• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.116-122
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• 2004

Since the 18th century the museums in Europe have accepted the social demand of the publicity and have played a role of social education and it lasted to the present. Recently, the society began to change it's direction. It is from the Universalism to the Pluralism. The Universalism is due to democratic society after 'the Civil Revolution' and standardized social system after 'the Industrial Revolution' The Pluralism that starts with the decrease of the modern society is about the diversity and the activation of identity which has been disregarded since the Modernism. This study is to analyze and to clarify how the museum's educational environment which had begun since the 18th century has been changed since 1990 and how these are related to the social alteration from the Universalism to the Pluralism. As a result of this study, it was confirmed that there had been a simple circulation system and a unified spatial experience in the museum of Europe since 18th century to 1980's(phl) while there had been a complex circulation system and a diverse spatial experience in the museum of Europe after 1990's(ph2). These mean that the museum of phl gave a unified social education to the visitors and they came to have a similar knowledge and emotion after their seeing the exhibition material while the museums of 'ph2' gave a diverse one and the visitor came to have a different knowledge and emotion to the same exhibition material. The museum which gives a unified social education is to produce a unified thoughts of people and it is because the social direction is the Universalism. In addition to this, the museum of diverse social education is to produce people of diversity and it is related to the Pluralism.

• 문화기술의 융합
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• 제5권3호
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• pp.131-137
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• 2019

본 연구는 미술관 관람객들이 미술관 방문을 결정하는 주요 동기가 무엇인지 파악하고 이와 관련된 재방문 의도와 추천의도를 파악하고자 시도되었다. 연구 대상자는 광주광역시에 소재한 광주 비엔날레관과 광주시립미술관을 방문한 관람객으로 선정하였다. 자료 수집은 2018년 9월 15일 ~ 10월 14일까지 30일간 실시하였다. 총 350부를 배포하여 최종 유효한 설문지 315부를 실증분석에 사용하였다. 연구결과, 미술관 관람객의 방문결정요인은 일탈성, 개발성, 체험성, 경험성인 것으로 파악되었으며 4가지 요인 모두 관람객들의 행동의도(추천의도, 재방문 의도)에 영향을 미치는 것으로 나타났다. 미술관 관람객의 방문결정요인이 관람객의 행동의도에 미치는 영향 중 추천의도에 가장 높은 영향을 미치는 요인은 '체험성'인 것으로 파악되었으며 이어 '일탈성' 요인인 것으로 나타났다. 미술관 관람객의 재방문 의도에 있어서는 방문결정 요인 모두 영향을 미쳤으며 '일탈성' 요인이 가장 높게 영향을 미치고 있는 것으로 파악되었다.

• 대한지구과학교육학회지
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• 제16권1호
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• pp.133-142
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• 2023

이 연구는 코로나19 시기에 지방 소규모 과학관의 조직 및 운영 현황을 조사하여 과학문화 확산과 과학 대중화를 위한 기초연구를 수행하고자 거창월성우주창의과학관을 사례로 하여 질적 연구를 실행하였다. 과학관의 실태를 분석하기 위하여 평가 틀을 개발하였으며 정보 통신매체를 통하여 얻은 정보와 과학관의 정보 위원과 심층 면담을 통해 얻은 정보를 이용하여 연구를 진행하였다. 본 과학관은 코로나19가 최고조로 유행하였던 2020년 기준 전년 대비 매출과 입장 인원의 뚜렷한 감소세를 보인 것으로 나타났다. 이러한 상황에서도 비대면 프로그램 신설, 전시물 관리, 다양한 홍보 매체를 이용한 홍보 관리와 같은 위기 개선 방법을 사용하고 있음을 확인하였다. 하지만 전문인력 수급의 어려움, 직원들의 업무의 과다, 다른 과학관과의 차별화 부재 등은 향후 해결해야 하는 선결과제로 남아 있음을 확인하였다.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.233-240
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• 2013

Today, museums are designed with specific purposes with themes to raise issues based on themes, history, culture or other special focuses. Among many of these thematic museums, Jewish museums are built around the world in order to let the future generations know the history and dark past memory of the Jewish people. Accordingly, the aim and significance of this study are to analyze the characteristics of design expressions of the museum architecture of Jewish museums done by various architects to help visitors empathize the dark period of the Jews during the holocaust. This particular study will be focused on analyzing 7 museums under the theme of holocaust and Jewish people's life affected because of the tragic event. Spatial organization, exhibition space composition, exhibition techniques such as the exhibition storytelling or scenario and natural light distribution will be analyzed to find expressional characters of Jewish museum's design and how the design form strengthen the museum's purpose. To achieve the aim of the study, targets for the theoretical discussion and case analysis regarding the design approach are discussed in chapter 2, characteristics of the cases are analyzed and synthesized in chapter 3, and finally the conclusion in chapter 4. The study found, that distinctive characters of spatial expression have direct impact on visitor's understanding of the museum purpose and it helps viewers to empathize and to be educated about the situation. Well designed architectural form, spatial organization, choice of materials and colors as well as story telling techniques of the museum will solidify the meaning of the exhibitions inside. Results found in the study will be the guidance for future study on thematic museum planning.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.291-298
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• 2013

A science museum responds independently based on the exhibits and exhibition environments as the visitors are different in purposes, interests and demands. Therefore a science museum should be designed keeping it in mind that there are various ways for visitors to perceive and use the exhibition spaces and exhibits. The purpose of this study is to compare and analyze the characteristics of sensory receptors for the exhibits in National Museum of Nature and Science's Global Gallery, Tokyo, in terms of information transmission and to identify the nature of exhibit medium that can affect the perception and recognition of the exhibits by visitors. Through these 9 sensory receptors, human recognizes first with visual, auditory and olfactory senses and reacts using vestibular organ, proprioceptor (stretch), tangoreceptor, themoreceptor, taste and olfactory senses. Human uses these information processing to recolonize the external environment. This process is similar to the visitor's information transmission process for the exhibition medium. By dividing the analysis results per exhibition theme and developing the information transmission processing types per sensory receptor, we could understand that the distribution conditions are closely connected with the composition of the exhibition scenario in the exhibtion area. Especially, the understanding of how the information transmission is made through sensory receptors could can be the criteria that determines on the factors that can identify the exhibition purposes of a science museum which are eduction and understanding.

