광복 후부터 1950년대까지 한국에서 활동한 외국인이 본 한국미술 (Korean Art from the view of foreigners in Korea from the period of independence to 1950s)
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- 미술이론과 현장
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- 제4호
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- pp.123-144
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- 2006
Foreigners who arrived in Korea after the age of enlightenment were Japanese, Chinese and 'Westerners' who were Europeans and Americans. The westerners were diplomats who visited Korea for colonization or for increasing their economical profits by trading after the spread of imperialism, and tourists curious of back countries, artists, explores and missionaries to perform their roles for their religious beliefs. They contacted with Korean cultural and educational people as missionaries and instructors during Japanese colonial period. In 1945, the allied forces occupied Korea under the name of takeover of Japanese colony after Japan's surrender and the relation between foreigners and Korean cultured men enter upon a new phase. For 3 years, American soldiers enforced lots of systems in Korea and many pro-American people were educated. This relationship lasted even after the establishment of the government of Korean Republic and especially, diplomats called as pro-Korean group came again after Korean War. Among them, there were lots of foreigners interested in cultures and arts. In particular, government officials under American Forces who were influential on political circles or diplomats widened their insights toward Korean cultural assets and collected them a lot. Those who were in Korea from the period of independence to 1950s wrote their impressions about Korean cultural assets on newspapers or journals after visiting contemporary Korean exhibitions. Among them, A. J. McTaggart, Richard Hertz and the Hendersons were dominant. They thought the artists had great interests in compromising and uniting the Orient and the West based on their knowledge of Korean cultural assets and they advised. However, it was different from Korean artist's point of view that the foreigners thought Korean art adhered oriental features and contained western contents. From foreigners' point of view, it is hard to understand the attitude Korean artists chose to keep their self-respect through experiencing the Korean war. It is difficult to distinguish their thought about Korean art based on their exotic taste from the Korean artists' local and peninsular features under Japanese imperialism. We can see their thought about Korean art and their viewpoint toward the third world, after staying in Korea for a short period and being a member of the first world. The basic thing was that they could see the potentialities through the worldwide, beautiful Korean cultural assets and they thought it was important to start with traditions. It is an evidence showing Korean artists' pride in regard to the art culture through experiencing the infringement of their country. By writing about illuminating Korean art from the third party's view, foreigners represented their thoughts through it that their economical, military superiority goes with their cultural superiority. The Korean artist's thought of emphasizing Korean history and traditions, reexamining and using it as an original creation may have been inspired by westerners' writings. 'The establishment of national art' that Korean artists gave emphasis then, didn't only affect one of the reactions toward external impact, 'the adhesion of tradition'. In the process of introducing Korean contemporary art and national treasure in America, different view caused by role differences-foreigner as selector and Korean as assistant-showed the fact evidently that the standard of beauty differed between them. By emphasizing that the basis to classify Korean cultural assets is different from the neighborhood China and Japan, they tried to reflect their understanding that the feature of Korean art is on speciality other than universality. And this make us understand that even when Korean artists profess modernism, they stress that the roots are on Korean and oriental tradition. It was obviously a different thought from foreigners' view on Korean art that Korean artists' conception of modernism and traditional roots are inherent in Korean history. In 1950s, after the independence, Korea had different ideas from foreigners that abstract was to be learned from the west. Korea was enduring tough times with their artists' self-respect which made them think that they can learn the method, but the spirit of abstract is in the orient.
