• 복식문화연구
• /
• 제13권6호통권59호
• /
• pp.960-976
• /
• 2005

Classicism pursued beauty comprised of a perfect form, and beauty was perceived as a state of sufficiency. Accordingly, a completed and permanent beauty was sought after; as a result, a perfect and flawless form became the mainstream, and there was an effort to visualize the eternal proportional perfection. In classicism, forms were perfectly embodied with systematic inevitability and absolute inflexibility, by which an extremely clear aspect appeared. This study analyzes a classical construction paradigm in modern fashion according to the five categories: 'Harmony and order by numerical proportion', 'Clear form', 'Simplification of form and two-dimensional Seh-form', 'Completed contracture structure', and 'Pluralistic unification', and the respective formative characteristics are as follows. First, in terms of the formative aspect of modern fashion,'Harmony and order by numerical proportion' results from thorough observance of extreme and golden section (proportion of 5 :8) which was an aesthetic standard of beautiful body in classicism. Second, 'Clear form' appears in clothes as individual clearness of structural elements expressing each part of body, and shows a well-established form possible to be grasped with equal and clear contour line. Third,'Simplification of form and two-dimensional Seh-form' comes out as form composition, single line, single layer structure, two-dimensional form and arrangement of elements of clothes through the front viewpoint caused by 2D diagramming work while fashion-designing and producing. Also, it is seen that two-dimensional proportion which is composed of sections through various harmonious lines and sides according to the simple two-dimensional compatibility principle is accomplished. Fourth, 'Completed contracture structure' emerges as an expression of stationariness, in other words, fixation of an overall impression. This is a tendency that the overall form is grasped as a fixedly intact shape without a big change of the silhouette of clothes. Fifth, 'Pluralistic unification' means that it respectively emphasizes all the parts composing clothes by making them individually independent at the same time as each element is inclusively shown with the harmony of the overall silhouette of clothes and many other details. This study examined classical formative characteristics through a theoretical research on a formative paradigm revealing the classical style. Also, the significance of classical or rational value of art was illuminated by observing what characteristics a classical formation paradigm shows in modern fashion. As a result, classical characteristics in modern fashion prove that classicism is not a merely past construction style separated from the present but a construction paradigm deeply involved in our reason system.

• 과학기술학연구
• /
• 제3권2호
• /
• pp.1-27
• /
• 2003

이 논문은 최근 자연과학 분야에서는 물론이요 사회과학과 더불어 인문예술 영역에 이르는 방대한 학문 영역에서 영향력을 행사하고 있는 복잡계 패러다임의 특성과 전망을 고찰하고자 한 것이다. 흔히 '전체론적 세계관'이라든가 '심층생태학적 관점' 등으로 대변되는 복잡성 패러다임은 개방체계적 사고의 연장선상에 위치한 것으로서, 일차적으로는 개방성, 성장성, 가형성, 否(부)의 엔트로피, 적극적 환류, 자기규제성, 자기목적성, 등종착성과 같은 개방체계적 속성을 함유한다. 그러나 지난 20여 년간 학제적 경계를 초월해 활발히 진전된 복잡계론은 종전의 개방체계론적 논의 수준을 넘어서는 새로운 착상이나 증거를 지속적으로 축적해 온 바, 여기서는 (1) 복잡계 이론이 형성되고 발전되어온 전개과정을 간략히 개관하고, (2) 비평형성, 비선형성, 소산구조 자기조직성, 프랙탈 기하학, 자동생산성 및 공진화와 같은 복잡계의 주요 특성들을 논의하며, (3) 니클라스 루만의 체계이론을 사례로 복잡계 패러다임의 사회과학적 적용을 검토한 후, (4) 복잡계 패러다임의 함의와 전망을 진단해 보고자 한다.

