• International Journal of Contents
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• 제8권3호
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• pp.94-99
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• 2012

Science fiction films touch coming-future themes, particularly those referring specifically to futuristic technology and its influence over human life. Dealing with the resistance of the replicants in the approaching millennium, Blade Runner brings the feat of modern civilization into doubt through the image of the dystopian future. In Blade Runner, a city is filled with waste, pollution, and dirt and a corrosive rain falls from the polluted clouds. Adorno criticizes contemporary society and its civilization. Characterizing advanced capitalist society by its total administration penetrating into every sphere of life, he contends that modern society promotes alienation, atomization, conformism, and fatalism. Blade Runner provides a chance to contemplate the problems of modern society, proposed by Adorno's critical works. Therefore, this paper attempts to analyze futuristic characteristics described in the film with Adorno's critique of modern society.

• 한국철학논집
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• 제50호
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• pp.305-331
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• 2016

이 논문은 기존 '한국 근대불교' 연구에서 사용하는 '근대' 및 '근대성'에 의문을 제기하고, 비판적으로 검토하여, 나름의 대답을 마련하는데 그 목표가 있다. 이 과정에서 우리는 '한국근대불교/학' 연구 담론에서 그동안 본격적인 논의가 없었던 '근대'와 '근대성'의 특징들을 서구의 역사적 흐름 속에서 해명하고, 이를 토대로 한국적 조건에서의 '근대'란 과연 무엇인지, 그리고 더 나아가서는 한국적 조건에서 과연 '근대' 혹은 '근대성'을 발견하는 것이 가능한 것인지에 대해 의문을 제기한다. 마지막으로 이 글은 이러한 검토를 기반으로 하여, 기존의 '한국근대불교'에 대한 연구들이 '근대'에 대하여 언급해 온 부분을 비판적으로 검토 및 계승함으로써, '한국근대불교' 연구가 진행되는 과정에서 그것이 '근대'와 관련하여 반드시 염두에 두어야 하는 전제가 무엇인지를 모색해 보고자 한다.

• 복식
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• 제6권
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• pp.7-26
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• 1982

Investigation for industrial revolution has been recognized as an important issue of historical science, since industrial revolution itself was a historical moment in modern economic society and in the forming of modern capitalistic culture. If clothing culture had been developed in close relation to social culture. industrial revolution which gave a base for modern capitalistic culture, would be a birth of modern clothing as well as a moment for modernization of western clothing. As it takes for granted that industrial revolution, historical phenomenon is a developmental base of modern clothing culture. This study tried to enlighten the origin of modern clothing culture phenomenon with investigation of industrial revolution as a historical moment in modern clothing culture through documental study. Historian's point of view and method of studying are important when we investigate the clothing phenomenon. Although culture phenomenon of industrial revolution has been evaluated usually through socialogical aspect, studying for clothing culture phenomenon must be carried out on aethetical as well as well as sociological aspect, on account of dualism of clothing, as it is social and artistic nature. In 19th century, there were technical improvement, changing patterns of production, changing social relation and beginning of mass culture. At the same time clothing culture phenomenon was changed in relation to modern capitalistic society. The findings of the study could be summarized as follows. 1. Technical improvement in textile industry and fitting process brought about mechanization of clothing industry. 2. Appearance of popular clothing culture made it easy to spread to various classes of society. 3. Development of transportation system and communication channel made it internationalization of western clothing. 4. Recognition of importance in functional style of clothing. 5. The pursuit of modern aesthetics made rapid changing mode of clothing. Above distinctive features of modern clothing culture were derived from by-product of machinary culture, mass culture, internationalism, rapidly changing mode of various culture during industrial revolution. Industrial revolution was a change of the material world as well as in industry owing to machine advent, then the culture part that displayed directly these changes was the plastic arts of living that mould the material. The problem of clothing construction caused by industrial revolution was solved by pursuing the functional aesthetics. Clothing phenomenon as a process of value transfer participates mass culture in closs relation to general change of various culture caused by industrial revolution. Therefore western clothing gained the qualities of modern culture, condensed as function, and popularity in the process of modernization.

• 한국기록관리학회지
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• 제11권1호
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• pp.253-271
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• 2011

근대는 시공간의 압축 시대다. 근대 부산의 시간을 압축시킨 중심축은 기차와 전차다. 기차와 전차 등 근대교통의 발달은 근대도시의 시공간적 성격을 변화시켰다. 근대의 상징이라고 할 수 있는 기차와 전차를 통해 근대도시 부산의 로컬리티를 찾으려고 하였다. 근대도시 부산의 발달은 근대성과 식민지 수탈성을 담보하고 있다. 로컬리티 기록은 로컬과 관련된 인간의 경험을 읽어낼 수 있는 자료이다. 근대교통과 관련된 '로컬리티의 기록화'는 근대도시 부산의 로컬리티를 읽어내기 위한 작업이다. 교통이 지역사회, 지역사람들의 일상, 공간변화와 어떻게 상호 연관을 가지는지를 이해할 수 있다. 본 연구는 그것을 위한 작은 시도다.

