• Human Ecology Research
• /
• 제56권6호
• /
• pp.589-601
• /
• 2018

This study explored the internal world through sandplay therapy for an elementary school boy who had social and emotional difficulties of poor peer relations, anxiety and withdrawal. This study examined the changing processes of sandboxes, how a boy expressed his internal world by the content themes in sandplay according to Turner (2009) based on analytical psychology and sandplay theories. There were 72 sessions. The initial phase was 1-6 (The beginning of war) expressing confusing wars as the start of a long internal journey. The intermediate phase was 7-55 (Struggle), dividing by phase I 7-18 (Hero's fight I), phase II 19-36 (Hero's fight II), phase III 37-48 (Seeking for a male identity), and phase IV 49-55 (Centering). The client identified himself as a teenaged hero and expressed the conflict between good and bad, between death and rebirth and struggled for seeking treasures in the fight of heroes. He found identity as a male by finding a sense of existence, establishing order in the middle of confusion, and expressing strong and rational masculinity. The final phase was 56-72 (The winner of the struggle). In the fights repeating, he expressed an adventurous and positive male energy such as racing, speed contests and a union in the opposites of hero and heroine as well as the birth of a new conscious. This study provides a basic knowledge of educational guidance in school and counseling fields by expanding the understanding of a boy's unconsciousness.

• 동남아시아연구
• /
• 제28권1호
• /
• pp.1-20
• /
• 2018

2017년 동남아의 정치경제는 대미의존적 안보질서와 대중의존적 경제질서가 중첩하는 역설적 '이중질서'로 요약되는 동아시아의 지정학적 지경학적 조건에서 전개된다. 경제발전의 지속적 진전과 정치발전의 만성적 부진이 날카롭게 엇갈리는 동남아의 두 얼굴은 동남아와 동북아를 포괄하는 동아시아의 두 얼굴을 충실하게 반영한다. 정치적 차원에서, 전체주의의 향수를 떨쳐내기 어려운 베트남, 라오스, 캄보디아, 미얀마 등 구사회주의권은 전체주의와 권위주의 사이의 완충지대에 서식하고, 민주주의의 명분을 저버리기 어려운 필리핀, 태국, 인도네시아, 말레이시아, 싱가포르 등 원자본주의권은 권위주의와 민주주의 사이의 회색지대를 전전한다. 경제적 차원에서, 계획경제의 거대한 유산을 포기하기 어려운 구사회주의권은 신국가주의적 '베이징 콘센서스'로 분장되는 중국형 국가자본주의의 은밀한 유혹과 타협하고, 시장경제의 화려한 신화를 외면하기 어려운 원자본주의권은 신자유주의적 '워싱턴 콘센서스'로 포장되는 미국형 자유자본주의의 오만한 압력에 노출된다. 그에 따라 동남아의 지역통합을 대변하는 아세안 공동체는 대륙세력과 해양세력의 경쟁적 협공에 따라 '신냉전'의 부상이 예감되는 전략적 곤경에서 끊임없이 부침한다.

• 영어영문학
• /
• 제54권1호
• /
• pp.149-167
• /
• 2008

Korea has persisted in the notion of "ethnic nationalism." That is "one race, one people, one language" as a homogeneous entity. This social ideal of unity prevails, even in overseas Korean communities formed by voluntary and involuntary displacement in the turmoil of modern history: communities made intermittent with the Japanese colonial occupation and with postcolonial encounters with the West. Given that the Korean people suffered from the trauma of deprivation of the language caused by the loss of the nation, nation has been equated with the language. Accordingly, "these bearers of a homeland" are also firm Korean language holders. The linguistic patriotism of unity based on the intertwining of "mother tongue" and "father country" has become prevalent in the collective memory of the people of the Korean diaspora. Korean American literature has grappled with this concept of the national history of Korea and the Korean language. The aesthetics of Korean American literature has been marked by an influx of literary resources of 'Korea' in sensibilities and structure of feelings; Korean myth, folk lore, songs, humor, traditional stories, manners, customs and historic moments. An experimental use of the Korean alphabet, Hangeul, written down as pronounced, provides an ethnic flavor in the midst of the English texts. Despite its national framework of mind, however, Korean American literature as an interstitial art reveals a keen awareness of inbetweenness, and transnational hybrid identities. By exploring the complex interrelationships of cultural and linguistic boundary-crossing practices in Korean American literature, this paper argues that the poetics of the Korean diaspora challenges the closed structure of identity formation, and offers a transnational sphere to deconstruct a rigidly demarcated national ideology of "one race, one people, one language," for the world literary history.