• 한국통신학회논문지
• /
• 제34권12B호
• /
• pp.1359-1370
• /
• 2009

무선 센서 네트워크에서 데이터 전송은 데이터 중심 라우팅에 기반하여 이루어지기 때문에 공표/신청 통신 패러다임과 부합한다. 공표/신청 패러다임은 공간 분리성, 시간 분리성, 동기화 분리성이라는 세가지 분리 특성을 통해 대규모 애플리케이션 환경을 위한 확장성과 강건성을 제공할 수 있다. 그러나 현존하는 무선 센서 네트워크의 데이터 전송 방안들은 이 분리성들을 완전히 만족하지 못한다. 따라서, 우리는 세가지 분리성을 온전히 만족하기 위한 새로운 데이터 전송 방안인 ARBITER를 제시한다. ARBITER는 독립 네트워크 구조체를 구성하여, 공표자와 신청자 간의 정보 교환이 구조체를 통해 간접적이고 비동기적으로 이루어지도록 한다. ARBITER는 또한 공표자와 신청자가 서로 다른 시기에 연결을 시도하더라도 이를 지원할 수 있도록 구조체가 데이터와 쿼리를 저장하고 서로간의 매핑을 관리한다. 시뮬레이션 결과는 ARBITER가 확장성, 네트워크 강건성, 데이터 신뢰성, 이동성 지원, 그리고 에너지 효율성에서 더 나은 성능을 보인다는 것을 입증한다.

• 대한건축학회논문집:계획계
• /
• 제34권11호
• /
• pp.145-156
• /
• 2018

Urban campus, one of the main urban facilities, is the representative place that is struggling with 'gridlock'. Due to privatization of space among different departments and space shortages, gridlock has been occurring as a result. The urban campus trying to solve this problem by changing the quality of space, especially the structure of the shared space, which is expected to be the solution to the grid lock problem. The main purpose of this study is to investigate the structural change in the university's shared space based on paradigm transition. The theoretical consideration is to analyze the spatial characteristics of university shared space that appear at different stages through a new perspective that compares the gridlock phenomenon and the shared paradigm. The framework of the analysis of the shared space, which has recently been restructured, is classified into the spatial characteristics of collaborative space, the creative space, and the common/complex space. In addition, these spatial characteristics are again analyzed through the division of legislative facility classification, management governance subject, area, building location and layout, exposure to the outside as well as the analysis of student and staff entry and exit, sharing structure of site and space, and the classification of program characteristics. The results are as follows: The restructured space is systemized so that the management governance of each space would be connected to each other to share information and space. Furthermore, the spatial boundary between colleges or between campus spaces are not only physically, but categorically clear. The restructured space has semi (or in-between)-spatial characteristics such as the intersection in inside and outside of the pedestrian's circulation and the mixture of programs. This study could serve as principal references in presenting the systematic analysis of directions of the shared spatial structure for the urban campus where new educational space is required due to the changes in the university system.

• 한국콘텐츠학회논문지
• /
• 제22권9호
• /
• pp.283-297
• /
• 2022

본 연구는 중국기업의 '일대일로' 연선 국가에 대한 직접투자 전략과 구조를 더닝(Dunning)의 OLI 패러다임 관점에서 분석하였다. 중국기업의 '일대일로' 연선 국가에 대한 투자는 크게 두 가지 전략적 목적에서 추진 되었다. 하나는 '일대일로' 연선 국가의 자원보유 특성상 에너지자원 확보를 위한 투자이고, 또 다른 하나는 중국 국내경제의 문제인 과잉설비 문제를 해결하기 위한 이전(移轉) 투자이다. 중국기업의 이러한 '일대일로' 연선 국가에 대한 투자는 더닝이 OLI 패러다임에서 제기하고 있는 투자 결정 조건, 즉 소유권 우위와 지역특유의 우위 그리고 내부화 우위를 갖춘 가운데 투자를 진행한 것으로 평가된다. 다만 차이가 있다면, 이 지역이 갖는 특수성으로 인해 자원보유 현황 및 제도적 환경의 영향 외에 국제관계의 이해관계 구도, 종교적 갈등 문제와 문화적 이질성 그리고 이 지역 국가들의 중국기업에 대한 인식의 문제 등의 영향으로 투자국가와 투자방식 그리고 투자업종을 달리하고 있다는 점이다.

