• 한국의류학회지
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• 제32권1호
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• pp.77-87
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• 2008

Modern fashion industry creates complex and multiple fashion by amalgamating and mixing all elements that emerged in fashion without limiting them to a specific genre. The results of study are as follows: First, with regard to the conceptual differences among poor look, anti-fashion, and resistance fashion and the background. second, As aesthetic categories of poor beauty, its image with the feeling of poorness, beggar-likeness, worthlessness, poorness, and uncleanness is divided into the beauty of moderation, deconstruction, unfinished beauty, natural beauty, and ostentatious poor beauty based on the formative characteristics and poor look. Third, Oriental and Western poor images are comparatively analyzed. The poor beauty found in Oriental fashion, which is based on Zen aesthetics, seeks loneliness, poorness, and simplicity as an empty origin and features internal meaning that expresses the purity of poor beauty itself and external form that is visualized through no decoration, no color, and asymmetry in material and composition. The poor beauty in the West features non-form of no shape, asymmetry and disharmony and the characteristic in its contents is "distortion", and the characteristic in its expression features external form of "incorrectness" and internal meaning implying modem humans' frustration, resistance to materialism, and skepticism about mechanicalism.

• 한국의류학회지
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• 제42권1호
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• pp.58-73
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• 2018

This study examines the socio-cultural background of a Nerd-chic look, establishes a conceptual foundation for Nerd-chic look and examines its aesthetic characteristics in order to understand the latest modern fashion phenomenon. Nerd-chic look is a combination of 'nerd' as a popular collective style and 'chic', which refers to the aesthetic value of a costume style. It is a look that is expressed in fashion that reflects the contemporary aesthetic desires based on a nerd's external features and inner values. The aesthetic characteristics of the Nerd-chic look are as follows. First, the Nerd-chic look express the aesthetic characteristic of bricolage that transforms the familiar meaning of an outdated nerd style to 'chic' image by the rearrangement of the typical nerd style and retro fashion elements. Second, the Nerd-chic look express the aesthetic characteristic of supernormal, as a plain, restrained beauty based on the Normcore fashion mood, disassembly and recombination of ordinary items, fit-free styling, and asexual styling. Third, the Nerd-chic look expresses the aesthetic characteristics of deluxe poor, which rejects stereotypical and expensive luxury and presents a more contemporary and futuristic spirituality. It is expressed in oversized shapes that are not intended to fit the body and show incompatibility between fashion items or way of dressing.

• 한국의류학회지
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• 제21권8호
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• pp.1261-1274
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• 1997

Contemporary costume by the 'Deconstruction' from the outside has shown disclosure, destruction, poverty and analysis. The conclusion of this thesis as follows, 1. The Deconstruction of disclosure by infra disclosed the underwear and inner structure outside, which has deconstructed a fixed idea i.e.'underwear must be in outwear', modesty versus immodesty and disclosure versus concealment. 2. The Deconstruction of destruction originated in punk look has rejected traditional manners and utility, at the same time, it has shown the ambivalence i.e. completeness versus incompleteness, making versus destructing by slashes, rips, fringes. 3. The Deconstruction of poverty has appeared as French avangarde mode, little black dress by Chanel, second hand style by hippy, blue jean, granny look, especially Rei Kawakubo's poor look influenced by Zen Aesthetics and post punk. It has looked like old and worn out dress by doing patchwork, dye, decolor, rip, fray, which has shown the decentring by concealing the body than disclosing, rejecting snobbery. 4. The Deconstruction of analysis, seemingly partial and patched is a violation only of our expectation of clothing's unbroken entity though it has looked like a fragment. The completeness and coherence of it is made more evident by its breach, void, and bond like a poetic language. As the result, disclosed, destructed, poor, and analytical costumes has expressed as an escape from the appearance which traditional aesthetic concept had pursued.

