• 패션비즈니스
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• 제16권2호
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• pp.124-137
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• 2012

This study aims to identify the meaning and formation cause of a style, and the essential elements of style formation, through psychobiological research as well as an analysis of the designs of Iris Van Herpen, a fashion designer, who in just 6 years has developed into a world-renowned new designer. As a result, it has been found that the psychobiological causes to form a style stem from the action of 'long-term memory', which is consolidated by 'selective attention', 'perceptional subjectivity', the principle of the 'neuron's connection specificity and invariance', and the principle of a 'neuronal signal's unilateral flow'. With such action, Herpen could develop her own original composition techniques. The formative shapes created by such composition techniques are characterized by enumeration, superposition, and hanging. The study has also found that the essential elements for a designer to be able to form his/her own style include 'aesthetic originality' in which the designer views the property of a thing from his/her inherent perspective, and finds the uniqueness from the thing that only he/she can express, 'technical differences' that are creative and original, and 'formative specificity' that is summarized into one property through an impressive shape.

• 건축역사연구
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• 제31권4호
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• pp.57-70
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• 2022

The Joseon royal family considered the act of burying the placenta very important for various reasons. Accordingly, they developed their own ritual culture of burying the placenta based on the geomancy(Pungsu). In 1661, The King Sukjong's placenta chamber was built in Gong-ju, and later stone objects were added in 1683. Since its establishment, the King Sukjong's placenta chamer have been continuously managed by the Joseon royal family, but During the Japanese colonial period, the placenta chamber was partially destroyed, and now only some stone objects remain in the original site. This study aims to estimate the original style and structure of King Sukjong's placenta chamber by focusing on the stone objects which were discovered through recent field surveys. In addition to that, the stylistic review of Joseon Dynasty's royal placenta chamber was conducted to secure a literary data basis and acquired data were comprehensively analyzed. As a result, Some of the original style and structure of King Sukjong's placenta chamber could be confirmed. The results of this study are expected to help restore the authenticity of the royal placenta chamber damaged in japanese colonial period, and are expected to be a good example in the research methodology of historical evidence of other damaged royal placenta chambers.

• 한국주거학회논문집
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• 제8권1호
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• pp.23-35
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• 1997

The purpose of this study is to analyze the original plans of the Railway official residence and process of the transfiguration of those plans based on the transition of social-culture, using 54 houses which were built from 1920 to 1945 in Taegu-Kyoungbuk province. In addition, this study was carried out by means of research on the form and pattern, and visual anthropological method by photograph and direct observation. The results of this study are as follows : 1) The original plans of Railway official residences were composed of the entrance hall, TADAMI Rooms, bathroom, toilet and HUSMA(wooden sliding doors). 2) After 1945, the room, kitchen, toilet of Japanese style had been trasfiguerated to Korean traditional style. 3) Since 1980's, those of Korean traditional style has been trasfigurated to the livingroom, dinningroom, entrance hall and etc. of western style.

• 한국주거학회논문집
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• 제5권2호
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• pp.15-28
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• 1994

This study is to analyze the transfiguration of the plan of the Japanese-Western eclectic houses in the process of the change in the living style and modernization. Twenty four Japanese-Western eclectic houses. which were located in Teagu Province and constructed during the period from the end of 19th century to the year 1945. were surveyed and analized about the original plans and the process of their spatial tranfituration. The results of this study are as follews 1) In the original plans. the bathroom, toilet and entrance hall in the residential space and HUSMA(wooden sliding doors) for separation of the rooms had been installed. 2) After the Liberation. the rooms of the residential space had been transfigured from TADAMI. JASHIKI. kitchen and toilet etc. to ONDOL. ANBANG. kitchen and toilet etc of the Korean traditional style. From 1980's they composed of living room, dining room and entrance hall of the Western-style. 3) From the liberation to 1960's. each room of residential space had been transtigured greatly form the Japanese style into the Korean style. Thus as the entrance hall. bathroom and TADAMI has been disappeared. DNDOL and MARU reappeared. Since 1980's bathroom diningroom and entrance hall ef the Western-style have recomposed in their residential space. But ANBANG is still used as a major living space in the surveyed houses.

• 한국콘텐츠학회논문지
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• 제11권1호
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• pp.202-215
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• 2011

디자인을 수행하는데 있어서 디자인의 형태, 기능, 양식에 관한 폭 넓은 이해는 매우 중요하다. 왜냐하면 형태와 기능을 배제한 디자인은 존재할 수 없고 또한 모든 디자인은 서로 다른 양식에 의해 구체화되기 때문이다. 이러한 관점에서 본 논문은 디자인의 형태, 기능, 양식과 그 관계에 대하여 고찰하였다. 우선 1-서론에서는 연구논제의 배경을 설명하고 목적과 필요성에 대한 문제를 제기하였다. 이를 토대로 2-디자인 형태에서는 원초적 형태, 가공적 형태, 규범적 형태, 표현적 형태에 대하여 살펴보았고, 3-디자인 기능에서는 본래적 기능, 전승적 기능, 절대적 기능, 상대적 기능에 대하여 살펴보았으며, 4-디자인 양식에서는 생존 양식, 민속양식, 단순양식, 복합양식에 대하여 살펴보았다. 끝으로 5-결론에서는 형태, 기능, 양식에 대한 접근방법을 피력하고 그 관계를 정립하였다.

