• 한국조경학회지
• /
• 제30권4호
• /
• pp.82-91
• /
• 2002

The site for this plan is located at the foot of Mt. Unseo at Galcheon-ri, Changsu-myon, Youngdeok-gun. On the site stands Jangyutsa Temple, built by priest Naong in 1355 (in the 4th year of King Gongmin during Koryo Kingdom). The purpose of this plan is to widely publicize and commemorate priest Naong by designing a district centering around the temple. The basic directions of design can be summarized as follows 1) A special Buddhists'pilgrimage and sight-seeing district aimed at commemorating priest Naong will be developed to preserve the historic figure of priest Naong. To this end, a facility will be built to collect, preserve and exhibit materials related with the great priest in order to preserve his legacy and enhance the image of the space. 2) Special fractions which are rare in other districts will be introduced to create an image different from the conventional memorial districts or sight-seeing zones. To this end, the district will be divided into the Jangyuksa Temple area proper and a district memorial area, each of which will have its own unique characteristics with different functions. On the other hand, the two different areas will be related with each other and complemented by each other. Such planning techniques as articulation and superimposition will be used for a synergistic effect. 3) The plan will accommodate various programs centering around historical and cultural assets, and at the same time will allow tourists to have various experiences and access to the natural environment as well as to a variety of events. 4) In order to plan such landscapes as shown in the traditional mountain temples, the traditional tectonic forms will be used for the facilities. It is expected that the district surrounding Jangyuksa Temple will become a popular sight-seeing destination, and with new historical and cultural environments will become a valuable resource to widely publicize the culture of Youngdeok-gun.

• Journal of Preventive Medicine and Public Health
• /
• 제38권4호
• /
• pp.420-424
• /
• 2005

Objectives : A few culture-confirmed cases of S. sonnei have been notified from Korean hospitals. The source of epidemic can't be firmly determined in such cases because of the rarity of this illness in the local communities and the timing of the outbreaks. The objective of this study is to estimate the source of epidemic by investigating the patients' lifestyles. Methods : Alibi verification was used to access the presumed source of the epidemic. PCR (Polymerase Chain Reaction) was used to rapidly detect the genes of Shigella in water specimens. Results : The common lifestyle trait among the Shigella infected patients was connected with Mt. Martyr in J city, Korea. The first patient's son had gone on a pilgrimage to Mt. Martyr with 41 friends and he had only eaten rice cakes on April 5th; the second patients had visited Mt. Martyr with their mother for a picnic on April 12th; the third patient had visited Mt. Martyr with 22 friends for a pilgrimage and the patient had only drunk holy water on April 13th. Therefore, the holy water of Mt. Martyr was reckoned to be the source of the epidemic. PCR detected the genes of Shigella two days before the S. sonnei was confirmed. Conclusion : The patients' lifestyles for 7 days before the onset of symptoms should be determined in terms of time, place and contacted people to find the source of infection when cases with food poisoning are seen in the hospital setting.

• 문화기술의 융합
• /
• 제6권4호
• /
• pp.179-186
• /
• 2020

원교(圓嶠) 이광사(李匡師)(1705~1777)는 18C 문예부흥기에서 한 시대를 대표했던 학자 예술가이다. 1755년(영조31) 나주벽서사건으로 인해 연좌, 완도군 신지도(薪智島)로 이배되어 총 23년간의 유배생활 끝에 운명하였다. 이때 속필(俗筆)로 흐른 서법과 서풍의 문제점을 바로 잡고자『원교서결(圓嶠書訣)』을 집필하였고, 서법적으로 본질을 새롭게 정립코자 하는 우리 민족 고유의 주체적·자각적 서풍인 동국진체(東國眞體)를 완성했다는 평가를 받는 독창적 서예술 구현으로 호남 일대에 절대적인 영향을 끼쳤다. 원교(圓嶠)의 서예심미는 양명학의 심진(心眞)을 근저로 하는 '창경발속(蒼勁拔俗)의 엄밀미(嚴密美)', '만호제력(萬毫齊力)의 양강미(陽剛美)', '진력추전(盡力推展)의 생명미(生命美)'로 전개된다. 그는 올바른 필법 구사를 위해서는 자유로운 조형과 생기가 있는 근골(筋骨) 화의(畫意)를 서예의 관건으로 인식하고 전례(篆隷) 고비(古碑)의 연마를 제안하였다. 생기가 있는 획이란 삼과(三過)와 길곡(佶曲)하는 가운데 창경발속(蒼勁拔俗)하여 자연스럽게 천기(天機)가 스며들고, 필묵은 만호제력(萬毫齊力)의 추전(推展)으로 운영하는 것이다. 이러한 서예심미는 삼과절필(三過折筆)과 길굴완전(佶屈宛轉), 만호제력(萬毫齊力)과 추전거(推展去) 등의 필법이 뒷받침되어 근골(筋骨)과 신기(神氣)로써 신채(神彩)를 드러내었고, 우리 민족 고유의 독창적 필세와 필의를 추구하고, 천연의 진성(眞性)을 드러내며 활물(活物)로써의 생명력 넘치는 원교체(圓嶠體)로 발현되었다.

