• 한국재난정보학회 논문집
• /
• 제13권4호
• /
• pp.537-549
• /
• 2017

목조주택은 전통한옥, 현대한옥, 경골목구조, 중목구조 등으로 분류된다. 최근 국내에서 가장많이 건축되고 있는 경골목구조는 외국의 문화이며 전통한옥인 우리문화와 서로 잘 조화롭지 못하여 본 연구에서는 이러한 문제점을 개선하기 위해서 한옥과 현대 목조주택의 디자인 특성에 대해서 분석하고자 한다. 분석한 디자인 특성은 우리나라 한국적 목조 양식과 생활양식에 맞는 미래의 목조 건축의 발전에 크게 기여할 것으로 생각된다. 연구는 공간분석, 평면분석, 구조 시스템 분석, 지붕의 형태 분석, 미학적 분석 등으로 이루어진다. 전통한옥과 현대에 대한 디자인 특성을 분석한 결과로부터 한국형 중목구조 주택의 내외부의 모습과 모듈화요소를 제안하고 평면설계 및 지붕 벽체상세의 개발방향을 제안하였다.

• 한국의류산업학회지
• /
• 제7권2호
• /
• pp.153-161
• /
• 2005

The purpose of this study is to analyze the aesthetic characteristics of goth image which have had influence on literature, film, music and art, in modern fashion. The method of this study is to analyze the documentary about gothic and goth, and the fashion magazines since 2000. The results of this study are as follows: First, sensuality shows the excessive exposure of body and inner wear, and emphasizes a resistance of sexual consciousness and a image of independent, active, powerful woman. Second, androgyny shows the goth women wearing a men's cloth and encourages a person to have a perfect being and satisfaction. Third, horror shows the symbol of death and suggests a substance of desire hidden in our mind. Fourth, historicity shows victorian fashion which have a romance of gothic and baroque, not a cult but a modern image. In conclusion, goth image in modern fashion does not show a substance negative and horrorful, but a substance positive as a perfection, satisfaction, a sense of freedom, obliteration of a feeling of uneasiness and powerful woman's image.

• 한국실내디자인학회논문집
• /
• 제20권3호
• /
• pp.89-97
• /
• 2011

An interest in modern space is expanded to search for the relationship among human, space and environment, not limited the fixed or typical material place. For grasping and analyzing the characteristics and aims of modern space, this study is focusing on 'Dionysian outlook on nature' among the Nietzsche's philosophies. Nietzsche's 'Dionysian outlook on nature' based on his 'philosophy of creation and positiveness' has great implications for modern space because it focuses on not only circulation of existence and creation but also dynamic vitality the mostly. The reason is that modern space is required by the tendency changing the goal and aesthetic value by planner or user, not fixed and unchangeable any longer. The concept of space in modern construction is developed by forming various paradigms. Especially, various examples based on Nietzsche's Dionysian outlook on nature, philosophy of creation and positiveness, will be analyzed and possibility of new spatial concept's extension will be researched.

• 복식
• /
• 제59권9호
• /
• pp.163-179
• /
• 2009

The superimposition of the Russian constructivist architectural design is one of the notable transforming techniques of conventional design principles. The main objective of this paper is to analyse the superimposed space in the modern fashion design based on the techniques and characteristics of superimposition appeared in Russian constructivism architectural space. The artistic characteristics of the superimposed design in the modern fashion design can be determined by codes of dynamics, sense of space, rhythmical sense, communications and tension of the dress. Through this study, it was found that superimposition of the Russian constructivist architectural design in the modern fashion design has influenced the modern fashion design space in the forms of dynamics with directive sense, vitality through transparency, uniformity with geometric interpenetrates, intensive visual attraction created by duplicity, communication between human body and clothes, creation of transformative beauty and enhancement of structural volume on clothes.

• 한국가구학회지
• /
• 제11권2호
• /
• pp.61-66
• /
• 2000

The purpose of this study is to find out the current trend of tradition in Modern Korean Residential-furniture. Sample furniture of 374 pieces made by 21 manufacturers which have been shown in the market in September 2000, are selected for this study. To find out the traditional trend, frequency and percentage are used. As the result of the study, the major trend of design in Modern Korean Residential-furniture is modern style based on Modernism. However, it was found that there are tendency while large firms add western traditional elements in their furniture, small manufactures are trying to develop original furniture design which expresses Korean traditional characteristics. It means that the Korean traditional characteristics are not widely spread in Modern Residential-furniture.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
• /
• pp.118-121
• /
• 2007

Modem society has been complicated and diverse, and then various paradigms coexist. We can see Postmodernism moving in the flows of modern architecture. Therefore looming large is the Fold architecture that can surmount the limit of design in Postmodernism and Deconstruction and suits to the modern culture as an architectural alternative. So I believe this research can make us perceive the streams of modern interior space by considering the features and meanings of Fold conception which has been noticeable in the overall architecture and culture since the middle of 1990's with analyzing and defining atypical organic Fold characteristics appearing in modern interior since 2000, and also predict the next changing direction.