• 한국산업융합학회 논문집
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• 제19권3호
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• pp.101-108
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• 2016

I propose a hybrid fuzzy controller with a look-up table to improve the performance of the FARMA(Fuzzy Auto-regressive Moving Average) fuzzy controller. The hybrid structure of the proposed method is composed of a fuzzy controller with a look-up table of the PD type and the FARMA fuzzy controller. The proposed method improves poor performance due to the lack of I/O data to calculate predictive output and shows robust performance over the FARMA fuzzy controller when a incorrect Dmax value is selected by trial and error. I executed some computer simulations on the regulation problem of an inverted pendulum system and compared the results with those of the FARMA fuzzy controller.

• 복식문화연구
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• 제19권5호
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• pp.957-969
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• 2011

This study intended to analyze the grunge look as a mode of expression and as a characteristic of the fashion of the 21st century, arguing that the look expressed not only an outward appearance or sub-culture but also a change in our attitude and spirit about contemporary fashion. In the study, I carried out an empirical analysis focused on the collection from 2001S/S to 2010F/W and a literature review. In my results, I classified the grunge look into the following categories: 1. mix and match layering; 2. patchwork, collages, and assemblage using all objects as well as clothing materials; and 3. distressing techniques, such as bleaching and dyeing, unweaving, and tears and holes. I also classified the characteristics of grunge into the following categories: 1. conspicuous destitution, which is intentionally expressed by skillful techniques and craftsmanship, indicating that modern people want to attract attention and be distinguished from others, which reflects an attitude of superiority through ironic fashion choices; 2. high lighting the dissolution of decoration, where destruction, poverty and recombination shown in the grunge look emerged as an artificial and intentional ugly aesthetic in contrast to the existing elegant and sophisticated image; and 3. satire and playfulness, as grunge expresses alienation and conflict in modern society through satire and sarcasm, not attacking or avoiding, but through playful and sarcastic engagement so as to decrease poverty and give temporary freedom.

• 복식
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• 제52권6호
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• pp.139-164
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• 2002

The objective of this Paper was to identify the internal and external symbols of Punks, and to assess the significance of punk style giving an inspiration to many high fashion designers. For this objective. comprehension on widely discussed idea of punk, furthermore grasping the internal and external form by inquiring historically punk look, and importantly looking into new ideas pursued by punk fashion by studying traits of punk image in 1980's and after are done. Punk in the latter half of the 70's was anti-fashion expressed for the young of working class to rebel against the established generation. At first some of the fashion was popularized by the young who imitated pop stars under the specific economy of Britain, and others with movement of hippie Punk is aesthetics extremism which neglects traditionalism in the past but pursues newness. It denied traditional way of expression and principles of aesthetics but created newness. Punk look was symbolized as poor look. grotesque, androgynous, black, graffiti, and bricolage. And the internal meanings of these symbols are ego-screaming, expression of nihilism, resistance, irony and ridicule, search for hedonism. The punk phenomenon continues today. Some teens still cling to the complete look. whether they have punks' idea and value or not. Diverse elements of punk style play a major role in the current trend of fashion and a source of the fresh inspiration for the high fashion designers. Punk style is truly the story of a fad that turned to fashion.

• 한국안광학회지
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• 제6권2호
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• pp.99-104
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• 2001

