• 한국실내디자인학회논문집
• /
• 제14권5호
• /
• pp.262-270
• /
• 2005

The purpose of this study is to search for the characteristics of the theory of 'placeness' permeated through contemporary museum architecture in Korea, and hereby to prove the possibility of coping with the modernity in Korean architecture. In this study the theory of 'placeness' which is asserted by Christian Norberg Schultz has been adopted in debating contemporary architecture in Korea. Therefor the theory of 'placeness' has been researched to get an angle of vision on the proof of coping with the modernity in Korean architecture. Seven contemporary museum architecture which have been completed since 1990 have been examined in the view of morphology, topology, and typology which are the major factors of 'placeness'. Throughout this case study, the post-modernity in museum architecture in Korea has been proved, which establishes that the 'placeness' is one of the alternatives for contemporary architecture in Korea.

• 한국실내디자인학회논문집
• /
• 제15권3호
• /
• pp.92-101
• /
• 2006

This study examines placeness of the living space on the basis of Schulz's existential space and inquires into the expressional features of placeness by analyzing cases. Results of this study have shown that placeness of living space is formed by three factors as follows. First, the living space with placesness maintains inner order which structuralizes surroundings. Second, it expresses its identity through innate shape that reflects surroundings. Third, inner space has innate identity and it is much related to characteristics personality of a resident, environmental and psychological factors. It is as follows that concrete features of existential placeness shown in analyzing cases of Botta and Moore's works. There are concrete expressional features of placeness in the housing of Botta, and one is to keep order of inner space the horizontal and vertical axis reflected surroundings. Another is to show existence feeling as the shape of a stable singular mass with surroundings and regional properties. The third is to value innate features of each space inside housing and particularly to acquire placeness as combining phenomenological characteristic of light. There are concrete expressional features of placeness in the housing of Moore, and first, strong centrality formed in the inside is emphasized as extending to outside environment. Second, existence feeling is acquired as familiar form using the shape and material considered surroundings. Third, the personality of a resident is positively reflected in the design. Besides, placeness is acquired by goods and furniture as positively considering environmental and psychological sides.

• 한국비블리아학회지
• /
• 제23권3호
• /
• pp.253-278
• /
• 2012

본 연구는 공공도서관의 장소성 형성구조를 살펴봄으로써 공공도서관의 장소성에 대한 이해와 공공도서관의 가치에 대해 설명하는 것을 목적으로 하였다. 본 연구에서는 공공도서관의 장소성 형성요인, 장소애착, 장소가치 지각, 이용자 행위의도를 연구 변인으로 설정하였고, 각각의 변인들 간에 어떠한 인과관계를 가지고 서로 영향을 미치고 있는가를 알아보았다. 또한 공공도서관의 장소성 형성요인과 장소가치 간의 매개 요인으로서 장소애착의 직 간접적인 효과를 규명하였다.

• 한국실내디자인학회논문집
• /
• 제27권3호
• /
• pp.33-40
• /
• 2018

As the standard for the value of modern people's life increases, hotels make efforts for the users' qualitative and mental satisfaction. As an approach to hotel space design differentiated for new experiences for travelers, a design that reflects the placeness is needed so that people can experience the local culture and historical meaning of the place. Thus, this study divides the components of placeness into physical factors, socio-cultural factors, and semantic factors. As for methods for the design expression of placeness formation, physical factors are classified as the connection to surrounding environments, center, passage, and area. Socio-cultural factors are classified as cultural experiences in the place. Semantic factors are classified as symbolism and historicity. For a case analysis in this study, overseas four-star hotels or higher, where placeness stood out are analyzed, based on the above-extracted components of placeness. As a result of the analysis, the hotels in the cases showed an aspect of expression that emphasized semantic factors despite there were differences in the detailed expression method, depending on the designers. The expression of the place that reflected locality and temporality showed the connection of time, connecting the past with the present. In the future, only the design expression based on the historical and symbolic meanings of the place will be the experience that remains in the users' memories, very precisely.

• 한국실내디자인학회논문집
• /
• 제26권1호
• /
• pp.101-113
• /
• 2017

This study was to build a frame and direction of an analysis of the evaltion of placeness of industrial heritages space, and then to evaluate Beijing 798. First, by studying references, 15 elements in 6 dimensions were derived from the evaluation of placeness of industrial heritage and applied in the evaluation of placeness of Beijing 798 art zone. Second, the changes of Bejing 798 art zone can be classified in 4 steps, latency, quickening, growth, and union, which has been growing from studios with artists to complex cultural art place based on studios and gallery. Third, place characteristics of 798 art zone was analysis with the measurements of morphological, perceptual, social, visual, functional, and temporal points. Fourth, a survey was done in order to evaluate placeness of Beijing 798 art zone.In conclusion, the result of the evaluation of placeness of industrial heritages space through Beijing 798 art zone shows that uniqueness and indigenousness are highly valued which verifies that the differentiation from other places and uniqueness are the essential element.

