• 대한가정학회지
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• 제41권12호
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• pp.229-243
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• 2003

The purpose of this study is to understand North Korean female defectors' survival strategies in China. In this research, 13 female defectors in China were interviewed. There seemed to be 6 survival strategies in the interview. They disguised themselves as if they were Chosunjok；they tried to wear fashionable clothes, to mimic Chosunjok dialect, to speak mingling Chinese words with Korean words, and to get counterfeit ID cards. They suppressed themselves from showing their angers or resentment against Chinese who looked down on them due to their illegal status, but they would seek chances to revenge on them in the future. They have survived by gelling married to Chinese, but they were reluctant to have a baby because it was not for sure what their future lives are going to be like. They were alert against people around them all the time, especially against North Korean defectors, and were conscious of their competitive relationship among themselves. Finally, some of them appeared to seek routes to immigrate to South Korea, but others who didn't yet make up their minds to immigrate to South Korea had vague anticipations of North and South Koreas to be reunified.

• 한국과학교육학회지
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• 제32권9호
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• pp.1405-1416
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• 2012

This study aims to analyze how pre-service science teachers' reflective thinking is presented during the microteaching process. The subjects of this study were 13 students who attended a lecture course on science teaching methods offered by the Department of Science Education of the College of Education at a national university. The simulated lessons that were performed during the microteaching process went through peer assessment and self-assessment. Then, the next set of lessons was conducted based on the assessment results. After the first set of simulated lessons, the pre-service teachers' reflection at the routine and technical levels was most remarkable in the focus dimension. In the inquiry and change dimensions, technical reflection stood out. Dialogic or transformative reflection was rarely presented. In addition, most of the pre-service teachers displayed mingling patterns of reflection levels in all of the three dimensions. The results of this study, in particular, prove that microteaching has a high level of applicability in terms of reflective thinking and instructional technology. Accordingly, there is a need for subsequent studies to create a new model that can encourage pre-service teachers' reflective thinking by structuralizing peer and self-assessment during the process of microteaching.

• 한국가구학회지
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• 제17권4호
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• pp.59-83
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• 2006

This article was written in order to understand rockers of today and to provide basic data of their designs and manufacture studying pattern changes in the West. This article contains, the characteristics of the style of the Adirondack rockers, the Mission style rockers in America and the European rockers. Adirondack rockers ($1850{\sim}1940$) were made in various styles out of the mingling of rustic sensibilities with the formalism of Victorian designs. They were Old Hickory chair Co. style, Westport style, bentwood rocker style of two shape and Mottville rocker style. Mission style denoted American furniture design style of the early 20th century especially the work of Gustav Stickley and Roycroft Community. Mission style rockers had a simple, rectilinear style with exposed construction techniques, unpretentious materials (usually oak, with covering of leather, canvas or plain cloth) and little or no decoration. European rockers ($1660{\sim}1918$) have come to mean rockers from the English regional chair, Thonet, J&J Kohn, Henry Van de Velde and Hoffmann. The modernism of modern furniture was affected by the characteristics of the Adirondack rockers, the Mission style rockers and European rockers.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.103-110
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• 2016

In recent years, as selling books on the internet becomes popular, the number of off-line bookstores are rapidly dwindling away. This change on the book market requires, the function and space of the bookstores should be defined again. Now bookstores are the places of experiences on cultures, world-views, and lifestyles around books. The study examines six large bookstores and finds three strategies of space expression as follow. First, Dominicanen bookstore in Maastricht which was built as a church has an expression which contrasts the old and the new as well as the sacred and the profane. Fangsuo bookstore in Chengdu creates a modern underground Sutra Depository. Here, people experience history and religion. Second, Cook & Book in Brussels has nine theme areas, each with a different selection of books, different interior decoration and special food and beverage like a theme park. Zhongshu bookshop in Shanghai has a lattice of nine reading rooms in which each unique design theme is characterized based on each book subject. Third, Cultura Bookstore in Sao Paulo is created to support social interchange. It leads people to the enormous plaza of books where people read books freely and participate in workshops, movies and all kinds of events. Daikanyama Tsutaya Books in Tokyo is composed of three white box-form pavilions which are connected by a 55-meter long aisle, called a magazine street. People walk along the street and choose concierge services as they browse magazines and books. The study finds out three strategies of design in current large bookstores to promote place-experience, which are the story-telling of history and culture, the design of theme parks, and openness for public mingling like plazas and streets. Thus, the study suggests a new paradigm in the design of bookstores in this internet age.

