• 한국통신학회논문지
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• 제15권7호
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• pp.581-601
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• 1990

회전기기 이상진단을 해석하는 방법으로 최근까지 여러가지 방법이 제시되고 있다. 본 논문에서는 고차 스펙트럼의 일종인 Bispectrum해석법을 이용하여, 회전기기 요소중의 하나인 베어링의 결함을 진단하는 기법으로서 그 타당성을 검증하고 Bispectrum 해석법의 물리적인 의미를 파악하고자 컴퓨터 시뮬레이션을 행하였다. 컴퓨터 시뮬레이션과 실제의 베어링 결함신호에 대한 결과를 고찰하였으며, 종래의 Power Spectrum보다 베어링 이상진단에 유효함을 알 수 있었다.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제3권4호
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• pp.7-16
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• 1997

Mental hospital has been expanding its function to psychiatric treatment in the meaning of therapy. Therefore systematic research on thr mental hospital is urgent. This study aims to prepare the basic data which are needed on planning and designing the mental hospital with emphasis on the wards, which take the largest area ratio and play a principal role to psychiatric patients. The process of study is to 1) to survey facility of Mental hospital in Korea, 2) to analize charactor and behavior of psychiatric patients 3) to suggest element of ideal ward in general hospital.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.87-94
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• 2012

This thesis has purpose of explaining that blur color is not only appreciated but also undecided spacial color in contemporary space design and examining effects of space experience through the light. In keeping such developments, blur color has been perceived as the object of another tool in contemporary space and has provided us with new views by providing various program, sensor and screen from digital media. With the expansion of blur color, light has changed a spacial color structural that is not simple meaning factor into the essential concept. So this research aims to understand the principle of blur color in Olafur Eliasson's work, which of the fine artist in diverse fields from installation art to media art. The principle of blur color such as deconstruction of vanishing point, dimensional transfer, color gradation, and fiction of visual perception makes it possible to extract the expressed element and method of blur color. Meanwhile, the features of blur color such as sense of depth from viewpoint changes, hybrid from collapse of order, media metamorphosis from reconstitution and interaction from uncanny can be inferred from case analysis.

• 한국실내디자인학회논문집
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• 제16권6호
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• pp.65-76
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• 2007

This research is progressed on the premise that there is a basic rule to organize a space in form generation process. In this study first, antecedent researches are inquired, and formal vocabularies related with form generation in space design are founded. Generally in the organizing process of spatial form designer could have selectively combined formal vocabularies consciously or unconsciously, and these formal vocabularies related with form generation are classified with 'formal elements' and 'spatial relationships'. First, as formal elements '2-dimensional line elements(rectilinear, oblique-linear, curvilinear)' are chosen. Second, formal vocabularies of 'spatial relationships' are 37 extracted from literatures related with architectural language or spatial language. Among them there are several vocabularies with similar or same meaning, they are unitized to representative one. Thereupon 20 vocabularies are finally selected as the formal vocabularies of 'spatial relationships', they are addition, subtraction, intersection, superimposition, juxtaposition, shifting, rotation, reflection, scaling, stretching, shear, bending, folding, distortion, articulation, deconstruction, symmetry, repetition, proportion, and asymmetry.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2006년도 춘계종합학술대회
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• pp.757-760
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• 2006

본 논문에서는 PKI에서 가장 기본이 되고 중요한 요소인 X.509 인증서의 구조를 기술하였다. X.509 인증서는 기본 필드들과 버전 2 인증서에서 추가된 unique identifiers field, 그리고 버전 3 인증서에서 추가된 확장필드들로 구성되어 있다. 버전 3의 확장필드들은 기본 필드들로 부족한 부분을 채우기 위한 필드로써, 현재 인터넷에서 사용되는 인증서용으로 정의된 확장필드값들과 그 의미에 대해 기술하였다.

