• 제목/요약/키워드: Perspective Method

검색결과 2,034건 처리시간 0.033초

만성관절염 환자의 대응양상정도와 관련변수 분석 -원점수와 상대점수를 이용한 비교- (Comparison of Raw versus Relative scores in the Assessment of Coping Patterns in Chronic Arthritis Patients)

  • 전정자;문미숙
    • 근관절건강학회지
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    • 제3권1호
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    • pp.90-103
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    • 1996
  • The purpose of this paper is to compare two approach to assessment of coping patterns. The sampling method was a purposive sampling technique. The study participants were out patients 113 of rheumatoid arthritis center of one University hospitals in Seoul. Datas were collected from Nov. 13 to Nov. 24, 1995. The instruments used for this study were Graphic Rating Scales of pain, The Beck Depression Inventory and Coping Patterns tool. The collected data were analyzed for frequency, means, SD, factor analysis., Pearsons' correlations and ANOVA. The results were summerized as follows ; 1. When raw scores were used : there were not correlation in all three coping patterns. 2. When relative scores were used : there were significantly correlated in all three coping patterns. 1) Active coping and Positive-cognitive coping (r=-0.352, p< 0.0001) 2) Positive-cognitive coping and Negative-cognitive coping (r=-0.594, p< 0.0001) 3) Active coping and Negative-cognitive coping(r=-0.544, p< 0.0001) The results of this research with relative scales provided more insight into the correlation in all three coping patterns. 3. Pearsons' Correlations were computed for each coping pattern, age, pain level, duration of pain and BDI. 1) Using raw score : (1) Active coping was significantly related to pain level(sensory score ; r=0.268, p<0.05, affective score ; r=0.266, p< 0.05) (2) Positive-cognitive coping was significantly related to age (r=-0.252, p< 0.05), pain level (sensory score ; r= -0.244, p< 0.05) (3) Negative-cognitive coping was significantly related to depression level (r=0.312 p< 0.0001). 2) Using relative score (1) Active coping was significantly related to pain level(sensory score ; r=0.299, p<0.05, affective score ; r=0.246, p< 0.05) (2) Positive-cognitive coping was significantly related to age (r= -0.187, P< 0.05), pain level (sensory score ; r=-0.317, p<0.0001, affective score : r=-0.305, p<0.0001) and depression level(-0.339, p<0.0001)) (3) Negative-cognitive coping was significantly related to depression. level(r=0.313, p<0.0001). 4. When raw and realtive coping scores were compared to those of age groups, religious groups and BDI level(high, middle, low) ; 1) Using raw score : (1) Active coping : there were not significantly difference (2) Positive-cognitive coping ; 20-39 age group and 50-59age group had significantly higher scores than over 60age group. BDI-low level group had significantly higher scores than other groups. (3) Negative-cognitive coping : 20-39age group and over 60age group had significantly higher scores than 40-49age group. Non-religious group had significantly higher scores than christian group. BDI-high level group had significantly higher scores than other groups. 2) Using relative score : (1) Active coping : over 60 age group had significantly higher scores than 20-39 age group and 40-49age group had significantly higher scores than 20-39 age group (2) Positive-cognitive coping ; 40-49age group, 20-39age group and 50-59age group had significantly higher scores than over 60age group. Christian group had significantly higher scores than non-religious group. BDI-low level group had significantly higher scores than other groups. (3) Negative-cognitive coping ; Non-religious group had significantly higher scores than christian group and buddhistic group. BDI-high level group had significantly higher scores than other groups. The current data suggest that relative scores may yield a different perspective on coping patters than raw scores. The use of relative scores reveals the relation clearly, without its being blurred statistically by the effect of other coping strategies or being relegated to a partial correlation. The use of relative scores holds promise for delineating the relations between ways of coping and health-related behavior.