• 한국조경학회지
• /
• 제51권6호
• /
• pp.12-32
• /
• 2023

최근 내면의 치유를 위해 떠나는 종교여행객의 수요가 늘어나면서 불교의 '산사체험'이나 개신교의 '수련회', 가톨릭의 '피정'이 일종의 대안 휴가로 자리잡고 있다. 그러나 토착화가 이루어진 불교와 달리 범기독교계의 피정시설은 일반적인 휴양시설의 형태를 따르고 있으며, 후원에 의존함으로써 전체적인 틀을 구축하지 못한 채 조성하고 있다. 이에 본 연구에서는 피정의 방법인 '영신수련' 과정을 토대로 '신학적 미학'을 반영하여 '피정의 집'에 적합한 외부 환경을 설계하고자 하였다. 먼저 영신수련은 '내적 순례'라고 표현되는 만큼, 각 기도주제에서 체험하게 되는 이미지와 신학적 미학에 관해 고찰하였다. 다음으로 피정시설에 필요한 기능 및 공간 특성을 분석하고, 종교적 공간의 구성원리를 파악하였다. 또한 실제 대상지의 경관을 조사하고, 참여자들의 이용행태를 분석하여 일정에 따른 선호 공간을 도출하였다. 이를 종합하여 의식의 전환을 이끌어낼 수 있는 외부공간을 구상하고, 기도 메커니즘과 부합하는 물리적 환경 속에서 참여자의 체험 스펙트럼이 확장될 수 있도록 계획하였다. 본 연구는 경관자원의 잠재력이 많은 피정시설을 선정하여 신학적 미학을 구현하고자 하였다. 이를 통해 영신수련의 기도법인 '관상기도(觀相祈禱)' 시에 이미지를 효과적으로 불러일으키고 종교적 체험을 보조할 수 있는 시적((詩的) 경관의 가능성을 드러낼 수 있었다. 본 연구는 그동안 등한시된 종교시설의 다양한 외부공간 설계어휘를 도출해냈다는 점에서 의의를 갖는다.

• 인문언어
• /
• 제2권2호
• /
• pp.109-128
• /
• 2002

The six fabliaux of the Canterbury Tales are a notable artistic achievement. Of all of them, however, the Merchant's Tale is the most notable to show Chaucer's development of the scope of this genre. We will look briefly at the characters of the fabliau narrators who are crucial to Chaucer's drama of relationships in the course of the Canterbury pilgrimage framework. To distinguish the accomplishment of the Merchant's Tale, we will consider the relative merits of each of the other five fabliaux in the Canterbury Tales. The least flawed of the fabliau narrators, the Merchant will tell a powerful tale about an old man's lust turned into a hasty marriage gone wrong that aims its satire at the noble ruling class of the land, not the usual targets of Chaucer's or most other writers' fabliaux. Further, unlike the light-hearted and dismissable endings of the other Chaucerian fabliaux, the Merchant's Tale has what we will call an Act 6 of continued deception at all corners of the love triangle represented by the senex amans January, his young wife May, perhaps now pregnant after her tryst with Damyan in the pear tree, and the still present young lover Damyan. This triangle of mutual deception will continue into the unknown future under the male and female forces at odds as personified in the king and queen of fairies, Pluto and Proserpina.