• 한국실내디자인학회논문집
• /
• 제24권6호
• /
• pp.58-67
• /
• 2015

Expressionism is an art trend that prospered in the early 20th century and was represented in art activities in the diverse fields. As capitalism spread and people underwent wars, people's consciousness became impoverished, and it was created by the artists as a reaction against this, and notable achievements were made in film art and this is called expressive film which still inspires many artists. The modern age is a multicultural age and art is not limited to one area but influences many fields and interchanges and communicates with one another. This study attempts to analyze how an art trend has been passed down and developed and has influenced modern space. The purpose of this study is to derive the keywords of their characteristics through expressive films and to study how expressionism has been transformed and represented by putting them into modern space and to explore new perspectives and directions. First, the theoretical backgrounds of expressionism and expressive films were examined through the analysis of the existing researches, and the types of the characteristics of the space represented in the films were classified. Based on this, the representative expressive films were selected and the keywords of the characteristics of the expressive films were derived. A museum among modern spaces is a space that reflects the art trends and culture of the times and modern spaces are represented best in it. Also, recently the construction of museums has been vitalized and has explosively grown quantitatively and qualitatively, and shows diverse designs to the point that they are called the laboratory of modern architecture, so by analyzing the cases focusing on museums among modern spaces, the conclusion was derived. As a result, it could be seen that the expressive film space is represented diversely in the museums by the architects' inner desire of expression, centering on nonlinear expression, nonobjective form, and representational perception.

• 한국주거학회논문집
• /
• 제14권2호
• /
• pp.109-119
• /
• 2003

The purpose of this study is to find out how Western modern architecture flowed into Korea in extent of architectural mind after openning the port and what the transformations and architectural characteristics are in the spreading process. Significance of this study can be found as a fundamental work to look into modem architecture in the point of architectural paradigm, the meaning of which is the link between traditional and contemporary architecture through inflow and settling of Western modem architecture in the modern age of Korea.

• 복식
• /
• 제55권8호
• /
• pp.112-126
• /
• 2005

The purpose of this study is to analyze the aesthetic characteristics of 'movement' expression in modern fashion(1910-2004) based on a study of modern fine arts which adopted 'movement' element in their work. In this study the meaning of movement was defined as motion, changing position and transformation. Literature survey through books and research papers and demonstrative study with fashion collection photos were undertaken. The results wert as follows ; 1) Kinetic art, optical an, light kinetic art and technology art such as video and computer art have adopted 'movement' element in their work. 2) The plasticities of 'movement' fine arts were identified as mutual penetration, increase of visibility, use of non-traditional materials and dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of fine art, optimistic attitude on technology, spectator participation and integration of art and life. 3) The 'movement' expression in modern fashion was distinctively found in 1910s-20s(avant-garde fashion), 1960s (kinetic and optical art fashion) and mid 1990s to 2004 (techno-cyber fashion). 4) The plasticities of the 'movement' expression in modern fashion were identified as non-definition, use of non-traditional materials, dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of dress, optimistic attitude on technology, playfulness through participation. In conclusion, the expression of 'movement' in modern fashion has optimistic viewpoint on the development of modern society and is one of the interesting design points which will be pursued in the fellowing years.

• 한국가구학회지
• /
• 제20권5호
• /
• pp.517-532
• /
• 2009

This study was carried out to review the characteristics of the Swedish modern furniture design and the works of Bruno Mathsson, who is appreciated as one of the most important furniture designers in the history of modern Swedish design. First, the authors examined how the Swedish designers set the value of warm, graceful humanity, practical simplicity, and the traditional craftsmanship in their furniture design with modernist ideology. Second, by examining the range of Bruno Mathsson's works from the 1930s to the 1980s, the authors searched for how these works show the realized models of the ideals of Swedish modern furniture. In this, this article explains that Mathsson's works and the modern Swedish furniture could have been regarded and beloved as being innovative and modern for more than 50 years for their friendliness to human body by the ergonomic structure and to human feeling by the quality of natural materials and finishes. In addition, their consistent effort to adopt traditional craftsmanship into functionalist ideals of modern design shows how these furniture designs could have keep the lasting quality in the life of people in different time frames.