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서비스지배논리하에서 가치공동창출 매커니즘과 기업성과간의 관계에 대한 연구 (Understanding the Relationship between Value Co-Creation Mechanism and Firm's Performance based on the Service-Dominant Logic)

  • 남기찬;김용진;임명성;이남희;조아라
    • Asia pacific journal of information systems
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    • 제19권4호
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    • pp.177-200
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    • 2009
  • AIn the advanced - economy, the services industry hasbecome a dominant sector. Evidently, the services sector has grown at a much faster rate than any other. For instance, in such developed countries as the U.S., the proportion of the services sector in its GDP is greater than 75%. Even in the developing countries including India and China, the magnitude of the services sector in their GDPs is rapidly growing. The increasing dependence on service gives rise to new initiatives including service science and service-dominant logic. These new initiatives propose a new theoretical prism to promote the better understanding of the changing economic structure. From the new perspectives, service is no longer regarded as a transaction or exchange, but rather co-creation of value through the interaction among service users, providers, and other stakeholders including partners, external environments, and customer communities. The purpose of this study is the following. First, we review previous literature on service, service innovation, and service systems and integrate the studies based on service dominant logic. Second, we categorize the ten propositions of service dominant logic into conceptual propositions and the ones that are directly related to service provision. Conceptual propositions are left out to form the research model. With the selected propositions, we define the research constructs for this study. Third, we develop measurement items for the new service concepts including service provider network, customer network, value co-creation, and convergence of service with product. We then propose a research model to explain the relationship among the factors that affect the value creation mechanism. Finally, we empirically investigate the effects of the factors on firm performance. Through the process of this research study, we want to show the value creation mechanism of service systems in which various participants in service provision interact with related parties in a joint effort to create values. To test the proposed hypotheses, we developed measurement items and distributed survey questionnaires to domestic companies. 500 survey questionnaires were distributed and 180 were returned among which 171 were usable. The results of the empirical test can be summarized as the following. First, service providers' network which is to help offer required services to customers is found to affect customer network, while it does not have a significant effect on value co-creation and product-service convergence. Second, customer network, on the other hand, appears to influence both value co-creation and product-service convergence. Third, value co-creation accomplished through the collaboration of service providers and customers is found to have a significant effect on both product-service convergence and firm performance. Finally, product-service convergence appears to affect firm performance. To interpret the results from the value creation mechanism perspective, service provider network well established to support customer network is found to have significant effect on customer network which in turn facilitates value co-creation in service provision and product-service convergence to lead to greater firm performance. The results have some enlightening implications for practitioners. If companies want to transform themselves into service-centered business enterprises, they have to consider the four factors suggested in this study: service provider network, customer network, value co-creation, and product-service convergence. That is, companies becoming a service-oriented organization need to understand what the four factors are and how the factors interact with one another in their business context. They then may want to devise a better tool to analyze the value creation mechanism and apply the four factors to their own environment. This research study contributes to the literature in following ways. First, this study is one of the very first empirical studies on the service dominant logic as it has categorized the fundamental propositions into conceptual and empirically testable ones and tested the proposed hypotheses against the data collected through the survey method. Most of the propositions are found to work as Vargo and Lusch have suggested. Second, by providing a testable set of relationships among the research variables, this study may provide policy makers and decision makers with some theoretical grounds for their decision making on what to do with service innovation and management. Finally, this study incorporates the concepts of value co-creation through the interaction between customers and service providers into the proposed research model and empirically tests the validity of the concepts. The results of this study will help establish a value creation mechanism in the service-based economy, which can be used to develop and implement new service provision.