우리나라 남해산 참굴과 서해산 참굴의 형태학적 특성이 단순한 생태학적 요소에 기인하는지 또는 유전학적 요소에 근거를 두고 있는지를 규명하는 한 방도로 1968년 중에 채묘된 남해 해역의 통영
연구목적: 폐암은 생불학적 및 병리학적인 특성에 따라 비소세포폐암과 소세포폐암으로 구분되는데 전체폐암의 약 80%가 비소세포폐암으로 국소적인 폐암인 경우 수술적 치료가 절대적 완치 방법인데 조기에 발견하여 광범위한 절제로 치료된 경우에도 환자의 약 50% 정도만이 5년간 생존한다. 확실히 비소세포폐암에서 비슷한 병기의 환자들도 생존 가망성은 상당한 차이를 보인다. 이러한 상황이 보다 정확히 생존 가망성을 예측하고 각각의 환자에게 보다 효율적인 치료를 제공할 수 있게 도울 수 있는 새로운 예측 인자를 밝혀야 하는 필요성이 제기되었다. 정상적인 세포주기 뿐만 아니라 암종의 세포주기에 중요한 역할을 하는 cyclin D계중 하나인 cyclin D1이 세포주기에서 G1기에서 S기로의 전환을 유도하므로써 세포주기를 진행시키는데 유방암, 식도암 및 방광암에서 이의 과발현이 암발생에 중요한 요인이 되다는 보고가 있다. 이에 본 연구에서는 광범위 절제된 비소세포폐암에서 cyclin D1의 과발현이 예후에 미치는 영향을 알아보기 위해 연구를 시행하였다. 방 법: 1983년 1월부터 1995년 7월까지 한양대학교 부속병원에서 비소세포폐암으로 진단된 술전 병기 IIIa 이하인 환자 총 81예를 대상으로 치료적 목적으로 광범위 폐절제술을 통해 얻어진 술후 조직에서 cyclin D1에 대한 단클론성 향체를 사용하여 면역조직화화적 염색을 시행하고 더불어 병리조직학적 특정과 임상적 특정, 특히 생존률과의 연관성을 알아보았다. 또한 술후 환자의 예후적 인자를 최소한으로 줄이기 위해 술전에 방사선 치료나 항암제 치료를 받은 환자는 제외하였고 혼합형의 조직학적 진단이 이루어진 경우와 술후 l달 이내에 사망한 경우는 본 연구의 대상에서 제외하였다. 조직병리학적 병기 판정은 TNM 병기 판정 기준에 맞추었고 조직학적 특징은 WHO 표준 기준에 맞추었다. 결 과: Cyclin D1의 발현은 총 81예에서 시행하여 26에에서 발현되어 30.9%의 발현율을 보였고 각각의 조직형이나 병기, 암의 크기에는 통계적 차이를 보이지 않았으나 TNM 병기 판정에 따라 NO와 나머지 N1-3의 두군으로 나누어 비교할 때 cyclin D1에 따른 통계적 의의를 보였고(p=0.035) cyclin D1 양성 발현군의 평균생존기간은
우리사회에서 철을 자유로이 사용하게 된 것은 채 100년이 안 된다. 중세 이전 우리나라의 철 생산은 원시적인 행태를 벗어나지 못했다. 그러던 것이 "태종실록"의 기록에 따르면 1407년 전국적으로 대규모 철장[철광산] 증설을 시행하였는데, "세종실록지리지"에는 이 때 개발된 철장의 수를 전국적으로 78개 소였다고 기록하고 있다. 15세기에 편찬된 "농사직설"에 따르면 철재 농기구는 지주 등 일부만이 소유할 수 있는 중요한 재산이었음을 알 수 있다. 당시 가장 중요한 생산수단 이었던 농기구마저 지주 등 일부에게 한정되어 사용되던 시절이었기에 다른 용도로 철을 사용한다는 것은 많은 제약이 따랐다. 이러한 상황은 16세기 말~17세기 전반기에 거듭된 전쟁으로 관영수공업이 파괴되었으며, 국가로부터 제철업경영권을 위임 받은 '별장'이 세금을 내는 조건으로 철소(鐵所)를 사적으로 경영하게 되면서 획기적으로 변화하게 되었다. 조선시대 철비는 크게 현감, 관찰사 등 지방수령의 공덕을 기리기 위한 공덕비와 1684년 제작으로 서당을 운영하기 위하여 창립한 전남 진도 학계(學契)비 등의 사적(史蹟)비, 보부상 들이 세운 송덕비로 크게 나눌 수 있다. 철은 과거 부의 상징이자 나무나 돌에 비해 강하고 영원하다는 믿음의 대상이었다. 때문에 중요한 공덕비 건립이나, 맹세의 상징으로 철비를 건립하게 된 것이다. 뿐만 아니라 철은 동양사상에서 악한 것을 물리치고, 지기(地氣)가 강한 곳을 누른다는 비보풍수의 목적으로 사용되었는데, 철비가 세워진 가문은 최고의 영광이었다고 한다. 철비는 17~18세기 들어 제작이 급격히 증가하는 현상을 보인다. 이것은 선정을 베푼 수령의 증가가 아닌, 역설적으로 원성을 듣던 수령이 직접 세우는 사례가 증가하며, 부를 축적한 중인계층들이 양반으로 신분을 바꾼 후 조상의 정통성을 가공하기 위해 철비를 세우는 경우가 허다했다. 어떠한 이유로 철비를 제작하게 되었는지는 기록으로 남아 있지 않아 확인할 수 없으나, 오행(五行)사상과 관련 깊을 것으로 추정된다. 철은 곧 금(金)이다. 오행에 있어 '금'의 기운을 보면 '금'은 대지를 뜻하며, 그 색은 황금이며 황금은 모든 것을 포용하는 찬란한 휘광이다. 또한 금은 모든 쇠, 또는 철이기도 하기 때문에 음의 기운에 속한다. 금은 단단하고 변함없으며, 절대 부서지지 않는 강인한 기운을 지니고 있다. 이승이 양이라면 저승은 음이다. 이러한 오행사상과 철이 지니는 가치 때문에 철로 비를 제작했을 것으로 생각된다. 뿐만 아니라 조선시대에 들어서면 급격한 생산력의 증대가 이루어진다. 세종대 이후 농업기술의 발달에 기인한 바 크며, 17세기 이후 상업자본의 성숙과 함께 사대부와 견줄만한 재력을 모은 중인계층의 성장이 두드러진다. 이러한 사회여건 속에서 자신들의 권위와 부를 상징하기 위해 당시까지만 하여도 귀했던 철을 소재로 비를 건립한 것으로 판단된다.
The relics of the Southeast Asian civilizations in the first phase are found with the relics from India, China, and even further West of Persia and Rome. These relics are the historic marks of the ancient interactions of various continents, mainly through the maritime trade. The traces of the indic culture, which appears in the historic age, are represented in the textual records and arts, regarded as the essence of the India itself. The ancient Hindu arts found in various locations of Southeast Asia were thought to be transplanted directly from India. However, Neither did the Gupta Hindu