• 영미문화
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• 제10권2호
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• pp.149-207
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• 2010

Written simultaneously with Prometheus Unbound, Shelley's "Julian & Maddalo" is a masterwork of dramatic poiesis, of doubling embedded in its couplets, dialogic debate on human nature and contrasted symbolic emblems. The emblems mirror each other and are themselves sites of generative paradox: the "heaven illumined" but "dreary tower" of the Maniac and the glorious sunsets on the "ever-shifting sand" of the Lido, a wasteland that is a place of self discovery but also of "abandonment" and barren mingling figured, inter alia, in its "amphibious weeds," a trope of the poem's personae. This essay also explores the poem's dramatic structure and various rhetorical devices, beginning with the Preface, a threshold of complex identity disguise that Shelley uses for veiled self-presentation, as in "Alastor," mirroring and literary references replete with nuanced ironies. I focus mainly on the complex figures of liminality Shelley uses to develop his own thoughts (as well as his ongoing debates with Byron) about man's potential for growth in thought, insight and empathy, in political reform and interpersonal and individual healing. Advancing Shelley's most optimistic ideas, Julian, escorted by Maddalo observes the Maniac, -- a living ruin whose pained eloquence reveals the link of eros to poiesis and the limits of the latter's ability to 'transform a world.' The Maniac is the core of muse-work (remembering, thinking and song) and Shelley presents him as its emblem. He also is prefigured in and reflects the quintessentially liminal Lido with its "barren embrace" of sea and land. Yet it is less the Maniac's feeling that his grief is "charactered in vain…on this unfeeling leaf" than Julian's rationales for leaving the site of pain that point to Shelley's final comment on poetry's transformative limits. As the primary haploids of the drama's meiosis re-combine and two of them, Maddalo and the maniac fall away, an analogy I briefly develop and embedded in the erotic dynamics of poiesis, Shelley suggests, as he did at the beginning of his poetic lyricism in "Alastor" and at its end in "the Triumph of Life"that images mislead and delude; that "the deep truth is imageless" and redemption is not in but beyond figuration.

• 한국조경학회지
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• 제36권6호
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• pp.81-90
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• 2009

본 연구는 서울시에서 전형적인 소수민족집단체류지역(ethnic enclave)의 형태를 보이고 있는 가리봉동 "옌볜거리"의 장소성 형성 요인을 분석하고 그것이 함축하고 있는 의미를 찾음으로써, 국내 외국인 거주자 및 주거지역의 증가에 의한 문화적 다양성을 수용하고 그러한 다양성이 긍정적으로 발현될 수 있는 도시경관 형성에 기초적 자료를 제공하기 위하여 수행되었다. 소수민족집단체류지역(ethnic enclave)으로서의 옌볜거리의 장소성을 형성하는 요인은 다음과 같이 요약된다. 첫째, 장소성을 형성하는 물리적 환경 요인으로 나타난 쪽방촌과 열악한 공간적 환경은 외부자의 부정적 인식과는 달리 거주자에게는 그들의 경제여건에 부합하는 긍정적인 의미를 보였다 둘째, 연길에서의 그것과 유사한 색채 및 한글과 한문이 혼용된 간판은 옌볜거리에서의 장소성을 형성하는 물리적 환경 요인으로서, 내부인인 조선족에게는 구성원들 간의 내적 소통의 수단으로 조선족 문화의 정체성을 나타내는 요인으로 해석되었다. 셋째, 옌볜거리에서는 물리적 건축 환경 요소보다는 집단적 삶의 일상성을 충족시키는 구매활동, 여가 및 정보교환 활동이 장소성 형성에 더욱 크게 작용하고 있었다. 넷째, 공간적 전유(appropriation)현상과 주변과의 격리현상이 뚜렷이 나타났으며, 이러한 격리현상은 외부인에게 부정적 장소성을 형성하고 있었다. 다섯째, 조선족의 고향에 대한 인식, 문자 및 언어, 음식문화 등에서의 문화적 이중성(dualism) 및 혼재(mingling) 양상은 현재 옌볜거리의 장소성을 형성하는 주요한 요인으로 나타났다. 여섯째, 옌볜거리의 장소적 현상에 있어서 임시성(temporariness)이 두드러졌으며, 이러한 임시성은 불법체류라는 조건 하에서 더욱 강화되고, 이는 주거환경에 대한 무관심 등의 부정적 결과를 야기할 수 있으나, 동시에 그러한 임시성으로 인한 불안감을 완화시키고, 내부자간의 협력과 유대를 강화함으로써 긍정적으로 작용하는 장소성 형성 요인으로 나타났다.

