• The Journal of the Acoustical Society of Korea
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• v.26 no.3
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• pp.109-114
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• 2007

In this paper, we Propose a pyramid VQ to quantize the transform coefficients of TCX module for the audio improvement of AMR-WB+ codec. The Proposed pyramid VQ is compared to the $RE_8$ Lattice VQ used in the AMR-WB+ standard codec. demonstrating improvement 4% and 5.7%. respectively, in Mean Squared Error (MSE) and 3.3% and 4.7%. respectively, in Perceptual Evaluation of Audio Quality (PEAQ) by 8-dimensional and 16-dimensional Pyramid VQ.

• Journal of KIISE:Information Networking
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• v.30 no.1
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• pp.17-23
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• 2003

In this Paper. we Propose a digital watermarking scheme for digital images based on a perceptual model, the frequency masking, texture making, and luminance masking Properties of the human visual system(HVS), which have been developed in the context of image compression. We embed two types of watermark, one is pseudo random(PN) sequences, the other is a logo image. To embed the watermarks, original images are decomposed into $8\times8$ blocks, and the discrete cosine transform(DCT) is carried out for each block. Watermarks are casted in the low frequency components of DCT coefficients. The perceptual model adjusts adaptively scaling factors embedding watermarks according to the local image properties. Experimental results show that the proposed scheme presents better results than that of non-perceptual watermarking methods for image qualify without loss of robustness.

• Proceedings of the Korea Multimedia Society Conference
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• 2002.11b
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• pp.283-286
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• 2002

본 논문에서는 보다 효과적이고 강인한 워터마크 은닉을 위한 방법으로 웨이브릿 변환 영역에서 영상의 통계적 특성에 기초한 비정상상태(non-stationary)에서와 정상상태(stationary) 일반화 가우스(generalized Gaussian: GG)모델을 이용한 적응 워터마크 은닉 기술을 제안한다. 워터마크는 고주파 영역에서 연속 부대역 양자화(successive subband quantization: SSQ)를 이용하여 다해상도 영상의 웨이브릿 계수 중에서 시각적 중요 계수(perceptual significant coefficients: PSC)를 선택하여 삽입한다. 워터마크 은닉을 위한 지각 모델은 NVF(noise visibility function)함수에 의해 계산된다. 이것은 비정상상태와 정상상태의 통계적 특성을 이용하고, 국부영상 특성을 가진다. 은닉모델은 다해상도내의 각 부대역별 분산과 형상계수(shape parameter)를 사용한다. Stirmark benchmark test에 근거하여 여러 가능한 왜곡에 대한 실험에서 강인성과 비가시성에서의 우수함을 확인하였고, 비정상상태의 경우와 정상상태의 경우를 비교하였다.

• Proceedings of the Korea Multimedia Society Conference
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• 2002.11b
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• pp.287-290
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• 2002

본 논문에서는 디지털 컨텐츠 저작권 보호를 위해 강인성과 비가시성의 유지를 위한 보다 효과적인 방법으로 웨이브릿 변환에서 적응적 워터마크 삽입강도를 갖는 지각적 데이터 은닉 모델을 제안한다. 먼저 영상을 9/7 쌍직교 웨이브릿 필터를 사용해 4레벨로 다해상도 분해한다. 다음으로 연속부대역 양자화(successive subband quantization)를 통한 시각적 중요계수(perceptually significant coefficient: PSC)들을 선정하여 선택된 계수들에 대해서만 워터마크 정보를 삽입한다. 지각 모델은 정상상태의 일반화 가우시안 모델(generalized gaussian model)로 추정된 NVF(noise visibility function)로 에지와 텍스쳐영역 그리고 평탄영역에 따라 각각 적응적으로 삽입되게 한다. 이는 각 서브밴드 내의 분산과 형상계수(shape parameter)에 의해 결정된다. 적응적 워터마크의 삽입강도를 갖기 위해 에지와 텍스쳐영역의 삽입강도는 각 서브밴드의 주파수 감도(frequency sensitivity)로 결정되고, 평탄영역의 삽입강도는 영상의 국부적 특성에 근거한 통계적 가중치를 사용한다. 삽입되는 워터마크는 랜덤시퀀스로 N(0,1)이다. 여러 가지 공격에 대한 실험으로 제안한 방법의 비가시성과 강인성을 확인한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1997.11a
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• pp.63-67
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• 1997

The ISO(International Standard Organization) has standardized MPEG-2 audio. The MPEG-2 audio compression algorithm is based upon subband analysis and exploits the human auditory characteristics to achieve a low bit rate with minimum perceptual loss of audio signal quality. This thesis presents an enhanced MPEG-2 audio encoder using multiple TMS320C30 general purpose DSP's. The developed system is made up of five slave boards and one master board. Each slave board performs susband analysis psychoacoustic parameter calculation for one channel, and the master board manages bit allocation, quantization, and bit-stream formatting for all channels. Parallel processing and pipelining techniques are used in hardware structure and fast algorithms are applied in each subroutine to implement a real-time process. The implemented system supports multichannel up to 5.1 and various bitrates.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.27 no.2A
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• pp.146-156
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• 2002

