• 제목/요약/키워드: Materiality

검색결과 142건 처리시간 0.026초

근대주의 이후의 건축 공간의 변모 (A Study on the Architectural Space After Modernism)

  • 강혁
    • 건축역사연구
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    • 제16권2호
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    • pp.23-41
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    • 2007
  • The main purpose of this study is to reveal the properties and specialities of architectural space after Modernism. Space was the main theme of Modernity in architecture and they insist Modern architectural space had its own characteristics compared with the earlier period. With view that another paradigm of space is rising as a criticism of and departure from Modernity, this study try to show what is the contents of difference and how it express in reality. We can find a new trends in architectural spaces, that are the production of totally different circumstantial background as like information society, digital media environment, post structuralism, new science and heterotopian situation in urbanism. We can call it Post Modernity in architectural space that would find the 'Otheness' and expand the territory of architecture. It means not only the change of architectural space itself but also different cognition and perception of space is taking place. Contemporaru architectural space has lost its materiality and conventional socio-cultural functions. Dematerialization and media or image -like being is the new characteristics instead. It demands a new way of being in a different life-world as well as the new expenence of architecture.

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레스토랑 이용자의 선택 속성, 브랜드 이미지, 구매 행동 간의 구조적 관계에 관한 연구 (A Study on the Structural Relations among Choice Attributes, Brand Image, and Buying Action of Restaurant Customers)

  • 우문호
    • 한국조리학회지
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    • 제16권4호
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    • pp.151-162
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    • 2010
  • 본 연구는 레스토랑 이용자의 선택 속성, 브랜드 이미지, 구매 행동 간의 구조적 관계에 대해서 분석하였다. 본 연구를 위해서 레스토랑 이용자의 선택 속성, 브랜드 이미지, 구매 행동간의 구조적 관계를 방정식 모델을 이용하였으며, 150명의 레스토랑 이용자를 대상으로 설문조사를 실시하여 실증 분석을 수행한 결과, 다음과 같은 연구 결과를 얻었다. 첫째, 레스토랑 이용자의 접근성, 유형성, 친절성은 브랜드 이미지의 차별성과 구매 행동에 긍정적인 영향을 미쳤다. 둘째, 레스토랑 이용자의 접근성, 유형성은 브랜드 이미지의 친숙성과 구매 행동에 긍정적인 영향을 미쳤다. 셋째, 레스토랑 이용자의 유형성은 브랜드 이미지의 신뢰성과 구매 행동에 긍정적인 영향을 미쳤다.

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히로시 스기모토의 사진작품에 드러나는 무한성의 건축적 발현에 대한 연구 (Architectural Manifestation of Hiroshi Sugimoto's Photographic Infinity)

  • 안성모
    • 한국실내디자인학회논문집
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    • 제24권5호
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    • pp.31-41
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    • 2015
  • The objective of this research is to investigate the artistic meaning of "infinity," manifested by the fourth dimensional value in the genres of photography and architecture, by analyzing how Sugimoto Hiroshi's photographic spatio-temporal infinity transfers to his architectural approaches. The research is initiated by scrutinizing the themes, characteristics, techniques, and artistic meaning of Sugimoto's famous photographic series, including "Seascapes," "Theatres," and "Architecture"; the concept of infinity can be defined as infinite divergence and infinitesimal convergence between antithetical concepts in time, space, and being. Sugimoto's photographic works display "temporal infinity" by connecting ancient times, the present, and the future; "spatial infinity" by offering the potential for transformation from flat photographs into infinite three-dimensional space and fourth-dimensional concepts through time; and "existential infinity" of life and death by making us think about being and essence, being and time, and origin and religion. These perspectives are also used to analyze Sugimoto's architectural works, such as "Appropriate Proportion" and "Glass Tea House Mondrian." As a result, the research finds that in Sugimoto's architectural approaches, spatio-temporal infinity between antithetical values is manifested through the concept of origin, geometric form, extended axis, immaterial threshold, transparent materiality, and connectivity of light and shadow, provoking our existence to transcend into infinity itself.

