• 한국의류산업학회지
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• 제9권2호
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• pp.151-156
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• 2007

Slashes, deprived from the Crusaders' military uniforms, take their places among the fashion terms in modern fashion, and they are represented with some techniques such as fraying fabrics or making holes. Slashes are also used in various ways across all the fashion areas including clothing to accessaries. Slashes, which were once used to represent a solid body and to make a body move suitably, are used not only to express the formative of clothing but also to allow wearing sensations and functionality to wearers depending on their daily lives and the movements of their activities in modern fashion design. Optical illusions of fashion, image variabilities, functionality and ornamentation, and design principles, which were once represented with materials, colors, and details mainly used in fashion designs, are represented using slashes in modern fashion.

• 대한가정학회지
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• 제35권5호
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• pp.49-59
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• 1997

The purpose of this study is to classify of the Tree-typed and Tree and Antler-typed Diadem in old tombs of ancient Silla, Gaya. First, Tree-typed Diadem is four part in according to the Mountain(; 山)-typed piled up. Only one Mountain(; 山)-typed one in three stand-up ornament(I-1 Style), and three step one in three stand-up ones(I-4 S.). Three and Antler-typed diadem is three part in according to the step of Mountain(; 山)-typed and cross-shaped of the upper part. Three one of three step one of four step one(II-3 S.). They were influenced by Tree worship and cult of deer in Northern mounted nomadic groups.

• 복식
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• 제15권
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• pp.63-76
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• 1990

The purpose of this paper is to de31 with the sorts, significances and characteristics of the devices embroiderered on the ritual dreses(hwarot), skirts and embroidered-cushions among the relics of Princess Bok-On(A.D. $1818{\sim}1834$), the second daughter of King Soon-Jo(A.D. $1790{\sim}1834$) in the Yi Dynasty. Her ritual dresses(hwarot)adopt the devices of Buddhism style, Taoism one, Chinese one and Korean one together in mixture, and have no letter-devices in embroidering treasure-devices. Her skirts have the ornament signifying the Orientalism, and express the spiritual world symbolically and artistically. Her embroidered-cushions make harmonization of Confucianism and Buddhism on the splendid base-cloth, and create a unique art style of Korea.

• 복식
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• 제13권
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• pp.73-79
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• 1989

During nineteenth century, there broke out a great revolution in the history of girl's costume and with new condition toward girls. 1. Girl's costume followed their mother's attitude of the era and it was influenced by mother's costume. 2. Girl's costume was closely related with politics, economy, society culture and thought of the era. 3. Rousseau's Englightment made a revolution on girl's costume and it was direct revolution which affected on the French Revolution and the independence America. 4. Development of textile industry by industrial revolution brought on a change in raw material, quality, and quantity of textile, more gave a variety to raw material and ornament of girl's costume. 5. The invention of Sewing machine made it possible ready made production of girl's costume.

• 복식
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• 제50권3호
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• pp.5-12
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• 2000

Jaesuk-koli an important part of the 12 shamanistic rituals, is an accepted buddhist monk's costume. In this paper, the Jaesuk-kori costume and its meaning are studied. The ornaments of shaman's costume differe somewhat from region among individual shamans, but the symbolic meansing are fairly similar. The significance of Jaesuk-kori shaman's costume ar as followed ; First , a Buddhist monk's costume is accpted in the Jaesuk-kori ritual costume. Second, a shaman wears Jangsam (long-sleeved buddhist robe) and Kasa (surplice) in the Jaesuk-kori rituals. Third, the ornament of Sipjangsang objects search for earthly happiness while the rotus flower embroidered on the costume , depicts purity in the heaven world. Fourth, five colors in the Jaesuk-kori costume represented, Yin and Yang of universal harmony. Jesuk-kori ritual costumes signify that traditioal shamanism was accepted and absorbed into Buddhist rituals system.