본 연구는 전북 익산시의 초등학교 학생을 대상으로 설문지를 이용하여 조사하였다. 조사 내용은 눈의 검사 장소, 시력 이상자의 자각적 조사, 안경에 대한 견해, 그리고 안경 착용자의 작용 방법에 대한 것이다. 검안장소의 선택에 대한 통념적인 견해로는 대상자의 12.6%만이 안경원을 답하였지만, 실제로 검안을 했던 학생에 대한 조사에서는 38.8%가 안경원에서 시력 측정을 하였다. 이는 통념적으로 안경원의 인지도가 낮음을 나타냈다. 자각적인 시력 이상의 판단에서는 40%가 시력이 나쁘다고 답하였고, 그 증상은 46.4%는 먼 곳을 볼 때, 26.0%는 칠판 글씨를 볼 때, 18.4%는 컴퓨터 화면을 볼 때 그리고 9.2%는 책을 불 때 느낀다고 답하였다. 상당수의 학생이 수업으로 학교근시가 나타나 시력에 자신감이 없었다. 자각적 시력이상 자는 46.8%가 시력을 교정하지 않았으며, 그 이유는 시력검사를 받지 못해서 48.7%이었다. 따라서 초등학생을 시력 향상을 위해서는 시력측정을 일정한 간격을 두고 정확하게 시행함이 절실하게 요구되었다. 안경착용의 효과에 관한 질문에는 대상자의 48%는 시력이 나빠지고, 나머지는 눈이 좋아지거나 그대로이다라고 답하였기에 안정착용에 부정적인 견해를 가지고 있었다. 안경 착용자에 대한 미용상 견해는 불편하게 보인다가 45.8%로 안경테가 시력 교정 용구로는 좋게 여겨지지 않았다. 안경 착용자의 착용 방법에 대한 질문에서 대상자의 32.3%는 착용을 중단하였거나 가끔 착용하였고, 그 이유로는 안경 착용이 불편해서가 대상자의 67.4%로 조사되었다. 이는 안경착용의 불편함이 생각했던 것보다 실제 사용할 때가 더 크게 나타났다. 초등학생의 시력 교정은 착용감이 좋은 안경테의 개발과 새로운 시력 교정 용품이 필요한 것으로 조사되었다.

• 한국수학교육학회:학술대회논문집
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• 한국수학교육학회 2010년도 제44회 전국수학교육연구대회
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• pp.21-28
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• 2010

It is common that whoever is having a very low achievement level in mathematics has a poor attitude toward mathematics. However, it is totally opposite when we look at the case of Korean students. On several studies on international comparisons in mathematics and science achievement, Korean students recorded a top ranks among the nations. However, their attitudes toward mathematics are very poor; almost at the bottom in international assessment among other countries compared to international peers. The purpose of this study is to examine the relationship between students' attitudes toward mathematics and teaching methods and to analyze findings of research articles published within the last 15 years. These findings will contribute not only to understanding a relationship between students' attitudes toward mathematics and teaching methods, but to provide guidelines for how students' attitudes toward mathematics can be improved.

• 경영과학
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• 제26권2호
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• pp.61-70
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• 2009

This study gives the quality factor evaluation of rubber gloves manufacturing, including a systematic classification of poor durability(internal quality factors) and look bad(external quality factors) as well as the types of defective items, along with the relationship between quality factors and the defective types. The relationship analysis between quality factors and the defective types are performed with AHP(Analytic Hierarchy Process) technique. The results of our study will be useful for quality management activities and manufacturing process in rubber gloves manufacturing companies.

• 해양환경안전학회지
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• 제20권1호
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• pp.18-25
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• 2014

해양안전심판원에 따르면 선박의 등록 척수는 점차 줄어드는 추세이지만, 전체 해양사고 척수와 충돌사고 척수는 증가 추세를 보이고 있다. 2008년부터 2012년까지 최근 5년간 해양사고 발생 현황을 분석해 보면, 해양사고에서 충돌사고가 37 %로 가장 높게 나타났으며, 이러한 충돌사고에서 어선이 58 %로 가장 많이 발생되었는데, 그 중에서도 20톤 미만의 소형선박의 충돌사고가 26 %로 가장 많은 것으로 확인되었다. 또한, 충돌사고의 절반이 넘는 56 %의 선박이 충돌직전까지 상대선박을 발견하지 못한 것으로 분석되었는데, 이러한 사실은 충돌사고가 대부분 경계소홀로 인하여 발생한 것임을 알 수 있다. 따라서 이러한 충돌사고를 줄이기 위해 어선의 운항특성 및 운항과 관련된 제반 규정을 검토하여 어선의 승선 인원, 교육 및 훈련, 그리고 항해장비 측면에서 개선 및 보완할 수 있는 방안을 제시하였다.