• 복식
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• 제40권
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• pp.151-170
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• 1998

The purpose of this study is to examine the value of grotesque fashion and to predict the future fashion trend. The grotesque originates the formative art. It emerges towards of a century or transitional period in most case. In particular, it was used as the expressive method of an individual's inside and a satire on society through the work of artists in the Middle Age, the renaissance, the sym-bolism, the dadaism, the surrealism, the pop art, the technology art, and the post-modernism, etc. The grotesque in fashion is represented in the work of avant-garde fashion designers who lead the high fashion. The grotesque fashion which was combined with an image of non-formality, non-rationality, an absurdity and reality. It has been begun shape of female dress in the renaissance. Afterwards, it was represented in extremely exaggerated and distorted pop art, hippies' fashion in the 1960's. In the 1970's, it was reflected in genderless rock star and destructive punk fashion. It was also represented in the androgynous fashion which was combined with both sexes, the goth/gothic fashion which was expressed with a realistic and fanciful shape and the tattoo of skin-head in the 1980's. In the 1990's, the grungy look which was dirty and the cyber punk fashion. In general, it was also expressed by the avant-garde fashion designers. To sum up, a grotesque fashion which is expressed by experimental designers is classified into four shapes. 1, Union of some extraneous is expressed as different kinds of fashion theme, such as abnormality of texture, uses of surrealistic elements and chaos of sex. Although it appears that the abnormal union of grotesque has only discord and collision, it also shows a feeling of freedom for the tension. 2. Introduction of real and fanciful image is expressed as a cyborg, realistic description of disgusting animal skin and aggressive shape. Especially, it is worth while to notice Tierre Mugler and Alexander Macqueen's work which expressed the shape of mingling human of Middle Age. 3. distortion or exaggeration is expressed as an unformed shape, the exaggeration of a clothing size, the abnormal exaggeration of human body and the ignorance of clothing form. 4. Introduction of a disgusting image is expressed as an extremity of reality, motifs of death, clothing material of disgusting hair and the ostentation of sex. Motto which leads modern fashion is something new and shocking. The grotesque fashion is an expression of eagerness for something new. It often show something ironic in the form of humor which is embedded in an abnormal and shocking pattern. The grotesque fashion is represented as an extreme beauty. It will stand as an important element of the future fashion and as a particular style with the change and fluidity.

• 한국산학기술학회논문지
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• 제11권12호
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• pp.4826-4832
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• 2010

본 연구는 2010년 6월 1일부터 2010년 7월 30일까지 2개월간 서울에 위치한 3곳의 약업사에서 각각 13종의 한약재를 구입하여 이들에 대한 총 호기성 세균 및 진균에 대한 미생물 오염 실태를 분석하여 한약재에 대한 미생물 오염 검사기준을 위한 기초자료로 활용하고자 수행되었다. WHO의 총 호기성 세균 및 진균수 오염한도인 $10^7$ CFU/g과 $10^4$ CFU/g과 비교하면, 총 호기성 균 오염(7.7%)보다는 진균의 오염(12.8%)이 더 높은 것으로 나타났다. 117개의 세균 집락을 대상으로 한 16S rRNA 유전자에 대한 DNA 상동성 분석은 내성 포자를 형성하는 B. cereus를 포함한 토양 유래 세균들이 약 96.6%를 차지하여 한약재의 채취와 보관 및 유통 과정에서의 미생물 오염 한도 기준 마련이 시급한 것으로 나타났다. 결론적으로 본 연구는 한약의 가공과정에 세균 및 진균의 혼입 가능성에 대한 시험조사와 함께 지속적인 한약재에 대한 미생물 오염실태 조사가 필요하다는 것을 시사하고 있다.