• 영어영문학
• /
• 제57권1호
• /
• pp.147-170
• /
• 2011

This paper elucidates the characteristics of transnational adoption, estimates the possibility of beyond-borders identity of transnational adoptees, and tries to analyze Jane Jeong Trenka's The Language of Blood in its context. Though it has been regarded as one of the most humanitarian ways of helping orphans and poor children of the world, transnational adoption, a one-way flow of children from poor Asian countries to rich white countries, has been operated under the market logic between countries. Transnational adoptees, who had been abandoned and forced to be taken away from their birth mother, and later, to fulfill the desire of white parents for a perfect family, perform an ideological labor, serving to make the heterogeneous nuclear family complete. Korean transnational adoptees, forced to transcend the borders of nation, culture, and ethnicity, experience racial conflict and alienation in white adoptive family and society. Their diaspora experience of violent dislocation creates frustration and confusion in establishing their identity as a whole being. When they return to Korea to find their birth mother and their true identity, Korean adoptees, however, are faced with other obstructing issues, such as language problem, culture conflict, and maternal nationalism. Finally, Korean transnational adoptees reject Korean nationalism discourse based on blood, and try to redefine themselves as beyond-borders subjectivities with new and fluid identities. Jane Jeong Trenka's The Language of Blood, an autobiographical novel based on her experiences as a transnational adoptee, represents a Korean adopted girl's personal, cultural, and racial conflict within her white adoptive family, and questions the image of benevolent white mother and the myth of multiculturalism. The novel further represents Jane's return to Korea to find out her true identity, and shows Jane's disappointment and alienation in her birth country due to her ignorance of language and culture. Returning to USA again, and trying to be reconciled with her American mother, Jane shows the promise of accepting her new identity capable of transcending the borders, and thus, the possibility of enlarging the category of belonging.

• 치위생과학회지
• /
• 제21권2호
• /
• pp.104-110
• /
• 2021

Background: Regardless of countries, the myth that rain makes the body ache has been worded in various forms, and a number of studies have been reported to investigate this. However, these studies, which depended on the patient's experience or memory, had obvious limitations. Google Trends is a big data analysis service based on search terms and viewing videos provided by Google LLC, and attempts to use it in various fields are continuing. In this study, we endeavored to introduce the 'value as a research tool' of the Google Trends, that has emerged along with technological advancements, through research on 'whether toothaches really occur frequently on rainy days'. Methods: Keywords were selected as objectively as possible by applying web crawling and text mining techniques, and the keyword "bi" meaning rain in Korean was added to verify the reliability of Google Trends data. The correlation was statistically analyzed using precipitation and temperature data provided by the Korea Meteorological Agency and daily search volume data provided by Google Trends. Results: Keywords "chi-gwa", "chi-tong", and "chung-chi" were selected, which in Korean mean 'dental clinic', 'toothache', and 'tooth decay' respectively. A significant correlation was found between the amount of precipitation and the search volume of tooth decay. No correlation was found between precipitation and other keywords or other combinations. It was natural that a very significant correlation was found between the amount of precipitation, temperature, and the search volume of "bi". Conclusion: Rain seems to actually be a cause of toothache, and if objective keyword selection is premised, Google Trends is considered to be very useful as a research tool in the future.

