• 미술이론과 현장
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• 제16호
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• pp.7-40
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• 2013

Historian Eric J. Hobsbawm once said "the task that historians have is to analyze the meanings of the past within the context of society and to track the changes and implementation." It would not be too far of a stretch to apply Hobsbawm's quote to art historian since art history, although quite specific, is still history. In addition, Hobsbaum also asserted that, "a mold called the past continuously forms the present or at least thought to be." It is my recognition that the major westernization of the last century took place under the Japanese colonization which served as the channel to usher in western art; however, the current 20thcentury Korean art history fails to recognize that the mold of the past, namely western art in this case, has formed the modern art of the present. Based on this recognition, attention was given to what lacked in the analysis of the current 20th-century Korean art history in terms of "Informel" which was identified as the turning point towards "modern art" in the Korean art history as well as the following "experimental art." My belief is that the art history of Korea has to be reassessed from, a socio-cultural perspective as well as adopting multi-level and diachronic understanding. However, the existing Korean art, especially the one between the end of 1950s to the 1970s was based on the perspective of "severance"; thus, raising the needs for the starting point of a new perspective. It is my conviction that meta perspective on writing is most essential in order to lay a solid basis for the Korean art scene to have a productive discussion. I feel the utmost necessity to reinterpret the typified history analysis and criticism which stemmed from the trauma under the Japanese colonization. The most urgent task is to avoid academic closeness and to share the research. Painting is an individual expression of the artist, but the act of expression is not free from the cultural and societal influence to which the artist belongs.

• 보존과학회지
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• 제36권6호
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• pp.578-590
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• 2020

한국에서는 1960-70년대를 거치며 도자기라는 유물을 역사적으로 또는 과학적으로 분석하는 학자들이 등장하여 오늘날 각각 도자사와 보존과학이라고 불리는 분과가 형성되었다. 그러나 두 분과는 도자기라는 같은 대상을 연구함에도 독자적인 연구 스타일을 형성한 결과 서로의 연구를 이해하고 소통하는 데 어려움을 겪고 있다. 본고는 백자를 분석한 사례들에 초점을 맞추어, 『경기도 광주관요 종합분석 보고서』와 이 보고서의 분석을 담당한 보존과학자의 다른 연구를 역사적으로 추적함으로써 두 분과가 가진 연구의 특징과 역사를 살피면서 다음과 같은 질문에 답하고자 한다. 첫째, 도자기를 연구하는 두 분과의 설명 스타일이 지닌 특징과 차이는 무엇일까? 둘째, 두 분과의 소통이 점차 어려워지는 이유는 무엇일까? 셋째, 두 분과가 다시 소통할 수 있는 교역지대가 있다면 그 가능 조건과 산물은 무엇일까? 본고에서는 도자기를 분석하는 두 분과의 설명 스타일을 언어적 관점에서 분석한 뒤, 보존과학이 도자사와 공통언어를 공유하고 있음에도 분석기법이 세분화되고 정량화됨에 따라 그 과정에서 생산되는 과학 데이터가 점차 도자사와 무관한 것처럼 보이게 되었음을 주장한다. 그러나 두 분과가 공유한 공통언어의 존재는 보존과학 데이터가 새로이 해석되어 다시 도자사 연구로 확장될 수 있는 가능성을 보여주었다.

• 건축역사연구
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• 제1권2호
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• pp.159-171
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• 1992

Renaissance Age is called the Period of Discovery because of great development of the economy and the science, and is known the Period of scientific analysis of Man and of interest of Nature out of a blind obedience in the Middle ages. Especially in visual art architecture, painting and sculpture, the rational spirit of Renaissance actually and distinctly communicates the meaning of Work through the scientific and mathematical expression after a finding Perspective by Brunelleschi. So the puropse of this study is to clarify the substancial meaning of Renaissance Art by investigating the expression applied Perspective to the works of Brunelleschi's architecture, Donatello's sculpture and Masaccio's painting.

