• Proceedings of the Korean Society of Environment and Ecology Conference
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• 2011.04a
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• pp.98-103
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• 2011

도심하천에서 채집된 어류는 총 7과 17종 315개체가 확인되었으며, 자연하천에서 채집된 어류는 6과 21종 1,033 개체가 조사되었다. 도심하천에서 출현한 한국 고유종은 치리(Hemiculter eigenmanni)와 얼룩동사리(Odontobutis interrupta) 2종(11.8%)이었으며, 생태계교란야생동물에 속하는 종인 배스(Micropterus salmoides)가 폐쇄형 하도습지에서 출현하였다. 자연하천에서 출현한 한국고유종은 쉬리 (C. splendidus), 배가사리(Microphysogobio longidorsalis) 등 총 13종(61.9%)으로 고유종의 빈도가 높았고, 멸종위기 II급에 속하는 종인 묵납자루(A. signifer)와 가는돌고기(Pseudopungtungia tenuicorpa) 등 2종(9.5%)이 조사되었다. 두 하천의 군집분석을 비교한 결과 도심하천이 자연하천에 비해 우점도와 균등도 지수가 높게 나왔다. 이와 같은 결과는 도심하천과 자연하천이 같은 유형의 서식처이지만 도심하천의 경우 양안 수변대와 제방구축, 하천정비, 고수부지의 시멘트화 등의 원인과 오염원의 유입, 풍부한유기물 때문인 것으로 판단된다.

• Proceedings of the Korea Water Resources Association Conference
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• 2004.05b
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• pp.1404-1407
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• 2004

최근 들이 우리나라는 여러 하천을 자연형 하천으로 정비하고 있다. 자연형 하천은 콘크리트로 정비된 하천에 내해 여러 가지 친환경적 공법을 적용함으로서 자연과 가까운 하천으로 복원하려는 목표로 여러 곳에서 시공되고 있다. 자연형 하천 공사로 인해 변화된 하천의 환경을 조사${\cdot}$분석하여 공사로 인한 효과를 분석함으로서 하천공사의 타당성을 검증해야 할 것이다. 공사 효과의 분석은 공사후 하천의 생태계를 평가함으로서 이루어지는데 생태계 중에서 어류가 차지하는 역할이 매우 중요하다. 따라서, 하천공사후 어류서식처에 대한 평가는 하천의 종합적인 평가시에 큰 의미를 갖는다고 할 수 있다. 본 연구에서는 전라북도 순창군에 위치하고 있는 경천을 대상으로 자연형 하천 공사후의 하천에 대한 어류서식처 평가를 실시하였다. 평가를 위해 사용한 방법은 미국 USGS에서 개발되어 사용되고 있는 물리적서식처 모의 시스템인 PHABSIM 모형을 이용하였다. 3년동안의 모니터링을 통해 우점종인 파라미와 갈겨니에 대해 치어기, 성장기, 성숙기 단계에 내한 서식처와 유량의 함수를 개발하고 어류의 성장단계별로 최적유량을 산정하였다.

• Journal of the Korea Safety Management & Science
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• v.12 no.2
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• pp.65-73
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• 2010

In an automated industry PLC plays a central role to control the manufacturing system. Therefore, fault free operation of PLC controlled manufacturing system is essential in order to maximize a firm's productivity. On the contrary, distributed nature of manufacturing system and growing complexity of the PLC programs presented a challenging task of designing a rapid fault finding system for an uninterrupted process operation. Hence, designing an intelligent monitoring, and diagnosis system is needed for smooth functioning of the operation process. In this paper, we propose a method to continuously acquire a stream of PLC signal data from the normal operational PLC-based manufacturing system and to generate diagnosis model from the observed PLC signal data. Consequently, the generated diagnosis model is used for distinguish the possible abnormalities of manufacturing system. To verify the proposed method, we provided a suitable case study of an assembly line.

• Journal of the Korean Institute of Landscape Architecture
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• v.31 no.6
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• pp.107-119
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• 2004

special subjects, from basic data-building to applied design itself, and from how-why studies to theory building research. It seems that the research concerns are mainly the explanation of the processes of design projects rather than the application and expression of design theory and conceptual work itself. The articles do not show a clear trend or design concerns that would lead landscape architecture firms or its market. A few articles deal with aesthetical theory and with design criticism that could be one of landscape design's fundamental theories. It is not enough to regard the Journal of the Korean Institute of Landscape Architecture as the main stream of contemporary Korean landscape design trends. More research in the field of landscape design need to focus on pre-research work rather than on post-work reports. More research work in the field of landscape aesthetics is also required. The format of the journal needs to be reformed to include more design research papers that are of a free-presentation style in nature.