• 한국언어정보학회지:언어와정보
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• 제3권1호
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• pp.39-63
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• 1999

Korean manner-of-motion verbs have different characteristics from locomotion verbs syntactically and semantically, and they are aptly encoded as having the primitive semantic element MOVE, not GO of Jackendoff(1990)'s Conceptual Semantics framework. This point is shown on the basis of their behavior, the inability to take the Goal 'NP-lo' phrases, the Purposive 'S-le' clauses, the 'NP-ey' phrases, and the atelic interpretation. It is further shown that the apparent locomotion verb behavior of some manner-of-motion verbs, 'exocentric' phenomenon in their meaning composition, is merely a transferred aspect of manner-of-motion verbs. Three kinds of strategies, transformational, quasi-transformational, and lexical ones, are examined to describe this phenomenon, and the lexical one is determined to be the most appropriate. The remaining part of this paper pursues the possibility of adopting Tenny's(1987, 1994) 'Aspectual Interface Hypothesis' in establishing an argument linking system with special attention to 'measuring-out', but concludes that the hypothesis can be accepted only in a restricted part of verbs, and with a modified notion of measuring-out like Jackendoff's(1996).

• 비교문화연구
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• 제27권
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• pp.435-470
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• 2012

This paper aims to examine directives and its adjacency pair directives-responses in the Chinese textbook Hanyu Kouyu from the speech act theory, and give some suggestions for Chinese speaking instruction. For analysis of directives, it is important to consider context surrounding it at first. Context includes space for speaking, person who speak with, adjacent speech act, etc., so this paper considers context firstly before explaining directives and discusses how each element of context effects interpretation of its meaning. From the politeness perspective, directives and rejection as one of the responses are easy to be FTAs(face-threatening acts) fundamentally, so they are required to have some strategies for minimizing the threat, and it is found that there are strategies for positive face and negative face in the textbook. In the textbook, it is also examined that directives-responses contribute for interlocutor to accomplish social acts, for example, negotiating, insisting, maintaining, making alternative ideas, etc.

• 중국학논총
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• 제70호
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• pp.169-195
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• 2021

The spatial background is a key element in the development of the character's identity. It is very important to understand the symbolic significance of the spatial background in Eileen Chang's Chuan Qi, a collection of short stories and novellas. The space in Chang's Chuan Qi largely consists of Shanghai and Hong Kong. Smaller spaces include the characters' abodes, such as the mansion and apartment. Even smaller spaces are the interior of a room. The mansion is where she experienced abuse and neglect from her father during her adolescence. The apartment is a place of attachment, as was the place where she lived with her mother. This paper categorizes the mansion, her father's abode, as "a place of daydreams," "a place of death and graves," and the apartment, her mother's abode, as "a place of female independence," "a place of hope for a better life," This paper then examines these spaces to analyze how the symbolic meaning of space influences the identity of the characters.

• 중국학논총
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• 제63호
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• pp.137-159
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• 2019

In this paper, I tried to analyse the recent trend of Korean translation of Chinese novels. I categorized the korean translation into several types, and tried to reveal the meaning of the "Hiding of Chinese element" phenomenon that has recently emerged in the translation of Internet novels. KOCM has been translating quite a fewChinese Internet novels. One of the publisher's translations, , which has gained considerable popularity in Korea, will be a focus of the analysis. The localization strategy of is quite damaging to the original work. At the same time, however, it also makes it easier for readers to consume novels without experiencing cultural discounts. Therefore, could be considered as a experiment to overcome the cultural gap between the two countries.

• 한국콘텐츠학회논문지
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• 제8권12호
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• pp.160-167
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• 2008

애니메이션은 창작된 인공적 이미지들로 구성된다. 그러므로 캐릭터를 비롯한 주요 이미지들의 유형을 분석하여 그 의미를 밝히는 일은 애니메이션을 이해하기 위한 중요한 요소일 것이다. 이에 본 연구는 미야자키 하야오의 작품에 등장하는 이미지들의 분석에 '혼종성'이라는 문제를 대입시켜, 캐릭터 배경 메카닉의 이미지들이 어떠한 형태로 표현되고 있으며, 더 나아가 그 이미지들이 어떠한 상징적 의미들을 생산하며 작동하는지에 대해 분석하였다. 연구 범위로 선정된 작품들에 나타난 주요 이미지들은 이야기의 전개 속에서 '과거 현재 미래', '동양과 서양', '실재와 가상', '인간과 동물' 등이 다채롭게 혼합, 혼성된 형태로 나타난다는 양식적 유사성을 확인할 수 있었다. 이를 통해 미야자키 하야오는 관객들에게 유희적인 측면에서 신선한 즐거움을 제공함은 물론, 더 나아가 단순한 재미 이상의 사상적 메시지와 세계관을 함께 전달하는 전략으로 '시각적 혼종성'을 작품에 활용하였으며, 이는 다른 감독들의 작품과 차별화 될 수 있는 중요한 요소임을 확인할 수 있다.