• 대한건축학회논문집:계획계
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• 제35권11호
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• pp.89-100
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• 2019

In modern Korean architecture, some of school buildings have been referred to as Tudor Gothic style by its design elements. But, to be more exact in detail, they have to be interpreted as a Collegiate Gothic style that has occurred in the United States since the mid-19th century. Therefore, this study explains the progress of Collegiate Gothic style in the United States through the literature published since the 19th century, and examines the adoptation process of Korea. In addition, this thesis analyzes the characteristics of American Collegiate Gothic style and the elements of Collegiate Gothic style universally adopted in Korea, and then attempts a new interpretation on the representative Collegiate Gothic architecture in Korea. The results of this research are as follows. The Collegiate Gothic style in the United States caused by the change of educational environment in the 19th century was accepted for religious purposes by foreign architects such as Henry K. Murphy and W. Vories, and was also accepted by domestic architects who were directly influenced by Western architecture such as Park, Dong-jin. In addition, the accepted Collegiate Gothic style shows common features not only in the decoration of Tudor Gothic but also in the material and compositional aspects such as the quadrangle plans and the rock-faced exterior facades. From the point of view of the Collegiate Gothic style then in vogue at many schools and universities, further researches will be needed to interpret modern school architectures in Korea.

• 구강회복응용과학지
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• 제34권3호
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• pp.232-238
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• 2018

가동성 조직은 총의치의 안정성을 감소시키므로, 최종의치의 제작 전에 조직의 상태를 개선시킨 후 적합하게 수정된 인상 방법을 사용하여야 하며, 적절한 중심위를 채득해야 한다. 본 증례는 상악의 가동성 조직과 하악 치조제의 심한 흡수를 보이는 67세의 무치악 여자 환자로, 고딕 아치 기록을 이용하여 치료용 의치를 제작한 뒤 조직조정을 시행하였다. 최종의치는 window opening 인상채득법과 고딕 아치 기록, 그리고 설측 교두 교합을 이용하여 제작하였고, 심미적 및 기능적으로 만족스러운 결과를 얻었기에 이를 보고하는 바이다.

• International Journal of Contents
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• 제7권3호
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• pp.60-64
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• 2011

Jane Campion's is a well-known film for a number of reasons, such as for being an Oscar winner, for having been helmed by an emerging director from New Zealand, and for having the reputation of being a feminist film. In this paper, the first scene of was chosen to examine the heroine Ada's language in terms of the gothic genre. Ada is a dumb woman who lives in the era of man's language. She represents the women's social position in the Victorian era but has her own and unique language for communicating with the outside world. The first scene of introduces Ada's own language, using her fingers. Her fingers speak for her all the time instead of her mouth, and there is someone who can understand what she wants to say when all others cannot. How the film depicts Ada's language and how the first scene well summarizes the film's core are examined herein.

• 복식
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• 제63권5호
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• pp.1-17
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• 2013

As style is the center of subcultural identity and the clothes and adornments are the most visible symbol of its membership, the style of Goth symbolizes the strong subcultural identity and acts as the practical basis to demonstrate commitment to the subculture. In the turn of the third millennium, fashion designers have drawn upon and extracted elements from many subcultures to use in their collections. High fashion designers have introduced the Goth style since its inception in the 1980s. The energy and authenticity of Goth has been considered to be desirable in high fashion. The aesthetic property of Goth subcultural style defeats the established notion of standardized fashion and stimulates new consciousness, which makes room for diversification and subdivision. This study attempts to forecast the trends of the 21st century via researching the diffusion of Goth style in high fashion. In order to investigate the aesthetics and styles of Gothic chic, along with literature research, this study investigates the fashion collections from the late 1990s to 2000s as well as the images of street fashion magazines.

• 한국정보과학회논문지:데이타베이스
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• 제27권1호
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• pp.101-112
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• 2000

지리정보시스템 내에서 공간 객체는 시간의 흐름에 따라 속성 정보가 변화하거나 위치, 또는 객체 상호간의 위상 관계가 변화할 수 있다. 그러나 기존의 지리정보시스템은 시간에 따라 변경되는 비공간 속성 정보 및 공간 속성 정보를 삭제하고 현재 시점에서 유효한 값으로 대체함으로써 변경된 정보의 이력을 관리할 수 없고 시간질의를 비롯한 시공간 질의를 제공할 수 없는 문제점이 있다. 이 논문에서는 이러한 문제점을 해결하기 위하여 시간에 따라 변화하는 공간 객체의 이력을 관리하기 위한 시공간 객체 모델을 제안한다. 제안된 모델은 지리정보 시스템 도구인 고딕을 이용하여 시공간 클래스로 설계 구현했으며, 객체의 이력관리를 위해서는 객체 이력을 단일 개체내에 포함하여 관리하는 방법을 사용하였다. 그리고, 이력 질의 및 시공간 질의 기능을 수행할 수 있도록 시간 연산자, 시공간 연산자, 시공간 질의 연산 등을 고딕에 추가하였다.

