• The Journal of the Acoustical Society of Korea
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• v.28 no.7
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• pp.618-629
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• 2009

The MPEG-4 Audio Lossless Coding (ALS) standard belongs to the family MPEG-4 audio coding standards. In contrast to lossy codecs such as AAC, which merely strive to preserve the subjective audio quality, lossless coding preserves every single bit of the original audio data. The ALS core codec is based on forward-adaptive linear prediction, which combines remarkable compression with low complexity. Additional features include long-term prediction, multichannel coding, and compression of floating-point audio material. This paper describes the basic elements of the ALS codec with a focus on prediction, entropy coding, and related tools and points out the most important applications of this standardized lossless audio format.

• Journal of The Institute of Information and Telecommunication Facilities Engineering
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• v.5 no.1
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• pp.1-11
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• 2006

Lifting scheme based integer transforms provides very useful properties on the multimedia coding. An integer transform outputs the integer form when the input has integer value. This doesn't produce quantization errors on coding, so integer transforms are adequate to lossless coding, In this paper, we present an integer DCT algorithm which is able to transform audio signal with longer length. Also the proposed method can be easily implemented recursively even though input is long time. We present the method to overcome the poor approximation which is produced by recursive lifting step. And we have applied the proposed integer DCT to lossless audio coding.

• The Journal of the Acoustical Society of Korea
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• v.27 no.1
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• pp.18-25
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• 2008

In this paper, new lossless coding method of spectral coefficients for audio codec is proposed. Conventional lossless coder uses Huffman coding utilizing the statistical characteristics of spectral coefficients, but does not provide the high coding efficiency due to its simple structure. To solve this limitation, new lossless coding scheme with better performance is proposed that consists of bit-plane transform and run-length coding. In the proposed scheme, the spectral coefficients are first transformed by bit-plane into 1-D bit-stream with better correlative properties, which is then coded intorun-length and is finally Huffman coded. In addition, the coding performance is further increased by applying the proposed bit-plane coding selectively to each group, after the entire frequency is divided into 3 groups. The performance of proposed coding scheme is measured in terms of theoretical number of bits based on the entropy, and shows at most 6% enhancement compared to that of conventional lossless coder used in AAC audio codec.

• Proceedings of the IEEK Conference
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• summer
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• pp.114-117
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• 2004

This paper proposes a novel algorithm for hybrid lossless audio coding, which employs integer discrete cosine transform. The proposed algorithm divides the input signal into frames of a proper length, decorrelates the framed data using the integer DCT and finally entropy-codes the frame data. In particular, the adaptive Golomb-Rice coding method used for the entropy coding selects an optimal option which gives the best compression efficiency. Since the proposed algorithm uses integer operations, it significantly improves the computation speed in comparison with an algorithm using real or floating-point operations. When the coding algorithm is implemented in hardware, the system complexity as well as the power consumption is remarkably reduced. Finally, because each frame is independently coded and is byte-aligned with respect to the frame header, it is convenient to move, search, and edit the coded data.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.47 no.3
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• pp.87-95
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• 2010

Portable multi-media products which can service the highest audio-quality by using lossless audio codec has been released and the international lossless codecs, MPEG-4 audio lossless coding(ALS) and MPEG-4 scalable lossless coding(SLS), were standardized by MPEG in 2006. The simple profile of MPEG-4 ALS, it supports up to stereo, was defined by MPEG in 2009. The lossless audio codec should have low-complexity in stereo to be widely used in portable multi-media products. But the previous researches of MPEG-4 ALS have focused on an improvement of compression ratio, a complexity reduction in multi-channels coding, and a selection of linear prediction coefficients(LPCs) order. In this paper, the complexity and compression ratio of MPEG-4 ALS encoder is analyzed in simple profile of MPEG-4 ALS, the method to reduce a complexity of MPEG-4 ALS encoder is proposed. Based on an analysis of complexity of MPEG-4 ALS encoder, the complexity of short-term prediction filter of MPEG-4 ALS encoder is reduced by using the low-complexity filter that is proposed in previous research to reduce the complexity of MPEG-4 ALS decoder. Also, we propose a joint coding decision method, it reduces the complexity and keeps the compression ratio of MPEG-4 ALS encoder. In proposed method, the operation of joint coding is decided based on the relation between cross-correlation of residual and compression ratio of joint coding. The performance of MPEG-4 ALS encoder that has the method and low-complexity filter is evaluated by using the MPEG-4 ALS conformance test file and normal music files. The complexity of MPEG-4 ALS encoder is reduced by about 24% by comparing with MPEG-4 ALS reference encoder, while the compression ratio by the proposed method is comparable to MPEG-4 ALS reference encoder.