Mies van der Rohe 건축에서 몸체에 드러남에 관한 연구 (A Study on the Revealing of the Corporality in Mies's Works)

  • 이병욱;김용승
    • 한국실내디자인학회논문집
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    • 제17권4호
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    • pp.58-65
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    • 2008
  • The purpose of this study is to explore the revealing corporality in Mies' architecture. The character of such technical materials refuses or weakens the physical reality of the wall by the thoughts concerning the unlimited space or continuous space in Modern architecture. The wall or facade revealed visually is substituted to substance without materiality or just disappeared. This causes a problem of perception of architectural form itself in Modern architecture. Leonardo suggested that all kinds of human perception happens within the visibility and touchability. Likewise, the corporality as a visual reality can be perceived as an important and fundamental value, which can measure the real being. In this respect, This study reviews his architectural meaning by tracing the visual reality in his works. Namely, the emphasis of architectural elements through the relief effect, the expression of massiveness through the reflection of the glass wall and the emphasis of the color through the contrast are interpreted in the intention of Mies to emphasize the visual corporality of the building. This study is to reevaluate the meaning of Mies's architecture through understanding of his thought about the architectural corporality, which has been forgotten by the transparency concept of Modern architecture.

전시공간의 하이퍼텍스트적 표현 경향 분석에 관한 연구 (A Study on the Trend Analysis on the Hypertext Representation of the Museum Space)

  • 김지인;윤갑근
    • 한국실내디자인학회논문집
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    • 제18권1호
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    • pp.64-71
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    • 2009
  • The modern society is rapidly changing through the development of computer network technology. By generation a collapse of boundaries between may important social institutions, computer networking has affected culture, economy and the physical environment. Because of this, people face a switchover from a simple society, to a compound society. It will also increase the diversity if society's demand, though, and experience. This change is not an exception in the exhibition space. People are more interested in civilized pastimes and also demand diverse thinking. So as a necessary consequence, the function of museum space Is offended and that there are various attempt to increase information and demand of that space. The purpose of this study is try to find a solution a countermeasure of modern society's mobile situation. Researchers analyzed structural qualities of Hyper-text; non-boundary, interaction and nonlinear and deduce nine kinds of methods to apply in space. Also, Researchers looked at the examples in museum space and derived like this expression way; dynamics, mobility, a non-materiality, continuity, complexity from analysis of expression way.

조건부 차이조사의 관리한계 결정: 다구찌 품질손실 개념의 응용 (Determination of Control Limits of Conditional Variance Investigation: Application of Taguchi's Quality Loss Concept)

  • 배후석;임채관
    • 품질경영학회지
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    • 제49권4호
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    • pp.467-482
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    • 2021
  • Purpose: The main theme of this study is to determine the optimal control limit of conditional variance investigation by mathematical approach. According to the determination approach of control limit presented in this study, it is possible with only one parameter to calculate the control limit necessary for budgeting control system or standard costing system, in which the limit could not be set in advance, that's why it has the advantage of high practical application. Methods: This study followed the analytical methodology in terms of the decision model of information economics, Bayesian probability theory and Taguchi's quality loss function concept. Results: The function suggested by this study is as follows; ${\delta}{\leq}\frac{3}{2}(k+1)+\frac{2}{\frac{3}{2}(k+1)+\sqrt{\{\frac{3}{2}(k+1)\}^2}+4$ Conclusion: The results of this study will be able to contribute not only in practice of variance investigation requiring in the standard costing and budgeting system, but also in all fields dealing with variance investigation differences, for example, intangible services quality control that are difficult to specify tolerances (control limit) unlike tangible product, and internal information system audits where materiality standards cannot be specified unlike external accounting audits.

솔크 생물학 연구소에 적용된 건물시스템 통합기법 분석에 관한 연구 (Analysis on the Building System Integration Methods of the Salk Institute for Biological Studies)

  • 최준성
    • 대한건축학회논문집:계획계
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    • 제34권7호
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    • pp.59-68
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    • 2018
  • Salk Institute for Biological studies is widely considered as architectural masterpiece of Louis Kahn's. Its iconic plaza with symmetrical concrete structures, overlooking the Pacific ocean in La Jolla, has been acclaimed as a facade to the sky. Little has been written on Kahn's achievements in the building system integration in order to bridge the gap between technology and design. This paper explores the technical issues, the design intents, and the major building systems to identify the Kahn's integration methods between building systems. The project is analysed into four major systems; structure, mechanical, envelope, and interior system. The integration methods of building systems are investigated in physical, visual, and functional aspects. The most distinguished cases of building system integration are the introduction of the interstitial floors between the laboratories and the creation of the smooth and warm materiality of exposed concrete walls. Kahn proposed open floor plans for the laboratories which are capable of easily adapting to changing needs. He also introduced the interstitial floors which are framed of the vierendeel truss systems and deliberately overlapped the structure systems with the mechanical systems such as ducts, water pipes, and electric conduits. The exposed concrete walls mixed with pozzolan ashes look very much like granite or limestone as the result of the physical and visual integration between structure, envelope, and interior systems.