• 한국수학교육학회지시리즈A:수학교육
• /
• 제56권3호
• /
• pp.301-318
• /
• 2017

This paper explores students' question generation process and their study in small group discussion. The research is based on Anthropological Theory of the Didactic developed by Chevallard. He argues that the savior (knowledge) we are dealing with at school is based on a paradigm that we prevail over whether we 'learn' or 'study' socially. In other words, we haven't provided students with autonomous research and learning opportunities under 'the dominant paradigm of visiting works'. As an alternative, he suggests that we should move on to a new didactic paradigm for 'questioning the world a question', and proposes the Study and Research Courses (SRC) as its pedagogical structure. This study explores the SRC structure of small group activities in solving ill-structured problems. In order to explore the SRC structure generated in the small group discussion, one middle school teacher and 7 middle school students participated in this study. The students were divided into two groups with 4 students and 3 students. The teacher conducted the lesson with ill-structured problems provided by researchers. We collected students' presentation materials and classroom video records, and then analyzed based on SRC structure. As a result, we have identified that students were able to focus on the valuable information they needed to explore. We found that the nature of the questions generated by students focused on details more than the whole of the problem. In the SRC course, we also found pattern of a small group discussion. In other words, they generated questions relatively personally, but sought answer cooperatively. This study identified the possibility of SRC as a tool to provide a holistic learning mode of small group discussions in small class, which bring about future mathematics classrooms. This study is meaningful to investigate how students develop their own mathematical inquiry process through self-directed learning, learner-specific curriculum are emphasized and the paradigm shift is required.

• 한국실내디자인학회논문집
• /
• 제22권1호
• /
• pp.203-210
• /
• 2013

With digital technology, space design is developing in a new direction with the changing paradigm. The space creates an interactive environment by motivating the User's active participation through the digital madia. In this social stream, it is very important to think about how this new paradigm affects the spatial design and the interactions between social changes and spatial design paradigm, so that we can understand design paradigm of our time. Hence, in this research, we will think about social characteristic and design paradigm of digital age by questioning how spatial design is changing in the digital age and how digital technology is affecting spatial design. this study analyzed about the space form, digital media setting, user interactivity of the examples of experience space using digital media. fields of our society, interactive space with the concept of HCI became a big issue in environmental design field. In this interactive space, various types of informative factors of the given space are sent using sensor and computer networking technology to the main system, and the main computer system sends manipulated output media to interactive devices. So, a user's movement in the space is more than just a movement itself user's movement now forms a important spatial structure that leads the narrative of the space. Researcher will analyze the characteristic of a public space and progress this research supposing that space needs this interactive design.

• 대한산업공학회지
• /
• 제24권3호
• /
• pp.457-473
• /
• 1998

As a product structure or BOM(bill of material) of products is hierarchically structured, the design based on the concept of relational data base modeling causes low performances in data search or processing. For this reason, an object-oriented approach to designing a product structure is proposed in this paper. Using Rumbaugh's OMT (Object Modeling Technique) method, classes of parts, BOM structure, options, and models are defined and their class-relationship diagrams are proposed. For the representation of the BOM structure suitable for the object-oriented paradigm, a new data architecture called the BOM item class is suggested. It is expected that the proposed data structure ensures better reusability and expandability due to the modularity.

• 천문학논총
• /
• 제26권2호
• /
• pp.55-70
• /
• 2011

Cosmological linear perturbation theory has fundamental importance in securing the current cosmological paradigm by connecting theories with observations. Here we present an explanation of the method used in relativistic cosmological perturbation theory and show the derivation of basic perturbation equations.

• 복식
• /
• 제56권7호
• /
• pp.148-162
• /
• 2006

The purpose of this study is to examine the concept of convergence which is one of the trendy issues as a new digital paradigm of Integrative thinking in 21st century, to analyze the plastic feature and internal meaning of convergence expressed in fashion design, and to grasp the cultural symbolism through this aesthetic analysis. Because there have been considerable discussions on convergence, centering on industrial product area associated with media, I will proceed my study on the basis of them. For this, the documentary study and practical case study have been executed. This study will be helpful to find a direction of future fashion design trend. Convergence in digital stage can be defined as a phenomenon which different functions of product move towards one direction for greater efficiency, and not only as a technical integration between functions of product, but also an extension of area. Convergence can be classified by their use as (1) convergence for convenient daily life (2) convergence with intelligent scientific technology (3) convergence for entertainment on the basis of sensual experience. The plasticity of convergence designs feature as a open dynamic structure which potentiate transformation and their internal meaning can be inquired such qualities as integrative multiplicity, efficiency, mobility, intelligence. Specially convergence fashion design has protection qualify resulting from wearability on body. Ultimately convergence fashion design as a future digital paradigm can be thought as both eco-friendly design and human-centered design from positive technology-based viewpoint, because it is easy to transform according to our environment, convenient to reserve, and efficient to enhance spatial usibility.