우리나라 농촌지역의 출산조절행태 및 출산조절행위의 결정요인 분석

  • 정경희;한성현;방숙
    • 한국인구학
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    • 제11권2호
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    • pp.33-53
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    • 1988
  • This study aimed at developing a desirable family planning policy and strategy by examining the current status of family planning practice in rural Korea and by indentifying the crucial factors which affect fertility control behavior. For this purpose, an analytical study was conducted, using the survey data collected in July 1985, on an interview basis, on 1, 440 married women living in the Soyi, Wonnam and Maingdong townships of Eumseong County(in North Chungcheong Province). This study population has the typical characteristics of rural areas, and the results of the analysis can be summarized as follows: 1. In regard to the demographic characteristics of the study population : their average age at marriage was 23.7, they had an average of 2.6 children( 1.3 boys, 1.3 girls) :10% experienced the death of their child (ren) :14% had spontaneous abortion(s) :4% weathered stillbirth(s) :35% went through induced abortion (s) : and 5.5% were currently pregnant. The average of their ideal numbers of children was 2.2, while 44% felt that they must have a son. 2. Looking at the contact rate with medical & health institutions, over the past 1 year, the visit rate to health subcenters was 43.7%, while 26.9% visited the (county) health center :59.6% had been to private clinics : and 41.5% went to the Soonchunhyang - Eumsung hospital : thus showing a relatively high rate of accessibility. 3. The utilization rate of family planning services was 76.5%, with tubectomy being the most prominent method at 52.3%, while the informants were health workers in 54.2% of the acceptors. Of the 8.4% who discontinued the use of contraceptive methods, only 26% did so due to want for pregnancy, natural infertility (meno - pause), or other reasons, while the remaining 74% stopped usage on account of side effects, failure in the methods themselves, and inconvenience of use, thus pointing to a situation where the proper choice of family planning methods have not yet been made. It can be noted that there is a strong motivation for early birth stopping as 35.3% practice family planning even with only one child, of which 38.3% have had sterilization operations. According to results of a multiple regression analysis, among the variables affecting contraception usage the most significant variable was the number of sons. 4. 34.8% experienced induced abortions. It was shown as a result of multiple regression analysis that the number of children and attitudes toward induced abortions extensively affected their frequency of abortions conducted. 5. In the regard to the relation between family planning and induced abortions, 33.7% of the women used both, while 52.0% of them used only the former(family planning), with only 1.4 % utilizing solely the latter(abortion), and 12.9% totally abstaining from fertility regulation : again, the discriminant analysis indicated that the choice of family planning and/or induced abortion was determined by the number of children and attitudes toward induced abortion. In view of the above mentioned results, the following are some comments and suggestions concerning problems related to the current family planning policies, in Korea : 1. It is difficult to expect a further quantitative expansion in family planning program operations, as there has been an excessive supply of target-oriented sterilization operations on women. From a maternal and child health care point of view, it will be desirable to have a diversification of service points in the future where family planning methods may be properly chosen, so that choices of methods which suit the mothers' characteristics and tastes may be made by the individuals themselves by strengthening their quality of family planning information services. 2. Along with the strengthening of the qualitative improvement of family planning services policies must be implemented to effectively promote the moral (ethical) deterrents to induced abortions and to preference for sons. From a maternal care standpoint, the social permissive norm toward induced abortion must be modified, and the bias towards son must be analyzed as the women with more daughters have a lower rate of family planning acceptance. Such changes in attitudes, however, can not be hoped to be accomplished with ad hoc policies, but will only be possible when an enhancement of the women's status(within the society) is brought about in a long - term perspective.

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제주 올레길 생태문화자원 경관생태학적 해석기법 연구 (Interpretation Method of Eco-Cultural Resources from the Perspective of Landscape Ecology in Jeju Olle Trail)