• Journal of the Korean Institute of Landscape Architecture
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• v.23 no.2
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• pp.44-62
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• 1995

This study investigated the landscape space of Chosun Dynasty pavilions in the Sang-ju Region. Five renowned pavilions were selected for study by Phenomenological and IDRISI (4.1) S/W. The results were as follows ; Pavilions were erected for studying cultivating moral sense admiring the view relieving illness and commemorat memoring people. A total of 248 pavilions were erected in the Sang-ju Region between 1392 and 1895 AD, most of them duing he golden age from 15001670 AD. Pavilions and open space were composed in harmony with nature borrowing natural landscape features. Landscape characteristics were analysised with IDRISI(4.1) S/W; pavilions were ma711y located at the bottom of a mountain with stream The Inner garden was formed by a fence and Lagerstroemia indica or a few trees. The Outer garden was formed by mixed stands of Pinus dentsiflora, Zelkowa serreta, Acer formosum and well conserved natural vegetation.

• Proceedings of the Korea Water Resources Association Conference
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• 2016.05a
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• pp.117-117
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• 2016

The natural hydrologic regime is intimately tied to the structure and function of stream and riparian ecosystems. Consequently, understanding the nature and extent of perturbations to the hydrologic regime, stemming from episodic-to-seasonal and longer-term climatic variations, as well as anthropogenic influences is an important starting point for developing an improved understanding of the coupled human-environmental systems. Herein, we pursued to explicate sensitivity of ecologically relevant flow metrics to climate variability and extremes in the five major river basins, Korea.

• Korean Journal of Environment and Ecology
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• v.34 no.3
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• pp.216-223
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• 2020

This study investigated the ecological characteristics of Coreoperca herzi at Jaho stream from September 2018 to August 2019. This species inhabited riffle and midstream of the stream, where the riverbed structure was mostly covered with cobble and pebble. The depth of the habitat was 32-157 cm, and the velocity of stream fast at 0.64±0.28 (0.32-1.28) m/sec. The gender ratio of females to males was 1:0.95. The age according to the frequency analysis of total length indicated that the group with 42-80 mm in total length was one year old, the group with 80-130 mm was two years old, the group with130-200 mm was three years old, and the group over 200 mm was four years old. The total length of sexually mature fishes was 65 mm for females and 70 mm for males. The sexually mature individuals grown in nature had a smaller total length than those reared in a laboratory. The spawning season was from May to late July, and the water temperature was 18.4-26.4℃ during the period. The prosperous spawning season was from May to June, and the water temperature was 18.4-21.8℃ during the period. The average number of eggs in the ovaries was 462 (151-919) per mature female, and the matured eggs were yellowish and spherical with a mean diameter of 2.31±0.33 (1.93-3.10) mm. Calculation length-weight relation of Korean aucha perch showed the constant a as 0.00002 and b as 3.01, condition factor (K) as 1.76 (1.01-2.63) on average, and the slope was a positive value of 0.0005.

• The Journal of Korean Philosophical History
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• no.23
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• pp.393-421
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• 2008

This thesis has an intention to reorganize the topic of Ontology that has not unnoticed, investigating the symbolic signs of Zhuxi. The symbols in Ontology visualize in an anthropomorphic form or a form of animals that we can usually find in the nature. The visible symbols have characteristics of the dynamic rather than the stillness. The symbols of human and a horse have developed as different interpretations depending on the relative importance. The movement of stream symbolize the Movement of Daoti that manifests thorough all things in the Dao and have a structure of 'Ti-Xiang-Yong'. The Substance of Metaphysics embodies an action thorough 'Metaphysics' or 'with Metaphysics'. Accordingly, 'a stream' symbolizes 'the Movement of Daoti' in that it manifests the form of Daoti makes body. A kite and a fish symbolize the form of a kite flies up into the sky and the shape of a fish plays in the pond. These not only represent an outlook on the world, but also symbolize the stage of the Movement of Daoti. 'Human', 'a stream', 'a kite' and 'a fish' include activeness, domination, dynamics, manifestation, visibility, naturalness.