• 문화기술의 융합
• /
• 제7권4호
• /
• pp.363-368
• /
• 2021

본 연구는 성폭력행위자가 수강명령프로그램에 참여한 교육의 효과성을 분석하는데 목적이 있다. 이를 위해 연구대상은 법무부에서 시행하는 성폭력수강명령프로그램 40시간을 경험한 남성으로서, D시에 거주하는 성폭력행위자를 중심으로 연구하였다. 자료 수집은 본 연구자가 성폭력 수강명령프로그램을 직접 운영하는 강사 자격으로, 교육 전 사전 검사를 실시하였고 교육 종료 후 사후검사를 실시하였다. 성폭력 행위자를 위한 수강명령프로그램이 성폭력행위자의 공격성, 충동성, 강간통념, 고독감, 분노에 미치는 영향을 살펴본 결과 공격성, 충동성, 강간통념, 분노에서 유의한 차이를 보였으며, 고독감에는 유의한 차이를 보이지 않았다. 본 연구의 의의는 성폭력행위자들을 대상으로 법무부 성폭력 프로그램의 사전, 사후 검사를 통해 교육을 효과를 분석하였으며 그에 따른 행동변화를 위한 방법들을 모색하게 되었다고 보고하였다. 따라서 본 연구는 성폭력행위자 수강명령프로그램이 성폭력 재발방지에 효과적이라는 결론이 도출되었으며, 차후 수강명령프로그램 개발에 활용할 수 있는 자료로 기여할 수 있을 것이다.

• Acta Via Serica
• /
• 제8권1호
• /
• pp.31-54
• /
• 2023

The article deals with issues related to the tradition of carpet production on the territory of Kazakhstan where, for the most part, tribes engaged in nomadic livestock raising lived. Analyzing the technological component of this traditional craft, the author focuses on the main factor that influenced carpet weaving along with arts and crafts-the nomadic method of production of the Kazakhs. The study of the ideological component that accompanies the process of making various types of carpets allows us to conclude that it has a sacred meaning and subordination to myth, rite, and ritual. At the mythmaking level, the process of making carpets, like any other activity among nomads, personified the process of creating the world, the marriage of Kok-Tengri (Heaven) and Zher-Su (Earth), and the creation of the Cosmos from Chaos. The process of carpet weaving, as well as the process of making felt, symbolized the act of creation, the marriage of Heaven and Earth, and male and female principles. The study of various types of ornaments that Kazakhs and their ancestors used to decorate carpets allows us to conclude that the ornament applied to carpet products was the bearer of the most valuable information about the mythological worldview of the people. Carpets in their structure reproduced the structure of the Universe, which has a binary, ternary, and quaternary system. The ornament has turned into a kind of coded text, reflecting ideas about the cosmogonic structure of the Universe and an awareness of the harmony of the world. The location of Kazakhstan on the northern routes of the Sogdian Road (Great Silk Road) allowed the spread of various ideas, due to which carpet weaving was influenced by other peoples in technical and stylistic design.

• 디지털융복합연구
• /
• 제20권5호
• /
• pp.751-759
• /
• 2022

게임 그래픽은 플레이어들에게 몰입감을 제공하여 능동적인 참여를 이끌어낸다. 본 논문은 신화를 모티브로 하는 게임의 서사와 세계관을 재현하고 있는 게임 스킬 비주얼 이펙트의 상징적 디자인을 위한 신화적 의미 분석을 목적으로 하고 있다. 연구방법은 비주얼 이펙트 이미지를 보편적인 원형의 재현인 형태의 상징과 게임 내의 서사를 표현하는 색채의 상징으로 분류하고 롤랑 바르트의 의미작용모델을 적용하여 분석했다. 본 연구를 통해, 게임의 서사를 상징하는 함축적 의미와 보편적으로 공감할 수 있는 신화적 의미로서 비주얼 이펙트의 의미를 분석할 수 있었다. 신화가 반영된 게임의 서사를 재현하고 있는 비주얼 이펙트의 상징적 표현은 플레이어들의 몰입과 참여를 유도할 수 있으며, 게임 그래픽 제작에 있어 비주얼 이펙트가 게임의 신화적 세계관을 반영하는 고유한 상징성을 가질 수 있도록 디자인 방향을 제시하고자 했다.

