• 대한간호학회지
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• 제27권3호
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• pp.531-540
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• 1997

The purpose of this study is to reinterpretate the history of nursing and health care from the view-point of post-structuralism. It has been emphasized that the development of modern health care has been due to the progressive efforts of medicine and to medical discoveries. Medicine has dominated the history of health care rather than nursing or other health professions. The present study adopts the post-structural method by Foucault, which tries to unite language and knowledge. Foucault examines "the institutionalization of knowledge and the power exerted thereby, with special reference to the devices of social regulation and their function over the madness, the disease, the crime, and the sexuality. " The concept of power in Foucault's writing is that it is exerted spontaneously in verbal behaviors of individuals through knowledge of everyday life such as definition of body or mind, sexuality and relationship of family. Therefore as to the problem of power, this study tries to understand the meaning of the health care history through an analysis of the formation of medical discourse. In order to have authority in a power relation, the medical professional asserts that medical discourse is the most scientific knowledge. The authority of medical professionals can be reinforced by the fact that male medical professionals outnumber female. Devaluation of nursing care is reinforced by the medicine which has the legitimate authority through use of the political skills.

• 건축역사연구
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• 제16권2호
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• pp.23-41
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• 2007

The main purpose of this study is to reveal the properties and specialities of architectural space after Modernism. Space was the main theme of Modernity in architecture and they insist Modern architectural space had its own characteristics compared with the earlier period. With view that another paradigm of space is rising as a criticism of and departure from Modernity, this study try to show what is the contents of difference and how it express in reality. We can find a new trends in architectural spaces, that are the production of totally different circumstantial background as like information society, digital media environment, post structuralism, new science and heterotopian situation in urbanism. We can call it Post Modernity in architectural space that would find the 'Otheness' and expand the territory of architecture. It means not only the change of architectural space itself but also different cognition and perception of space is taking place. Contemporaru architectural space has lost its materiality and conventional socio-cultural functions. Dematerialization and media or image -like being is the new characteristics instead. It demands a new way of being in a different life-world as well as the new expenence of architecture.

• 디자인학연구
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• 제17권4호
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• pp.89-96
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• 2004

컴퓨터 게임에 대한 인식은 심리적, 사회적으로 강력한 그 영향력에 비해, 미약한 실정이다. 이에, 긍정적이고 진지한 컴퓨터 게임에 대한 접근을 시도함으로ㅆ, 미래의 주류가 될 가능성이 큰 이 새로운 미디어 형태에 대한 위상을 고취시키는데 도움이 되고자 한다. 프로이트를 기점으로 하여, 주로 프랑스의 후기구조주의적 입장의 도움을 빌러 컴퓨터게임에 대한 이해를 도모하려 노력하였다. 그 결과, 꿈에 대한 연구에서 출발하여, 욕망과 언어구조, 그리고 주체와 대상 간의 차이에 의한 역동으로 컴퓨터 게임 플레이를 조망하기에 이르렀고, 인간의 심리와 신체를 통해 현실에 그 흔적을 남기는, 적적히 컨트롤해야할 파르마콘적 존재로서 컴퓨터 게임에 대한 결론을 내리게 되었다.

• 한국융합학회논문지
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• 제9권6호
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• pp.191-201
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• 2018

본 연구는 일본 건축가 단게 겐조(丹下健三)의 건축에서 1960년대를 기점으로 나타났던 중요한 변화에 대해 그 원인과 결과를 분석하는 것을 목표로 한다. 일본의 초기 현대건축을 성공적으로 이끌었던 단게는 1960년 무렵부터 일본의 새로운 시대, 새로운 건축을 위해 자신이 추구했던 기존의 기능주의적 경향에서 벗어나 구조주의적 방법을 제시했다. 따라서 본 논문에서는 단게가 1960년대 이후 지향했던 구조주의적 경향이 이전 시기의 기능주의적 경향으로부터 어떤 발전과 변화를 이루어 결과적으로 어떤 차이를 보이는지, 또한 구조주의적 경향으로의 변화에 영향을 미친 원인들은 무엇인지 등에 대해 연구한다. 결론적으로 단게의 이론은 기존 기능주의의 개념을 부정하는 대안의 제시라기보다는 기능주의와 구조주의 모두를 포괄하는 것으로서 기능요소와 그 구조화를 통해 오히려 기존의 기능주의가 가졌던 단점을 보완하면서 효율적인 기능의 재정비를 이루었다고 할 수 있다.

• 비교문화연구
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• 제23권
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• pp.81-100
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• 2011

The term of world literature is now becoming an issue and lens through which we need to rethink the value of literature on a more universal dimension so as to imagine newly the location of the local or regional literature that has been alienated from the field of world literature. This kind of recognition leads us to consider the term world literature in relation to globalization and universality and to locate it on a problematical territory rather than to understand it in the traditional and Western way. Therefore the concept of world literature is now given to us as a task to resolve from our particular, or more precisely, peripheral context. The peripheral context could best operate as a possibility of reforming the West-centered order of world literature particularly in the way in which world literature obtains a more universal value. When we discuss world literature we need to consider the way of practice to re-highlight the possibility of periphery and pre-modernity without neglecting the 'light' of modernity and center. In this respect, the discourse of 'East Asia' may be useful for a transnational approach to world literature which focuses on the criticism of all kinds of centrism by foregrounding the concepts of othering and de-homogenization. For this I emphasize the attitude and methodology of 'post' which includes the power of othering and de-homogenization. The 'posty' theories such as post-colonialism, post-structuralism, post-nationalism and post-humanism allow us to indicate properly and acutely our aim by means of freer play of thought and at the same time more just definition and practice of our thought; that is, only by embracing both indication and play can we maintain the universal value of world literature. Here we can say that the global and local enterprise of ethics is the fundamental basis of world literature.