• Journal of the Korean Association of Geographic Information Studies
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• v.15 no.1
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• pp.99-118
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• 2012

The aim of this study is to define a correlation between spatial distribution characteristics of FFG(Functional Feeding Groups) of aquatic insects and related environmental factors in the Geum River based on the theory of RCC(River Continuum Concept). For that objective we had used SMRA(Stepwise Multiple Regression Analysis) method to analyze close relationship between the distribution of aquatic insects and the physical and chemical factors that may affect their inhabiting environment in the study area. And then, a probabilistic method named Frequency Ratio Model(FRM) and spatial analysis function of GIS were applied to produce a predictive distribution map of biota community considering their distribution characteristics according to the environmental factors as related variables. As a result of SMRA, the values of decision coefficient for factors of elevation, stream width, flow velocity, conductivity, temperature and percentage of sand showed higher than 0.5. Therefore these 6 environmental factors were considered as major factors that might affect the distribution characteristics of aquatic insects. Finally, we had calculated RMSE(Root Mean Square Error) between the predicted distribution map and prior survey database from other researches to verify the result of this study. The values of RMSE were calculated from 0.1892 to 0.4242 according to each FFG so we could find out a high reliability of this study. The results of this study might be used to develop a new estimation method for aquatic ecosystem with macro invertebrate community and also be used as preliminary data for conservation and restoration of stream habitats.

• Journal of Science of Art and Design
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• v.3
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• pp.145-177
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• 2001

The artist's interest has been captivated by ecological phenomena in Nature. Her keen captivation has then been focused into plastic art depicting the image of primitive life. The wide sweep of her work encompasses the totality of nature which consists of the human's subconscious power and imagination which she then portrays by organic images. These organic images are in contrast to scientific, mathematical and logical inference and consciousness. This research examines the character of the organic images in modern art by her analysis of some representative works by others. The image is an essential concept in the art which appeared in very different ways and in different perspectives. The image in the artwork appears to be the realistic expression until the early part of the 20th Century. Well into the 20th Century, it began being expressed in various ways such as combined images by imagination which is combined or rejected in the story of artwork. It also began being expressed by transferred images by changed original conditions. It is the main purpose of this research is to study of various expressions of organic images in the artwork of the Post-Modernism era. The character and meaning of organic image painting helps people to approach the human instinct more easily to find out the natural essence. It is also an objective of the organic image to tenderise our human sensibilities, thus helping us to regain vitality and recover our poor humanity in the barren wilderness of modern society. 'Life communion with nature' is a meeting point and common ground for Oriental Philosophy and organic image painting. Through this research, organic image painting is characterised in the four following ways : 1st) Organic image painting seeks regularity and perfection of outer shapes, in contrast to disordered and deformed nature, resulting in organic and biotic formalistic mode of plastic art. 2nd) Organic image painting seeks the formative. 3rd) Organic image painting pursues the priceless dignity of life by researching the formatted arrangement and figure, which contains primitive power of life. 4th) Organic image painting makes crystal clear the power of human and nature, which is a historic and biological phenomenon. This, in turn, exposes the humanistic view of the world from modern society best characterised in lost self-understanding, isolation and materialism. The representative organic image painting artists are Elizabeth Murray, Kusama Yayoi, and Niki do Saint Phalle. Elizabeth Murray used shaped canvas and a round construction of relief works. Kusama Yayoi used Automatistic expressionism originating from the realms of unconsciousness and which is represented by the mass and shape of a water drop. Niki do Saint Phalle shows the transcendence of universal life and anti-life to respect the dignity of life and the eco-friendliness relationship of human and nature in the post-modernism in art history. This is accomplished by surrealistic, symbolic, fantastic and humoristic expression. These three artists' works express the spirit of the organic image in contemporary art. It contains the stream of nature and life to seek not only the state of materialism in the reality, but also the harmonized world of nature and human which has almost lost the important meaning in modern times. Finally, this organic image is the plastic language of the majestic life. It is the romantic idea that the intimacy of nature and the universe and Surrealism, which emphasizes the unconsciousness , is the source of truth and spirit. Also it is influenced by primitive art and abstract art. According to this research, the subject 'Research About Organic Images' is not only an important element in the plastic arts from primitive society to the present, but is also fundamental to an true understanding of Post-Modernism.