• Journal of the Korean Institute of Rural Architecture
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• v.3 no.3
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• pp.11-21
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• 2001

This study is intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. From the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. From the point of view of theological aspects of Christianism, in church architecture which is hard to overcome the adherence of historical characteristics, especially nationalism which contain all the concepts and try the localization of church architecture play multi-functional roles to form expressional characteristics of the modern church architecture show harmonize to the modern architecture trend. The study is intended to clarify the nationalism-church architecture and to know the capability of our cases.

• Korean Institute of Interior Design Journal
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• no.29
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• pp.297-304
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• 2001

The study is Intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. After modern times, from the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. Among them, focusing the area which is developed the form of the church architecture wish the regional architectural expression -America, Northern Europe and Latin America - the expressional characteristics have derived that the church architecture have specific characteristics by the analysis of the characteristics from the influence of the regionalism. After all, regionalism-church architecture which describes recognized and behavioral organism and recognize the kind of the regional tradition and show regionalized formation shows the expressional characteristics of modern church architecture.

• Korean Institute of Interior Design Journal
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• no.25
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• pp.198-204
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• 2000

Art Nouveau was a short-lived European phenomenon in art and architecture. Despite the fact that Art Nouveau architecture never fully succeeded as an anti-historical movement, it is important to identify its place in modern architectural historiography. The significance of Art Nouveau-that it incorporated decorative elements into the centre of architectural practice-certainly serves to acknowledge its place within the Modern Movement. Architectural works of Victor Horta, Hector Guimard and Charles Rennie Mackintosh are carefully examined in this paper to find out (1) how they individually emerged and manifested distinctive characteristics and creativity within their own local contexts, and (2) how they can collectively fit into historical discourse of Art Nouveau. Art Nouveau was not a mere fin-de-ci cle phenomenon, but a complicated transient phase at the dawn of European Modernism.

• Journal of architectural history
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• v.12 no.3
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• pp.101-116
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• 2003

The word 'Neo-Modern' means the revival of modernism, specially the concept of the White Geometry of Le corbusier and Mies van de Rohe, and the Neo-Modern movement in architecture indicates the leading aspects appeared in 1990's. Modern architecture was a formalistic art movement. With its historical roots, in Europe extending back to the avant- garde modern architecture in 1920's, Neo-Modern appeared with the name of New York Five, in 1970's. In Japan, there has been an outstanding movements presenting Modernism architectural charateristics, since 1980's. The characteristics of these works can be discerned from the those of Regionalism of Historicalism in 1980's. This study is to investigate and analyze the characteristics of the works of Japanese Neo-Modern architects and to contribute to defining the word, 'Neo-Modernism'. In chapter one, the background, purpose and methode of study are presented. In chapter two, the concept and historical background of 'Neo-Modernism' are studied. In chapter three, the characteristics of Neo-Modernism are studied on the basis of the main concepts and formal characteristics of modernism and New york Five. In chapter four, the tradition of Modernism inside the history of Japanese architecture were studied, specially focused on Metabolism. In chapter five, The characteristics of Neo-modern expressions used in the 18 exhibition and cultural facilities in Japan, established after 1980, are analyzed in terms of 4 expression categories. In chapter six, a synthetic conclusion is presented.

• Journal of architectural history
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• v.28 no.5
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• pp.71-82
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• 2019

The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920's. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.

• Journal of The Korean Digital Architecture Interior Association
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• v.7 no.2
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• pp.59-65
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• 2007

This study is aimed to find out the conception of planarity in Modern Architecture. Some architecture historians such as Hildebrand and Schmarsow indicated the planarity by which new idea of space in architecture was made. The characteristics of the planar was embodied and developed through the proclamation of the ideology and their works in the avant-garde art movement of Cubism and Neoplasticism. The planarity in modern architecture was embodied from various aspects -the perception of space, the pictorial art and the metaphysics- by means of imaginary plane, superposition of planes, oscillation of plane, deconstruction of mass and elimination of natural color.

• Journal of architectural history
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• v.13 no.4 s.40
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• pp.75-88
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• 2004

The German Werkbund, which was founded in 1907, played an important role in the history of modern architecture. Its exhibition 1914 in Cologne is estimated as a meaningful event in the development of modern architecture. Especially two examples, among which were built at that time, are worthy of notice. The one is the 'Modelfactory' by Walter Gropius and the other 'Glashaus' by Bruno Taut. Generally in the Textbook on the history of modern architecture, the Taut's Glashaus is rarely mentioned or described as a early example of some expressionistic architecture, while the Modelfactory by Gropius is regarded as an essential workpiece in the early stage of modern movement. the time of searching alternative not only from rationalistic modernism but also postmodernism and today in the time of plurality, Taut's Glashaus could bring us more interesting and meaningful aspects in architectural design. Through investigating the background in the planning stage and analysing the composition of space, construction, circulation etc. it is to try to understand the building as really as what it was. Furthermore, historical meanings of the building in the modern architecture is reinterpreted in the following aspects; what should be reflected in architecture and how could 'Zeitgeist' be architecturally adopted?

• Korean Institute of Interior Design Journal
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• no.17
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• pp.216-222
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• 1998

With the continued integration through scientification and the progress I the technology of construction around the world Korea's inability to stay within the mainstream of the movement has put it in danger of losing it's very identity. As such Korean cityscapes are filled with overwhelming prevalence of buildings and constructs void of national identity but rather reflective of unconditional application of the western standards of architecture which has so far been the compass of the movement. Accordingly the purpose of this research is the understanding of the current world view concerning of architecture the critical regionalism through the examination of the background of theory which reflect the architectural Kenneth Prampton and also through Ricardo Legorrata Charles Correa Antoine Predock's analysis. Furthermore this research hopes to explore and offer a methodology through which a unique Korean identity can be established in Korea's Modern architecture.

• Korean Institute of Interior Design Journal
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• v.18 no.5
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• pp.80-88
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• 2009

The relationship between architects and users has been multifarioiusly changed through architectural history. From the viewpoint of using a building, users who experience and interpret the building are as important as architects who design it. In the past, architects are not interested in the role of users. Modern architects only emphasized the concepts of users based on efficiency, and therefore users had the passive role following the design intentions in the space architects had created. However, since the end of modern movement, diverse definitions of users have been attempted. Especially the aesthetics of reception reilluminates the role of users neglected in modern movement. Therefore the one-way relationship between architects-buildings are changing into the interactive relationship between architects-buildings-users, and it results from the fact that users have the ability to reinterpret and create architectural space as well. Users have more creative and positive role in architectural space making and architects, too, reflect these trend in their architecture.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.69-72
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• 2001

We are defined a space as the activities of creating value in harmonic relations between human and environment. After Industrial Revolution, relations between human and space is changing because of speed and visualization's power in contemporary society. We we known information where is far by means of visualization. There is only difference of speed. Movement in space means the line of vision and circulation. But it is tried to think relations between human and space again in result to experience indirectly. This study aims at the analysis of expression of the modem Architecture space in Giedion' Space, Time, Architecture and aesthetic systems applied to it. On the basis of that , this study analyzed the difference of Bergson' consideration from Modern Architecture about movement.