• 제목/요약/키워드: Modern Church

검색결과 77건 처리시간 0.011초

20세기를 전후한 교회건축의 근대적 변천양상에 관한 연구 (A Study of Aspects of Modern Church Architecture Changes in 20th Century)

  • 조경수;윤도근
    • 한국실내디자인학회논문집
    • /
    • 제20호
    • /
    • pp.71-77
    • /
    • 1999
  • The purpose of the research is to reveal the process of the formation of modern church architecture in 20th century. In order to do that, neo-gothic architecture which starts in the point of view of ethic in the 19th century will be discussed first. Then the relations between Arts and Crafts Movement and church architecture which is the beginning of modern architecture movement will be revealed. After that, the purpose of Secession's church architecture which tried to separate from old architecture and the formation of background of localistic church architecture which is one of the modern church architecture will be discussed. Based on those discussions, the research in concluded the several characteristics of church architecture which makes it modern architecture. The research is focused to the portions which is related to the church architectures among the architectural conditions so complicated as to be easily confused. And also it is focused the architect those who should be mentioned in the same context and their works.

  • PDF

민족주의적(民族主義的) 교회건축(敎會建築)의 표현특성(表現特性)에 관한 연구(硏究) -근대 유럽과 미국을 중심으로- (A Study on the Expressional Characteristic in Nationalism-Church Architecture)

  • 조경수
    • 한국농촌건축학회논문집
    • /
    • 제3권3호
    • /
    • pp.11-21
    • /
    • 2001
  • This study is intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. From the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. From the point of view of theological aspects of Christianism, in church architecture which is hard to overcome the adherence of historical characteristics, especially nationalism which contain all the concepts and try the localization of church architecture play multi-functional roles to form expressional characteristics of the modern church architecture show harmonize to the modern architecture trend. The study is intended to clarify the nationalism-church architecture and to know the capability of our cases.

  • PDF

현대교회건축에 나타난 지역주의적 표현특성에 관한 연구 (A Study on 7he Expressional Characteristics of Regionalism in Contemporary Church Architecture)

  • 조경수
    • 한국실내디자인학회논문집
    • /
    • 제29호
    • /
    • pp.297-304
    • /
    • 2001
  • The study is Intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. After modern times, from the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. Among them, focusing the area which is developed the form of the church architecture wish the regional architectural expression -America, Northern Europe and Latin America - the expressional characteristics have derived that the church architecture have specific characteristics by the analysis of the characteristics from the influence of the regionalism. After all, regionalism-church architecture which describes recognized and behavioral organism and recognize the kind of the regional tradition and show regionalized formation shows the expressional characteristics of modern church architecture.

  • PDF

알바 알토의 교회건축 특성에 관한 연구 (A Study on the Characteristics of the Church Architecture of Alvar Aalto)

  • 정태용
    • 한국실내디자인학회논문집
    • /
    • 제15권4호
    • /
    • pp.55-63
    • /
    • 2006
  • The purpose of this study is to analyze the characteristics of the church architecture by Alvar Aalto. General features of Aalto's architecture are the result of accommodating Modern architecture with regional qualities of Finland. The church would be the best example for understanding his architecture because he designed most of his churches in the prime of life. He established architectural types in his 30s through Viipuri public library and Saynatsalo town hall. He developed these types and applied them to his whole design. His type acts as a principle of configuration of his church architecture rather than a copy of form and shows the characteristics in the field of building layout, dynamic space and the effective use of light. Therefore, Aalto's church architecture can be recognized as the representative of Modern Finnish architecture in that they developed the meaning of their specific context including site, region and cultural tradition without losing the concept and technology of Modern architecture.

20세기 현대교회건축 운동에 관한 비교 연구 - 독일의 전례운동과 프랑스의 성미술운동을 중심으로 - (A Comparative Study on the Modern Architectural Movement in Catholic Church - Focused on the 'Riturgical Movement' and 'L' art $Sacr\'{e}$ Movement' in Europe in the first half of 20th century -)

  • 김정신
    • 건축역사연구
    • /
    • 제8권4호
    • /
    • pp.129-146
    • /
    • 1999
  • The Purpose of this Study is to find the Modern Movements which had done important roles on the development of modern church architecture and sacred art in the first half of 20th century. I had investigated the background and process of the movements, and analyzed the buildings which represented the movements. And I compared the architectural fruits of 'Riturgical Movement' and 'L' art $Sacr\'{e}$ Movement. The results are summarized as follows : First, there are two important movements in Catholic church in the backgrounds of the innovative changes of modern church architecture, Those are 'Riturgical Movement' which pursuits to establish a closer relation between clergy and congregation, and to make the positive participants in the service not mere observers and 'L' art $Sacr\'{e}$ Movement' which pursuits to accept modern secular art into church. Second, both movements had been developed on the bases of the theological studies with tow monasteries - Benedictine Order and Dominican Order - as leader. And the main concept was a kind of revival movement which recovers the Christian tradition. Third, The two movements began from the different themes and in the different regions. But they exerted influences each other, and achieved successful fruits in the Catholic churches of England and Swiss in 1960'. Fourth, 'Riturigical reformation' and 'Acceptance of modern art' had been officialized and generalized through the second Vatican Council(1962-1965).

