• 건축역사연구
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• 제17권4호
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• pp.43-64
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• 2008

Kyeongbokgung succeeded in regaining its status as a royal palace after the reconstruction that began in the second year of King Gojong(1865) only to have most of its buildings taken down in the early 20th century. Fortunately, however, there is the Pukkwoldohyong(Map of North Palace), which drew out each of the buildings of Kyeongbokgung and their arrangement in details in 1907 when the royal palace lost its original appearance. And there is another plot plan of the royal palace at the Korea University Museum, which labeled it Kyeongbokgung-Baechido(Planning Map of Kyeongbokgung Palace). The map presents almost the same plan as Pukkwoldohyong in terms of making and expressive methods, being estimated to have been made in 1888 since its building arrangement doesn't show the changes made after 1890. The map also offers more information about the uses of each building than Pukkwoldohyong and matches the excavation results of the relics. Kyeongbokgung-Jeondo(Map of Kyeongbokgung Palace), which is recorded to be made during the reconstruction of the palace in the early years of King Gojong in historical materials, describes the shapes and arrangements of the buildings in a concrete and realistic fashion. The Kyeongbokgung-Baechido seems to be one of the plans made in the process of restoring and repairing buildings that were lost or destroyed in fire. The Kyeongbokgung-Baschido has the following historic values; 1) it provides dues to estimate the early state of the palace after the reconstruction during the reign of King Gojong. In fact the Sujeongjeon and Heungbokjeon show the early state of the reconstruction; 2) it contains data with which to understand the changes to the palace after 1890, around which they added Hamhwadang and Jibokjae; and 3) it offers information about the uses of the palace's buildings from 1885 to 1880 with its descriptions of the building purposes and relationships regarding the life in the palace.

• 트랜스-
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• 제9권
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• pp.93-122
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• 2020

사용자 통합 환경의 시대에서 미술가와 그래픽디자이너들이 자신들의 자율의지로 제작한 창작물들을 자유롭게 전시할 수 있는 기반으로 3차원 가상공간의 증강현실 미술관을 구축하고자 한다. 본 연구의 목적은 통합개발환경(IDE)에서 3차원시뮬레이션 방식을 활용하는 미술가와 그래픽디자이너의 창작자들을 위한 풍족한 통합제작환경을 구축하는데 있다. 본 연구에서는 미술가와 그래픽디자이너가 자신의 자율의지로 마음껏 창작해 나갈 수 있는 통합개발환경에서 창작을 위한 3차원시뮬레이션엔진을 구성하고 안드로이드의 3차원가상공간 증강현실의 창작모듈을 설계한다. 이를 설계하여 미술가와 그래픽디자이너가 마음껏 창작한 그래픽을 무한한 디지털공간에 전시할 수 있도록 현재의 국립현대미술관을 3차원가상 공간의 전시실로 제작하여 관객의 사용자조사를 해보고 안드로이드스마트폰에 Tasking하여본다.

• 대한건축학회논문집:계획계
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• 제35권5호
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• pp.73-83
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• 2019

The purpose of this study is to analyze the spatial transformational patterns according to the spectator and the exhibition environment and to examine the role of 'the middle space' organically linking the exhibition space with MoA which is a representative example of 'sequential exhibition space'. The concept of sequential exhibition space in MoA is applied not only to building but also to extended continental concepts including neighborhood. MoA's exhibition space consists of the library area and the exhibition area. In particular, the spaces of library area perform a complex function as a quasi-exhibition space, and the exhibition spaces have variable spatial transformation through an associated structure of the library area and the educational area. The types of exhibition space those constitute the sequential exhibition space of MoA appear as 'Room type', 'Free plan type', and 'Gallery type'. Each exhibition space maintains independence, but it is changed according to the situation of exhibition. The flow is based on the spiral induction around the central void space, but with selective circulation considering the visitors. Therefore, through the transformation of the exhibition area and the division of the flow, the whole museum space appears as the area differentiation.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2015년도 추계 학술논문 발표대회
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• pp.175-176
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• 2015

Starting from Guggenheim Bilbao Museum in 1997, it has been increased steadily that complex geometry buildings using digital designs and construction process. Since 2010, the domestic Freeform design has been widely used for buildings such as Dongdaemoon Design Plaza, Seoul City Hall, Tri-Bowl, and etc. But there are many defects such as the increased cost and period of construction, and the declined quality of construction because of the lack of optimized method and engineering experiences. Therefore, this study has an effort to review case study of the recent freeform buildings and construction methods using digital fabrications. And this study proposed the improve method for the construction quality for freeform buildings.

• 한국실내디자인학회논문집
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• 제18호
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• pp.87-95
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• 1999

The purpose of this study is to find out the High-Tech characteristics in interior of Korean contemporary architecture. To achieve the purpose of this study, the major contents are as follows: 1. Explaining the concept of High-Tech architecture desigv. 2. Explaining the characteristics of High-Tech architecture design in finding out the expressional and technical characteristics. 3. Analysing the building which have propensity to High-Tech design in Korea by means of the expressional and technical characteristics. 4. finding out the characteristics of High-Tech in Korean interior architecture and contributing to study the High-Tech interior desigv. By analysing the buildings showing High-Tech characteristics in interior of Korean contemporary architecture. The ranking of the High-Tech characteristics is lst new material and lightness, last polychrome. The ranking of the building is lst Posco center, 2nd Samsung traffic museum and Kolon new building.