• 한국잠사곤충학회지
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• 제51권2호
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• pp.114-118
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• 2013

본 연구에서는 소리곤충인 왕귀뚜라미를 이용한 체험학습프로그램을 개발하여 초등학생에게 적용함으로써 학습성취도의 변화를 알아보고자 하였다. 연구의 대상은 서대문자연사박물관에서 운영 중인 교육프로그램을 신청한 초등학교 2-3학년생 123명이었다. 총 7회에 걸쳐 동일한 검사지를 통해 사전 및 사후 학습 성취도 검사를 실시하였다. 그 결과 학습 성취도는 사전검사보다 사후검사결과에서 평균점수가 높게 나왔으며, 대응표본 t-test 결과 통계적으로도 유의한 것으로 나타났다. 따라서 소리곤충을 이용한 체험학습프로그램의 적용은 학생들의 학습 성취도를 향상 시키는데 매우 효과적임을 확인할 수 있었다. 이를 통해 교육현장에서는 다양한 형태의 체험학습프로그램의 개발과 적용이 가능해져 보다 체계적인 프로그램이 적극적으로 활용될 수 있을 것으로 기대된다.

• ALGAE
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• 제31권4호
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• pp.317-340
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• 2016

The Abrolhos Continental Shelf (ACS) encompasses the largest and richest coral reefs in the southern Atlantic Ocean. A taxonomic study of non-geniculate coralline algae (NGCA) from the region was undertaken using both morpho-anatomical and molecular data. Specimens of NGCA were collected in 2012 and 2014 from shallow reefs of the ACS. Phylogenetic analysis was performed using dataset of psbA DNA sequences from 16 specimens collected in the ACS and additional GenBank sequences of related NGCA species. Nine common tropical reef-building NGCA species were identified and described: Hydrolithon boergesenii, Lithophyllum kaiseri, Lithophyllum sp., Lithothamnion crispatum, Melyvonnea erubescens, Pneophyllum conicum, Porolithon onkodes, Sporolithon ptychoides, and Titanoderma prototypum. A key for species identification is also provided in this study. Our molecular phylogenetic analyses suggest that Lithophyllum sp. corresponds to a new species. Our study also confirms that Lithophyllum kaiseri is a new record in Brazil. The psbA sequences of Lithophyllum kaiseri and Melyvonnea erubescens matched with type specimens indirectly. The taxonomic identification of the remaining species was supported by morpho-anatomical evidences as DNA sequences of their types or topotypes remain unavailable.

• 건축역사연구
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• 제17권4호
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• pp.43-64
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• 2008

Kyeongbokgung succeeded in regaining its status as a royal palace after the reconstruction that began in the second year of King Gojong(1865) only to have most of its buildings taken down in the early 20th century. Fortunately, however, there is the Pukkwoldohyong(Map of North Palace), which drew out each of the buildings of Kyeongbokgung and their arrangement in details in 1907 when the royal palace lost its original appearance. And there is another plot plan of the royal palace at the Korea University Museum, which labeled it Kyeongbokgung-Baechido(Planning Map of Kyeongbokgung Palace). The map presents almost the same plan as Pukkwoldohyong in terms of making and expressive methods, being estimated to have been made in 1888 since its building arrangement doesn't show the changes made after 1890. The map also offers more information about the uses of each building than Pukkwoldohyong and matches the excavation results of the relics. Kyeongbokgung-Jeondo(Map of Kyeongbokgung Palace), which is recorded to be made during the reconstruction of the palace in the early years of King Gojong in historical materials, describes the shapes and arrangements of the buildings in a concrete and realistic fashion. The Kyeongbokgung-Baechido seems to be one of the plans made in the process of restoring and repairing buildings that were lost or destroyed in fire. The Kyeongbokgung-Baschido has the following historic values; 1) it provides dues to estimate the early state of the palace after the reconstruction during the reign of King Gojong. In fact the Sujeongjeon and Heungbokjeon show the early state of the reconstruction; 2) it contains data with which to understand the changes to the palace after 1890, around which they added Hamhwadang and Jibokjae; and 3) it offers information about the uses of the palace's buildings from 1885 to 1880 with its descriptions of the building purposes and relationships regarding the life in the palace.

• 패션비즈니스
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• 제19권4호
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• pp.57-74
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• 2015

The history of foot-binding was once regarded as a unique practice accentuating the beauty of a woman and the culture of the costume, to be found nowhere except in China. This thesis makes it an aim to understand the culture of costume in China by analyzing the beauty of foot-binding, and its meanings associated with the historical background of the costume. The method of investigation was by both previous literature on the topic and case analysis. The shoes were analyzed by colors, patterns and decorations; selecting 70 pieces easily accessible in the Tianjin Huaxia Shoes Culture Museum. In terms of form, the general type was of the most frequent, followed by one with an elevated toe, mixed type, and one of the downward toe, sequentially. The color of foot-binding shoes were mostly vivid chromatic colors, while the achromatic ones like black and grey constituting significant portions. In view of the patterns, plants patterns were the most frequent, followed by the mixed patterns of mostly flowers with butterflies, bats, and birds desiring the prosperity of descendants. In view of the ornaments, embroidery was the most frequent, while the mixed shoes included tassels, sequins, applique, and shoes without ornaments were of distributions. The forms, colors, patterns and ornaments clearly associated with the wishes of artistic beauty, sexuality, and rise in women's social status may be in the hope of leading others to understand the costume culture embedded in the Chinese by providing important clues about them.

