• 한국실내디자인학회논문집
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• 제21호
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• pp.10-16
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• 1999

Mathematics is considered to the beginning of designing thinking because of the sense of logical order system. In this study, it was regarded the mathematics as the logic and the measurement of design system. as is often the case in history, mathematics, it is regard as conceptual model of architectural though, as aesthetic proportional measure and the mirror of thought. The direction of this study is rather multi-sided approaching to the spatial concept than one-sided plane. It is multi-acceptable way to apply mathematical principle to the pace and to be a flexible one. And boundary of interpretation of the flexibility means potential use-ability, and the strictly meaning of flexibility means that the acception of the various Secession and the Change of space. And the various interpretation of the flexibility only can expressed in the relation of opposite concept: the assembly and the disassembly, the expand and the decease, the open and the close and the construct and the de-construct. Mathematics provide the resonable way in architectural thinking and endow the order as logical organizatiov. Regarding these facts, this research is for making it possible to consider the expression property of interior space combination as the way of understanding the accepting of the changes of the times with the mathematical induction, using the rational method like the mathematical arrangement organizatiov.

• 한국실내디자인학회논문집
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• 제13권2호
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• pp.10-19
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• 2004

In order to attain unique aesthetic value, diversity of meanings of Fusion Design, 'openness', requires meaning interpreting process(communication) which harmonizes and combines new codes suggested by authors(senders) and codes interpreted by public(receivers). For this harmony, we should consider all the art aspects(integration of synchronic and diachronic, anti-rationalism ideology, negative concept) that are bases of creativity of Fusion Aesthetics. Moreover, we can approach open thought system of Fusion Design through theories of Entropy and Rhizome. This point of view which allowed a categorical means of natural science theory to be used in design context changed a methodic or interpretative perception. Not only in art interpreting process does Fusion Design take openness as one of its necessary factors but also in creating process, which enables a work of art to be opened at the maximum. In conclusion, the significance of fusion design is to suggest an ideal model of communication abstracted from open art works.

• 대한수학교육학회지:학교수학
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• 제4권4호
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• pp.539-554
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• 2002

Mathematics is constructed by many signs, and learning mathematics involves the understanding and uses of them. This study reflects mathematical signs and their meanings, and considers how they can be introduced in learning. For these, we first investigated epistemological positions as Piaget, Vygotsky, anthropology, and interactionism. And we investigated semiotic models that Saussure and Peirce built each. Among these we adopted Peirce' triadic model that is consisted of interpretant, object (referent), and represen tamen(sign). In mathematic learning process, representations are transformed by translations and meanings are growed to the representation of another sign. And the meaning of sign grows by learner's interpretation. In terms of theoretical grounds, we settled that the understanding of mathematical signs involved the understanding of their representations and their meanings. On the foundation of above contents, we searched how we introduced signs to students and there were methods that approached to students representationally or inquiringly.

• 모자간호학회지
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• 제2권1호
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• pp.70-86
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• 1992

What is the meaning of menopause experienced by urban Korean women? Nurses need an under standing of menopause as it is experienced by women themselves. Nursing needs to build knowledge of womens' health experiences. This phenomenological study examined what menopause means to modern Korean woman to build a structure of knowledge useful for practice to enhance the quality of life of women throughout this experience. Traditional definition of menopause according to physiological changes, as illness and more recently as psychosociocultural phenomena were examined along with the folk lore information generally available in the society A review of the research and scientific literature was done from the perspectives of four models including the medical model of menopause as disease, the psychosocial model as positive and negative behavioral responses to menopause, a feminist model of menopause as a time of rebirth and a nursing model of the changing patterns of meaning, rythms and transformation women experience through menopause. Van Kaam's method was used to analyse data audio-recorded during interviews by the investigator with 65 women, 40 to 60 years of agey whose confidentility was assured. Interpretation of the data was enhanced luther by consultation with professional colleugues and with informants. Four rhythmical patterns of process emerged : from suffering to comfort, from oppression to freedom from being a good wife and wise mother to becoming a woman and from a hard life to an abundant life. The detailed common elements making up each of the four patterns and definitions of each pattern were presented. Each pattern was discussed critically from the point of view of medical, psychosociocultural, womens' and nursing models. The structural definition of the synthesis of the four process patterns was stated as : in spite of suffering the middle-aged urban Korean woman find she is able to help herself to feel comfortable and to realize release as she moves from oppression to liberation and freedom from being a good wife and wise mother she experiences rebirth as a woman : she begins to live a profitable and valuable life : her life becomes one of transformed abundant living. The definition transcends the medical and phychosociocultural model to embody a nursing model. The analysis was critiqued by using Parse' Human Becomming theory of nursing because the emerging themes were process patterns. Parse' theory provides and explanation of the experience of menopause consistant with the data which enhances nursing understanding of womens' experience of menopause. Parse' practice methodology provide guidance for promoting womens' quality of life throughout the experience of menopause. Feminist analysis contributes valuable critique to nursing research, richly expanding the perspective from traditional approaches to promote understanding of the meaning of womens' health experiences.