• 한국실내디자인학회논문집
• /
• 제40호
• /
• pp.149-157
• /
• 2003

The placeness has been lost in space design since Modernism, especially Internationalism. Digital space design of today is one of the means to complement that. The purpose of this study is to grasp a trend in the expression of placeness, being appeared in digital space design process through case analysis. As the result of this study, the placeness in digital design process expressed by parametric elements had each effective internal algorithms. Especially, space design using digital process were expressed placeness by physical context such as topography, conditions of location, landscape, axis of road, traffic elements and climate. And social context were expressed by user experience through his cognition.

• 한국실내디자인학회논문집
• /
• 제15권6호
• /
• pp.35-42
• /
• 2006

'Place' as the spacial concept became now key concept in the environments and architecture from the mid 20th century. The purpose of this study is to explain the placeness in Aldo Rossi's architecture according to space sequence. Aldo Rossi has attempted to apply the typological elements for the restoration of place in the cites and buildings which had ruined by modem architecture. Therefore It would be important for us to find out a method which making placeness in Aldo Rossi's architecture. Experiencing place could be examined by the method of space sequence. The experience of place is related to the experience of the human body in architecture space. The experience of place in space can make a unique placeness of architect. And, the experience of the place through the movement of the body and the vista, is the key elements of space sequence to explain the placeness in architecture. The results of this research are following. (1)Key space which related to movement of human body in Aldo Rossi's architecture make a set consisted of a goal space and the surrounding space. (2)The Arrange of Space and the formation of the boundary is more complex in the dispersed buildings than that of the single building. (3)The typological elements like a courtyard, a cylinder and the axis in the buildings made the goal space and helping people to find the orientation of human body.

• 한국게임학회 논문지
• /
• 제21권3호
• /
• pp.25-38
• /
• 2021

본 논문은 현대인의 생활에서 많은 비중을 차지하게 된 디지털 게임 공간에 대해 시뮬라크르 이론에 따라 인간 실존적 의미의 장소(place)로의 발전 가능성과 장소성(placeness) 형성 과정에 대해 알아본다. 우선 인간과 관계 맺음 하는 디지털 게임 공간을 플라톤, 장 보드리야르, 질 들뢰즈의 시뮬라크르 이론을 바탕으로, 혼재될 수 있는 세 가지의 시뮬라크르 공간 양상으로 해석했다. 게임 공간에서 장소성이 형성되는 과정을 앞서 재해석한 시뮬라크르 공간과 장소 이론, 그리고 사용자의 게임 경험을 연결 지어 제시하였다. 이를 통해 다양한 매체의 진정성 있는 경험을 위한 디지털 게임 공간의 장소 양상을 탐구하는 데 이바지하길 기대한다.

• 한국실내디자인학회논문집
• /
• 제16권2호
• /
• pp.87-96
• /
• 2007

This study analyzes the place of modem architecture based on the place theory of C. N, Schultz. For applying Schultz's theory to the modern architecture, It is required to examine the modern cityscape, features of inner space of architecture and features of program. By analyzing the avant-garde architecture of Rem Koolhaas on such basis, the potentiality of placeness of modern architecture could be verified and the alternatives would be searched. It is inferred that the placeness features of Rem Koolhaas' public architecture is under the influence of the interpretation of program based on the humane background rather than the physical aspects of surroundings. The inner space shows the non-linear features, the metaphor of city. The obscurity of physical boundary illustrates the flexible features with ambiguous boundary. Consequently, the inner space expresses the surreal atmosphere that doesn't match the purposes of usage of architecture, the traditional concept. The outer shape is recognized as the by-product from the interpretation of internal program rather than it considered the surrounding context. The outer shape has the relatively simple formative shape and contrasts against the complicated inner space by using the non-physical materials. It is found that Koolhaas' architecture doesn't pursue the features of placeness of traditional concept. However, It is inferred that his architecture has the possibility of placeness by attaching the meaning through the social roles of each architecture. It gives the substantial suggestion to the modern architecture that can't easily acquire the placeness of traditional concept due to the environment of modern city.

• 지역과문화
• /
• 제6권4호
• /
• pp.73-97
• /
• 2019

본 연구는 안동포마을의 의미와 가치를 재발견하고 장소성 강화를 위해 공간스토리텔링 한 것이다. 이론적 고찰, 장소성 강화 선진사례 분석, 마을 환경과 문화자원 분석을 통해 마을의 맥락을 파악하고 전통 삶의 방식과 길쌈문화가 담긴 전통마을의 장소성을 도출하였다. 그에 따라 공간스토리텔링의 주제를'천년의 숨결! 천년의 노래!'로 설정하고 구체화를 위한 테마로는 '헌신·나눔·추억·만남·건강·화합'으로 설정하였다. 또 설정된 각각의 테마에 부합한 공간을 연결하고 이를 기반으로 이야기를 재현하거나 창조함으로써 안동포마을은 전통문화의 창조성과 장소적 자산이 공존하며 새로운 콘텐츠를 재생산할 수 있도록 하였다. 또한 방문객은 장소성을 체험하고 완성해 가는 주체가 될 수 있도록 세부적인 운영프로그램을 개발하였다. 그 결과 안동포마을 브랜드가치 및 주민 삶의 질이 향상되고 관광객 증가에 기여할 것으로 기대한다.