• The KIPS Transactions:PartB
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• v.19B no.1
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• pp.9-18
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• 2012

Many audio watermarking researches which have been adapted to authenticate contents can not recover the original media after watermark removal. Therefore, reversible watermarking can be regarded as an effective method to ensure the integrity of audio data in the applications requiring high-confidential audio contents. Reversible watermarking inserts watermark into digital media in such a way that perceptual transparency is preserved, which enables the restoration of the original media from the watermarked one without any loss of media quality. This paper presents a new interval-based audio integrity authentication algorithm which can detect malicious tampering. To provide complete reversibility, we used differential histogram-based reversible watermarking. To authenticate audio in parts, not the entire audio at once, the proposed algorithm processes audio by dividing into intervals and the confirmation of the authentication is carried out in each interval. Through experiments using multiple kinds of test data, we prove that the presented algorithm provides over 99% authenticating rate, complete reversibility, and higher perceptual quality, while maintaining the induced-distortion low.

• Journal of the Institute of Convergence Signal Processing
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• v.16 no.2
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• pp.63-68
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• 2015

This paper proposes a robust multiple audio watermarking algorithm using improved QIM(quantization index modulation) with adaptive stepsize for different signal power and SVM(support vector machine) decoding model. The proposed algorithm embeds watermarks into both frequency magnitude response and frequency phase response using QIM. This multiple embedding method can achieve a complementary robustness. The SVM decoding model can improve detection rate when it is not sure whether the extracted data are the watermarks or not. To evaluate robustness, 11 attacks are employed. Consequently, the proposed algorithm outperforms previous multiple watermarking algorithm, which is identical to the proposed one but without SVM decoding model, in PSNR and BER. It is noticeable that the proposed algorithm achieves improvements of maximum PSNR 7dB and BER 10%.

• The Journal of the Acoustical Society of Korea
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• v.32 no.1
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• pp.71-78
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• 2013

This paper describes a multiple audio watermarking using Quantization Index Modulation (QIM) on frequency phase and magnitude response. Proposed embedding procedure is composed of two stage. At the first stage, the watermark is embedded on the frequency phase response using QIM. In the second stage, the watermark is embedded using adaptive QIM with the step-size that is adaptively determined using the maximum value of the frequency magnitude response of every frame. The watermark is extracted by calculating the Euclidean distance as the blind detection. The proposed method is robust against most of attacks of audio watermark benchmarking. For the Fourier attacks, the proposed method shows over 95% recovery rate.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.43 no.6 s.312
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• pp.101-109
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• 2006

Recently, according to the number of internet in widely use and the development of the related application program, the distribution and use of multimedia content(text, images, video, audio etc.) is very easy. Digital signal may be easily duplicated and the duplicated data can have same quality of original data so that it is difficult to warrant original owner. For the solution of this problem, the protection method of copyright which is encipher and watermarking. Digital watermarking is used to protect IP(Intellectual Property) and authenticate the owner of multimedia content. In this paper, the proposed watermarking algerian embeds watermark into multiple lower bitplanes of digital image. In the proposed algorithm, original and watermark images are decomposed to bitplanes each other and the watermarking operation is executed in the corresponded bitplane. The position of watermark image embedded in each bitplane is used to the watermarking key and executed in multiple lower bitplane which has no an influence on human visual recognition. Thus this algorithm can present watermark image to the multiple inherent patterns and needs small watermarking quantity. In the experiment, the author confirmed that it has high robustness against attacks of JPEG, MEDIAN and PSNR but it is weakness against attacks of NOISE, RNDDIST, ROT, SCALE, SS on spatial domain when a criterion PSNR of watermarked image is 40dB.

• Journal of Intelligence and Information Systems
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• v.17 no.2
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• pp.97-107
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• 2011

