• Korean Institute of Interior Design Journal
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• v.17 no.2
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• pp.91-101
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• 2008

The purpose of this study is to suggest the design guidelines of exhibition space for conservation of collection in a museum. With the purpose of this study, examined the concept and a condition of conservation which is focused on deterioration in a exhibition space, investigated the actual condition of total 42 facilities and analyzed the specific instance which is excellent by factor of environment plan. Hereupon, the results of this study are as follows. First, exhibition space should be equipped with sufficient 'Filtering Space' before the outdoor and located central territory in a museum facility. Second, exhibition space should be partition off an area into the quality of collection, and then controlled by each of them. Third, in consideration of the annual air fluctuation of our country, the database which is adaptable for setting up the standard of temperature and RH must be prepared. Fourth, it is necessary to establish a 'Reference Exhibition Room' which is formed cellular type and a 'Garnering Exhibition Center'. Fifth, for the prevention of deterioration which is generated in exhibition space, the showcase must be high air-tight. Sixth, it is necessary to reduce a inside space of high air-tight showcase. Seventh, art-sorb is suitable for control the organic matter of collection and a except of fiber optics is not suitable for lighting of showcase. Eighth, wall-type showcase should be have air-chamber which is formed like museum storage and run over 8 hours a day.

• Journal of Conservation Science
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• v.36 no.4
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• pp.236-243
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• 2020

In this study, an accelerated aging experiment for fabric and paper was conducted using two light emitting diode(LED) sources with different wavelength characteristics, and the discoloration under each lighting type was examined. Hanji(Korean traditional paper) and related textiles showed more discoloration under blue LEDs, while the blue wool standard showed more discoloration under white LEDs. This, indicated that the deterioration varied depending on the sample color. The the effect of the light source on artifact deterioration was primarily related to the total radiation flux(expressed in mill watts), rather than the total luminous flux(expressed in lumens). In addition, the discoloration of the investigated artifacts was dependent on the color rendering of the lighting.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.10 no.5
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• pp.43-51
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• 1996

An appropriate lighting standard for the museum is needed to minimize the deterioration of the exhibits by the light. To obtain the basic data for the standard, a system to measure the color change of the artifacts as a function of the radiation energy frequency was constructed. Xenon lamp is used as a light source, and the light is irradiated to the samples through serveral cut-off filters. Measuring the colors of the samples under each filters, color change of the samples is estimated for each frequency ranges of radiation energy. As a result, natural dyes show severe color change in a short time, but traditional papers shows relatively small color change. Using measured results, color change due to other light sources can be calculated and this will be the base of the standard.

• Korean Institute of Interior Design Journal
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• no.9
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• pp.57-66
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• 1996

Sir John Sonae(1753-1837) was the most original English architect of 19c. his extremely personal style is superficially neo-classical but, romantic or ' picturesque' in its complicated and unexpected spatial interplay. The Soane's style was one of the curiosities of European architecture. Sir John Soane, like mackintosh, was best known for his interior spaces. He used his own house as a laboratory of spatial experimentation to develop his spatial ideas. The objective of this study was to examine his architectural style through his various architectural works and analyze . The Soane's Museum (his house, No.12.13.14 Lincoln's Inn Fields. London, UK) in order to find inter design elements which represent the best of Soane's interior design effects. As a result , this study found that Soane held no theories as to proportion . It gives the conditon of the building's freedom. He shows the ' primitivism facade and the simple neoclassical symmetry exterior arrangement. As interior design elements he used the layered structure, the natural skylight, the pendentive dome, the space in space, the pictures que style. These elements create magical interior space of the Sonane's Museum. THe spatial intrigue is further enhanced by various degrees of lighting that additionally emphasize the three-dimensional quality of the object loaded walls and piers. One can always look through to space beyond many individual object, both horizontally and vertically. These interior elements can be used for the modern interior design development in order to create the expansion of space and the territoriality of space.

• Conservation Science in Museum
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• v.28
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• pp.51-64
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• 2022

This study aims to identify the impact of optical energy on cultural properties when the light energy irradiates cultural assets during augmented reality (AR) or media façade performances as activities designed to garner public interest. The 10-story Gyeongcheonsa Pagoda was used for this study, and the impact was evaluated by comparing the optical energy irradiated during a media façade performance with the energy irradiated under normal conditions. For comparison, this study measured the illuminance in lux for each light source that irradiated the ten-story stone pagoda and used the data to calculate illuminance in lux-hours. The results showed that the pagoda receives 786.4 lux per hour when both sunlight and artificial light are present, while 13.2 lux of energy is irradicated by the media façade for each performance. The result indicates that the pagoda receives about 29.8 times more optical energy from sunlight and artificial light sources than during media façade performances on an hourly basis, when the performance is carried out twice a week. This study therefore concludes that the optical energy of media façade performances inflicted trivial damage to the ten-story stone pagoda.