• 한국농림기상학회:학술대회논문집
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• 한국농림기상학회 2016년도 추계 학술발표논문집
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• pp.64-68
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• 2016

• 서비스연구
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• 제10권2호
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• pp.91-108
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• 2020

본 연구는 신경영의 철학적 기반을 반영한 현대 서비스경영 모델을 연구하였다. 서비스경영은 현대 경영으로서 현대의 정신에 충실해야 한다. 또한 서비스경영은 서비스경제시대의 경영으로서 서비스본질에 충실한 경영이어야 한다. 그리고 현대 서비스 경영은 인류 사회의 중심 기구인 조직을 경영하는 활동이므로 세상 공통 원리에 의한 경영을 해야 한다. 이러한 세 가지 경영 철학 조건을 충족하는 경영이 현대적 서비스경영으로 정의된다. 본 연구에서는 기존 서비스경영 프레임워크가 이러한 현대 경영의 기준에 부합하지 않았음을 분석하고, 개선된 현대 서비스경영 모델을 도출하였다. 기존 서비스경영 프레임워크는 서비스를 무형재화로 보지 않고 제품에 부가되어 있는 부수적 재화로 인식하고 있는 문제가 있었다. 또한 현대 경영이 되기 위해 요구되는 현대의 정신이 경영 프레임워크에 반영되어 있지 않았다. 그리고 서비스산업과 서비스조직의 비중이 절대적으로 높아진 현대 경제사회의 특징과 요구를 반영하지 못하고 있었다. 현대 서비스경영 모델은 서비스라는 무형재화의 본질을 반영하는 경영 모델이어야 하고, 현대 정신을 반영하는 경영 프레임워크가 되어야 하며, 현대경제사회의 중심 조직에게 요구되는 세상 공통원리를 반영하는 경영 모델이 되어야 한다. 즉 현대 서비스경영은 현대정신에의 부합성, 서비스본질경영 부합성, 세상공통원리 부합성 요건을 충족해야 한다. 따라서 본 연구에서는 기존 연구에서 분석된 서비스본질과 세상 공통원리에 추가하여 현대정신을 분석하고, 이 세 가지 요건을 갖춘 현대 서비스경영 모델을 제시하였다. 또한 현대적 서비스경영 사례들을 제시하였다. 본 연구는 개념적 모델로서, 향후 실증 연구를 강화하여 본 경영모델이 지속적으로 우수한 경영성과를 낼 수 있음을 입증하는 분석적 연구가 필요하다. 본 연구를 확장하여 구체적 모델로 발전시키는 연구도 필요하다.

• 패션비즈니스
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• 제16권6호
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• pp.96-108
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• 2012

In modern society, humans' misdirected aspirations towards ideal beauty are discussed and criticized. This research utilizes a paradox to express the modern standard of beauty and the society's homogenization of it through plastic surgery. An empirical analysis was conducted of the artist's works that reflect anti-lookism. The works were classified as provocation, aesthetic, symbolic and paradoxical depending on the variety of the artists' approaches and expressions. Also, this part looks at anti-lookism cases in modern fashion industry that were given lascivious expressions. They characterized various types of human beauty. Anti-lookism is a movement that goes against this social trend. It seeks to awaken modern citizens from blind submission to homogenized beauty and commercialization of humans. This study intends to offer an image of ideal beauty that should appreciate and the concept of an ideal female body. The author hope that further researches are done in social, political, cultural and other levels of the society to establish anti-lookism.

• 복식
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• 제32권
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• pp.163-182
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• 1997