  • PDF

김제 금산교회의 한옥건축 특성과 경역에 관한 연구 (A Study on the Hanok Architectural Characteristics and Boundaries of the Geumsan Church in Gimje)

  • 김윤상
    • 한국융합학회논문지
    • /
    • 제9권10호
    • /
    • pp.229-235
    • /
    • 2018
  • 한옥교회는 우리나라 근대시대의 생활상을 종교적 관점에서 고찰할 수 있는 중요한 문화유산이다. 근대시대 건립된 한옥교회의 경역과 한옥 건축의 특성을 알아보고자 한다. 그러기 위해서 전라북도에 남아 있는 김제 금산교회를 현지답사 및 인터뷰, 수리보고서를 조사 분석 하였다. 금산교회는 현존하고 있는 한옥건축물로 건축적 특성을 세부적으로 확인할 수 있었다. 교육의 기능을 담당한 유광학교도 한옥건축물로 자료를 통해 위치와 규모를 짐작할 수 있었다. 결과적으로 금산교회의 경역은 현재의 담장이며 서측은 건물이 동측은 운동장이 있었던 것으로 보인다. 금산교회의 평면은 당시의 유교사상을 반영하여 ㄱ자형 공간으로 구성하여 남녀로 구분하였다. 그리고 유광학교는 2칸 규모로 강의에 적합한 ㅡ자형 통구조로 현대 교회의 진입부 부분에 위치해 있었던 것으로 판단된다.

근대 동북아시아의 서양건축문화 수용양상에 관한 연구 - 한국.중국.일본의 교회건축을 중심으로 - (A Study on the acceptance phase of western architecture culture in Modern East-North Asia - Focused on church architecture of Modern Korea.China.Japan -)

  • 김승배
    • 건축역사연구
    • /
    • 제7권4호
    • /
    • pp.131-150
    • /
    • 1998
  • Main theme of this study is the acceptance phase of western architectural culture in modern east-north asia through a series of actual survey and typological analysis of existing church buildings in modern Korea. China. Japan. For this study, 126 modern church buildings of Korea, China, Japan are selected. Also, main subject of this study has deal with the side of culture - thought which background of christianity acceptance and acceptance mind of acceptance main-body, culture adaptation and transformation based on characteristic culturalization of Korea, China, Japan. Especially, I would consistently tried to see the acceptance phase of western architectural culture according to differential acceptance mind of acceptance main-body based on characteristic culturalization of three countries. Conclusively, in the point of view of western architectural culture acceptance phase, it could be said that Korean church architecture had characterized as a blending phase of the two eclectic architectural culture. And in the case of china, as a coexistance phase of the two architectural culture with more western style-oriented. On the other hand, Japanese church architecture had characterized as a syncretism phase of the both traditional and western architectural culture, though it is eclectic style-oriented. Therefore, it is thought that different acceptance mind of western culture had main factors caused of differential acceptance phase, when the two architectural culture, the traditional and the western, encounters.

  • PDF

비평적 지역주의(The Critical Regionalism)로 본 한국 성당건축의 지역성 표현 - 개화기에서 1980년대까지의 성당건축을 중심으로 - (A Study on the Regionality of Korean Catholic Church Architecture with the Perspective of The Critical Regionalism - Focused on Korean Modern Catholic Churches constructed between the 19th century and 1980's -)

  • 권태일
    • 건축역사연구
    • /
    • 제21권1호
    • /
    • pp.27-46
    • /
    • 2012
  • The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

한국 근대초기 서양 목구조의 수용과 교회 내부공간형태에 관한 연구 - 개화기와 일제강점기 교회건축의 지붕틀 구조를 중심으로 - (A Study on the Acceptance of Western timber structure and the Interior space of Church buildings in the early modern period in Korea - Focused on the roof structure of church architecture in the Flowering and Japanese occupation period -)

  • 김정신
    • 한국실내디자인학회논문집
    • /
    • 제14권5호
    • /
    • pp.10-17
    • /
    • 2005
  • This Study is concerned with the acceptance of Western timber structure and the interior space of church buildings in the early modern period in Korea. Timber roofs have represented a wide variety of constructional forms and have been fundamental to any technological appraisal of the evolution of both of Western and Eastern architecture. Especially the roof structure of the church buildings reflects the technological level, aesthetic sense, and spacial concepts of the age. Between Western timber structure and Korean timber structure, there are many differences in not only structural form but also form of roof, members, load, frame system and etc. And there were various types of framing technique such as timber truss, timber arch, timber vault in the western style church architecture in the early modern period in Korea. I have summarized the character of the acceptance process of Western timber structure and the influences on the interior space of church buildings.

부오크세니스카 교회의 건축 특성에 관한 연구 (A Study on the Architectural Characteristics of Vuoksenniska Church)

  • 정태용
    • 한국실내디자인학회논문집
    • /
    • 제18권1호
    • /
    • pp.19-26
    • /
    • 2009
  • Aalto designed his own modern architecture in comparison with other modern architects of his days. It is because Aalto went beyond the principle of dogmatic functionalism based on his attitude not to copy images of functionalism but to fulfill function of the building. He decided architectural form and space according to logical basis including the effective use of light and sound. Vuoksenniska church, as is called the most exceptional and notable church in his works, was designed based on the fulfillment of program. As he knew that the program needed the extension of the main church space into social areas, he put emphasis on individuality of space rather than the wholeness of space. Sound and light analysis of Vuoksenniska church shows that Aalto tried to have adequate environment of each space at the start and Integrate them later. The spatial configuration of Vuoksenniska church shows that the individuality of space has priority over the wholeness of spaces. Discordance between roof form and ceiling is the best example for this matter. Aalto designed various windows that have different sizes, figure and location to induce desirable light for each space of the church. He also adjusted the shape of the ceiling and the angle of wall for a effective sound transmission. This result indicates that he knew the activity of the church is normally confined to one weekly morning and the whole space Is hardly used as a religious purpose.