• 한국실내디자인학회논문집
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• 제29호
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• pp.297-304
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• 2001

The study is Intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. After modern times, from the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. Among them, focusing the area which is developed the form of the church architecture wish the regional architectural expression -America, Northern Europe and Latin America - the expressional characteristics have derived that the church architecture have specific characteristics by the analysis of the characteristics from the influence of the regionalism. After all, regionalism-church architecture which describes recognized and behavioral organism and recognize the kind of the regional tradition and show regionalized formation shows the expressional characteristics of modern church architecture.

• 한국실내디자인학회논문집
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• 제29호
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• pp.67-76
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• 2001

This Study is about the tradition of Organic Medievalism expressed in Modern Architecture. The concept of Medievalism is an attitude to revive the social and physical settings on the Middle Ages. The Organic Medievalism in Modern Architecture was to be explained as the two tendencies; one was toward the rational structural logic of the medieval architecture being re-interpreted into the Modern Architecture and the other was toward the organic and fantastic shape of the Modern Architecture, closely connected with nature-friendly and organic shape of medieval city and buildings. The structural logic of the medieval architecture became systematized by the French architects, Viollet-le-Duc and Auguste Choisy. The principle has been applied to the design of the Art Nouveau, Louis Kahn and so-called the High-Tech Architecture creating the aesthetics of its own by exposing the building structure. The other was used as the elements to represent the characteristics of the Art Nouveau architects, and then served as the background of the creation of the avant-garde architecture of Germany. The ideal has been serving as the great idealistic fundamentals by the so-called Archigram and Deconstruction at the late half of the 20th century.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2011년도 추계 학술논문 발표대회
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• pp.23-24
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• 2011

The purpose of this study is suggesting a basic data for which scientific preservation and rehabilitation of future modern architecture through the analyzing property of clay brick used in modern architecture in a scientific way.The clay brick which is used in the early 1900s has even lower property than present clay brick because of poor plasticity technique at that time. It could be possible to property and effective stability examination of modern architecture from nondestructive testing is significantly associated with property.

• 대한건축학회논문집:계획계
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• 제35권11호
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• pp.79-88
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• 2019

The goal of this paper is to explore the relationship between modern architecture and interior decoration through the study of decoration and ornament. It is noteworthy that modern architecture and interior decoration occurred at about the same time. Our analysis shows that the two are closely related to each other. That is to say, modern architecture tried to eliminate ornaments (and decorations), symbols and meanings from the built environments and to embody efficiency and rationality instead. However, in the interior of the building designed and completed by the architect, the user began to decorate his world through decoration or to refer such work to the new expert 'interior decorator'. In a word, the latter took charge of the role deserted by modern architecture.

• 건축역사연구
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• 제2권2호
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• pp.107-118
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• 1993

For attempting to wright a history of Modern Architecture in Korea the first task might be to establish the beginning of the period and to search for the orign of Modernity in Korean Architecture. As a member of the third world Modernism and Modernity in Korean Modern architecture has to be different from that of the West. The main purpose of this study is to define Modernity and to find out the characteristics of Modernism in Korean architecture. Above all this study suggests to note the peculiarity and the differance in the history of Modern architecture within the large frame of modernization. Then maintains that the search for the new cultural identity and rationality instead of lost tradition and convention can be defined as a modernity in Korean architecture.

• 한국디지털건축인테리어학회논문집
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• 제7권2호
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• pp.59-65
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• 2007

This study is aimed to find out the conception of planarity in Modern Architecture. Some architecture historians such as Hildebrand and Schmarsow indicated the planarity by which new idea of space in architecture was made. The characteristics of the planar was embodied and developed through the proclamation of the ideology and their works in the avant-garde art movement of Cubism and Neoplasticism. The planarity in modern architecture was embodied from various aspects -the perception of space, the pictorial art and the metaphysics- by means of imaginary plane, superposition of planes, oscillation of plane, deconstruction of mass and elimination of natural color.

• 한국농촌건축학회논문집
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• 제8권3호
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• pp.91-100
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• 2006

The purpose of this study is clear the characteristic of the condition of conservation and rehabilitation by investigates of Modern Architecture (Cultural Properties 51, common architecture 93, total 144) in Kyoto-city. In registration system for conservation of Modern Architecture of Kyoto city, regulation is stricter than statute of country and various assistances of repair and so on are adopting more active incentive policy. The condition of ownership of Cultural Properties is almost corporation or foundation and individual ownership is dwindling. Various portion conservation ways (annex facade elements replica) are appearing by technique assistance means to keep the original form. It is increase that the conditions of rehabilitation are to commerce equipment or open to the public as like an exhibition hall. In case of renovate to commerce equipment, tendency as cultural-composition equipment is increasing as like a local community.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.71-75
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• 2005

For last century, our country fast changed by development of industry but we justly looked away that cultural and natural environment that must preserve inside the change, and we sought quantitative growth. But consciousness about culture is rising now; thereby social request becomes strong that is improved cultural environment; and viewpoint is appearing which is thought heftily cultural environment of city. Important thing of them is the modern age architecture, but serious discord is happening in the current society that allows conservation and destruction of the modern age architecture. But, visible cultural asset such as the modern age architecture is value when it protected as the first time, When it was broken! , restoration or age architecture really necessary to us.

• 건축역사연구
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• 제28권5호
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• pp.71-82
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• 2019

The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920's. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.

• 한국실내디자인학회논문집
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• 제18권2호
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• pp.16-24
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• 2009

Urban is made over a long period of time. In the process, architecture involves design characteristics of age and place. In the case of modem western style architecture, just depend on the economic logic, they are continuously threatened during urban changes. Therefore, the purpose of this paper is to recognize modern western style architecture as valuable things, which represents color of urban, and to seek how it can be reused. This is a process in order to find a new method for conservation and reuse of modern western style architecture. The result are as followings. Modern western style architecture must be recognized as resource, which expresses identity of urban, and found a method for conservation and reuse of facade at least. So we need to search design characteristics of facade. It has been analyzed that assigned modem western style architecture in seoul can be divided into 6 groups. Each group has individual characteristics of facade expression, which is 'dormer', 'vent', 'balustrade', 'cornice', 'dome', 'tower', etc in top part, and 'the shape of window and door', 'the element of ornament', 'finish', etc in middle part.