  • 허명진;한봉호;박석철
    • 한국조경학회지
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    • 제49권2호
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    • pp.128-140
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    • 2021
  • 본 연구는 도보관광의 대표적 대상인 제주 올레길의 유형별 대표자원을 대상으로 Landscape Ecology 이론을 적용하여 생태문화적 특성을 파악하였고, 올레길 자원의 경관생태학적 해석 기법을 정립하였다. 제주 올레길 유형분류는 올레길 주변 대표경관, 주요 토지이용, 식생현황을 중심으로 비오톱유형을 조사하여 12개 유형으로 구분하였다. 제주 올레길 도보 관광자원 유형분류는 생태관광 자원분류 유형을 토대로 자연자원 7개 중분류 유형, 인문자원 7개 중분류 유형으로 구분하였고, 각 자원을 경관생태학 구성 체계와 동일하게 Geotope, Biotope, Anthropotope으로 특성화하여 유형별 특성을 파악하였다. Geotope 자원은 해안 및 해변, 바위, 암반, 폭포, 지질 및 주상절리, 오름 및 분화구, 수자원, 지형경관 조망점 등이 해당되어 시각적 경관특성, Biotope 자원은 대경목 및 보호수, 곶자왈, 숲길 및 식생군락지, 생물서식지, 식생경관 조망점 등이 해당되어 생태특성, Anthropotope 자원은 해녀 및 전통문화, 포구 및 등대, 체험시설, 사찰 및 교회, 군사 및 봉수시설, 기타 역사·문화시설, 문화경관 조망점이 해당되어 지역문화 특성이 강하였다. 제주 올레길 유형별 대표자원은 제주에서만 볼 수 있는 해안, 오름, 곶자왈, 밭과 밭담, 제주가옥과 돌담이고, 제주 올레길의 생태문화를 알아보기 위해 올레길 유형을 대표하는 자원들의 구성요소와 다양한 기능들을 경관생태학적으로 해석하였다. 제주 해안의 생태문화적 특성을 살펴보면 해안은 검은 현무암 암반, 해안가 식생, 해안초지, 해안암반 식생, 겨울철새, 제주해녀 등이 있다. 오름은 독특한 화산지형으로 원형과 타원형의 산체, 오름 식생, 분화구 습지, 오름 지명 유래 및 전설, 설문대할망 설화, 말 방목 문화, 군사 목적의 사용, 민간신앙의 대상, 정상에서 조망경관 등이 있다. 곶자왈은 바위 요철 지형, 독특한 미기후 형성, 곶자왈 식생, 지명 유래, 과거 숯을 구웠던 문화, 기이한 형상의 나무와 덩굴식생이 특징이다. 밭담은 밭담구조 및 형태, 밭 재배 농작물, 밭담 서식생물, 제주 농업문화, 밭담경관 등이 있다. 마을은 현무암으로 쌓은 돌담과 지붕구조, 마을 어귀 정자목, 가옥내부 마당과 텃밭, 지역민들의 삶의 모습, 골목길 경관 등이 있다. 이런 자원들은 인간의 오랜 삶과 함께 서서히 변해왔고, 지금은 제주에서만 경험할 수 있는 독특한 경관이 되었다. 자원을 통합적으로 해석하여 특화된 콘텐츠를 제공함으로써 올레를 걷는 도보 관광객들은 자원들의 스토리를 알아가면서 깊이 있게 체험할 수 있고, 올레길의 지속가능한 이용 및 이용객 만족도를 높일 수 있을 것이다.

박물관의 비정형건축형태분류와 전시공간과의 융합상관성 고찰 - 네덜란드, 독일, 싱가포르를 중심으로 - (A study of convergence correlation between freeform architecture classification of museum and exhibition space -Focus on the Netherlands, Germany and Singapore-)

  • 오선애
    • 한국과학예술포럼
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    • 제37권4호
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    • pp.205-216
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    • 2019
  • 본 연구는 박물관 비정형건축형태가 늘어나고 있는 현시점에서 학술적 건축형태계보에 관한 패러다임의 변화를 초래하고 있으며 이에 따른 전시공간에 미치는 영향에 관한 유무의 논증이 요구되어 진다. 따라서 선행되어야 하는 단계로서 비정형 건축형태와 전시공간과의 상관관계를 검증하기 위해 최근 2000년 이후 다양한 박물관 설립 또는 재개관한 사례의 현황분석을 통한 실질적인 비정형 형태의 경향을 파악한다. 이에 전시공간이 관람자의 공간체험에 더욱 효과적인가를 유추하기 위해 비정형건축과 전시공간과의 관계성에 대한 결론을 도출하는데 본 연구의 목적이 있다. 연구방법 및 결과는 다음과 같다. 첫째, 박물관의 비정형건축 형태적 개념 및 건축형태의 분류에 관한 문헌조사와 선행연구의 고찰을 통해 기준을 정립하여 도입하였다. 둘째, 싱가포르, 독일, 네덜란드 등을 직접 방문하여 사례 고찰을 통해 비정형 건축형태와 전시공간의 현황과 특성을 고찰하였다. 이때 Kare Vollers의 비정형 형태기준을 차용하여 분석을 하였다. 셋째, 비정형건축형태와 전시공간과의 관계성을 증명하기 위해 Kare Vollers의 비정형 형태기준과 비정형 전시공간을 중심으로 사례별 크로스 체크하여 결과를 도출하였다. 연구 결과의 내용은 다음과 같다. 첫째, 비정형건축형태의 EX(Extruder)(angle, ortho)와 전시공간 사선형은 유의미한 상관성을 가진다. 이는 싱가포르보다는 네덜란드와 독일에서 92.3% 명확하게 검증되었다. 반면, 전시공간 곡면형은 불명확한 관계성을 보이며 싱가포르 경우 RO(Rotor), FR(Free Shaper), TW(Twister) 등을 통해 곡면형 관계성을 가진다. 둘째, 비정형 건축형태와 전시공간의 사선 및 곡면형이 복합적 형태조합을 가진다. 특히 N-02, G-02는 융합된 형태로써 EX를 기본적 가지며 부분적 다양하게 형태를 함유하여 비정형의 복잡함을 유도하였다. 이와같이 비정형 형태는 다양한 조합으로 무한정의 변형이 가능하며 이를 대응하기 위해 다각도에서의 융합적 접근이 요구된다. 차후 본 연구를 기반으로 박물관의 비정형 건축형태와 전시연출디자인과의 관계성 유무를 논증하고자 한다.