• Journal of Korea Multimedia Society
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• v.11 no.11
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• pp.1480-1490
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• 2008

Design of a linear predictor and matching of an entropy coder is the art of lossless audio coding. In this paper, we use the covariance method and the Choleskey decomposition for calculating linear prediction coefficients instead of the autocorreation method and the Levinson-Durbin recursion. These results are compared to the polynomial predictor. Both of them, the predictor which has small prediction error is selected. For the entropy coding, we use the Golomb-Rice coder using the block-based parameter estimation method and the sequential adaptation method with LOCO-land RLGR. The proposed predictor and the block-based parameter estimation have $2.2879%{\sim}0.3413%$ improved compression ratios compared to FLAC lossless audio coder which use the autocorrelation method and the Levinson-Durbin recursion. The proposed predictor and the LOCO-I adaptation method could improved by $2.2879%{\sim}0.3413%$. But the proposed predictor and the RLGR adaptation method got better results with specific signals.

• Proceedings of the IEEK Conference
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• 2002.07c
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• pp.2063-2066
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• 2002

In this paper, we propose a structure far lossless audio coding method. Prediction model is used in the wavelet transform domain. After DWT, wavelet coefficients is quantized and decorrelated by prediction modeling. The DWT can be constructed to critical bands. We can get a lower data rate representation of audio signal which has a good quality like the result of perceptual coding. Then the prediction errors are efficiently coded by the Golomb-coding method. The prediction coefficients are fixed for reducing the computational burden when we find prediction coefficients.

• ETRI Journal
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• v.29 no.1
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• pp.103-106
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• 2007

Pilot-based coding (PBC), which is used for lossless bit rate reduction of audio coding, has been recently proposed for MPEG Surround. We propose extended PBC for further lossless bit rate reduction of MPEG Surround. Extended PBC selects the number of pilots depending on the parameter band number and the type of spatial parameter. It then encodes the pilots and the relevant difference data. Experiments show that extended PBC is more effective than the original PBC, especially for high bit rate modes, with a negligible complexity increase on the decoder side.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.41 no.6
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• pp.253-260
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• 2004

This paper proposes a novel algorithm for hybrid lossless audio coding, which employs an integer wavelet transform and a linear prediction model. The proposed algorithm divides the input signal into flames of a proper length, decorrelates the framed data using the integer wavelet transform and linear prediction and finally entropy-codes the frame data. In particular, the adaptive Golomb-Rice coding method used for the entropy coding selects an optimal option which gives the best compression efficiency. Since the proposed algorithm uses integer operations, it significantly improves the computation speed in comparison with an algorithm using real or floating-point operations. When the coding algorithm is implemented in hardware, the system complexity as well as the power consumption is remarkably reduced. Finally, because each frame is independently coded and is byte-aligned with respect to the frame header, it is convenient to move, search, and edit the coded, compressed data.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.135-138
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• 2001

오늘날 오디오 포맷의 대부분은 마스킹 효과를 이용한 손실 압축 기법(lossy coding)이다. 그러나 고음질을 요구하는 매니아가 있고 DVD등 차세대 멀티미디어 포맷으로 무손실 오디오 압축기법이 요구되고 있고 이를 위해 일반적인 무손실 데이터 압축방법인 PkZip 등으로 압축할 경우 압축비가 약 1.07:1 밖에 되지 않으므로 적절하지 못하여, 디지털 오디오 데이터를 위한 무손실 압축 알고리즘의 연구가 필요하게 되었다. 본 논문에서는 플래이밍(Framing), 상호상관제거(intrachannel decorrelation), 엔트로피 코딩(Entropy coding) 의 세가지 단계로 구성되는 일반적인 오디오 무손실 압축 기법을 효율적으로 압축하기 위해 wavelet transform을 적용한 알고리즘은 제안한다.