• Title/Summary/Keyword: Phonograph

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Liberal Education for Engineers and the Case of Edison (에디슨의 사례를 통한 공학소양교육의 탐색)

  • Song, Sung-Soo
    • Journal of Engineering Education Research
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    • v.13 no.1
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    • pp.17-22
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    • 2010
  • This paper examines major activities of Thomas Edison as an example to liberal education for engineers using researches in the history of technology. Edison, as a system builder, developed almost everything necessary to use electric light in the aspects of technology and management. On the contrary, Edison took a conservative stance to new alternating current technology in the case of current war. Edison developed phonograph and motion pictures but didn't understand the meaning of mass culture grown up based on his inventions. This study not only provides an illustrative content to the liberal education for engineers, but also helps to grope for the dynamic character of technological innovation and the desirable features of engineers.

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Communication and Enjoyment of Sijo through the Mass Media in the First Half of the 20th Century (유성기음반과 라디오방송을 통해 향유된 시조의 양상과 특징)

  • Park, Jee-Ae
    • Sijohaknonchong
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    • v.44
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    • pp.7-28
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    • 2016
  • Music was made popular through the modern mass media. Nonetheless, if a period of high standard performances and appreciation by a minority of culture connoisseurs can be qualified with the expression "gentrification of culture", then a period when anyone can access culture through the mass media can be qualified with the terms "popularization of culture" and in this period the reorganization of performance culture can only be driven by the public. In fact, the Jabga, which is a type of traditional song that received strong public adhesion by means of phonograph records and radio broadcasts at the time, stands as a typical example to it. Gagok and Sijo up until the 1920s and even the 1930s are believed to engage actively in the changing media environment and the new modes of music enjoyment and transmission. The Album recording of faster rhythm music and the inclusion of the Sijo, Jabga, and folk songs in one broadcast programme can be seen as reflecting such an effort. However, it can only be hard for the Sijo and Gagok to challenge the predominance of the Jabga which made its lyrics more popular and the new songs written in accordance with the new media environment. Until the 1930s in this changing environment of music enjoyment, Gagok and Sijo performers rather sought to distinguish themselves from the existing popular song style by reproducing traditional forms. The album recording and broadcasting of Lee Wangjik Aakbu, the beginnings of local singers, the participation of male performers not only contributed to the diversification the enjoyment culture of songs and sijo, but also made the 'difference in standard' with the popular songs even more salient.

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