• Acta Via Serica
• /
• 제4권2호
• /
• pp.119-128
• /
• 2019

This paper attempts to reveal little-known pages from the history of relations between the peoples of Central Asia and Korea based on materials derived from written sources and modern scientific literature, as well as from medieval wall paintings from the early medieval Afrasiab Palace of Varhuman, the ruler of Samarkand, and from stone sculptures of Sogdian figures contained in Silla royal tombs. Korea's interest in the western lands led to its contact with Buddhism, which spread and later flourished in all three Korean kingdoms (Koguryo, Paekche and Silla). The spread of Buddhism in turn motivated a number of Korean monks to undertake pilgrimages to India via Central Asia. Hyecho, a young Silla pilgrim, left evidence of his journey via the South China Sea to India in 723 AD. Paul Pelliot discovered a report from Hyecho's journey entitled Notes on Pilgrimage to Five Regions in India (Wang Wu Tianzhuguo zhuan) in the Dunhuang caves in 1908. Hyecho's contributions are worthy of attention, substantially complementing knowledge available for this little-studied period in the history of South and Central Asia. The information contained in Hyecho's manuscript is, in fact, considered the most significant work of the first half of the 8th century. Research regarding the relationship between Central Asia and Korea remains underdeveloped. Existing historical evidence, however, including the above mentioned Samarkand wall paintings, depicts the visits of two Korean ambassadors to Samarkand, and evidence from Silla tombs suggests the presence of diplomatic relations in addition to trade between the two regions. Overall, the history of the relationship between Central Asia and Korea yields new insights into how and why these distant countries sustained trade and diplomatic and cultural exchange during this early period. Taking into account Korea's growing interest in Uzbekistan, especially in its history and culture, this article can act as a catalyst for studying the history of the two country's relations.

• 건축역사연구
• /
• 제8권1호
• /
• pp.81-94
• /
• 1999

This Study aims at searching the meanings in the creative process of Ronchamp chapel by analyzing the drawings of the site, plan, section and elevation in chronological order. The origins of his architectural creation are identifying with the site(memories of Acropolis), analogies of crab shell, air plane wing and hydraulic dams. The architect informed himself about the site ,the tradition of pilgrimage associated with the place, and its devotion to the Holy Virgin; he looked into the rituals of the Catholic religion, spoke with ecclesiastics; he studied and annotated a monograph devoted to the site of Ronchamp. Also ,the plan required that it be possible to collect rainwater, since such was rare on the hill. In the first design phase, overall conception of building was carried out in the sketches and drawings from June 1950 to November 1950. The second phase in the elaboration of the project was from January 1951(at which time preliminary project was presented to the Commission of Holy Art) to April 1953. The modifications made were in response to opinions expressed by the patrons. The building moved to east and gargoyle moved to west, then, the elevations of north and west were changed. He designed the artificial land and bell tower from the first phase even after the beginning of construction ,he wanted them to be built .But they were not constructed, so the outer space for rituals of religion had no tension. I concluded that Le Corbusier had gifted ability and efforts to create spontaneous birth(after incubation) of the whole work, and the execution of drawings itself. He devoted himself to accomplish the project in spite of the change in situation or by clients.

• 휴양 및 경관연구
• /
• 제12권4호
• /
• pp.59-66
• /
• 2018

The purpose of the present study was to compare the long-term management objectives, policy objectives, implementation plans, and detailed plans of four provincial parks established in 2013 using various analysis frameworks. Through this, the study aimed to identify the characteristics of the management plan and extract the implementation plan important to each park by analyzing the priorities in the detailed plan. The long-term management objectives of most parks were to maintain recreational functions by utilizing all the resources of the park, rather than merely preserving the ecosystem. From an ecological perspective, information on major plants and legal protection species are included for most parks, and geological and topographic features considered a major resource. For sustainable forests, it is important to induce the dispersion of concentrated use space. Efficient management systems are distinctively differentiated among the parks. For regional revitalization, the management of programs to link provincial parks and their surrounding areas has become most important. From an ecological perspective, priorities differed for the parks according to their ecological characteristics. For sustainable forests, Moaksan Provincial Park prioritized the visitor reservation system related to the overall park, while the other three parks prioritized alleviating the concentrated use of specific areas. From an efficient management perspective, Daedunsan Provincial Park prioritized aspects related to the cableway. Maisan Provincial Park prioritized inducing the linkage between the use of natural and cultural resources, and Seonunsan Provincial Park prioritized establishing an ecological and cultural commentary operating system. For the base-type leisure activity space, Moaksan Provincial Park prioritized the systematic management and operation of the pilgrimage route, Maisan Provincial Park the connection between the Maisan geography and residents' income, and Seonunsan Provincial Park providing a space for ecological education.

