• 건축역사연구
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• 제26권1호
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• pp.45-59
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• 2017

The purpose of the present study is to figure out what the issues faced by architecture were at the time immediately before the transition to modern era centering of the works of Otto Wagner who acted in Vienna, Austria at the Fin de $si{\grave{e}}cle$. Therefore, the following points were examined in the present study; first, how were new spaces necessary to accommodate modern lives organized and how were the plans changed; second, how did the external expressions of architecture pursued by Otto Wagner appeared between arts and technologies, between historicism and modernity, and between decorations and functions. Through the study, it could be seen that Wagner began from historicism and traditionalism and tried to compromise them with modernity. Many modern characteristics appeared a priori in Wagner's works from the construction of 'Linke Wien Zeile housing block' in 1898, his works completely broke from the typical historicism styles to open the period of inventive 'Secession styles.' At that time, Wagner concentrated on so called 'flat decorations.' Thereafter, his residential architecture completed to modern styles with 'Neustiftgasse housing block' as the peak. The characteristics of modern housing as above became a cornerstone of the modern functionalism later.

• 한국실내디자인학회논문집
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• 제14권6호
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• pp.12-20
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• 2005

Just as culture is a collection of lifestyles, Cultural Properties is what is made over a long period of time and is left around us, whether it takes form or not. Many countries around the world have their own standards and are trying hard to preserve those with precious values. And in the case of Modern Architecture, because they are still in use In our daily lives and for the lack of recognition, they are continuously threatened during urban changes and developments. The purpose of the research is not to preserve Modern Architecture as done In the museum, but to seek a way for it to coexist with the changing environments of contemporary cities. Therefore, it is to recognize Modern Architecture as valuable assets, which expresses historicity in urban settings, and to seek the design characteristics of Modern Architecture. This is a process in order to find a new method for conservation of historicity. The result are as followings. Modern Architecture have their design characteristics and these can be applied as a design guideline. Therefore the form, material, and the colors of individual Modern Architecture can be analyzed so as to create a design guideline according to their styles. According to the analysis of Registered Cultural Properties in Seoul, they can be categorized into 6 uses and found the design characteristics of individual uses.

• 복식문화연구
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• 제3권2호
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• pp.193-199
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• 1995

The purpose of this research was to study the origins and the meanings of the Kokal (고깔). Comparative linguistic analytical approaches were employed to trace the development of the word, the Kokal(고깔). Results of this study revealed that the kotkal(곳갈, 곧갈) was a general term referring to a variety of head coverings in eh period of Choson Dynasty. This broad meanings of the Kotkal(곳갈,곧갈) of the Chosun Dynasty period has been changed to a narrow sense meanings a conical cap made of folds of the material, mainly used by some of the Buddhist monks in modern Korean. Also, the phonetic value of the Kotkal(곳갈,곧갈) of the Choson Dynasty period changed to the Kokal(고깔) in modern Korean. A variety of words for the Kokal(고깔) was found in the different languages such as Latin, English, French, Turkish, German, Mongolian, and Chinese. The examination and analysis of this study indicated that the origin of the Korean word Kotkal(곳갈,곧갈) or Kokal(고깔) and the meanings of it were derived from LL. Cuculla(monk's cowl)

• 복식
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• 제65권4호
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• pp.31-44
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• 2015

The purpose of this study is to examine introduction and establishment of the police uniform during Japan's early Meiji period, in order to get deeper understanding of the introduction of the modern uniform. The research method included a literature review of laws related to police uniform, which were collected and analyzed. The result shows that the uniform stipulated by Keisi-cho Uniform regulation in 1874 included characteristics of Western uniforms that show the rank of the officers using emblems, such as different cap badges and uniform stripes, while maintaining the same form. Later, the modern uniform system came into form with the addition of a national symbol, building system of formal wear, separating uniforms for different classes, and adding additional uniforms. This illustrates the process of introducing and establishing western-style uniform in the East and can serve as a reference for similar studies.