칸트, 후설과 유식철학(唯識哲學)에서 인식과 자아 문제에 관한 연구 - 유식철학(唯識哲學)의 삼성설(三性說)과 전식득지(轉識得智)를 중심으로 - (Investigation on Cognition and Ego in Kant, Husserl and Yogācāra - focused on trisvabhāva and the transformation of the basis of mind in Yogācāra -)

  • 박종식
    • 철학연구
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    • 제144권
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    • pp.167-203
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    • 2017
  • 이 논문에서는 유식학파의 삼성설(三性說)를 칸트, 후설의 코페르니쿠스적 전회와 현상학적 환원이라는 태도전환과 비교하면서 자아와 인식의 상관관계를 탐구하고자 한다. 유식론은 식전변(識轉變), 삼성설(三性說), 수도론(修道論) 세 부분으로 구성되어 있는데, 이 논문에서는 유식학파의 식전변(識轉變), 삼성설(三性說)를 중심으로 자아와 식전변(識轉變) 문제를 칸트, 후설의 자아와 태도전환과 비교하고 그 유사성을 밝히고자 한다. 유식학파의 식전변(識轉變)는 현행식과 알라야식의 상관관계를 잘 보여주고 있다. 삼성설(三性說)는 자아와 인식이 공(空)임을 증명하는 유식학파의 핵심적 근거이다. 우리의 마음과 생각은 잠시도 고요하게 머물지 못하고 천변만화(千變萬化)하여 하루에도 수백 번을 생멸(生滅)하면서 천국과 지옥을 오간다. 마음과 생각을 잠시라도 쉴 수 있다면 부질없는 허공 속의 꽃(공화(空華))은 사라지고 바로 자아와 대상, 인식의 본래 모습을 깨닫게 될 것이다. 외부대상의 변화가 아니라, 인식태도의 전환인 전식득지(轉識得智)야말로 자기 마음의 본래면목을 제대로 볼 수 있는 유일한 방식이다. 현상에 대한 왜곡된 인식의 근거인 편계소집성(遍計所執性)을 깨달음으로써 현상의 의타기성(依他起性)과 마음의 원성실성(圓成實性)으로 환지본처(還至本處)하는 것이 유식학의 근본취지이다. 전오식(前五識), 의식(意識), 말나식(末那識), 알라야식 등 팔식(八識)은 단지 현상에 불과할 뿐 그 본성은 실체가 없는 공성(空性)에 불과하다. 전의(轉依)를 통해서 번뇌(煩惱)의 의식(意識)이 청정(淸淨) 지혜(智慧)로 전환되는 것이 전식득지(轉識得智)이다. 반면 칸트는 인식대상이란 자아에 의해서 구성되는 것이지, 있는 그대로의 대상을 인식할 수 없다고 한다. 칸트의 자아는 대상을 인식할 수 있도록 질서지우고 구성하는 능력이다. 자아는 고정된 실체가 아니라 활동성이다. 그러므로 칸트의 자아 역시 공성(空性)이지만, 자아가 대상과 인식을 구성하는 형식적 근거라는 점에서는 유식의 자아와는 다르다. 후설의 자아 역시 대상을 구성하고 대상에 의미를 부여하는 활동적 자아로서 실체가 아니라는 점에서는 공성(空性)이면서 동시에 의미 부여의 근원적 근거가 된다. 그러나 자아와 대상은 상관적인 지향적 구조를 지니고 있기 때문에, 자아와 독립된 초월적 대상이나 현상은 원리적으로 불가능하다. 이 점에서는 유식학의 관점과 유사하다. 그러나 의식활동으로서의 자아는 실체가 아닌 내용 없는 현상학적 잔여물이기는 하지만 무자성(無自性)의 자아는 아니다. 이런 방식으로 유식학, 칸트, 후설의 자아와 인식, 자아의 태도전환의 유사성과 차이성을 밝히고자 한다.