Art of India form the mainstream of the Gupta Art, nor did it play an influential role in the adjacent areas. The Indian culture was transmitted to Southeast Asia rather intermittently than consistently. If we thoroughly compare the early Hindu art of India and that of Southeast Asia, we can find that the latter was influenced by the former, but still sustained Southeast Asian originality. The reason that the earliest Southeast Asian Hindu art is discovered mostly in continental Southeast Asia is resulted from the fact that the earliest networks between India and the region were constructed in this region. Among the images of Hindu gods produced before the 7th century are Shiva, Vishnu, Harihara, and Skanda(the son of Shiva), and Ganesha(the god of wealth). The earliest example of Vishnu was sculpted according to the Kushan style. After that, most of the sculptures came to have robust figures and graceful proportions. There are a small number of images of Ganesha and Skanda. These images strictly follow the iconography of the Indian sculpture. This shows that Southeast Asians chose their own Hindu gods from the Hindu pantheon selectively and devoted their faiths to them. Their basic iconography obediently followed the Indian model, but they tried to transform parts of the images within the Southeast Asian contexts. However, it is very difficult to understand the process of the development of the Hindu faith and its contents in the ancient Southeast Asia. It is because there are very few undamaged Hindu temples left in Southeast Asia. It is also difficult to make sure that the Hindu religion of India, which was based on the complex rituals and the caste system, was transplanted to Southeast Asia, because there were no such strong basis of social structure and religion in the region. "Indianization" is an organized expansion of the Indian culture based on the sense of belonging to an Indian context. This can be defined through the process of transmission and progress of the Hindu or Buddhist religions, legends about purana, and the influx of various epic expression and its development. Such conditions are represented through the Sanskrit language and the art. It is the element of the Indian culture to fabricate an image of god as a devotional object. However, if we look into details of the iconography, style, and religious culture, these can be understood as a "selective reception of foreign religious culture." There were no sophisticated social structure yet to support the Indian culture to continue in Southeast Asia around the 7th century. Whether this phenomena was an "Indianization" or the "influx of elements of Indian culture," it was closely related to the matter of 'localization.' The regional character of each local region in Southeast Asia is partially shown after the 8th century. However it is not clear whether this culture was settled in each region as its dominant culture. The localization of the Indian culture in Southeast Asia which acted as a network connecting ports or cities was a part of the process of localization of Indian culture in pan-Southeast Asian region, and the process of the building of the basis for establishing an identity for each Southeast Asian region.