• 한국응용곤충학회지
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• 제50권3호
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• pp.209-214
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• 2011

곤충 군집의 변화는 서식지 환경의 변화를 파악할 수 있는 척도가 된다. 속리산국립공원에서 2003년부터 2007년까지 월별(4월-10월)로 Flight Interception Trap (FIT)을 이용하여 송장벌레류의 종 구성과 풍부도의 변화를 알아보기 위한 조사를 실시하였다. 그 결과, 6종 9,704개체가 조사되었는데, 이 중 넉점박이송장벌레(Nicrophorus quadripunctatus)가 8,763개체(90.3%)로 가장 높은 우점도를 보였다. 넉점박이송장벌레를 제외한 나머지 5종은 971개체(9.7%)에 불과하였다. 송장벌레 6종의 계절적 풍부도 변화에 따르면 7월과 8월이 최성기인 것으로 나타났다. 또한 연간 풍부도는 2004년 이후 점차 감소하는 경향을 보이고 있다. 장기간의 모니터링 결과, 환경지표종으로 활용이 가능한 송장벌레류의 종구성과 풍부도 변화는 속리산의 기후변화를 간접적으로 나타내고 있음을 시사한다.

• 한국환경생태학회지
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• 제29권1호
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• pp.29-45
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• 2015

Water chemistry and fish community, based on fish compositions and ecological characteristics(trophic/tolerance guilds and condition factor), were compared in Gucheon Reservoir($G_cR$) and Yeoncho Reservoir($Y_cR$). Chemical parameters of water quality such as BOD, COD, nutrient(N, P) and suspended solids indicated that water quality was better in the $Y_cR$ than $G_cR$, and the temporal variability in seasonal and interannual patterns were greater in the $Y_cR$. The greater variability was mainly attributed to intense dilutions of reservoir water by Asian monsoon rain during July-August. Fish guild analysis indicated that species diversity was higher in the $G_cR$ than the $Y_cR$, and that the proportion of tolerant and omnivore species were greater in the $Y_cR$. Regression analysis of body weight-total length showed that the regression coefficient(b value) was lower in the $G_cR$(2.15 ~ 2.40) than the $Y_cR$(2.59 ~ 3.14). Condition factor(K) of fish against the total length showed negative slope of Zacco temminckii, Carassius auratus, Pseudorasbora parva and Rhinogobius brunneus population in the $G_cR$, and a positive slope of Carassius auratus and Rhinogobius brunneus population in $Y_cR$. Overall, our data suggest that the growth of the fish populations, based on the length-weight relations and condition factor, reflected the trophic regime of nutrients and organic matter.

• 패션비즈니스
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• 제16권2호
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• pp.44-61
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• 2012

The 21st century directs designomics to achieve wealth by designing old beyond a simple recognition of the importance of culture. One of the representative local cultures of Gyeongnam is Gaya culture. The Gaya period had over 600 years history with rich and excellent iron manufacturing skill and advanced pottery culture. It is the very time to reevaluate the importance of Gaya equivalent to the Three Kingdoms in our ancient history which was has been so far ignored and isolated. In order to develop unique and excellent culture of Gaya as local fashion cutural goods, questionnaire survey on the recognition of Gaya culture and cultural goods purchasing status had been conducted to target visitors of Representative National Museum. Data Analysis Using SPSS 18.0 Win was performed with frequency analysis and t-test. As to the questionnaire survey, important criteria for purchasing in case of buying cultural goods could be found and the residents in Gyeongnam had higher recognition of developing cultural goods by the motif of Gaya relics. 'Mounted vessel in the shape of warrior on horseback(12.4%)' and 'Chariot wheel-shaped Pottery(10.8%)' were selected the most suitable motif, 'Cellphone strap(11.0%)' and 'key holder(10.2%), 'cup (7.2%)'were selected the most suitable item of cutural goods. These will be actively reflected in the development of fashion cultural goods design applying Gaya relics.