• 영어영문학
• /
• 제57권5호
• /
• pp.813-838
• /
• 2011

Toni Morrison's ninth novel A Mercy delves into the colonial American history of the seventeenth century when Europeans began to migrate to the New World and when the first slaves were brought to Virginia. Morrison presents a diverse group of people such as white Europeans, an American Indian, a free black man, indentured servants, and slaves from Africa in order to explore the subjects of ownership, freedom and racism. She emphasizes the fact that most of the Europeans who came to America in the early seventeenth century were the people who were thrown out from the society such as felons, prostitutes, servants and children. By portraying how these castaways tried to settle in a new environment surrounded by unknown dangers and challenges, Morrison demystifies and reconstructs the myth of the birth of America as a nation state. In continuation of Morrison's writings about love and the betrayal of love, her novel A Mercy explores the subjects of trauma, memory and subjectivity by choosing the topic of motherly love and its betrayal which she dealt with poignantly in Beloved. The female protagonist, Florens, is given away by her mother in partial payment of debt incurred by the owner of Florens's mother. The traumatic memory of Florens's separation from her mother shapes Florence's character. She has to revisit the site of the original traumatic experiences of being given up by her mother in order to reconstruct her fragmented memory and past. The recurring dream of the traumatic incident that takes hold of Florens can be explained by the trauma theory of Freud, Cathy Caruth, Suzette Henke, and Judith Herman. The paper explores the self journey of Florens in which she faces the traumatic past and comprehends its meaning which enables her to construct her subjectivity by understanding the true meaning of being free and of owning oneself. In particular, it demonstrates how the process of writing a confession, a story about one's history, enables one to reclaim the traumatic experience and to locate it in the narrative memory.

• 영어영문학
• /
• 제55권3호
• /
• pp.383-398
• /
• 2009

Based on the Greek myth of Pygmalion and the fairy tale of Cinderella, Shaw's Pygmalion demonstrates a masterful coalescence of these two narrative motifs into a coherent plot scheme. Even more significant is his keen insight into the conflicts created at the tripartite intersection of human activity concerning language/class/culture, which, as the leitmotif, revolves around lessons in language learning. This play basically deals with human transformation and by its very nature, Higgins's experimentation with transforming Eliza cannot stop at language alone. Her cultural transformation ripples over into the realms of gesture and even a unique way of living (modus vivendi) intimately associated with taste and manners, which Bourdieu terms as habitus. By acquiring a new fashion and language, Eliza is reborn as a new lady aspiring to be filled with a newly acquired habitus. While separating her from her old Cockney style, Higgins inculcates Queen's English in Eliza, in which process her changed speech styles gradually transforms and restructures her deportment and manners, finally generating new practices, perceptions and attitudes. The gist of Pygmalion is however less Eliza's ascent into the middle class than her battle for symbolic capital waged at the level of language. By problematizing his contemporary practice of habitus conventionalized and warped by class distinctions based on economic, social and cultural capitals, Shaw creates a new humanist model of man founded on spiritual and rational virtues. In conclusion, Eliza is not a frigid Galatea but a dynamic character that goes through a brilliant transformation of three stages: 1) linguistic; 2) cultural, and 3) humanist. Finally she is built into a "consort battleship" on an equal standing with her sculptor. The process of her character-building cannot be illuminated without resorting to the dynamic notion of habitus, which highlights the process of inculcation, structuring, generation and transposing. Given the overwhelming weight of the heroine's role and the dynamic process of her transformation as the major plot scheme, this play should be christened Galatea in lieu of Pygmalion.