• 복식
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• 제54권6호
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• pp.91-100
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• 2004

The purpose of this study is to evaluate the influence of T-shirt as a movie costume on the modem mass fashion. The way of study is to analyze the changes of men's image with T-shirt as Hollywood actors costume in 50's and 60's. The costumes create the characters with meanings and symbols moreover they lead fashion as well as promoting artistic value of films. At the end of the 19th century, this shirt learnt the ropes in the U.S. Navy well before it won the hearts of sportsmen and workers alike, with its twin virtues of comforts and hygiene. When American soldiers returned home after World War II showing their T-shirts in the sweltering heat of the Tropics, their shirts were as heroic as they were. Furthermore the new stars of Hollywood, going by such names as Marlon Brando and James Dean, gave the T-shirt its rebel cachet and showed the whole world. Be it tom open on Marlon Brando's torso in Elia Kazan's 'A Streetcar Named Desire', or peeping out dazzlingly white from under James Dean's red jacket in 'Rebel Without a Cause', the T-shirt flaunted its sexuality and emanated the sweet smell or revolt. It would be the banner of rebellion for a whole generation. The T-shirt had finally found its way into the history of fashion and was there to stay.d was there to stay.

• 통상정보연구
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• 제17권3호
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• pp.73-91
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• 2015

한류는 영화, 드라마, K-pop 등 한류스타에 의해 주도되기 때문에 화장품과는 매우 상호관련성이 높으며, 또한 한국 화장품 브랜드 인지도와 한국국가 이미지가 높아져 수출 증대로 이어지는 경제적 효과가 발생하고 있다. 본 연구는 한류가 한국 국가이미지에 미치는 영향과 한국화장품 브랜드 이미지에 미치는 영향을 분석하여, 한국화장품의 수출 마케팅 전략을 수립함과 아울러 무역수지 개선에 기여하고자 한다. 분석결과 한국화장품 브랜드 이미지 분석에 따르면 드라마와 영화는 콘텐츠가 중요하기 때문에 화장품 브랜드에 영향을 미치지 않으며, 반면 한류스타는 화장품 광고에 등장함으로써 매우 높은 영향을 미치고 있다고 할 수 있다. 또한 베트남 소비자들은 한국화장품 구매에 있어서 한국 국가이미지와는 상관없이 화장품 브랜드 이미지에 따라 구매하는 성향이 있다는 것이다. 그리고 한국 국가이미지는 한국 화장품 구매의도에 그다지 영향을 미치지 않으나 한국 화장품 브랜드 이미지는 한국화장품 구매의도에 영향을 미치는 것으로 나타났다. 이처럼 한류는 한국 국가이미지와 한국 화장품 브랜드 이미지에 영향을 미치고 있으며, 현실적으로 많은 한국 화장품이 베트남으로 수출되고 있다. 한국정부와 기업은 한류의 발전을 도모하여 한국 상품을 베트남 시장에서 넓은 영역을 확보할 수 있도록 해야 한다.

• 복식
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• 제56권7호
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• pp.58-67
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• 2006

This study of popular culture is in based on an academic point of view and based thereon an investigation of popular culture from a fashion standpoint follows. This study is to suggest that the popular culture theory can be a basic framework to examine the characteristics of fashion Icon and to verify that the characteristics of Fashion Icon is similar to the codes of the popular culture of today, This study considers the characteristics of popular culture as commercialism, mass-media relationship and a symbolic interaction. The images of movie stars projected through diverse entertainment media are the very fashion icons and strong role models that are copied by consumers. Now, the public take the lead in cultural industry, and they create new images as positive receivers of the images of fashion icons, not as mere imitators or followers. Fashion irons have contributed to diversifying the styles of ideal feminine beauty, and their lift pattern and image are one of the major sources to stir up the imagination and inspiration of people. Thus, the times, fashion and entertainment media have continued to evolve, closely affecting one another, and fashion icons play a role of fashion leader, through entertainment media, who takes the initiative in mass fashion without just being confined to the field of entertainment. This study meaningful from the aspect that discussion of popular culture has been placed in a position that recognizes the entity of and interest in popular culture. through this study, I hope that the scope of interest in Fashion design will expand and that approaches to popular culture will become more diversified.