• 한국융합학회논문지
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• 제9권7호
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• pp.155-162
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• 2018

본 연구는 광고 이미지와 텍스트를 활용한 광고 제작 수업을 통해 광고 이미지와 텍스트의 관계를 탐구하고, 학생작품을 롤랑 바르트의 기호학으로 분석하였다. 제작자의 의도보다는 감상하는 수용자의 해석에 중점을 둔 바르트의 해석에 따라, 수용자로서 작품을 해석하였으며. 학생들이 작품에 어떤 의미를 담아 제작하였는지 사회 문화적 의미에서 분석하였다. 수업은 총 4차시로 D고등학교 1학년 2개 학급 총 64명을 대상으로 진행되었다. 광고 제작 수업 후 학생들의 광고작품을 기호학 입장에서 분석한 결과는 다음과 같다. 첫째, 바르트의 기호학 모형으로 분석한 결과, 학생들이 의도가 광고 이미지와 텍스트의 기호가 되어 의미작용을 하였다. 둘째, 광고 이미지와 텍스트가 서로 보완하는 역할을 하며 의미를 구성하는 상호관계성의 특성이 있다. 셋째, 학생들의 광고에 내재되어 있는 사회 문화적 의미를 끌어냄으로 그들의 가치관과 관심사를 발견할 수 있다.

• 한국언어정보학회지:언어와정보
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• 제8권1호
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• pp.163-182
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• 2004

Since metaphor was proposed to be a matter of thought instead of language over two decades ago, the research in this area has made most of its progress by the cognitivists. For the cognitivists represented by Lakoff, metaphor is not a mere poetic or rhetoric device, but is central to our everyday language. Furthermore, according to them, we categorize the world and break it into concepts mainly through metaphors, and truth conditions simply cannot account for metaphor. However, this cognitivists' view has been severely counterattacked by the truth-conditional semanticists. Their main criticism is that the cognitivists do not provide a way to go from our internal representations to the outside world. It is also criticized that the cognitive theory of metaphor as cross-conceptual domain mappings is too broad and general, and that they do not explain why a particular metaphorical expression should be subsumed under one mapping rather than another mapping, i.e., their schemes and structural relations are not predictive. In this context, the purpose of this paper is to propose a model for metaphor interpretation that combines the virtues of the two opposite views of metaphor. Truth-conditional semantics cannot ignore cognitive aspects of language, so-called states of affairs or mental representations, while cognitive theories cannot neglect vigorous representation of meaning with objective reality. This paper will try to present a preliminary outline of this combining model.

• 한국방재안전학회논문집
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• 제9권2호
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• pp.77-86
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• 2016

본 연구에서는 3차원 도시시설 정보모델의 상호운용성을 확보할 수 있는 표준 데이터 스키마인 CityGML을 이용하여 하수관망, 맨홀, 지형을 대상으로 3차원 정보모델을 생성하고, 정보모델을 통해 강우우수 유출해석을 수행하였다. 기존 GIS 기반의 2차원 구축 정보를 3차원 정보모델로 변환함으로써 도시시설물 정보를 의미정보와 형상정보로 나누어 관리할 수 있고, 강우해석 시 도시 강우해석을 위한 입력 값들을 정보모델을 통해 자동 생성하여 과거 수작업으로 수행하던 업무를 부분적으로 자동화가 가능하도록 하였다. 또한 강우 해석 결과와 정보모델을 연동시켜 침수 지역과 위치 및 침수수준을 자동으로 손쉽게 파악할 수 있는 가능성을 제시하였다.

