• 중국학논총
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• 제69호
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• pp.121-143
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• 2021

'老' refers to the old man with the characteristics of being aged in the original meaning 'to be aged' (adjective), which is a metonymy of 'substituting the whole with a part'. In combination with nouns, '老' uses a lot of metaphorical expressions that are understood through animals closest to the attributes of people with aged characteristics, plants and objects. '老' can be extended to the meaning of 'the survival time, duration, recognition time, and existence time of a person, animal, plant, or object are long', or 'the survival time is over', which can be said to be a metonymy of 'substituting cause with result'. An experienced target respected by people on a positive level and a target with banal thoughts, habits, nature, and personality on the negative level can also be conceptualized and expressed as '老'.

• 영미문화
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• 제18권2호
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• pp.51-78
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• 2018

To put it simply, thing theory is a study of meaningful capacities of materiality. Although T. S. Eliot regarded pathetic fallacy as the bad example of objective correlatives in his modernism poetry theory, it is clear that many objects in literary works reflect diverse human desires. Among many, Victorian sensation novels are the most distinct genre where the various paraphernalia in them indicate the distorted and exaggerated greed of the industrial revolution era. Whereas the male protagonists are usually related with the norms objects of authority such as portrait and locket, the female characters' connection with cosmetics and white dress shows their oppressed and fragile position in the patriarchal and hierarchical society. In the (post)modern society, the ambiguity of things has grown rapidly due to the increasing discrepancy between objects and things. In special, the new journalism and the psychological realism novels often reveal the post-truth phenomenon because consumerized audience depend more upon the attraction and affect than the mere evidence and facts. For the individual, according to object relations theory, these alternative facts are rather internalized into their mind as the internal object when they are motivated by the non/contact with primary caregivers in their childhood. The dominant material imagery in (post)modern fiction becomes the site of resistance because of their reconstructed and extended meaning. The object relations theory and thing theory can be effectively used to uncover the complicated meanings of desired objects by using the human-object's meaningful relations and early mental images that are secretly alive still in the present.

• 방재기술
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• 통권11호
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• pp.5-8
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• 1991

This report is expressed on test results of incombustibility for slag-board according to test method in KSF2271 Two kinds of slag-board is tested, one is passed and the other is failed The object of this report is to introduce the meaning of incombustibility for slag-board.

• 디지털융복합연구
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• 제19권4호
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• pp.227-233
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• 2021

20세기 이후 산업화한 소비사회에서 생산된 기성품들은 '파운드 오브제 (Found object)'라는 새로운 소재로 미술작가들에게 채택되어 작품 속에서 넓은 의미로 재해석 되고 있다. 이를 활용해서 새로운 의미를 부여하는 방법은 표현양식뿐만 아니라 개념적으로도 확장된 새로운 패러다임을 생성한다. 현대미술에서 최초로 파운드 오브제가 사용된 1912년 파블로 피카소(Pablo Picasso)의 이후 다다이즘과 초현실주의, 그리고 팝아트를 통해서 파운드 오브제의 전개를 파악하고 20세기 후반 파운드 오브제의 표현에 대해서 알아본다. 본 연구에서는 파운드 오브제가 작품에서 혼합된 방식에 따라서 '가공되지 않은 오브제', '변용된 오브제', 그리고 '차용된 오브제', 등 3가지 유형으로 구분하여 작가와 작품을 분석한다. 본 연구를 통해서 파운드 오브제를 융복합한 작품은 대상을 물질적으로 발전시킬 뿐만 아니라 미술의 전통적 규범에서 벗어나 자유로운 개념의 미술을 실천할 수 있도록 한다는 점에 주목한다.

• 복식
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• 제58권3호
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• pp.49-62
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• 2008

The purpose of this study was to analyze the signification system between color and clothes systematically in black and white clothes. For this purpose, after examining the images of black and white clothes, we selected 55 clothes that represented as black and white and analyzed their meanings and the sources using semiotic framework, based on the work of Saussure and Barthes. The results as follows: First, the meaning in black and white clothes was generated from original color image. White clothes of religious person like Virgin Mary, Angel expressed pure and sacred color image. And black clothes like funeral dress expressed grief and death. Next, the meaning of black and white clothes was regenerated into modern color image by new environment. After industrial revolution, black was considered as a traditional men's fashion color. With diverse leisure activities, white sports wear appeared as active and clean image. Finally the source of the meaning of the clothes was the designer or the wearer. A little black dress by Chanel who was interested in simplicity and function represents an ideal of simple and sexy object. The situation is complicated by the fact that these three kinds of explanation may be found singly or mixed together.

• 영어어문교육
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• 제6호
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• pp.89-111
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• 2000

Since speaking is correlated with time and time is metaphorically conceptualized in terms of space, it is natural for us to conceptualize language metaphorically in terms of space. For example, we think that the future is in front and the past is behind. Reddy(1979) suggested in his conduit metaphor that linguistic expressions are containers. According to him, the speaker puts his ideas(objects) into words{containers)and sends them along a conduit to a hearer who takes the idea(object) out of the word(container). As a result we are able to know that the larger linguistic expressions have more meaning in it. In other words the space of a linguistic form has close relationship with meaning. Moreover we are able to see that formal distance between arguments or elements of linguistic expressions shows semantic influences between them. If two elements keep close distance, a preceeding element has a strong, direct and whole influence upon the following element. Sometimes even the results of the influence can be brought out implicitly by the formal relation between two elements. Therefore, the purpose of this paper is to show that tins difference in meaning which is due to formal distance of sentence elements can be explained by the metaphorical concept presented by Lakoff and Johnson(1980).