The purpose of this study was intended to analyze artistic formativeness represented in the modern fashion design materials. Nowadays the modern fashion design materials is characterized by variety. The fashion materials the most important of fashion is called a softwear in textile industry and emerged as a new field. Fashion design also escaped from the tra-ditional restraint and extended to pursue lib-eral clothes and the designer's creative inten-tion has resulted in conceptual and conven-tional alteration as a new mode of plastic ex-preseeion. As a results of analysis of the formative fea-ture of Art style represented in the modern fashion design materials. First Surrealism had been searching for a new way of confronting a social and rtistic environment that was stifling and repugnant to them. Accordingly the wide applicaytion of the various object due to the thought of Sur-realism through the modern fashion materials brought the diversification and individua-lization of the modern fashion design. Second Pop Art that is made modern mech-anic culture and commercialism brought the great transformation in the history of Art out of the existing style and the sense of ex-pression. And the plastic characteristics of Pop Art that has a gravity as modern fashion materials on a them of the elements of popular consumer's society. That is the common and cheap objects were introduced into fashion materials itself or pat-tern. Third Minimalism is a trend in art att-empting to seek essence of the object by presenting simple and disciplined expressions by minimal formative means. The features of external form are simplicity clarity unrelated composition and symmetrical structure. Mini-malism was a quest for basic elements repre-senting the fundamental esthetic values of art. The minimal expression in modern fashion materials mean fabrics with simple surface and is contained using simple geometric pattern or utilizing textiles without any patterns. Fourth Eroticism is a kind of psychological revolution in the development of human civilization and is deeply rooted in the cultural tradition of myth religion customs and art. So Eroticism must be distinguished from a mere animal reproduction. These erotic char-acteristics were holded the meanings of sexu-ality through the modern fashion materials. Especially it was expressed the sexual part of body was nakedly showed through trans-parent materials or semitransparent like metalic and opaque materials. Recently the various kinds of new materials such as paper vinyle plastic metal as well as human body were applied to new fashion de-sign. First of all the new materials will give modern fashion designers stimuli and inspi-ration. It can also express values of moderners to despise materialism and uniformed modern society and to recover humanity and self-actualization.

• 복식
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• 제50권7호
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• pp.75-96
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• 2000

Modern clothing is approached in the level of art, and it becomes the means of expressing individuality in modern society uniformed by the development of information society. In this modern society, modern men need the recovery of humanity and expectations of handcrafted skills for the succession of tradition culture. Prior to expressing individuality, we should examine our traditional culture and combine it with western culture. Quit started to be used for practical purpose such as life items, but it is expanded to the fields of art. Used in dress and its ornaments design, quilt is often applied to the addition of aesthetic factors or cubic material feelings by transforming its warming effect. Hereby, this study has a purpose to create high value added modern dross and its ornaments design by expressing the modern clothing is approached in the level of art, and it becomes the means of expressing individuality roe-dimensional characteristics of quilt, and applying the color combination and the surface of butterfly wings to dress and its ornaments design. The following are the results of this study. 1. The concept of quilt started for practical purposes, but it is expanded to decoration in modern times, and it is confirmed that quilt can be variously applied to handcrafted modern design. 2. Quilt removes the plane character of textile and it riches the three-dimensional material of dress and its ornaments. Applying these characteristics, the expression of transparent wings were possible with 3 transparent layers of textile. 3. The spledid color of butterfly wings are expressed by coloring oganza and felt, and the various colors of felt showed rich color gradation. 4. The form and pattern of butterfly wings are applied as modeling form and line, and the transformation. repetition and expansion of unit forms determined the form of quilting lines. By designing the characteristics of back wings for the composition line of clothing, the form characteristics of a motif could be emphasized. 5. By using felt, oganza, Damdam yarn and ostritch feathers in expressing butterfly wings, the warm material of Linbun is felt, and the tip hair of wings are expressed by croche techniques using Damdam yarn.

• 한국융합학회논문지
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• 제11권7호
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• pp.345-350
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• 2020

현대사회에서 외모는 타인과 경쟁 시 우위를 점하는 중요한 수단이기 때문에 사회생활에서 간과할 수 없는 요인으로 작용한다. 정보과학기술의 비약적인 발전으로 인해 현대사회는 당당하고 독립적인 인생 설계를 위한 진취적 자조론(自助論)과 새로운 패러다임의 역량을 겸비한 여성성을 요구하고 있기 때문에 1920, 30년대 봉건적 사회 분위기 속에서도 독립적이며 자주성을 표출한 모던걸이 구사하던 헤어스타일의 앞머리 커트, 아웃라인 표출, 층 단차, 질감 변화 등 구성요소들과 사회적 여성성(女性性)과의 상관성을 미용학 전공 여대생들 관점에서 분석하고자 한다. 본 연구 결과를 통해 현대 여성의 자립과 사회적 역할을 견고히 확립할 수 있는 참신하고 혁신적인 헤어 트렌드의 제시가 가능해진다. 또한 현대사회 여성리더의 사고(事故)와 심리에 대한 표준화를 도출하며, 창조적인 미(美)의 발현을 통해 개인 역량을 최대한 발휘하는 사회 주체로서 자주적 여성성의 정립을 위한 초석(礎石)을 다질 것으로 사료된다.