• Acta Via Serica
• /
• 제7권1호
• /
• pp.53-82
• /
• 2022

The Hebrew word for silk, meshi, is mentioned in the Bible only once and there is a possibility that the item to which it referred was made of local wild silk. Although Jewish historical sources from the Roman and Byzantine periods mention silk many times, only a few silk textiles have been discovered at a sited dated to the Byzantine period (4^th-7^th centuries CE). The word "silk" occurs in the New Testament, although only once. A turning point in the history of the Negev (Southern Israel) occurred around 400 CE when it underwent a period of prosperity related to the advent of Christianity and pilgrimage, which enabled the purchase of imported silk textiles. The Early Islamic period (7-8th centuries CE) yielded four (out of 310) silk textiles from Nahal 'Omer on the Spice Routes joining Petra, in the Edom Mountains of modern Jordan, and the mercantile outlets on the Mediterranean Sea, notably Gaza and El Arish. The most important silk textile assemblage in the Southern Levant was found near Jericho at Qarantal Cave 38 and dates to the medieval period (9th-13th centuries CE). Linen textiles decorated with silk tapestry originating in Egypt date back to the 10-11th centuries CE. Mulham textiles - silk warp with hidden cotton wefts - were discovered in the medieval fortress on Jazirat Fara'un (Coral Island) in the Red Sea, 14 kilometers south of Elat and today located in Egypt. Mulham is mentioned in literary sources of the ninth century in Iraq and Iran, whence it spread through the Islamic world. The article will present aspects of the origin, transmission, and exchange of these textiles.

• 한국의상디자인학회지
• /
• 제24권1호
• /
• pp.15-33
• /
• 2022

The purpose of this study was to categorize the decorative characteristics of the Rococo Age, which displays the most glamorous and elegant decorative beauty, in architecture, interior decorations, paintings, and patterns, and to analyze these characteristics and graft them onto art masks in a modern way. Piece I is a mixed media piece that based its motif on the ceilings and pulpits of the German Vis Pilgrimage Church, which is representative architecture of the Rococo Age. It was glamorously produced using gold and cubic zirconia. Piece II is also a mixed media piece that borrowed its motif from the exterior and gazebo of the Sanssouci Palace in Germany, another representative piece of architecture from the Rococo Age, and it was produced to clearly display the image of the Sanssouci Palace, using emerald and ivory. Piece III applies the furniture trends of the Rococo Age. Curves in S and C shapes, which can often be found in Chinese furniture, along with dark backgrounds, common in portrait paintings, were applied to give a sense of weight and dignity. Piece IV is an application of the fabric patterns of the Rococo Age. Continuous patterns of flowers and greenery stems were drawn on the mask to recreate the fabric patterns of the age. Piece V used the painting 'Swing' of the Rococo Age as its inspiration. Lace and ribbon decorations were used to emphasize feminine beauty and express the loveliness of the woman that appears in the painting. Piece VI borrows from the painting 'Madame de Pompadour' of the Rococo Age and the clothing worn by Pompadour. This piece grafted colors and themes through the painting and expressed a fusion of the dresses of Pompadour and lace that is clearly displayed in the architecture, paintings, clothing, interior decorations, and patterns of the Rococo Age, along with the rocaille (asymmetrically shaped decorations that resemble clams), flowers, leaves, stems, and Chinoiserie styles. These motifs clearly display the decorative characteristics of the age and these were grafted them onto art masks, confirming that it is possible to create new designs.