• 건축역사연구
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• 제12권1호
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• pp.7-24
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• 2003

Considering on the crisis and dilemma of monumentality in Modern architecture, this study analyse the historic reason of decay and new possibility of monumentality within the context of contemporary socio-cultural context. Historically monumentality has been considered as a main substance of High architecture in e tradition of Western Architecture. Difference between building and architecture mainly lies in monumentality which brings about esthetic quality. Usually architects take it granted that the physical and formal characteristics automatically cause the monumentality, But since the modem period the decline of communicative and representative function of architecture made this belief questionable. As Monumentality itself faced the dilemma with the modernity, ironically architects has to response to the task to handle the increasing social demands of monumental building. This study firstly shows the dilemma of monumentality in depth in case of the holocaust museum. Then we analyse the concept of monumentality itself by means of theoretical view of A. Loos and A Riegl We also analyse the change of role which monumental building played in history. Cultural and social change of context, and fundamental change of architecture old way of building a monument impossible. In conclusion this study proposes the new concept and searches new horizon of monumentality with a finding of the otherness of monumentality. Conventional monumental building language has to give way to new approaches. With some examples we already can find a new possibility.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2005년도 제22회 학술대회 발표 논문집
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• pp.118-121
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• 2005

• 한국조명전기설비학회:학술대회논문집
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• 한국조명전기설비학회 1999년도 학술대회논문집-국제 전기방전 및 플라즈마 심포지엄 Proceedings of 1999 KIIEE Annual Conference-International Symposium of Electrical Discharge and Plasma
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• pp.80-84
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• 1999

Sunlight Collector System is a new way to make sunlight available to living things. It transmits sunlight through fiber optics to wherever is needs. It applies the artificial lighting, underground lighting, intelligent building, museum lighting, restoration-room to health etc. Cutting out most of the ultra-violet and intra-red radiation. In this paper, we measured the spectrum analysis of sunlight and Sunlight collector System's light. Also, we found out the distance to get visible light.

• 건축역사연구
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• 제19권2호
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• pp.85-100
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• 2010

In this study, I investigated the function and the setting characteristics of 日type plan building ruins in the Hoe-amsa monastery site, that's renovated by Zen priest Na-ong(1320-76) in the later Goryeo Dynasty(918-1392), through the comparative research between China, Japan, and Goryeo in that time. The ruins of 日type plan building, located in the east side of Buddha hall ruins, is the ruins of Jungryo(衆寮). It was called as Jeondanrim, and the name can be seen from the record(天寶山檜巖寺修造記) of Yi-saek(李穡, 1328-96). It's name and the composition of plan is very similar to the Jungryo of Chinese and Japanese Zen monastery in 13th-14th century. And from it, we can see that, the priest Na-ong tried to introduce institution of Chinese Zen monastery, which he experienced during the time of study in China. But, the location of Jungryo in Hoe-amsa monastery is deferent from the Zen monastery of China and Japan, and it can be said as the setting characteristics of Hoe-amsa monastery in Goryeo Dynasty.

• 한국과학예술포럼
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• 제27권
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• pp.277-288
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• 2017

우리나라의 과학관수는 2008년 72개에서 2016년 128개로 양적 팽창을 이루었다. 본 연구는 많은 예산을 투입하여 과학관을 건립하지만, 하루 평균 관람객수가 50명 이하의 과학관이 1/4 이상으로 비효율적인 기관이 많다는 점에서 시작되었다. 과학관 운영의 효율성을 높이기 위해 관람객 수는 중요한 요소이다. 본 연구의 목적은 과학관 서비스 품질과 고객만족도 및 재방문 의도와의 관계를 분석하여, 더 많은 관람객을 유인하기 위해 과학관에서는 어떠한 노력을 집중해야 하는지 알아보는 것이다. 국립과천과학관의 전시, 교육, 문화 분야로 각각 설문지를 작성하여 서비스 접점별 고객을 대상으로 설문조사를 실시하였다. 그 결과를 빈도분석, 신뢰도 분석, 요인분석, 다중회귀분석 등으로 도출하였다. 연구결과 및 내용은 다음과 같다. 첫째, 전시분야에서 전시 시설물에 대한 품질은 고객만족도 및 재방문의도에 영향을 미칠 것으로 예상했지만 유의미한 관계를 얻지 못했다. 둘째, 교육분야는 서비스 품질(운영 및 내용, 강사, 교육시설 및 환경) 모든 요소에서 고객만족도와 재방문 의도에 영향을 미치는 것으로 결과가 도출되었다. 셋째, 문화(행사)분야에서는 문화프로그램의 질이 관람객 만족도에 영향을 미치지만 재방문 의도에는 영향을 미치지 않는 것으로 나타났다. 과학관은 과학과 예술 등의 융복합 활동이 이루어져 관람객에게 만족을 줄 수 있다. 결과를 바탕으로 향후 국립과학관 전체에 대한 융복합 연구가 진행되어 관람객 만족도와 재방문을 높일 수 있도록 노력이 필요하다.