This paper presents an adaptive H.263+ rate control algorithm for streaming video applications under the networks supporting bandwidth renegotiation, which can communicate with end-users to accommodate their time-varying bandwidth requests during the data transmission. That is, the requests of end-users can be supported adaptively according to the availability of the network resources, and thus the overall network utilization can be improved simultaneously. They are especially suitable for the transmission of non-stationary video traffics. The proposed rate control algorithm communicates with the network to renegotiate the required bandwidth fort the underlying video which are measured based on the motion change information, and choose their control strategies according to the renegotiation results. Unlike most conventional algorithms that control only the spatial quality by adjusting quantization parameters, the proposed algorithm treats both the spatial and temporal qualities at the same time to enhance human visual perceptual quality. Experimental results are provided to demonstrate that the proposed rate control algorithm can achieve superior performance to the conventional ones with low computational complexity under the networks supporting bandwidth renegotiation.

• Journal of the Korea Institute of Information Security & Cryptology
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• v.15 no.3
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• pp.3-12
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• 2005

This paper introduces a 3D perceptual model based on JND(Just Noticeable Difference) and proposes a video watermarking scheme which is perceptual approach of adaptive embedding in 3D-DCT domain. Videos are composed of consecutive frames with many similar adjacent frames. If a watermark is embedded in the period of similar frames with little motion, it can be easily noticed by human eyes. Therefore, for the transparency the watermark should be embedded into some places where motions exist and for the robustness its magnitude needs to be adjusted properly. For the transparency and the robustness, watermark based on 3D perceptual model is utilized. That is. the sensitivities from the 3D-DCT quantization are derived based on 3D perceptual model, and the sensitivities of the regions having more local motion than global motion are adjusted. Then the watermark is embedded into visually significant coefficients in proportion to the strength of motion in 3D-DCT domain. Experimental results show that the proposed scheme improves the robustness to MPEG compression and temporal attacks by about $3{\sim}9\%$, compared to the existing 3D-DCT based method. In terms of PSNR, the proposed method is similar to the existing method, but JND guarantees the transparency of watermark.

• Journal of Korea Multimedia Society
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• v.6 no.3
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• pp.508-517
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• 2003

This paper presents perceptual model with a stochastic multiresolution characteristic that can be applied with watermark embedding in the biorthogonal wavelet domain. The perceptual model with adaptive watermarking algorithm embeds at the texture and edge region for more strongly embedded watermark by the SSQ. The watermark embedding is based on the computation of a NVF that has local image properties. This method uses non- stationary Gaussian and stationary Generalized Gaussian models because watermark has noise properties. The particularities of embedding in the stationary GG model use shape parameter and variance of each subband regions in multiresolution. To estimate the shape parameter, we use a moment matching method. Non-stationary Gaussian model uses the local mean and variance of each subband. The experiment results of simulation were found to be excellent invisibility and robustness. Experiments of such distortion are executed by Stirmark 3.1 benchmark test.

• The Journal of the Acoustical Society of Korea
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• v.20 no.5
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• pp.35-47
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• 2001

This paper describes an efficient harmonic-CELP speech coder by taking advantages of harmonic and CELP coders into account. According to frame voicing decision, the proposed harmonic-CELP coder adopts the RP-VSELP coder as a fast CELP in case of an unvoiced frame, or an improved harmonic coder in case of a voiced frame. The proposed coder has main features as follows: simple pitch detection, fast harmonic estimation, variable dimension harmonic vector quantization, perceptual weighting reflecting frequency resolution, fast harmonic synthesis, naturalness control using band voicing, and multi-mode. These features make the proposed coder require very low complexity, compared with HVXC coder To demonstrate the performance of the proposed coder, a 2.4 kbps coder has been implemented and compared with reference coders. From results of informal listening tests, the proposed coder showed good quality while requiring low delay and complexity.

• Journal of Broadcast Engineering
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• v.1 no.1
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• pp.67-73
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• 1996

In general, the high quality audio coding(HQAC) has the structure of the convertional data compression techniques combined with moodels of human perception. The primary auditory characteristic applied to HQAC is the masking effect in the spectral domain. Therefore spectral techniques such as the subband coding or the transform coding are widely used[1][2]. However no effort has yet been made to apply the temporal masking effect and temporal redundancy removing method in HQAC. The audio data compression method proposed in this paper eliminates statistical and perceptual redundancies in both temporal and spectral domain. Transformed audio signal is divided into packets, which consist of 6 frames. A packet contains 1536 samples($256{\times}6$) :nd redundancies in packet reside in both temporal and spectral domain. Both redundancies are elminated at the same time in each packet. The psychoacoustic model has been improved to give more delicate results by taking into account temporal masking as well as fine spectral masking. For quantization, each packet is divided into subblocks designed to have an analogy with the nonlinear critical bands and to reflect the temporal auditory characteristics. Consequently, high quality of reconstructed audio is conserved at low bit-rates.