• 영어영문학
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• 제58권1호
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• pp.143-161
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• 2012

The primary purpose of the present essay is to survey the relationship between Chaucer's fatherhood and English nationalism. Chaucer as a nationalist poet with essential Englishness is a product of the pre-modern nationalist project initiated between the late thirteenth century and early fourteenth century. In this period, as Turville-Petre regards, the English nationalist identity started to rise in language and literature. Thus this essay surveys the pre-modern nationalist discourse before Chaucer and how it influenced Chaucer to spawn his own nationalist discourse. The latter half of this project, as a reception study, surveys the nationalist receptions of Chaucer in the nineteenth century, when the connection between Chaucer studies and jingoistic nationalism was highly circumstantial. In terms of Chaucer's reception, the nineteenth-century was a crucial period: during this period the nationalist discourse and Chaucer studies firmly combined and Chaucer was envisaged as a boastful nationalist poet. The essay's discussion generally revolves around Chaucer's fatherhood and his exclusive Englishness; "Chaucer the father" is nationalist rhetoric which mediates thirteenth century post-colonialism and nineteenth-century colonialism.

• 대한지구과학교육학회지
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• 제5권2호
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• pp.139-147
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• 2012

The purpose of this study was to explain how extraordinary the scientific technology or our ancestor was from the modern perspective by remodeling the most unique astronomical instrument, So-ganui (小簡儀), developed in the Sejong Period (世宗時代) after being examined with contemporary and the principles of the science and observational technology would be properly understood and measured directly. When measuring the altitude of the sun and azimuth using So-ganui, it was adjusted with the horizontal coordinate system and measured using Jipyeonghwan (地平環), Ipeunhwan (立運環) and Guyhyeong (窺衡). Based such measuring principles, the measurement accuracy proposed using So-ganui are as follows. The remodeled So-ganui produced approximately ${\pm}0.29$ degrees error on average at high altitude while in measuring the azimuth degrees, there was difference of ${\pm}0.35$ degrees. Since the theoretically, the measurement error for So-ganui was ${\pm}0.5$ degrees, the remodeled So-ganui could accurately measure at the high altitude compared to So-ganui from the Sejong period. In the study, So-ganui, which has disappeared, has been remodeled in modern perspective to be used as the educational material to accurately understand the principles of science and measurement technology from the Sejong period. The findings could contribute to raising the reputation in the astronomical observations from the documents from the Sejong period. Furthermore, this study has materialized the celestial and sky our ancestors have viewed with the observational principles of their times, on the computer screen via a webcam, bringing out interest in the traditional science for the students.

• 한국의상디자인학회지
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• 제10권2호
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• pp.117-124
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• 2008

People have used the manner of expression "clothing" to find out and to symbolize the styles that suits one's roles, behaviors or altitudes. Moreover, the symbolic meaning of clothing is important as it reflects the culture of a time period as well at the life style of each classes of society. In the aspect in which clothing is critical data to re-examine a time period as to trace history, clothing is significant for understanding the characteristics of each time periods, and by focusing on women's wedding dress, a costume worn for one of the most essential ceremonies in one's life, this article studies how trends of each period have been symbolized through clothing. Thus, this study aims to set a foundation to understand the cultural features of a time period through the wedding ceremony. The article inquires about the hwalot to also understand its meaning during the period of its existence, and develops designs for modern wedding dresses for women. I. The wedding dress of women expressed the following meanings by using shapes, colors and patterns of the hwalot. 1) The formative art of hwalot is the ultimate beauty. 2) The wedding dress of women emphasized aesthetics. 3) The symbols praying for harmony between red and indigo, or the union of yin and yang indicates that marriage had been considered as a precious ceremony-an important matter of life. 4) The meaning of good auspice such as health, longevity, immortality, good luck and stability had been frequently used since people sought for new and eternal life. 5) The symbols of wealth and fame have been frequently used by those pursuing a wealthy life. 6) Marriage was considered as a union of families, and not a union of two individuals. II. This article presents two types of modern wedding dresses.

