• 복식
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• 제28권
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• pp.169-186
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• 1996

Wangeja Chulgungdo (The Painting for a Crown Prince's Outgoing for Schooling to Sungkyunkwan) for this study which is held by the Korean university Museum is a kind of documentary paintings which not only have the value of art history but also give a glimpse of the court ceremonies for a Crown Prince. This painting offers various historical clues to understand the procedure for a Crown Prince's official entrance of Sungkyunkwan participants of the ceremony and other ceremony-related items$\ulcorner$Wangseja chulgungdo$\lrcorner$ was the painting drawn for a series of court procedures of Crown Prince Munjo's official en-trance of Sungkynkwan. When he was old enough to begin learning Sohak on March 11. 1817 that is ; he held Heonjakrye(a ceremony for offering drinks to the ancestors) at Munmyo passed Iphakye(a ceremony for en-trance of school) at Myungryundang and received Suharye the next day. $\ulcorner$Wangseja Chulgungdo$\lrcorner$ had the strong char-acteristics of documentary paintings in terms of art history which was intended to leave the historical event of a Crown Prince's entrance. It reflected the traits of documentary painting style in late Chosun Dynasty; a technique that strongly relieved the ceremonial scenes against the background such as mountains and rivers; a painting that not only captured the vivid actions of personalities ar the crucial moment of the ceremony but also depicted the cer-emonial vessels and items very realistically. Authors could confirm the ceremonial think-ing of the traditional society through a Crown Prince's entrance which controlled the details of every part of the performances of the court ceremony.

• 건축역사연구
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• 제12권1호
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• pp.43-58
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• 2003

This study is to analyze spatial structure of Eupchi(邑治) on Chungchong province with Chungchong-do regional maps(忠淸道地方地圖) and Eupjis(邑誌, topography) being compiled in the late Chosun dynasty. According to the analysis of it in this study, we make conclusions as follows; 1. Gunhyeon(郡縣) which had been Eupseong(邑城) on Chungchong-do in Chosun dynasty was 13 provinces, and the construction of Eupseong was the coast Eupseong built for the purpose of defense and military Eupseong built at Byeongyeong(兵營) and Geojin(巨鎭). And a measure used In the construction of a castle was Pobaekcheok(布帛尺) used to survey a frontier defence in Chosun dynasty, also Jucheok(周尺) or Yeongjocheok(營造尺) could be assumed to be wide use at that time. 2. Eupchi of Chungchong-do Gunhyeon was almost disposed to the south direction, also had been Jinsan(鎭山) safeguarding it. With relation to Jwahyang(坐向) and Jinsan, its Jinsan and Myeongdang-cheon(明堂川) match each other in location of Eupchi, as it get Jinsan sat, and take main river in front of it. And provincial government office to be the center of a Eupchi is organized into Gaeksa(客舍), Dongheon(東軒), Naea(內衙), Hyangcheong(鄕廳), and practical business facilities, Jakcheong(作廳) or Jangcheong etc., the others is composed for the use of support of those. 3. In most Eupchi in Chungchong province, the layout Sajikdan(社稷壇) and Yeodan(礪壇) was gone with a principle as they were disposed in the west and the north with Eupchi. Seonghwangdan(城隍壇) and Munmyo(文廟) was built in defiance of a principle, as a condition of province. Jangsi(場市) of Eupchi was opened in front of government office or Gaeksa, and the Gunhyeon which had Eupseong was established in the inside and outside of Eupseong.

• 대한건축학회논문집:계획계
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• 제34권1호
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• pp.53-62
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• 2018

Bulcheonwi is determined by various ways. The first is certified by the state. Kings granted posthumous names to figures such as meritorious retainers, figures whose mortuary tablets were put into Jongmyo Shrine, and venerated figures with erudition and virtue whose mortuary tablets were put into Munmyo (Korean primary Confucian shrine The purpose of this study is to understand the spatial perception of Main head families (大宗家) and Sub head families (小宗家) have been divided for several centuries. This study was conducted under the assumption that it was possible to understand the mutual influence and relationship between perception and space by examining how methods for ritual ceremonies held in Main head families were conducted in different spaces of Sub head families or the process of ritual ceremonies changed with space. Bulcheonwi rites was performed by each family's own concepts of spaces such as Jeongchim or Cheongsa For actual ritual space, An-chae, Sarang-Chae and Byeoldang was utilized. This shows that one family's conception and utilization of each space was correspondent also different family s had their own idea of utilizing different spaces. In addition depends on the family in this study, there was differences on positon of Sa-dang upon the regions or time of construction. This can be concluded as familes had their own accommodations depends on building's space layout and traditons rather than following traditional Rites book's the rules of decorum.

