• Korean Institute of Interior Design Journal
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• no.20
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• pp.71-77
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• 1999

The purpose of the research is to reveal the process of the formation of modern church architecture in 20th century. In order to do that, neo-gothic architecture which starts in the point of view of ethic in the 19th century will be discussed first. Then the relations between Arts and Crafts Movement and church architecture which is the beginning of modern architecture movement will be revealed. After that, the purpose of Secession's church architecture which tried to separate from old architecture and the formation of background of localistic church architecture which is one of the modern church architecture will be discussed. Based on those discussions, the research in concluded the several characteristics of church architecture which makes it modern architecture. The research is focused to the portions which is related to the church architectures among the architectural conditions so complicated as to be easily confused. And also it is focused the architect those who should be mentioned in the same context and their works.

• Journal of the Korean Institute of Rural Architecture
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• v.3 no.3
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• pp.11-21
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• 2001

This study is intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. From the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. From the point of view of theological aspects of Christianism, in church architecture which is hard to overcome the adherence of historical characteristics, especially nationalism which contain all the concepts and try the localization of church architecture play multi-functional roles to form expressional characteristics of the modern church architecture show harmonize to the modern architecture trend. The study is intended to clarify the nationalism-church architecture and to know the capability of our cases.

• Korean Institute of Interior Design Journal
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• no.29
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• pp.297-304
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• 2001

The study is Intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. After modern times, from the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. Among them, focusing the area which is developed the form of the church architecture wish the regional architectural expression -America, Northern Europe and Latin America - the expressional characteristics have derived that the church architecture have specific characteristics by the analysis of the characteristics from the influence of the regionalism. After all, regionalism-church architecture which describes recognized and behavioral organism and recognize the kind of the regional tradition and show regionalized formation shows the expressional characteristics of modern church architecture.

• Korean Institute of Interior Design Journal
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• v.15 no.4 s.57
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• pp.55-63
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• 2006

The purpose of this study is to analyze the characteristics of the church architecture by Alvar Aalto. General features of Aalto's architecture are the result of accommodating Modern architecture with regional qualities of Finland. The church would be the best example for understanding his architecture because he designed most of his churches in the prime of life. He established architectural types in his 30s through Viipuri public library and Saynatsalo town hall. He developed these types and applied them to his whole design. His type acts as a principle of configuration of his church architecture rather than a copy of form and shows the characteristics in the field of building layout, dynamic space and the effective use of light. Therefore, Aalto's church architecture can be recognized as the representative of Modern Finnish architecture in that they developed the meaning of their specific context including site, region and cultural tradition without losing the concept and technology of Modern architecture.

• Journal of architectural history
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• v.8 no.4 s.21
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• pp.129-146
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• 1999

The Purpose of this Study is to find the Modern Movements which had done important roles on the development of modern church architecture and sacred art in the first half of 20th century. I had investigated the background and process of the movements, and analyzed the buildings which represented the movements. And I compared the architectural fruits of 'Riturgical Movement' and 'L' art $Sacr\'{e}$ Movement. The results are summarized as follows : First, there are two important movements in Catholic church in the backgrounds of the innovative changes of modern church architecture, Those are 'Riturgical Movement' which pursuits to establish a closer relation between clergy and congregation, and to make the positive participants in the service not mere observers and 'L' art $Sacr\'{e}$ Movement' which pursuits to accept modern secular art into church. Second, both movements had been developed on the bases of the theological studies with tow monasteries - Benedictine Order and Dominican Order - as leader. And the main concept was a kind of revival movement which recovers the Christian tradition. Third, The two movements began from the different themes and in the different regions. But they exerted influences each other, and achieved successful fruits in the Catholic churches of England and Swiss in 1960'. Fourth, 'Riturigical reformation' and 'Acceptance of modern art' had been officialized and generalized through the second Vatican Council(1962-1965).