• 한국지리정보학회지
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• 제10권3호
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• pp.93-103
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• 2007

일제가 한반도를 본격적으로 수탈할 목적으로 조선총독부를 통하여 1914년에서 1918년까지 5년간 제작한 축척 1:50,000의 '근세한국 오만분지일 지형도'는 근대적인 토목공사에 의한 개발이 본격적으로 진행되기 이전인 구한말 한반도의 삶의 모습을 그대로 담고 있는 자료이다. 이 연구에서는 1910년대의 경관을 담고 있는 근세한국 오만분지일 지형도 이미지에 좌표를 부여한 후, GIS 환경에서 오늘날의 지도와 중첩하여 토지이용변화를 분석하였다. 연구 결과 근대적인 토목공사가 시작되기 이전에는 개발이 어려웠던 구릉지역과 잦은 침수로 인하여 방치되고 있던 하천부지, 산업구조의 변화로 인하여 경쟁력을 상실한 농경지 등이 오늘날에는 도시지역으로 개발되었다.

• 디자인학연구
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• 제11권1호
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• pp.119-130
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• 1998

스웨덴의 현대 디자인은 열강의 틈바구니에서 민족적 정체성을 확립하고 복지사회 모델을 확립하려는 노력의 일환으로서 발전하였다. 따라서 그러한 사회적·사상적 기반을 충분히 이해하지 않은 채 표면에 드러난 형태만으로 스웨덴 디자인을 이해하고자 할 경우에는 피상적 서술에 그치기 쉽고, 그들이 왜 세계 디자인의 중요한 하나의 흐름이 되는지 이해하지 못하게 된다. 1930년대부터 1970년대까지 40여 년간은 전통적인 농업 국가였던 스웨덴이 당시 집권당이었던 사회민주당의 사회개혁 정책을 통해 근대화에 성공하고 문화적으로도 그 역량을 전세계에 떨쳤던 시기였다. 본 연구에서는 이러한 발전과정이 스웨덴 현대 디자인 형성에 미친 영향을 살펴보고자 한다. 또한 수 공예 전통을 효율적으로 대량생산 체제에 부합시킴으로써 민족적 주체성을 확립하려 했던 당시의 스웨덴 지식인들과 디자인 계의 동향을 함께 분석함으로써 근대화 과정에서 스웨덴 디자인이 지향했던 바를 종합적으로 파악하고자 했다. 비교적 모범적으로 근대화에 성공하고 독특한 디자인 스타일을 만들어낸 나라로 평가되고 있는 스웨덴의 사례는 우리에게 시사하는 바가 적지 않을 것이다.

• 디지털융복합연구
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• 제12권11호
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• pp.505-513
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• 2014

현대 금속공예는 대량생산을 목표로 예술성이 결여된 단순한 표현 방법과 한정적 기술만을 사용하여 우리의 전통과 개성이 상실되어가고 있다. 앞으로 현대 금속공예의 발전과 우리 고유의 문화를 계승하기 위해서는 고대부터 전해온 전통공예기법을 고찰해야 할 필요성을 갖는다. 입사공예는 고도의 집중력과 기술력을 필요로 하며 당대 문화와 사상을 잘 보여주는 대표적인 전통금속공예기법이다. 입사기법이 국내에 처음으로 나타난 시대는 삼국시대로 백제, 가야, 신라에서 찾아볼 수 있다. 나아가 입사공예를 현대금속공예에 활용하였을 때 우리 고유의 예술적인 표현과 역사적 가치를 부여할 수 있는 가능성을 발견할 수 있었다. 이를 위해 전통의 기법을 명확하게 익힐 수 있는 교육의 기회를 넓히고 현대공예에 알맞게 수용할 수 있는 실용적 방안을 지속적으로 모색해야 비로소 현대 금속공예의 발전과 우리 고유의 개성을 확고히 자리매김하기 할 수 있을 것으로 전망한다.