얀 라우어스(Jan Lauwers) 공연의 탈서사적 특징들 -<이사벨라의 방(Isabella's Room)>, <랍스터 가게(The Lobster Shop)>, <사슴의 집(Deer House)>을 중심으로- (The post-epic characteristics in Jan Lauwers' theatre -, and -)

  • 남지수
    • 한국연극학
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    • 제48호
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    • pp.447-484
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    • 2012
  • This study aims to analyze the characteristics of post-epic theatre in the Belgian theatre director Jan Lauwers' trilogy titled in "Happy Face/Sad Face": (2004), (2006) and (2008). I regard that it played a very important junction for him to create his own theatrical style compared to earlier years. From this period, Lauwers has tried to create his original plays in order to concentrate the story of our era and has showed to combine a variety of media such as dance, installation, video, singing etc. In this context, I would like to study his own theatricality from the three perspectives of dramaturgy, directing and acting largely based on Hans-Thies Lehmann's theory of post-epic theatre, who pointed out the significance of Lauwer's theatrical leading role very early. First, from the dramaturgical point of view, we need to pay attention to the theme of translunary death; where the living and the dead coexist on the stage. In fact, death is the theme that Lauwers has been struggling to research for quite long time. In his trilogy, the dead never exits the stage. The dead, who is not a representative tragic character, even meddles the things among or with the living and provide comments to people. As a consequence, it happens to reduce a dramaturgical strong tension, leads depreciation of suspense and produces humanism in a way. This approach helps to create his unique comical theatrical atmosphere even though he deals with the contemporary tragic issues such as war, horror and death. Second, from the directing point of view, it is worth to take a look at the polyphonic strategy in terms to applying various media. Among all the things, the arts of dancing and singing in chorus are actively applied in Lauwer's trilogy. The dance is used in individual and microscopic way, on the other hand, singing shows collective and is a macroscopic quality. The dance is the representing media to show Lauwer's simultaneous microscopic mise-en-scene. While main plot takes place around the center-stage, actors perform a dance around the off-centered stage. Instead of exiting from the stage during the performance, the actors would continue dance -sometimes more like movements- around the off-centered stage. This not only describes the narrative, but also shows how each character is engaged to the main plot or incident, and how they look into it as a character. Its simultaneous microscopic mise-en-scene intends to function such as: showing a variety moments of lives, amplifying some moments or incidents, revealing character's emotion, creating illusionary theatrical atmosphere and so on. Meanwhile, singing simple lyrics and tunes are an example of the media to stimulate the audiences' catharsis. As the simple melody lingers in the audiences' mind, it ends up delivering a theatrical message or theme after the performance. This message would be transferred from the singing in chorus functions as a sort of leitmotive in order to make an impression to the audience. This not only richens their emotion but also creates an illusionary effect. Third, from the acting perspective, I'd like to point out the "detachment" aesthetic which Lehmann has pointed out. The actors never go deep into the drama by consistently doing recognize a theatrical illusion. The audience happens to pay attention to their presence through the actor's deliberate gesture, business, movement, rhythm, language, dance etc. The actors are against forming closed action by speaking in various languages or by revealing deliberately stage directions or acts, and by creating expressive mise-en-scene with multiple media. As a consequent, the stage can be transformed to not a metaphoric but a metonymic place. These actions are the ultimate intention for a direct effect to the audience. So to speak, Lauwers uses the anti-illusionary theatrical method: the scenes of fantastic death, interruption of singing and dance, speaking many kinds of languages, acting in detachment-status and so on. These strategies function to make cracks in spectators' desire who has a desire to construct a linear narrative. I'd like to say that it is the numerous potentiality to let the reality penetrate though and collide the reality with a fiction. By doing so, it induces for spectators to see the reality in the fiction. As Lehmann says, "when theatre presents itself as a sketch and not as a finished painting, the spectators are given the chance to feel their own presence, to reflect on it, and to contribute to the unfinished character themselves". In this sense the spectators can perform an objective criticism on our society and world in Lauwer's theatre because there are a number of gaps and cracks in his theatrical illusion where reality can penetrate. This is also the point that we can find out the artists' responsibility in this era of our being.