목적: 기존치료에 반응하지 않는 다발성 간전이를 동반한 대장암 환자에서 방사선치료와 병합한 수지상세포 면역치료의 독성과 반응도를 조사하였다. 대상 및 방법: 2004년 5월부터 2006년 11월까지 다발성 간전이가 동반된 대장암 환자들 중에서 항암화학 요법에 반응하지 않은 환자 중 지원자를 대상으로 연구를 시행하였다. 본 임상 시험에 대하여 동아대학교병원과 부산대학교병원의 임상윤리심의위원회의 허가를 획득하였고, 동의서에 서명한 환자들을 임상 시험의 대상으로 등록하였다. 환자의 말초 혈액으로부터 수지상세포를 추출하여 배양하였다. 임상시험 일자에 맞추어서
The author believes that the main task of study in international trade usage and practice is the management of transactional risks involved in international sale of goods. They are foreign exchange risks, transportation risks, credit risk, risk of miscommunication, etc. In most cases, these risks are more serious and enormous than those involved in domestic sales. Historically, the merchant adventurers organized the voyage abroad, secured trade finance, and went around the ocean with their own or consigned cargo until around the
The purpose of the study is to evaluate the pollution level (gaseous and particle phase) in the public facilities for the PAHs, non-regulated materials, forecast the risk level by the health risk assessment (HRA) and propose the guideline level. PAH assessments through sampling of particulate matter of diameter < 2.5
The wall shear stress in the vicinity of end-to end anastomoses under steady flow conditions was measured using a flush-mounted hot-film anemometer(FMHFA) probe. The experimental measurements were in good agreement with numerical results except in flow with low Reynolds numbers. The wall shear stress increased proximal to the anastomosis in flow from the Penrose tubing (simulating an artery) to the PTFE: graft. In flow from the PTFE graft to the Penrose tubing, low wall shear stress was observed distal to the anastomosis. Abnormal distributions of wall shear stress in the vicinity of the anastomosis, resulting from the compliance mismatch between the graft and the host artery, might be an important factor of ANFH formation and the graft failure. The present study suggests a correlation between regions of the low wall shear stress and the development of anastomotic neointimal fibrous hyperplasia(ANPH) in end-to-end anastomoses. 30523 T00401030523 ^x Air pressure decay(APD) rate and ultrafiltration rate(UFR) tests were performed on new and saline rinsed dialyzers as well as those roused in patients several times. C-DAK 4000 (Cordis Dow) and CF IS-11 (Baxter Travenol) reused dialyzers obtained from the dialysis clinic were used in the present study. The new dialyzers exhibited a relatively flat APD, whereas saline rinsed and reused dialyzers showed considerable amount of decay. C-DAH dialyzers had a larger APD(11.70
The wall shear stress in the vicinity of end-to end anastomoses under steady flow conditions was measured using a flush-mounted hot-film anemometer(FMHFA) probe. The experimental measurements were in good agreement with numerical results except in flow with low Reynolds numbers. The wall shear stress increased proximal to the anastomosis in flow from the Penrose tubing (simulating an artery) to the PTFE: graft. In flow from the PTFE graft to the Penrose tubing, low wall shear stress was observed distal to the anastomosis. Abnormal distributions of wall shear stress in the vicinity of the anastomosis, resulting from the compliance mismatch between the graft and the host artery, might be an important factor of ANFH formation and the graft failure. The present study suggests a correlation between regions of the low wall shear stress and the development of anastomotic neointimal fibrous hyperplasia(ANPH) in end-to-end anastomoses. 30523 T00401030523 ^x Air pressure decay(APD) rate and ultrafiltration rate(UFR) tests were performed on new and saline rinsed dialyzers as well as those roused in patients several times. C-DAK 4000 (Cordis Dow) and CF IS-11 (Baxter Travenol) reused dialyzers obtained from the dialysis clinic were used in the present study. The new dialyzers exhibited a relatively flat APD, whereas saline rinsed and reused dialyzers showed considerable amount of decay. C-DAH dialyzers had a larger APD(11.70