• 한국멀티미디어학회논문지
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• 제23권1호
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• pp.67-73
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• 2020

This paper analyzed the characteristics of Motion Poster (Moster) and discussed the visual expression methods. To this end, the existing literature on motion posters was organized. The visual representation of motion posters was analyzed by dividing into 'Main Visual', 'Mode of Movement', 'Playtime' and 'Sound'. The analysis results were as follows. As motion posters are kind of movie posters, they are made from the original movie poster images, characters, or scenes of the movie. Graphical representations used either photo-realism or computer realism. The movement methods are 'simple movement of visual elements(movement, gesture and rotation, appear or disappear)+fixed camera movement' or' camera movement (zoom in/out, rotate, move) + fixed visual element movement'. Playback time ranged from about 10 seconds to over 1 minute of video, and the longer the video, the higher the probability of including sound.

• 디지털콘텐츠학회 논문지
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• 제19권9호
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• pp.1679-1688
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• 2018

디지털 기술의 발달은 단순히 표현 기술의 발달만이 아니라 제작의 과정, 표현 매체, 제작 형식 및 방법, 관객과의 커뮤니케이션에서도 변화를 가져왔다. 그 하나의 형태로 지면 포스터 대신 LCD 디스플레이를 이용한 모션포스터가 등장하게 되었다. 이것은 단순히 지면에서 사운드와 움직임이 가미된 포스터의 발생만이 아니라, LCD 디스플레이라고 하는 플랫폼이 가지고 있는 특징을 활용한 확장의 가능성을 제시해 주고 있다. 이 확장의 하나로 본 논문에서는 "인터랙션"이라는 요소에 주목, 인터랙티브 모션포스터를 새롭게 제안한다. 연구의 내용 및 방법으로 첫 번째, 본 논문의 대상이 되는 포스터의 개념 및 특징에 대하여 알아보며, 표현 테크놀로지의 발달에 따른 포스터의 변천과 우리나라 영화포스터의 발달에 대하여 고찰하고, 디지털시대 영화포스터의 형태로 모션포스터에 대하여 알아본다. 두 번째, 인터랙티브 모션포스터의 제안으로 영화 <서치>의 인터랙티브 모션포스터를 기획, 가능성을 확인한다. 더불어 포스터에 인터랙션이 채용되었을 때, 인터랙티브 모션포스터의 정의, 특징, 그리고 가능성 및 확장성에 대하여 제시하였다.

• 한국멀티미디어학회논문지
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• 제23권2호
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• pp.361-367
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• 2020

This study analyzed the factors consisting moving poster design. In order to analyze the elements of moving poster, the researcher reorganized the elements of moving posters by referring to the previous studies on printed posters, motion graphics and works of moving posters. In this study, moving poster components were classified into 'communication', 'visual and form', and 'sound'. In 'communication' section, moving posters had narrative elements, including scenes, because of the time and movement added by the poster's original function. The 'visual and form' section was classified into graphics, layouts, movement, and time. Graphics refered to various graphic objects constituting the screen such as photo, illustration, typography, color, diagram. Layout means screen layout, size, and orientation of the screen. Movement section was divided into 'subject of movement' and 'attributes of movement'. Time was classified physical time such as playing time and subjective time felt by the audience. Also, the researcher categorized 'sound' as an additional section, since most moving posters did not include sound.

• 한국멀티미디어학회논문지
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• 제25권3호
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• pp.519-527
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• 2022

With the development of the digital age, the moving poster shows the possibility of development and update. In this study, by analyzing the characteristics and types of moving posters, we studied the elements of motion graphic movement of moving posters. Through this specific case, we analyzed the characteristics of moving posters expressed in Memphis style to explore their strengths and applicability. In the current situation where the popularity of moving posters is increasing, it is good to develop and utilize the study of Memphis moving posters.

• 한국군사과학기술학회지
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• 제16권5호
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• pp.646-652
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• 2013

PRA(Position Reporting Accuracy) for EO/IR(Electro-Optic/Infrared) airborne camera is an important factor in geo-pointing accuracy. Generally, rate table is used to measure PRA of gimbal actuated camera like EO/IR. However, it is not always possible to fix an EUT(Equipment for Under Test) to rate table due to capacity limit of the table on the size and weight of the object(EUT). Our EO/IR is too big and heavy to emplace on it. Therefore, we propose a new verification method of PRA for airborne camera and assess the validity of our proposition. In this method we use collimator, angle measuring instrument, 6 dof motion simulator, optical surface plate, leveling laser, inclinometer and poster(for alignment).