• 한국생활과학회지
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• 제13권6호
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• pp.967-983
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• 2004

The purpose of this study is to review Hanliu phenomenon, a kind of social and cultural phenomenon, in China and to analyze its effects on the fashion style of new young generation of China. In this study, Hanliu phenomenon means the enthusiasm of Asian people for Korean mass culture including Korean dramas, pop songs, and fashions from late 1990s. This research adopts two kinds of methods for analyzing the phenomenon: qualitative and quantitative research methods. As a qualitative research method, we analyzed it with several sources of documentaries and audio-visual materials: articles from newspapers and magazines, special TV reports, and documentary movie files from Internet. As a quantitative research method, we surveyed approximately 100 female students of Beijing university and asked how they feel Korean culture and fashions. The Hanliu phenomenon led to the popularity of Korean products as well as general culture of Korea. Also, it influenced Chinese young generation so much that Korean fashion has become prevailing. Such influence on the street fashion of Chinese youths can be summarized in three factors as follows: First, Korean entertainers' fashion is widely imitated. For example, H.O.T-like hairstyles, hip-hop styles, large heel shoes with boots-cut pants, and long-curled permanent hairstyles have been on among Chinese youths. Second, the preference for Korean fashion products has highly increased. The number of stores dealing with Korean fashion products has increased. Even the 'Kim Hee Seen,' a fashion brand named after a famous Korean actress, was introduced. Finally, Korean culture and products have widely been imitated in China as much as the increasing popularity of Korean fashion products. This study reveals that Hanliu phenomenon is widespread in China, and Chinese youths are largely affected by the fashion styles of Korean entertainers. Also, Korean fashion products are largely imitated and benchmarked in China. Hanliu phenomenon is a big chance to approach the fashion market of China, the largest buying power in the world. To make inroads into the Chinese fashion market, we suggest that we need to have our own brand and to make the most of culture, stars, and Internet in marketing. Also, we need a well-planned strategy for a success in the Chinese fashion market.

• 복식문화연구
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• 제16권6호
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• pp.1019-1034
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• 2008

The purpose of this study is to grasp creation background and social position of courtesan which is treated in social and cultural context and its effect on fashion and research representative courtesans from ancient hetaera to the 19th century and their costume characteristics. Its another purpose is to analyze the costume of Violetta, who is a heroine of opera and its costume characteristic as a courtesan. Most Courtesan clothing were made from bright color, silk and lace which were light, or transparent materials. Using silk and cashmere which were the symbols of class, she took the cutting edge fashion and struggled to break the social barriers. The clothing which the Courtesan wore always became a gossip among people and popular to the designers who could show their creativities because the Courtesan boldly wore the cloth like movie actresses or stars. The Courtesan who led the fashion not only showed the fashion as a simple expression of the beauty but also as a socio-cultural phenomenon which reflected their social awareness with arts, and changed according to the situations of the time and people. Violetta's party dress which was shown in the first and third acts of showed the shoulders and chest because of the deep and wide cut decollete, the waist was tightened with a corset as much as possible, and the opulent hips were inflated by the crinoline so when they walked it was swaying. Also it was decorated with splendid materials such as silk and lace, and sparkling jewels, fans, and neckless and even in case of the general clothing in the second act, it was decorated with braids and lace, frills and ribbons. In the third act, the weakness of the sick woman who was closing her life as the splendid Courtesan was emphasized by using colors of white and light purple and thin transparent materials.

• 한국의류학회지
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• 제30권8호
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• pp.1288-1300
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• 2006

Glamour in fashion, which stands for attractive physical feature with certain mystique, has been used without accurate analysis thereof. This thesis is purported to provide comprehensive study of glamour in fashion and to contemplate glamour look reflected in fashion history, thereby to establish the styles of glamour expressed in fashion trends and to provide the basis which can be utilized in the categorical basis of fashion design. For such purposes, this thesis first provides the study on the glamour in fashion, and to conduct a case study by analyzing photographic materials. The glamour expressed in the fashion design can be classified into the following six aesthetic values: luxury, excess, masquerade, appropriation, sensuality and decadence. In the modern history, glamour looks in fashion design started out as so-called Blooming Age Glamour Look, dating from the late nineteenth century to the late 1920s, which was represented by luxurious haute couture style of courtesans. Thereafter Golden Age Glamour Look appeared in the movie costumes in the Hollywood from the late 1920s to mid-1950s. Sensuality, decadence and masquerade are the central features. Subsequently, Pop Age Glamour Look appeared with fashion styles of pop stars, which can be characterized by appropriation and excess. In the 1980s and the 1990s, Glamour Renaissance Look appeared as glamour looks which were spread out to people in various classes, which is characterized by luxury and appropriation. Based upon the foregoing historical survey, there are four representative styles in glamour looks, including (1) luxury glamour derived from Blooming Age Glamour Look, (2) hyperfeminine glamour derived from Golden Age Glamour Look, (3) kitsch glamour derived from Pop Age Glamour Look, and (4) romantic glamour derived from Glamour Renaissance Look.