• 스마트미디어저널
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• 제11권8호
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• pp.21-28
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• 2022

오늘날 우리 사회는 21세기에 접어들면서 사회, 문화, 경제, 과학의 수준과 관심이 급속도로 발전하고 있지만, 과학교육은 아직 어려움을 겪고 있다. 과학교육의 효율을 높이기 위해서는 무엇보다 기초과학을 바탕으로 한 초등교육에 집중하는 것이 무엇보다 중요하다. 이에 본 연구에서는 현재 우리나라의 과학관이 단순한 과학체험관, 과학테마파크 등의 체험과 흥미, 재미 위주의 박물관으로 퇴행하고 있는 주요 원인이 무엇인지 분석해 보고자 한다. 이를 위해 지난 5년간 국내에 준공되어 운영 중인 과학관의 전시공간과 전시 동선의 데이터를 토대로 행위자 기반모형의 알고리즘을 적용하여 영향요인을 파악하였으며, 전시공간에서 나타나고 있는 관람객 동선에 대한 문제점을 공간체계를 통해 분석해 내었다. 본 연구에서는 전시공간의 체계를 박물관 전시 내러티브 이론에서 말하고 있는 직선적 플롯의 동선체계와 피칼레스크 플롯을 동시에 적용하였을 때 전시환경이 가장 우수하게 나타나는 것을 확인할 수 있었고, 효과적인 전시를 방해하는 주요 요인으로 주요 전시공간의 배치, 전시공간의 폭, 전시목적을 통한 공간 분리 등이 도출되었다.

• Advances in Computational Design
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• 제7권4호
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• pp.321-343
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• 2022

Museum buildings display artefacts for public education and enjoyment, ensuring their long-term safety and the comfort of visitors by following strict indoor environment control protocols using mechanical Heating, Ventilation and Air Conditioning (HVAC) systems to keep the (environmental) variables at a fixed comfort level. Maintaining this requires constant supply of energy currently mostly sourced from the combustion of fossil fuels which exacerbates climate change. However, a review on the effects of the indoor environmental variables on museum artefacts as well as museum visitors revealed that there is no specific point at which artefact deterioration occurs, and that there are wide ranges of conditions that guarantee the long-term safety of artefacts and human comfort. Visits to museum buildings in hot-humid tropical climate of Nigeria revealed that strict indoor environmental practices were adopted. Even when appropriate micro-climatic conditions are provided for artefacts, mechanical HVAC systems remain necessary for visitor comfort because almost no consideration is given to natural ventilation. With the current global push towards energy management, this paper reviewed passive environmental control practices, architectural design strategies, and discusses the adaptation of double skin façade with jali screens, and the notion of smart materials, which can satisfy the range of requirements for the long-term safety of artefacts and levels of human comfort in buildings in hot-humid tropical climate, without mechanical HVAC systems. This review would inspire more discussions on passive, energy efficient, smart and climate responsible popular architecture, challenging current thinking on the impact of the more accepted representative architecture.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 춘계학술발표대회 논문집
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• pp.172-177
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• 2005

What kind of information is it got in an exhibition space? And any order is determined and can read an exhibition? Is application possible with interactive design in an exhibition space? All elements must be reflected in an information design in addition to a biological process and perception process. Various uncertainty, a little information about exhibition contents and negative attitude, various ways of thinking, time physical a few psychological fatigue, uncertain target will be for these reasons. When configuration of a space and a human biological element are satisfied in an information design by physical configuration, maximization of a communication between exhibition water and visitor firm names will consist in a museum.

• 한국실내디자인학회논문집
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• 제37호
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• pp.144-150
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• 2003

Human being is experiencing the spaces with constant moves. The process of delivering information is worked by vision and perception communications. The aim of this specialized study is to analyze the processes of constructed experiences which visitors may choose the directions in the museum. Abstracting and investigating the recognizable and visual elements, we examine how those elements influence the audiences moving choices which reflect the propensity of people through mostly the experimental research. These cases would show the more effective results with proper harmony of different characters. To analyzing and adapt the recognizable and visual elements which effect the audiences moves from starting point, this research suggests the directions of plans in active spaces which would help the communication between the objects In the museums and people. This research is the basic study of maximizing the communication between audiences and exhibitions.

• 한국산학기술학회:학술대회논문집
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• 한국산학기술학회 2012년도 춘계학술논문집 1부
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• pp.6-9
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• 2012

본 논문에서는 현대 박물관의 가장 특징적인 변화를 이끄는 요인 가운데 하나인 박물관 관람자에 대한 연구로서 관람객은 박물관 경험의 중심을 이루는 요소이다. 소비자는 상행위의 관점에서 보호받고 고려되는 대상이지만 현대의 박물관은 다양한 문화 오락 기관과의 경쟁에 놓이면서 박물관 관람객에 대한 연구에서 미진하였다. 본 연구는 이러한 박물관 관람객을 문화 소비자의 관점에서 연구하고 전국적으로 늘어난 박물관의 활성화라는 관점에서 문화 소비자를 만족시키기 위한 방안으로서의 소비자 연구를 하였으며 이는 문화 소비자 정의, 상품, 가격, 공간의 관점에서 연구하였다.