• 한국전통조경학회지
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• 제30권1호
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• pp.146-158
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• 2012

본 연구는 조선시대 국가대사 중 하나인 사직대제를 행하는 장소로서 중요한 위치를 점유하고 있는 서울 사직단의 조경적 특성을 파악하기 위한 기능론적 단계로 조영실제, 입지, 공간구성 특성을 구명하는데 목적을 두고 수행되었다. 연구방법은 문헌조사와 현지조사로 구분하여 이루어졌으며, 연구결과는 다음과 같다. 첫째, 조영의 경우 태종16년(1416) 사직단의 모습을 갖추게 되었으며, 이후 임란, 숙종, 일제강점기 때 공간구성의 변화를 거쳤으며, 복원사업 (1988)이 이루어져 현재의 모습을 갖추게 되었음을 파악할 수 있었다. 둘째, 입지의 경우 사직단은 한양의 내사산(內四山) 중 우백호(右白虎)인 인왕산의 남동쪽으로 뻗어내려 온 산맥과 연접하며, 서북쪽이 높고 동남쪽이 낮은 서고동저의 지형을 보이며, 매동초등학교, 사직주민센터, 단군성전 등이 공간을 한정함을 파악할 수 있었다. 셋째, 공간구성의 경우 중앙에 사단과 직단이 음양을 이루어 배치되고, 유원과 주원(周垣)의 사면에 유문과 신문(神門)을 두어 중심과 사방위를 가진 오행적 구성을 보임을 파악할 수 있으며, 사직단의 부속건물들은 기능의 유사성과 이용의 편의성을 고려하여 배치되었을 것으로 사료된다. 넷째, 구성요소의 경우 단유시설로는 사직대제(社稷大祭)를 봉행 시 제사를 올리는 사단과 직단과 두 단을 위요하는 유원, 유원 밖의 담인 주원 등이, 건조물로는 사직단 대문, 신실, 안향청 등이, 조경수목으로는 소나무가 주수종이었으나, 왕벚나무, 느티나무, 단풍나무 등 일반적인 조경수가 식재되어 정비가 요구된다 하겠다.

• 한국전통조경학회지
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• 제40권1호
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• pp.1-14
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• 2022

본 연구는 전통도시인 조선시대 무장읍치(茂長邑治)의 입지특성을 고찰하여 원형경관을 규명하는데 주력하였다. 요약된 결과는 다음과 같다. 무장읍치는 태종17년(1417)에 축조된 무장읍성(茂長邑城)을 중심으로 동쪽에 향교를 세워 문묘를 조성하고, 서쪽에 사직단을 두었으며, 읍성 내에 성황사를 세웠고, 북쪽의 진산(鎭山)인 한제산에 성황단과 여단을 배치한 유교적 공간체계를 보였다. 진산에 위치한 성황단의 경우 읍성 내의 성황사와 공존체제를 유지한 것으로 판단되었다. 읍성의 남문 앞으로 V자형 풍수계(風水溪)가 흘러 안산(案山)인 남산 앞에서 수구(水口)를 이루는데, 고을의 기운을 보호하기 위해 남지(南池)인 홍문제(紅門堤)를 조성하고 관풍정(觀豊亭)을 조영하였다. 19세기에 홍문제는 무흥제(茂興堤)로, 관풍정은 무흥당(茂興堂)으로 개칭된 것으로 보았다. 남지에는 원도를 비롯하여 읍수(邑藪)가 식재되고 송덕비와 당산목, 돌당산이 수구막이 역할을 하며 읍치 입구를 비보한 특징을 보였다. 그러나 1955년경에 남지가 매몰되고 이후 시장이 들어서면서 원형의 모습을 잃은 것으로 판단되었다. 1914년 일제강점기 부군면 통폐합(府郡面 統廢合)으로 멸실 위기에 처한 고을의 칠거리 명칭과 위치를 구명하였다. 칠거리당산은 음양론에 따라 주로 할아버지당산 입석과 할머니당산 신목이 구성의 주체가 되었다. 칠거리당산은 마을을 수호하려는 공동체적 신앙장소로서 마을 경계에서 출입을 관장하는 일곱 관문 역할과 읍치내맥을 비보하는 입지특성을 보였다.