• 응용통계연구
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• 제23권5호
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• pp.783-797
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• 2010

이 논문은 투자성과에 있어 자산배분의 중요성이 크다는 것에 주목하여 최적 자산배분을 달성하기 위한 투자의 수단으로써 펀드의 가능성을 살펴보고자 한다. 우선 펀드의 자산별 배분(또는 스타일)을 정의하기 위해 Sharpe(1992)가 제시한 펀드 수익률 기반 스타일 분석을 적용하였다. 정의된 펀드의 스타일이 일정기간 유지되는지 확인하기 위해 특정 개별 투자자를 가정하고 스타일 변동 허용범위를 설정한 뒤 이를 충족시키는지 살펴보았다. 국내 주식형 펀드에 한정하여 실증 분석을 수행한 결과 투자시점에 가정하였던 펀드의 스타일이 투자 예상 기간 동안 지속적으로 유지되지 않음을 확인하였고 그 원인을 파악하고자 하였다. 몇 가지 분석 상의 한계에도 불구하고 실증 분석의 결과 펀드가 투자자의 최적 자산배분 달성을 위한 투자수단으로 적절치 않다는 결론을 얻을 수 있었다.

• 건축역사연구
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• 제27권3호
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• pp.27-42
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• 2018

This study aims to reinterpret Jeonggwanheon(靜觀軒) in terms of its use and architectural style after restoration work through the recently discovered [Deoksugung Palace's original plan](1915). It is presupposed that the existing interpretation of Jeonggwanheon, such as its status as the banquet hall of the Imperial Empire and the place where Emperor Gojong enjoyed coffee here, was a fantasy made from the transformation after the 1930s. When it was built around 1900, Jeonggwanheon arranged small and large rooms around the corridor in the center, and the porch surrounded the three sides of the building. From 1900 to 1907, there is no remaining record telling us who did what or when something happened in Jeonggwanheon except for several portraits of Emperor Gojong and his son which were drawn in 1902. The mixed use of brickwork and wooden porch are found in many of American style houses built in Incheon and Seoul at that time. Especially, the style and decoration of wooden porch seem to be influenced by Queen Anne style in the 19th century in America.

• 건축역사연구
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• 제28권3호
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• pp.55-66
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• 2019

Pinson Hall is a dormitory building of Chosen Christian College, built in 1922, and it still remains comparatively well preserved as original form. This building is worthy in that it shows the living space of western style college in Korea, as well as characteristics of collegiate gothic style and building technology, designed by western architect in 1920s. At first, based on literate review and field survey, this study aims to trace the construction background and process of Pinson Hall, and find out its architectural characteristics with the original form when it is used as dormitory. Additionally, it deals with historic meaning and value of Pinson Hall as a modern western style college dormitory, through comparison with other dormitories in the same era. In conclusion, Pinson Hall is a Western style dormitory which allows students to accustom themselves to Western life style, using bed and desk, as well as it shows the new building technology in the early 1920s which has mixture of masonry and reinforced concrete structure.

• 건축역사연구
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• 제19권6호
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• pp.61-78
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• 2010

Old Russian Legation(1890) has been attracted public attention in terms of politics and foreign affairs than architectural style because of conditions of location and historical incident. Though it was heavily damaged during the Korean war, and only the tower has been restored, it is very important in architectural history in Korea, because it is the oldest western style brick building which is existing with the old bishop's house in Myeong-Dong. But it has been impossible to reveal exactly the original form as there has been few reliable materials(picture, drawing, document) and it's remains were nearly destroyed owing to development of the surroundings. Recently the decisive document(site outline map) was found, and new research on the architect Sabatine was studied. So I can get into close with the original form by the results. In this study, I tried to conjecture the original form of the old Russian legation(the size, style, plan and indoor space, arrangement of attached facilities) and I checked the location and structure of the room where King Gojong stayed when he took refuge, and the use of the passage in the basement.

• 한국콘텐츠학회논문지
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• 제18권11호
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• pp.338-347
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• 2018

본 논문은 마리오 푸조의 원작 소설 "대부 The Godfather"의 영화 시나리오 <대부>에서 프란시스 포드 코폴라의 관점과 각색 스타일을 개념화한 구조적 방법론을 제시한다. 본고는 두 단계로 나뉜다: 첫번째 단계인 "형식적 단계"는 서사의 분석을 요약하고 소설에서 시나리오로 삭제, 추가 및 변형하는 구조적 전환의 효과를 살펴본다. 두 번째 단계는 "의미적 단계"로 원작소설 안의 구조 자체와 각색자의 관점 사이의 차이점을 알아내는 것과 관련된다. <대부>의 오프닝 시퀀스는 소설에서 시나리오로 각색된 한 예로써 각색 스타일을 구체적으로 설명하기 위해 위의 쟁점들을 탐구하는 사례 연구로 사용된다.