• Korean Institute of Interior Design Journal
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• no.41
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• pp.172-179
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• 2003

The goal of this paper was to analyze the skylight type and there architectural aesthetic effects in museum. The results of this investigation was based on the study of the skylight applications of museums meaning concerning this theme. It could distinguish among dome, upper skylight, side skylight and totally opened skylight according to the viewpoint of the architectural aesthetics and the lighting. Secondly were above-mentioned skylight and the design of fenestration used as a design element in order to influence and modify space and form.

• Proceedings of the Korean Institute of IIIuminating and Electrical Installation Engineers Conference
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• 2005.11a
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• pp.217-221
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• 2005

박물관에 전시된 유물의 관람을 위해서는 조명이 요구되며, 조명에서 제공되는 가시광선, 자외선 및 자외선에 의해 손상을 입을 수 있다. 조명에 의한 손상을 방지하기 위해서 손상의 원인을 완벽히 제거한다는 것은 기술적, 실용적으로 쉽지가 않다. 따라서 손상의 원인을 완벽히 제거하기보다는 적절한 조명기준 등을 정하여 손상의 최소화를 위한 노력이 실질적인 수단이라 생각된다. 본 연구에서는 우리나라 중앙박물관의 박물관의 전시조명기준에 의거한 유물의 등급별 적산조도 등의 설정 기준에 따른 적용방법과 유지관리 방안 등을 제안하였다.

• Journal of the Korean Solar Energy Society
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• v.32 no.1
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• pp.48-55
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• 2012

In recent years, it clearly shows the tendency toward the utilization of daylight in many exhibitory buildings such as museum since the expectation of visitors for whom high illuminance levels are preferable to perceive the details of the works of art. Shading devices and special glazings are often used as the tool to control the amount of light and heat which should be avoided for the presentation of high-light sensitive art works such as paintings. Another way of controling the light is to provide the space for inducing and attenuating light in the exhibitory building. This study aims to investigate the illuminance on the exhibitory space when the space for inducing and attenuating light is applied. Interaction between the daylight and the space was simulated by Lumen Micro program with variation of the size of the exhibitory space, the length of inner wall, surface reflectivity, area of windows to obtain the illumination of the wall surface. This study shows that those variables affect the illumination on the wall surfaces. By comparing the results with suggestive illumination of KS and ICOM, available wall for display on natural lighting are suggested for the seasons and time.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.8 no.1
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• pp.29-36
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• 1994

Exhibitlon lighting design be done after due consideration of the photochemical reaction and heating effcts upon exposure to light In this study the balanced judgement is as follows. 'The most light-susceptible material should be illustrated less than 5O(lx](illumlnance-hours per year: 120,OOOlx.h)and the illuminance of moderately sensitive material is 200(lx] (illuminance hours per year: 480,OOOlx.h). Moreover to minimize damage the sources of light should not only contribute as little as heat possible but remove ultraviolt radiation by filters. Also the sources of light must have good color rendering and low color temperature.

• Journal of Science Education
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• v.41 no.2
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• pp.226-247
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• 2017

The purpose of this study is to develop the exhibition model of children's science museum for children and to present the guideline for the exhibition of children's science museum. To this end, we proposed an exhibition of 'body', 'surrounding things', and 'natural phenomenon' as exhibition topics based on the exhibit evaluation framework and kindergarten curriculum. The direction and color elements are important for the exhibition of 'the body', and the presentation of the 'natural phenomenon' is suitable for the use of contextual media applying color and lighting. And it can be said that it is important to provide clues and fixtures for exploring objects based on the theme of 'surrounding objects'. In addition, in order to secure the validity of the developed exhibition model, we developed an exhibition link program for the 'mirror' exhibition of the exhibition model and applied it to visitors to the Gwangju Museum of Science. Therefore, it is meaningful that it provides the basic guidelines for exhibition planning, and it is necessary to plan exhibition to maximize the exhibition effect by directing exhibition contents, exhibition media and exhibition space suitable for the audience.