Nowadays there are a lot of issues about copyright infringement in the Internet world because the digital content on the network can be copied and delivered easily. Indeed the copied version has same quality with the original one. So, copyright owners and content provider want a powerful solution to protect their content. The popular one of the solutions was DRM (digital rights management) that is based on encryption technology and rights control. However, DRM-free service was launched after Steve Jobs who is CEO of Apple proposed a new music service paradigm without DRM, and the DRM is disappeared at the online music market. Even though the online music service decided to not equip the DRM solution, copyright owners and content providers are still searching a solution to protect their content. A solution to replace the DRM technology is digital audio watermarking technology which can embed copyright information into the music. In this paper, the author proposed a new audio watermarking algorithm with two approaches. First, the watermark information is generated by two dimensional barcode which has error correction code. So, the information can be recovered by itself if the errors fall into the range of the error tolerance. The other one is to use chirp sequence of CDMA (code division multiple access). These make the algorithm robust to the several malicious attacks. There are many 2D barcodes. Especially, QR code which is one of the matrix barcodes can express the information and the expression is freer than that of the other matrix barcodes. QR code has the square patterns with double at the three corners and these indicate the boundary of the symbol. This feature of the QR code is proper to express the watermark information. That is, because the QR code is 2D barcodes, nonlinear code and matrix code, it can be modulated to the spread spectrum and can be used for the watermarking algorithm. The proposed algorithm assigns the different spread spectrum sequences to the individual users respectively. In the case that the assigned code sequences are orthogonal, we can identify the watermark information of the individual user from an audio content. The algorithm used the Walsh code as an orthogonal code. The watermark information is rearranged to the 1D sequence from 2D barcode and modulated by the Walsh code. The modulated watermark information is embedded into the DCT (discrete cosine transform) domain of the original audio content. For the performance evaluation, I used 3 audio samples, "Amazing Grace", "Oh! Carol" and "Take me home country roads", The attacks for the robustness test were MP3 compression, echo attack, and sub woofer boost. The MP3 compression was performed by a tool of Cool Edit Pro 2.0. The specification of MP3 was CBR(Constant Bit Rate) 128kbps, 44,100Hz, and stereo. The echo attack had the echo with initial volume 70%, decay 75%, and delay 100msec. The sub woofer boost attack was a modification attack of low frequency part in the Fourier coefficients. The test results showed the proposed algorithm is robust to the attacks. In the MP3 attack, the strength of the watermark information is not affected, and then the watermark can be detected from all of the sample audios. In the sub woofer boost attack, the watermark was detected when the strength is 0.3. Also, in the case of echo attack, the watermark can be identified if the strength is greater and equal than 0.5.

• Journal of the Institute of Convergence Signal Processing
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• v.10 no.4
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• pp.214-219
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• 2009

This paper proposes a watermarking algorithm considering the frequency characteristics of Haegeum sounds for copyright protection of digital Haegeum sound contents. The harmonics of Haegeum sounds commonly have large magnitude values in 1500Hz~2000Hz and 2800Hz~3500Hz so that those bands are selected to embed a watermark. The proposed method computes the FFT (fast Fourier transform) of the original sound signal and embeds the watermark bits generated by PN (pseudo noise) sequence into the harmonics in the selected bands. Furthermore, the proposed method is robust to lowpass filter, bandpass filter, cropping, noise addition, MP3 compression attacks and the maximum BER (bit error rate) is 1.41% after lowpass filter attack. To measure the quality of the watermarked sound, subjective listening test, MUSHRA (multiple stimuli with hidden reference and anchor), was conducted. The mean value of MUSHRA listening test is bigger than 98 and 96.67 for every Haegeum sounds and Korean classical music with Haeguem, respectively.

• Proceedings of the Acoustical Society of Korea Conference
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• spring
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• pp.355-358
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• 2004

최근 웨이블릿 변환을 이용하여 저주파수 부대역 신호를 반복적으로 분해하고 삽입된 워터마크 비트에 따라 특정 부대역 신호에 두개의 다른 반향 중 하나를 삽입하는 반향 삽입 기법을 제안하였다. 이 기법은 오디오 신호의 주파수 특성을 고려했기 때문에 시간 영역에서의 기존의 반향 삽입 기법에 비해 비가청성(inaudibility), 워터마크의 강인성(robustness) 및 용적성(capacity)을 모두 증가시킬 수 있다. 기존의 부대역 신호 기반 반향 삽입 기법이 단일 반향 커널만을 이용하였으나, 본 논문에서는 부대역 신호에 다중 반향 커널을 이용한 반향 삽입 기법을 제안한다. 이 기법은 주관적 왜곡(perceptibility)과 SNR(signal to Noise Ratio)과 같은 객관적인 왜곡 면에서, 원본 오디오 신호의 왜곡을 줄일 수 있다. 실험 결과를 통하여 기존의 방법에 비해 제안된 방법이 SNR과 DR(Detection Rate) 모두 좋은 성능을 보여 제안된 방법의 유효성을 입증하였다.