• Journal of the Korea Convergence Society
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• v.9 no.10
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• pp.229-235
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• 2018

The Hanok church is an important cultural heritage that can be considered from a religious point of view of life in the modern age in Korea. We will investigate the bounadaries of the Hanok church built in modern age and the characteristics of Hanok architectural. To do so, we have conducted field trips, interviews, and repair reports of the Gimje Geumsan Church in the Jeollabuk province. The Geumsan Church is present, and the architectural characteristics can be confirmed in detail. In addition, Yugwang School, which was responsible for the education function, was able to guess the location and size through the data. As a result, the boundaries of Geumsan Church is the present fence, the west side has the building, and the east side has the playground. The Geumsan Church's flat form was divided into male and female according to the space configuration of ㄱ-shaped reflecting Confucian thought of the time. And it seems that the Yugwang school was located in the entrance part of the modern church with a two-frame scale, which is suitable for lecture.

• Journal of architectural history
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• v.7 no.4 s.17
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• pp.131-150
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• 1998

Main theme of this study is the acceptance phase of western architectural culture in modern east-north asia through a series of actual survey and typological analysis of existing church buildings in modern Korea. China. Japan. For this study, 126 modern church buildings of Korea, China, Japan are selected. Also, main subject of this study has deal with the side of culture - thought which background of christianity acceptance and acceptance mind of acceptance main-body, culture adaptation and transformation based on characteristic culturalization of Korea, China, Japan. Especially, I would consistently tried to see the acceptance phase of western architectural culture according to differential acceptance mind of acceptance main-body based on characteristic culturalization of three countries. Conclusively, in the point of view of western architectural culture acceptance phase, it could be said that Korean church architecture had characterized as a blending phase of the two eclectic architectural culture. And in the case of china, as a coexistance phase of the two architectural culture with more western style-oriented. On the other hand, Japanese church architecture had characterized as a syncretism phase of the both traditional and western architectural culture, though it is eclectic style-oriented. Therefore, it is thought that different acceptance mind of western culture had main factors caused of differential acceptance phase, when the two architectural culture, the traditional and the western, encounters.

• Journal of architectural history
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• v.21 no.1
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• pp.27-46
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• 2012

The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

• Korean Institute of Interior Design Journal
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• v.14 no.5 s.52
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• pp.10-17
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• 2005

This Study is concerned with the acceptance of Western timber structure and the interior space of church buildings in the early modern period in Korea. Timber roofs have represented a wide variety of constructional forms and have been fundamental to any technological appraisal of the evolution of both of Western and Eastern architecture. Especially the roof structure of the church buildings reflects the technological level, aesthetic sense, and spacial concepts of the age. Between Western timber structure and Korean timber structure, there are many differences in not only structural form but also form of roof, members, load, frame system and etc. And there were various types of framing technique such as timber truss, timber arch, timber vault in the western style church architecture in the early modern period in Korea. I have summarized the character of the acceptance process of Western timber structure and the influences on the interior space of church buildings.

• Korean Institute of Interior Design Journal
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• v.18 no.1
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• pp.19-26
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• 2009

Aalto designed his own modern architecture in comparison with other modern architects of his days. It is because Aalto went beyond the principle of dogmatic functionalism based on his attitude not to copy images of functionalism but to fulfill function of the building. He decided architectural form and space according to logical basis including the effective use of light and sound. Vuoksenniska church, as is called the most exceptional and notable church in his works, was designed based on the fulfillment of program. As he knew that the program needed the extension of the main church space into social areas, he put emphasis on individuality of space rather than the wholeness of space. Sound and light analysis of Vuoksenniska church shows that Aalto tried to have adequate environment of each space at the start and Integrate them later. The spatial configuration of Vuoksenniska church shows that the individuality of space has priority over the wholeness of spaces. Discordance between roof form and ceiling is the best example for this matter. Aalto designed various windows that have different sizes, figure and location to induce desirable light for each space of the church. He also adjusted the shape of the ceiling and the angle of wall for a effective sound transmission. This result indicates that he knew the activity of the church is normally confined to one weekly morning and the whole space Is hardly used as a religious purpose.