• 한국콘텐츠학회논문지
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• 제18권5호
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• pp.647-659
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• 2018

'천년의 기다림 세계인의 어울림! 인류무형문화유산인 2017 강릉단오제'는 우리나라에서 가장 역사가 깊은 축제이다. 하지만 역사적인 가치에도 불구하고 축제 브랜드자산 가치에 대한 학술적인 연구는 미흡한 편이다. 따라서 본 연구의 목적은 축제 스토리텔링의 선택속성을 통한 축제의 브랜드자산, 브랜드태도, 브랜드애호도간의 영향관계를 구조방정식 모형을 통해 실증분석 하였다. 논문소재의 공간적 범위는 강릉단오제행사에 방문한 657명의 관광객을 중심으로 설문조사를 통해 수행되었다. 구조방정식 모형에 따른 가설검증결과 축제 스토리텔링의 선택속성이 브랜드자산에, 브랜드자산이 브랜드 태도와 애호도에, 브랜드태도가 브랜드애호도에 영향을 미치는 것으로 나타났다. 이상의 연구결과로부터 시사점을 제시하면 첫째, 그 지역의 맞는 풍습을 찾아 지역전문가와 주민과 함께 지역 콘텐츠문화를 개발해야 한다. 둘째, 스토리텔링의 선택속성을 살려 고유성의 전략이 우선시 될 수 있는 브랜드자산을 높여야 한다. 셋째, 축제인력으로서 전문가와 비전문가의 역할을 구분하여 지역주민들에게 공개적인 참여를 통해 단계적인 발전을 이루어 내야 한다.

• 암석학회지
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• 제16권3호
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• pp.162-179
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• 2007

영남(소백산)육괴의 남서부인 지리산지역의 북서부에 선캠브리아 편마암 복합체를 트라이아스기(약 223 Ma)에 관입한 마천층상관입암은 크게 층상계열과 엽상계열의 두 그룹으로 구분되는 고철질-초고철질 암석들로 구성되어 있으며, 마그마혼합의 특성을 잘 보이는 암맥상의 고철질 암이 수반된다. 층상계열은 누적조직의 특성과 주구성 유색광물의 종류에 의해 중앙부의 감람석 반려암대(하부대)와 주변부의 각섬석 반려암대(중 내지 상부대피 두 부분으로 다시 세분된다. 중앙부의 감람석 반려암은 비교적 얇은 우흑질과 우백질의 층들이 규칙적으로 교호된 중립질 반려암질 암과 균질하고 두꺼운 층상구조를 이룬 조립질 반려암질 암들이 서로 협재되어 있으며, 주구성 암종은 우흑질 반려암, 트록토라이트, 우백질 트록토라이트, 사장암질암 등으로 감람석과 사장석이 주구성 광물이다. 엽상계열은 함석영 흑운모휘석 반려암과 보다 분화된 특성의 각섬석 섬록암으로 분류되며 간극상로 산출되는 소량의 석영과 미사장석을 포함하고 있다 주변의 선캠브리아 편마암류와의 접촉대에 냉각대가 발달되어 있어 심부에서 보다 분화된 동원성 마그마가 어느 정도 시간적인 간격을 갖고 좀 더 냉각된 환경에서 관입한 것으로 보인다. 층상계열에 발달된 층상구조는 감람석은 주로 정누적구조 내지 부가누적구조, 사장석은 부가누적 내지 간극누적구조를 보이며, 단사휘석과 각섬석은 간극누적 내지 이형부가누적조직을 이루고 있다. 층상암들에서 마그마작용동안 생성된 습곡구조, 점이층리, 사층리 등이 드물지 않게 산출된다. 마천층상관입암체에 발달된 층상구조와 엽상구조가 주로 중력침전과 제자리 결정작용에 의해 생성되었으며 슬럼핑과 밀도류 흐름작용도 상당한 역할을 하였을 것으로 해석된다.