욕망화된 사물읽기: Thing Theory와 선정소설 (Reading Projected Objects: Thing Theory and Sensation Novels)

  • 김희선
    • 영미문화
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    • 제18권2호
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    • pp.51-78
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    • 2018
  • To put it simply, thing theory is a study of meaningful capacities of materiality. Although T. S. Eliot regarded pathetic fallacy as the bad example of objective correlatives in his modernism poetry theory, it is clear that many objects in literary works reflect diverse human desires. Among many, Victorian sensation novels are the most distinct genre where the various paraphernalia in them indicate the distorted and exaggerated greed of the industrial revolution era. Whereas the male protagonists are usually related with the norms objects of authority such as portrait and locket, the female characters' connection with cosmetics and white dress shows their oppressed and fragile position in the patriarchal and hierarchical society. In the (post)modern society, the ambiguity of things has grown rapidly due to the increasing discrepancy between objects and things. In special, the new journalism and the psychological realism novels often reveal the post-truth phenomenon because consumerized audience depend more upon the attraction and affect than the mere evidence and facts. For the individual, according to object relations theory, these alternative facts are rather internalized into their mind as the internal object when they are motivated by the non/contact with primary caregivers in their childhood. The dominant material imagery in (post)modern fiction becomes the site of resistance because of their reconstructed and extended meaning. The object relations theory and thing theory can be effectively used to uncover the complicated meanings of desired objects by using the human-object's meaningful relations and early mental images that are secretly alive still in the present.

Things That Might Occur When Objects Show Up: A Story of Life of Things and Their Ethics in Wordsworth's Early Works

  • Joo, Hyeuk Kyu
    • 영어영문학
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    • 제64권3호
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    • pp.383-401
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    • 2018
  • Wordsworth is a poet who thought seriously about problems of human's relation to the world as perceiving subjects. What he calls "the life of things" illustrates the enabling power of things and their vitalities at play in excess of human elements. Drawing on this, he provides insights into vital materialities that act upon, and are acted upon by, the collaborative circulation between human and nonhuman agency. This paper aims to reinvigorate the debate about Wordsworth's ethics of things in terms of such critical notions as things, objects, agency, and nonhumans in an attempt to explain what he envisions as new environmental realities built upon nonhierarchical, collaborative relationships between all participants. From the vantage point of things, we see clearly what has been neglected in the New Historicist critical method. It holds fast to the conceit that humans are entitled to have sole agential legitimacy, disregarding the vibrancy of things. They opt for the objectified matter or the (re)presented state of things. But in terms of Wordsworth's life of things, all participants have equal amounts of agency regardless of their forms and for that reason humans are expected to respect other things' sovereignty. Through encounters with things, things in their thingness show up for us, only to reveal the ineradicable rupture between themselves and their objectified forms.

개인정보보호 거버넌스의 효과적인 구현을 위한 핵심성공요인에 관한 연구 (A Study on Critical Success Factors for Implementing Governance of Personal Information Protection)

  • 김정덕;황수하
    • 정보보호학회논문지
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    • 제21권5호
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    • pp.197-203
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    • 2011
  • 개인정보보호 이슈는 더 이상 정보처리 부서의 문제가 아닌 전사적이며 비즈니스 문제로 인식하여야 제대로 해결할 수 있다. 이러한 문제 성격 때문에 개인정보보호를 위한 최고경영층의 역할 및 책임을 강조하는 거버넌스 이슈가 최근 강조되고 있다. 따라서 본 논문에서는 개인정보보호 거버넌스의 개념을 정의하고 이를 효과적으로 구현하기 위한 7가지 성공요인을 도출하였다. 도출된 핵심성공요인은 실현가능성과 중대성 측면에서 포커스 그룹 인터뷰를 통해 검증하였다.