• 정보관리학회지
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• 제21권4호
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• pp.265-279
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• 2004

본 연구는 정보의 유비쿼터스적 해석을 통해 도서관 정보서비스의 본질을 찾고자 하였다. 이러한 본질을 통해 도서관이 가져야할 정체성을 확립해 보고자 하였다. 연구방법으로는 정보의 유비쿼터스적 해석을 통해 정보문화사를 통한 도서관적인 행위와 도서관 정보서비스에 대한 해석을 시도하였다. 유비쿼터스라함은 인간이 모든 것을 주변에 두고자 하는 욕구 상태를 현실에서 실체화하는 행위를 의미한다. 정보는 유비쿼터스 상태로 존재하며, 도서관은 유비쿼터스 상태의 확장을 통해 진화되고 있다는 것을 확인하였다. 정보행위는 인류의 역사에서 계속 되어지고 있으며, 도서관 관념은 도서관적 행위 즉 생산, 축적, 가공, 배포에 의해 형성되었다. 도서관의 최종적인 목적은 이용자에 대한 정보서비스라는 점이 재인식 되었고, 정보시스템과 네트워크는 응용과 내재에 중점을 두어야 한다. 도서관은 유비쿼터스 상태의 확장을 통해 개별화된 이용자 중심의 서비스로 전환할 수 있는 모형 연구가 활발히 진행되어야 한다.

• 대한한의학원전학회지
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• 제34권3호
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• pp.101-123
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• 2021

Objectives : To examine the six positions correlation[六部定位] principle that is the basis of the wrist pulse diagnosis in the Neijing. Methods : The basis for argument was established by correcting an interpretation error of the theory of chi (尺) skin diagnosis. In order to accomplish this, the annotations of Yang Shangshan and Wangbing were investigated first, after which the specific meaning and methodology of the chi diagnostic method as written in many chapters of the Neijing were examined. The evidence and reasoning for the six positions correlation[六部定位] was looked into, in relation to Wangbing's annotation of the chapter, Maiyaojingweilun. The theoretical basis of the six positions correlation was searched throughout the entire Neijing, based on the correlation between Liuhe and the six positions, the five elements inter-supporting theory embedded in the six positions correlation as a diagnosis model that integrates zhangfu and meridians/channels, and the meaning of the spacial concepts used when describing the tactile technique within the chapter. Lastly, contents related to the five zhang channels within the Neijing were reviewed, to determine whether the six positions correlation was applied in wrist pulse taking Results & Conclusions : Some interpretations of the verse on matching the positions in the Maiyaojingweilun chapter of the Neijing are erroneous, while the argument that the three positions[cun-guan-chi] cannot be found in the Neijing is false as well. The wrist pulse taking in the Neijing is precisely based on the three positions correlation that divides the cun-guan-chi positions into three, and the correlation verse in the Maiyaojingweilun chapter clearly suggests the principle of matching the zhangfu and meridian/channels to the six positions of the cun-guan-chi of both left and right.

• 대기
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• 제21권4호
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• pp.455-469
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• 2011

The Chugudae is a pedestal for the Chugugi. While many Chugudae were made during the Joseon Dynasty period, seven remained in existence until the early 20th century. Only five of them remain to this day-Gwansanggam (Royal Office of Astronomy and Meteorology), the Seonhwadang in Daegu, the Changdeok Palace, Tongyeong, and Yeongyeongdang. The Changdeok Palace Chugudae is the only existing model made not only as a meteorological instrument but also as a memorial statue. It has been a challenge to decipher 41 of the 368 characters in 'Chugugi-myeong (The title of the inscriptions on the Changdeok Palace Chugudae)' as these had been eroded. However, the interpretation of the full text of 'Chugugi-myeong' became possible thanks to the "Cheoljae Jinjeok (澈齋眞蹟)" which was discovered through this study. The key sentences of the 'Chugugi-myeong' include the reason for creation, the size and functions of the Chugugi and a eulogy to the reigns of King Sejong, Youngjo and Jeongjo. Moreover, its splendid design is worthy of further study. To conclude its true meaning and value, the Changdeok Palace Chugudae requires a more extensive investigation from the viewpoint of an art history.