• 한국의상디자인학회지
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• 제13권4호
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• pp.127-138
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• 2011

The style which is created by grafting the characteristics of goth onto haute couture designer works is called 'Haute goth'. The purpose of this study is to analyze the modem Goth fashion style based on Goth's historical background and characteristics. Also, I investigated the aesthetic characteristics of haute goth style appeared from the work of haute couture designers. Goth means a member of East Germanic people who invaded and settled in the Roman Empire from the 3rd to the 5th century. Goth style had been developed to the medieval European architecture style or the literature style of 18th~19th centuries and later it was reappeared in the gothic band in the late 20th century. Goth fashion shows the characteristics of the medieval times and Victorian times mixed with punk and fetish style. Goth fashion is expressed with the images of fear, darkness, mystique, dandy and eroticism. 'Dark esthetics' is realized through black clothes, pale complexion and silver accessories. Many designers like Alexander McQueen and John Galliano designed 'haute goth fashion' in various ways. The characteristics of 'haute goth' can be summarized in four things. It creates new images, seeks various changes and pursuits newness. It upgrades a street look style gothic fashion to a luxury high fashion and the creative design with artistic value. It also shows an experimental sprit by using a unique shapes, silhouettes, different materials and extreme images or creating new combination through the mismatch of opposite objects or emotions. Although it is rooted in the past because of the influences by late medieval times, Victorian times and Edwardian times, it displays enough of future-oriented historicism designs.

• 건축역사연구
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• 제1권2호
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• pp.116-136
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• 1992

Architectural essence of John Ruskin's discourse can resolve itself into natural beauty, craftmanship, and truth in structure, surface, and process. His theories became disciplines of modern English school, Art and Craft and Free architecture, in aspects of organic architecture, morality, and rationality. These concepts disseminated continental Art Nouveau and also became it's basic principles. But his empirical theories hated use of machine, and should find a ideal model in medieval romanticism of Gothic. Anti-machine, as a instictive guideline of English modern architecture, couldn't cope with the industrialization of 20th century, and Gothic revival interfered with creating a new style. Muthesius' discourses were taught by the power of group movements and modern concept of form in English school, originally by Ruskin. But he accepted the potentiality of machine and mass production, and stressed creating the new German style suitable with machine. With the progress of Deutscher Werkbund, his theories were advanced to 'quality' connected with craftmanship, to discourse on mechanical 'form', and lastly to 'standardization and type' for mass production. Mechanical functionalism of Muthesius and DWB were sophiscated and handed down to Bauhaus, and then finally helped establishment of the Modern Architecture and Internationalism. Both English and German modern architecture owed their contribution as well as limitation to Ruskin and Muthesius as theorists. Through this comparative study, we can see the priority of theory to practice, the theoretical justification based on insight for its society and future, and the practical character of theory itself.

• 구강회복응용과학지
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• 제30권4호
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• pp.315-323
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• 2014

과도한 치아의 마모는 수직 교합 고경의 감소를 야기하여 구강 및 저작계의 병적 변화를 일으킬수 있으며, 이 경우 새로운 교합 설정과 수직 고경 회복 시 정확한 진단과 분석이 필수적이다. 이에 본 증례에서는 고딕 아치 트레이서를 통해 거상된 수직고경에서의 중심위를 기록한 후 전악 수복을 시행하였다. 본 증례는 70세 남자 환자로서 이가 시리고 아파서 음식을 먹지 못한다는 주소로 내원하였다. 전반적인 치아 마모에 의한 수직고경의 감소를 보여 면밀한 모형분석을 통해 수직고경의 거상을 결정하였다. 거상된 수직고경에 맞춰 고딕 아치 트레이서를 이용하여 중심위 채득 후 임시 보철물을 장착하였다. 4개월 동안 임시 보철물을 통해 적절한 교합을 형성하였으며 이를 이용하여 최종 보철을 제작하였다. 치료를 통해 기능적, 심미적으로 만족할 만한 결과를 얻었기에 이를 보고하는 바이다.

• 복식
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• 제64권2호
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• pp.98-112
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• 2014

Since 2010, Goth styles have risen rapidly in prominence as one of the major trends of fashion. This study intends to understand the Goth style shown from the modern fashion by examining its historically formative characteristics and internal meanings of the Goth style. With mystic attitude toward the medieval Gothic culture, Goth style refers to its reproduction over the cultural circles including music, literature and arts. From the result of the historical review, the formative characteristics of the Goth style may be divided into darkness, distortion, memento mori and bricolage. The historical review of the Goth style contains symbolic meaning of mystery, terror, escape and theatricality. After 2000, Goth style, in combination with factors such as postmodernism and human desire, has been established as the main trend of modern fashion, going with the popular culture. The formativeness of modern Goth fashion is the same as that of Goth style examined from the historic review. However, in modern Goth fashion, the symbolic meaning has the processes of the new: unconsciousness, kitsch, overthrow and popularity.

• 복식
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• 제61권5호
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• pp.21-33
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• 2011

The aim of this study is to identify the formative feature of the Chippendale style of the 18th century and to understand the aesthetic feature of the Chippendale style applied in the modern fashion. This is significant in that new possibilities are proposed in fashion design in more holistic and multifaceted views by comparing and delving into the fashion vis-a-vis other fields in a bigger scope of the formative art. The Chippendale style furniture is a combination of various styles of different eras and regions such as Gothic and Chinese style based on the Rococo style. Today, It is regarded in fashion as a composite design of heterogeneous elements or very curvy decorative design. The Chippendale style of this kind is classified into the Rococo style, Gothic style and Chinese style. Depending on each classification, formative features including curves, asymmetry, decorativeness, geometrical feature, exoticism, compositeness and graceness were derived. In comparative studies, fashion and furniture of the Chippendale style have the similarity in formative features but there were some differences in the expressive method. This study analyzed the formative features of the Chippendale style represented in furniture and the modern fashion based on the Rococo-revival design in the modern fashion starting from 2000.