• 대한상한금궤의학회지
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• 제7권1호
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• pp.1-14
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• 2015

Objectives : The purpose of this study is to show the importance of Shanghanlun(傷寒論) paleography. Shanghanlun(傷寒論) must be thoroughly reinterpreted through graphonomy evidence. Methods : The object of this study is Gangpyeong-Shanghanlun(康平傷寒論), which is known as the oldest edition of Shanghanlun(傷寒論). This study compares the paleographic meaning of Shanghanlun(傷寒論), Mai(脈), Shanghanlun provisions 96 and 103 to existing interpretations. Results : Mai(脈) doesn't mean 'Radial pulse(Chon.Gwan.Cheok)' in Shanghanlun(傷寒論), so the meaning of Mai(脈) should be redefined. Mai(脈) means 'Continuous movement of human body' based on Chinese paleography. Also it's being verified as reasonable hypothesis in recent clinical researches. In addition, Shanghanlun(傷寒論) paleography makes it possible to grasp the true intention of Zhang Zhongjing(張仲景). Conclusions : Shanghanlun(傷寒論) paleography has a limit that it cannot be perfectly applied to clinical diagnosis. Also, it may not represent the whole meaning of Shanghanlun (傷寒論). Therefore, the value of Shanghanlun(傷寒論) reinterpretation should be recognized through this study, and we should continuously find out future values from Shanghanlun(傷寒論).

• 복식
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• 제44권
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• pp.153-167
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• 1999

The purpose of this study was to supply the opportunity of being used as a material which can predict future fashion. This study had been divided the symbolic meaning into three parts. The first part was the symbolic expressions in the materials of modern fashion, and the second part was symbolic meaning which was expressed in the accessories, and the last part was the symbolic meaning which was expressed in the physical ornament. The results could be summarized as follows. First, among the forms of heraldry were expressed in modern Fashion, were such as animals like a lion and eagle, which evoked the powerful and lively mood. A vegetable heraldry was expressed on a pattern of textile fabric to pursue the beauty of dress, represented female and classical beauty. A inanimate object heraldry was included all natural material that didn't have all lives the world, represented the mystery and intensity of nature as using the design that sets off the idea through color and figure. Second, in the case of being the forms of heraldry used as a mark or logo in modern fashion, it was visualized the fashion of traditional sense, marine look and military look. This mark or logo had important characteristics of symbolic in that the product had a special meaning and function by trade mark. Third, tattos were used to heighten the people's union in the various subordinate cultures. By ornamenting their bodies, they expressed their special identity and consciousness. Tattos represented a unique menas, which effected a mood of fashion.

• 한국조경학회지
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• 제42권2호
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• pp.65-76
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• 2014

최근 한국 조경분야는 도시 물 순환능력회복을 위한 새로운 개념적 대안으로 그린인프라스트럭처(GI)를 제안하고 있다. 이러한 맥락에서 본 연구를 통해 그린인프라스트럭처의 본질적 의미를 고찰하고자 한다. 연구의 방법은 인터넷 검색과 학술지 데이터베이스 문헌수집과정을 통해 최근 5년간 발간된 47편의 해외 학술지논문을 선별하고 분석하였다. 각 논문에서 연구에 활용한 그린인프라스트럭처의 정의문을 대상으로 분석하였으며, 각 문장에 포함된 동사와 목적어의 의미구조를 통해 해석하여 5대 목적성, 4대 대상요소, 3대 계획공간의 유형을 파악하였다. 5대 목적성은 '제공', '개선', '생산', '보전', '저감'이며, 4대 대상요소는 '인문', '환경', '생태', '수문'이다. 3대 계획공간은 '도입할 수 있는 대상이 되는 공간', '기술적으로 활용이 가능한 공간', '도입대상이 될 수 있으면서, 기술적으로 활용이 가능한 공간' 등이 해당한다. 각각의 대상 요소들은 목적성에 단수 혹은 2~3개가 직접 연결되며, 이는 그린인프라스트럭처의 본질적 의미연결망이다. 종합적으로 조경계획과 도시계획 수립에 활용가능 한 의미연결망의 수는 83개가 있음을 도출하였다.

• 인문언어
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• 제8집
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• pp.241-263
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• 2006

Place names are generally composed of first half and second half, whether the originality of those names comes from Korean or Chinese. The first half, modifying the second half, represents the naming flexibility of the name, while the second half of the name points out its directive object, which refers to a branch of the name. For example, 'Myeong' in 'Myeongryang' and 'No' in 'Noryang' represent their naming flexibility while 'Ryang', constituting the second half, points out the name's directive object. The purpose of this study was to investigate the etymology of place names, 'Myeongryang' and 'Noryang', by figuring out the meanings of those two elements. In order to search for the meaning of the second half, 'Ryang', other examples presented in the related literature have been examined. The finding indicated that 'Ryang' means 'dol', or 'do', which refers to 'moon(door)'. Furthermore, it is found out that the meaning of 'Ryang' has been transferred from 'dol' or 'do' to 'moon(door)', furthermore, to the straits. Upon looking into the origins of those names on the field, it is interpreted that 'Myeong Ryang' has been meant as a door in which huge and rough waves cry out, and 'No Ryang' has been meant as a door in which huge and rough waves rise up.