47권4호
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• pp.471-473
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• 2012

이 특집호는 2012년 독일 쾰른에서 개최되는 제32차 세계지리학대회를 맞이하여 전 세계에 한국의 지리학을 소개하기 위해 마련한 것이다. 대한지리학회는 2000년 서울대회를 계기로 하여 한국 지리학의 연구 성과와 동향을 소개한 바 있다. 이 특집호는 2000년대 초반까지 정리된 한국 지리학의 학술적 연구 성과를 바탕으로 하여, 특히 지난 10여 년 동안의 한국 지리학의 학문적 성취와 연구 동향을 새롭게 살펴보고, 이와 아울러 향후 지리학의 미래 전망을 검토하고자 시도하였다.

• 영어어문교육
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• 제11권4호
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• pp.1-20
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• 2005

Despite the noteworthy increase in the number of FL anxiety studies, inconsistencies associated with the effects of FL anxiety on language learner performance have been reported in literature. Such conflicting results seem to be attributable in part to unstable conceptualization of the FL anxiety construct and its measure. This paper purported to address the emerging call for a theoretical clarification of the construct at hand as a preface to a clear picture of language anxiety on a conceptual ground. This paper not only covers aspects of general anxiety from psychological perspectives, but examines how FL anxiety and its associated concepts have been conceptualized in the literature. Inconsistent results that pertain to FL learning were also delineated. Given the drawbacks found in the exiting theories of FL anxiety, several points were taken into account for a refinement of the conceptual framework. This attempt will hopefully shed new light on the construct per se and prove conducive to the development of the field of English education.