백두대간(닭목령-댓재 구간) 마루금 주변의 산림식생구조 (Forest Vegetation Structure in Maruguem(the Ridge Line) Area of Dakmokryeong to Daetjae, the Baekdudaegan)

  • 송주현;권진오;윤충원
    • 한국환경생태학회지
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    • 제33권1호
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    • pp.28-51
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    • 2019
  • 본 연구는 백두대간(닭목령-댓재 구간) 마루금 주변을 대상으로 식물사회학적 식생유형분류, 층위별 중요치와 평균상대우점치, 종다양도, CCA 분석을 통해 산림식생구조를 파악하기 위하여 2017년 5월부터 9월까지 총 245개소의 산림식생조사를 실시하였다. 식생유형분류 결과, 8개의 식생단위로 구분되었으며 최상위 수준에서 신갈나무군락군, 신갈나무군락군은 층층나무군락, 회양목군락, 조릿대군락, 분비나무군락, 신갈나무전형군락으로 세분되었고, 층층나무군락은 다시 떡갈나무군, 터리풀군, 일본잎갈나무군, 층층나무전형군으로 세분되었다. 중요치 분석결과, 식생단위 1에서 떡갈나무가 19.1, 식생단위 2는 신갈나무가 22.7, 식생단위 3은 일본잎갈나무가 27.6, 식생단위 4~8은 신갈나무가 각각 38.3, 25.6, 41.3, 27.9, 41.6으로 가장 높게 나타나 백두대간(닭목령-댓재 구간) 마루금 주변이 신갈나무군락으로 대표되는 것으로 사료되었다. 종다양도는 식생단위 1과 2가 3.305, 3.236으로 다른 식생단위에 비하여 상대적으로 높게 나타났으며, 높은 출현종수에 의한 영향 때문인 것으로 사료되었다. CCA분석 결과, 생물적 환경요인과 식생유형과의 상관관계는 식생단위 1과 교목성 식물 비율, 덩굴성 식물 비율이 상관관계를 가지고 있는 것으로 나타났고, 비생물적 환경요인과 식생유형과의 상관관계는 식생단위 7이 해발과 상관관계를 가지고 있는 것으로 나타났다. 결론적으로, 식생단위 5의 회양목군락은 석회암 지대의 종조성과 입지환경으로 유형화되어 지질학적 특성상 다양한 식물이 자생하고 있는 지역이며, 식생단위 7의 분비나무군락은 아고산식생으로 유형화되어 지질시대에 살았던 유존종과 고유종 또는 특산종이 많이 분포하는 지역으로 나타나 이들 단위에 대한 차별화된 생태적 관리방안이 필요할 것으로 사료되었다.

실록(實錄) : 등록(謄錄)의 위계(位階) (The Sillok as National Supreme Archives : An archival interpretation)

  • 오항녕
    • 기록학연구
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    • 제3호
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    • pp.91-113
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    • 2001
  • History always be re-interpreted as the time flows. 'The Sillok', Which was registered in Memory of World of UNESCO in 1997, is comprehensive documents of the Chosun Dynasty, which had been compiled after kings' death, The Sillok encompasses 473 years of the reign in their 848 volumes(1,893 chapters). It was a history itself and has been main source in studying Korean history. Due to the rise of studies on the Sillok, time has come to explore the nature of the Sillok and to criticize the text, which would be called 'The Sillok-Study'. In this context, this paper examined three concepts that categorize the nature of the Sillok as historical materials ;Is it book or record?; The Sillok in register system in pre-modern society; And the Sillok as the National Archives. Korean historians, including myself, haven't yet examined the question whether the Sillok is the Book or Record in terms of archival science. At first, I regarded it as history book, and with this presupposition, wrote several papers on the characteristics of the Sillok. However, I recognized that the Sillok are close to record rather that history book as I examined the definition of glossary of librarian study, OED (Oxford English Dictionary) and Encyclopedia of Britannica, etc. Definitely, the Sillok was neither compiled and published to be read and sold publicly, nor meant to the works of literature or scholarship. one may say that the court-historians wrote comments on the facts and therefore it was just scholarly work. However, because the court-historians produced their comments on their own businesses, the outcome of 'their scholarly works' were also records conceptually, as were daily court-journalists in Rome. Its publication also had a absolutely different meaning from that of modern society. It was a method to preserve the important national records and distributed each edition of them to plural repositories for its safety and security. How can we explain its book-like shape and the procedure of compilation after a kings' death. The answer is as follows ; In pre-modern society, it was a common record-keeping system in the world to register records materials in order to arrange the materials of different sizes and to store them conveniently. And the lack of scientific preservation or conservation skill also encouraged them to register original records. Actually, the court-historians who participated in the compiling process called themselves "registering officers". On the other hand, similar to social hierarchy, there was a hierarchical system of records, and the Sillok was placed at the top of this hierarchy. In conclusion, the Sillok was a kind of registered records in the middle ages and the supreme records in the records-world. In addition to this we can also conceptualize the Sillok as archives. Through the compiling process, the most important and valuable records were selected to be the parts of Sillok. This process corresponds to the modem records appraisal. In the next step, it was preserved in the Four Archives(史庫) which located at remote site as archives and only accessible by the descendents in the future, who might be the people of the next dynasty. And nobody could access or read the documents at that time except the authorized court-historians who were archivists of the Chosun Dynasty. From this perspective, I conclude that Sillok was the supreme confidential archives in the register system. I work for the Government Archives as a historian and archivist. Whenever I entered the exhibition hall of the Government Archives and Records Service(GARS) and saw the replica of the Archives of Taebeak Mountain built during Chosun period, I always asked to myself a question whether the Sillok can be a symbol of the archival tradition of Korea and the GARS. Now, I can say, 'Yes!' definitely.