• 한국컴퓨터정보학회논문지
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• 제18권5호
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• pp.157-165
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• 2013

1990년대 중반부터 한국의 대중문화가 중국 일본을 비롯한 동남아시아 지역으로 확산되는 한류 현상이 나타나기 시작했다. 이러한 한류 현상과 더불어 한국 브랜드의 인지도, 선호도, 충성도가 향상되는 결과를 가져오기도 하였다. 특히 본 연구는 한국화장품 브랜드를 중심으로 하여 한류, 광고효과, 국가이미지 등에 따른 실증연구를 통해 소비자의 구매태도에 관해 살펴보았다. 본 연구의 주요 목적은 중국 화장품시장에서 한류, 광고효과, 국가이미지의 한국 화장품 브랜드에 미치는 영향에 대해 고찰해 보는 데 있다. 본 연구목적을 달성하기 위하여 중국 북경에 있는 학생과 근무자를 위주로 180매의 설문지를 회수하여 한류, 광고효과, 국가이미지, 브랜드 인지도 및 브랜드 선호도, 브랜드 충성도의 구조적 관계를 실증적으로 분석하였다. 수집된 자료의 통계처리는 SPSS 20.0 통계패키지와 AMOS 20.0 프로그램을 활용하여 분석하였다. 분석 결과를 요약하면 다음과 같다. 한국 TV드라마 영화, 한국 스타가 한류의 대표로 연구되었다. 한국 TV드라마 영화, 한국 스타에 대한 선호와 한국 스타에 대한 애착은 한국 화장품 브랜드 인지도에 긍정적인 영향을 미친다. 그리고 국가이미지는 한국 화장품 인지도에 긍정적인 영향을 미친다고 측정되었다.

• 인삼문화
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• 제4권
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• pp.103-127
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• 2022

20세기 초반 근대 문물이 유입되면서 우리나라 인삼 산업에도 많은 변화가 일어났다. 인삼 재배법과 상업의 발전으로 인삼의 생산과 소비가 늘어났고 근대적 제제기술을 이용한 다양한 인삼 제품이 개발되었다. 자연히 이들 제품의 판매 경쟁도 치열해졌다. 당시 신문 광고에는 이러한 제품의 개발 동향과 판매 경쟁이 상세히 나타난다. 1920년 이전까지는 신문에 나타나는 인삼에 관한 광고는 매우 적었다. 아직 신문이 일반화되지 못했고 인삼 산업도 그만큼 발전하지 못했기 때문으로 생각된다. 1920년 동아일보와 조선일보가 창간되면서 인삼 광고가 활기를 띠기 시작했다. 1920년대 신문에 실린 인삼 광고는 인삼의 전통 한방적 효능과 신비함을 강조하는 용어를 많이 사용하였다. 인삼과 녹용을 복합 처방한 제품의 광고가 많은 것으로 보아 당시 이 제품이 큰 인기가 있었던 것으로 보인다. 제품을 복용한 사람들의 체험담도 이때 광고에 등장한다. 또한 당시 이미 통신판매가 광범위하게 활용되고 있음도 알 수 있다. 1925년에는 인삼제품을 매일 배달한다는 광고도 등장한다. 당시 뿌리삼은 그 크기와 품질에 따라 현재보다 훨씬 정교하게 분류되어 있었음이 광고에 여실히 드러난다. 1920년대 인삼 제품은 액제, 환제, 농축액 등 전통 한방 제형의 범위를 크게 벗어나지 못하고 있다. 1930년대 인삼 광고는 더욱 활발해진다. 이 시기에는 대학의 교수, 의학박사, 약학박사 등의 직함을 가진 전문가가 광고에 등장한다. 이들이 인삼을 추천한다거나, 성분이나 약효를 설명하거나, 심지어 이들의 실험 노트까지 광고에 등장하여 과학적 연구 결과를 근거로 인삼 제품의 신뢰도를 제고하기 위한 홍보가 강화된다. 1931년에는 현대적인 정제의 광고가 등장한다. 이후 비타민이나 다른 특정 성분을 강화한 인삼 제품이 등장하고, 병약자를 위한 인삼 미음도 등장한다. 1938년에는 최승희와 같은 무용수나 유명 영화배우를 모델로 사용하는 광고도 등장하게 되면서 인삼광고는 더욱 현대화되고 대중화 된다. 1920~1930년대 인삼광고는 당시 급변하는 우리 사회의 한 단면을 극명하게 보여준다.