• 건축역사연구
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• 제8권2호
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• pp.87-108
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• 1999

Since 1960, the change of architectural trend was dominated by two factors ; the one, the introduction of theory of language (including semantic, syntactic, pragmatic, linguistic, semiotic, structuralism, post-structurism) in design concept, the other, the adaption of high technology in building construction. In particular, the theory of language played an important role in the emergence of new tendency, which could be the alternative of modern architecture. Post-modernism and Typology in the 1960-70s, Deconstructivism in the 1980s and 'Folding' architecture in the 1990s, have continually borrowed a theoretical base from the thee of language. Placing the focus on the relation of contemporary architecture and theory of language with the interdisciplinary view, this study comes to the conclusion that the diverse architectural tendencies since 1960 depend on the 'champ d'enonce', which Michel Foucault, French philosopher, defined in his . The writings of many architects, like Robert Venturi, Micheal Graves, Aldo Rossi, Peter Eisenman, Rem Koolhaas, Bernard Tschumi, Gerg Lynn demonstrate our conclusion. This is an important finding which make possible consistent understanding about contemporary architecture.

• 대한간호학회지
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• 제34권3호
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• pp.389-399
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• 2004

Purpose: The purpose of this study was to illustrate the main stream of postmodernism which has influenced theory and research in the nursing science, and then to consider the meaning and value of what the postmodern perspective has meant to nursing science in the 21st century. Method: Derrida and Foucaults philosophical thoughts that characterized postmodernism through the interpretation of their major literature was studied. Based on their philosophy, it was shownhow Derrida's idea could be applied in de constructing the core paradigm in modern nursing science. In terms of Foucault's post-structuralism, reinterpretation of the nursing science in relation to power/knowledge was completed. Result: Postmodernism created multiple and diverse paradigms of nursing theory as well as nursing research. This was accomplished by de constructing the modernism of nursing science which was based on the positivism and medical-cure centralism. Specifically, the post-structuralist perspective revealed issuesaround the relationship of power and knowledge, which dominated and produced modern nursing science. Contemporary nursing science accepts pluralism and needs no unitary meta-paradigm, which can reintegrate multiple and diverse paradigms. Conclusion: In considering the issue of nursing science in postmodernism, it can be summarized as follows: the postmodern thinking discovers and reveals diverse and potential nursing values which were veiled by the domination of western modem nursing science. These were motivated to create nursing knowledge by conversation in interpersonal relationships, which can contribute to practical utilities for the caring-healing situation.

• 한국실내디자인학회논문집
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• 제14권6호
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• pp.37-46
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• 2005

This study is focused on the indeterminacy of the contemporary social structure based on the philosophical concept of relationship. The purpose of this study is to present the index of the space planning that the contemporary society demands through analysis of a characteristics of the indeterminate program. As the result, we got a characteristic and a design method of the following indeterminate programs. (1)The characteristic of the interior space programs are in such cases as combined, the continuance, the pile, the juxtaposition, mixing and interference etc. (2) The characteristics of space planning are multiple changes of the space occupation, various sight experiences, folding structure, expansion of flow space, the insertion of a between spates etc. (3) The characteristic of space design expression is addition of various functions tv unification of a structural element and an element of furniture.

• 디자인학연구
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• 제14권
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• pp.33-41
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• 1996

타이포그래피는 형태와 의미라고 하는 양면을 가지고 있다. 즉, 읽기(reading)와 보기(seeing)를 모두 요구하는 요소들의 집합체인데 형태로서 나타내는 의미도 물론 중요하지만 정확한 의사전달을 위 하여는 수용자 측면에서 야기 될 수 있는 다양한 의미를 추정하여 그 의미를 표현해야 한다. 이러한 사고를 바탕으로 탄생한 ' 담론으로서의 타이포그래피' 는 디자이너 입장에서는 일방적인 커뮤니케이션이 아닌 대화 형식의 커뮤니케이션을 위한 새로운 스타일이다. 의미는 한 곳에 정체되어 있는 것이 아니라 수용자에 따라 무한한 가능성이 열려 있기 때문에 이러한 표현 방법의 의의는 매우 크다. 따라서 이를 실제 강의에 적용, 그 가능성을 확인하였다.

• 복식문화연구
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• 제15권2호
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• pp.232-251
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• 2007

The purpose of this study was to understand sexuality expressed in fashion in a discursive view and reinterpret sexuality represented in fashion in the 19th century in Foucauldian post-structural perspective. As for methodology, at first the conception of sexuality was examined from structural feminism to post-structural pluralism by a literature review and discussed in relation with the matters of body and fashion on the basis of Foucault's discourse. Then, sexuality represented in the 19C fashion as a case study was re-estimated in terms of power relationship between dominant and oppositional discourses and mainstream fashion and anti-fashion as well. The conception of sexuality in Foucauldian post-structuralism maintains the view of plural sexuality, which floats by discourse and power produced in a specific historical context. In the Foucauldian perspective sexuality expressed in the mainstream fashion and anti-fashion in the nineteenth century shows the following aspects. The mainstream fashion in the middle and latter of the 19C made the clear sexual difference in dress of plain and functional male suit and extravagant and decorative female dress on the center of bourgeois masculinity in the context of modernity and capitalism. Although anti-fashion was also co-existed with the mainstream fashion, it was criticized by the Victorian people. It codifies sexual ideology of the binary opposition of male domination and female subordination. Therefore, the traditional sexual ideology in the 19C is a capitalist value, which gives a priority to bourgeois man's profits, and the Victorian discourses of sexuality constructs the clear sexual difference in dress in the period.