• 자연과학논문집
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• 제19권1호
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• pp.113-139
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• 2008

본 연구에서는 한국, 중국, 일본의 전통 헤어스타일과 머리장식, 메이컵의 특성에 대하여 비교 정리해 보았다. 각 나라의 전통 헤어스타일 장식 등의 비교를 통하여 현대패션에 새롭게 해석된 오리엔탈 룩을 이해할 수 있다. 한국의 스타일은 소박하고 단순하며, 중국은 과장적이고 장식적이며 일본의 스타일은 당나라 장식의 영향과 로맨틱한 소녀적 꽃장식을 볼 수 있었다.

• 복식문화연구
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• 제7권1호
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• pp.52-67
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• 1999

A Study on the Drapery Presented in Costume The purpose of this study is to find esthetic characteristic of a drapery costume throughout Greece costume and modern fashion. For this purpose, documentary studies were proceed. And photos of the drapery costume were analyzed. Drape is the hang or fall of fabric when made into a garment is an important quality to consider indesigning. Fabric falling in folds in the garment as seen on statues of ancient Greece ; most outstanding modern versions made by designer Gres and Vionnet. Greek costume was in drapery types mostly and a feature created the vest esthetic effert on simplicity with ornament of drapery. Grecian were expressed pure beauty and natural beauty throughout their drapery costume. Madame Gres is widely considered one of the most talented greece for inspiration of the couture, ranked by many with Vionnet. They shows in their mastery of Greek draping -el-egance and simplicity- And also, they always implicity emphasized the relationship between clothing and the female body. Therefore drapery costume admired beauty of pure human body Clothing is expressed which wanted to get the nature and human, search for the losed nature of modern men. In conclusion, the characteristic of drapery costume from ancient greece to modern, timeless concerned human\`s lives and recurring humanity.

• 복식문화연구
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• 제10권5호
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• pp.485-492
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• 2002

The purpose of this study is to classify of the Cone shaped Pendants in old tombs of Three Kingdom States. These Cone shaped Pendants are made of bronze and coated with gold plate or Gold. Each Cone shaped Pendants consists of a Sehwhan(細環) type or Taewhan type, a median part in the form of a several joined small globe, or circular shape, and finally a cone-shared pendant. Cone shaped Pendants is 5 part(A-L A-b, B-1-a, B-1-b, B-2-b type) in according to the styles of the Sehwhan(細環) and Taewhan type and median ornament types. A-a, A-b, B-1-a, B-1-b type was general style that was found in most of the old tombs in Kokuryo, Pacjae, ancient Silla. B-2-b type was excavated from the only Kokuryo tombs.

• 한국주거학회논문집
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• 제11권1호
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• pp.25-36
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• 2000

The purpose of this study was to analysis housing life styles of apartment dwellers by alteration in Ulsan, got hold of the influencing variables of housing life styles and indicated source materials about the plan of alteration of apartment dwellers. As a methodology for this study, questionnaire survey were used. The number of 228 cases were analyzed through SPSS PC+. For the analysis of the data, such techniques were used as reliability analysis, frequence analysis, factor analysis, correlation analysis, and multiple regression analysis.The major findings of this study were as followings: 1. Housing life styles of apartment dwellers by alteration in Ulsan identified five factors. In order of decreasing importance, these factors included: i)practicality, ii)ornament, iii)the faculty of space, iv) actuality, and v) spending habits. 2. The size of a family, wife's education, income, cost of alteration, and the area of installment sale were the most significant factors that influenced housing life styles of apartment dwellers by alteration in Ulsan.

• 건축역사연구
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• 제3권1호
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• pp.45-55
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• 1994

This study deals with the method of constructing and repairing column, important element of traditional wooden building. Column should have long-lasting strength and resistance to decay and vermin because it is more important in role of structure than in that of ornament. And the rotten or the split part of wooden column should be repaired regularly or irregularly. First of all, this study treats of general character related to the life length and strength of wood. Then it describes the technical method of choosing proper wood for column and that of carpentering, painting, and mending wooden column.