울산쇠부리소리의 전승 양상 (A Study on the Transmission of 'Soeburi-Song' in Ulsan)

  • 양영진
    • 공연문화연구
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    • 제37호
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    • pp.157-186
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    • 2018
  • 울산 쇠부리소리는 1981년 8월 달천철장의 마지막 불매대장인 고(故) 최재만(1987년 별세)의 구술과 소리를 바탕으로 1980년대에 재연된 소리이다. 본 고는 1981년 영상 등 총 13종의 자료를 바탕으로 쇠부리소리를 음악적 측면에서 분석하고, 전승 과정에서의 변화 양상을 확인하는데 목적을 둔 논문이다. 도출된 결과를 정리하면 다음과 같다. 2017년 쇠부리소리 자료를 살펴본 결과, 풍물패는 상쇠, 부쇠, 징2, 북4, 장구4, 태평소1로 구성되어 있고, 장단은 질굿, 자진모리, 다드래기, 덧배기, 자진덧배기의 5종을 친다. 가창곡은 3소박 4박자의 덧배기 자진덧배기 장단에 맞추어, 또는 무장단으로 부른다. 구성음은 대부분 Mi-La-do의 3음 또는 Mi-La-do-re의 4음으로, 음역은 1옥타브를 넘지 않는다. 종지음은 모두 La로 동일하다. 1981년 발굴 이후 오늘날까지의 쇠부리소리 연행을 살펴본 결과, 크게 4가지의 변화를 발견할 수 있었다. 먼저 악곡의 구성이 '긴-자진'으로 분화되고, <금줄소리>, <애기 어르는 소리>, <성냥간 불매소리>가 첨가되었다. 둘째 가창 방식은 1980년대 재연 이후 '1인 선창자+다인 후창자'를 기본으로, 1인 후창자를 별도로 지정하기도 하였다. 더불어 2013년 연행된 <자진불매소리>는 <성냥간 불매소리>의 토대가 되었다. 셋째 <긴-자진 불매소리>의 선율적 변화가 관찰되었다. 박자구조는 모두 3소박 4박자이나, 속도가 느려지고, Mi-La-do의 3음을 골격으로 높은 re와 낮은 Sol이 첨삭되어 메나리토리의 특성이 명확히 드러난다. 마지막으로 풍물 악기는 꽹과리, 징, 장구, 북의 사물이 주로 쓰이며, 공연에 따라 소고, 태평소, 요령 등을 첨가하기도 한다. 장단은 자진모리, 다드래기, 덧배기, 자진덧배기 장단을 처음부터 연주했으며, 이후 질굿 장단이 추가되었다. 이와 같은 결과를 통하여 최초 발굴 당시, <애기 어르는 소리>와 같은 단순한 형태의 <불매소리>가 남성 노동요로 목적이 바뀌고 연희성이 강해지며 하나의 공연 예술로 변화되었음을 확인하였다.