• 비교문화연구
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• 제22권
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• pp.99-123
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• 2011

This paper extracted formal characteristics appearing repetitively in Kim Ji Heon's scenario works making a study of them and examined them from the perspective of the aspects of the confrontation between the author' external environments and the world of his creation. This viewpoint comprehensively implies the two aspects of the acceptance of public needs and the creativity his scenarios have in universal characteristics of the film and scenario community where he made his debut as a scenario writer and played activities most actively. In addition, we investigated how literary features are expressed concretely in the world of his works who has been evaluated as a writer with excellent 'literary value.' His scenario world whose base is humanity and existential questions also performs a function as the reading scenario by realizing one literary perfection in itself and poetic description rather than referential function as a film script, which indicates the aspects of values his scenarios have in the existing creation practice focused on story telling, and especially, in the case of "Manchoo-Late fall" it was found that it expanded the areas of literary value through the beauty of modern form. Through this analysis it is seen that the need was exposed to reconsider problematic recognitions that he was not able to be positioned properly as a writer despite the excellent literary values of Kim Ji Heon's scenarios. This study has a meaning as a start in our research climate where the research on Korean scenario writers is not made in an earnest way but it is necessary to keep making more thorough studies including other scenarios which are not organized into the collection of works, and it is also necessary to make a comparative study with cinematized film texts in our view.

• 영어영문학
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• 제57권3호
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• pp.367-389
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• 2011

The aesthetic attitude, in general or in particular, represented in matters of taste through aesthetic ideas and value judgments postulates a certain literary logic. And this literary logic reveals itself a sense of morality, philosophy, or moral aesthetic consciousness through the moments of act and thought demonstrated in the characters invented in literary works. Henry James, among many others, offers a very special cultural paradigm for transnational argument because of his diverse ways of shaping transatlantic relations in terms of aesthetic consciousness. And this international paradigm produced varied expressions referring to Henry James as "an American expatriate," "an Anglicized American artist," "a Europeanized aesthete," "a cosmopolitan intelligence," "a bohemian cosmopolitan" to designate his literary career and its characteristics shaped in Europe. Such expressions resonate with Transatlantic Sketches, James's first collection on travel and cultures in 1875 which heralded his long "expatriation" in terms of self-distantiation. James's temperament of mind, far from being always identified with shared values within an ideological framework, never avoided friction with fixed ideas but rather absorbed it fully for another friction which intervenes in his house of fiction. My question arises here regarding his cultural belonging or dislocation: where is the place of his mind or what could be his ultimate destination? In this essay, I'd like to define a place or rather the place of James's literary mind by proving a certain "sympathetic justice" for his literary logic. For this purpose, I'll try to examine: how James used transatlantic perspective, a spatio-temporal assessment to formulate his moral aesthetic consciousness; and how the aesthetic framework functions in assessing his literary logic of aesthetic consciousness. To start with the first argument, I'll analyze some essential aspects of aesthetic attitude of his characters to postulate a persona capable of theorizing James's aestheticism conditioned by the transatlantic context. And for the second argument, I'll examine how the persona functions in formulating a proper cultural stance of James's aesthetic consciousness in transatlantic perspective to illuminate the way of how Jamesian individuality reflects the American mind. This process of theorizing a place of James's own will lead, I hope, to our discovering James's ultimate destination on the assumption that it'll prove or create a certain "sympathetic justice" for his humanist aestheticism, a Jamesian absolute morality.

• 한국문헌정보학회지
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• 제55권2호
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• pp.25-50
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• 2021

범용의 문헌분류체계는 모든 주제분야를 포괄한다. 전체적인 분류체계는 문헌정보학 전문가가 구성하더라도, 개별 주제영역의 분류항목 구성과 전개는 해당 주제영역의 그것을 참고하는 것이 효율적이다. 전체 주제를 포괄하는 문헌분류체계가 각 주제분야에서 개발한 분류체계의 단순한 모음이 아닌 실용적인 분류체계가 되기 위해서는 각 항목에 배정되는 문헌량의 다과를 반영한 항목 설정과 세분이 필요하다. 분류항목의 설정에 있어 문헌량의 다과에서 항목 설정의 타당성과 근거를 찾는 것을 문헌적 근거(literary warrant)라 부른다. 본고에서는 한국십진분류법(KDC)에 전개된 각각의 분류항목에 어느 정도의 정보자원이 배정되고 있는지를 실증적으로 확인하고 이를 기반으로 향후 개정방안을 제시하고자 한다.

• 영어영문학
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• 제54권2호
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• pp.235-261
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• 2008

Countee Cullen has never been fully understood as a poet or as a man, for there existed certain ambiguities concerning his earlier life including family background. But a short but enormously important biography written by Shirley Washington, his niece, a daughter of his youngest sister, titled Countee Cullen's Secret Revealed by Miracle Book: A Biography of His Childhood in New Orleans, has at last come to shed some lights on his childhood which has never been disclosed by Cullen himself or anyone else. Now we can safely say that Countee Cullen was a combination of two personalities, James S. Carter, Jr. and Countee Cullen, In other words, he was a good example of a 'dichotomous personality.' Such disclosure of two conflicting personalities gives us a rare chance to re-examine his literary works. We can now put in perspective why in his first collection of poems Color Countee Cullen was so ironic, dark, cynic, and pessimistic about the life and the world. Also, we can understand why Cullen's response to the jazz was so complex and contradictory and in what ways he used artistic technique to conceal his own feelings. Thanks to Washington's biography, we are now able to locate the real cause of his failure to mature as a poet and of his failure to materialize what was promised in the beginning of his literary career.

• 한국도서관정보학회지
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• 제49권4호
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• pp.329-349
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• 2018

이 연구에서는 하와이대학교 해밀턴 도서관의 '스페셜 코리안 컬렉션(Special Korean Collecton)'에 주목하여 한국학 자료들의 실제적인 구축 현황을 살피고자 했다. 이 컬렉션에는 마샬 필(Marshall Pihl)의 희귀 도서와, 대학 기관인 '한국학센터(Center for Korean Studies)'가 수집한 자료들이 포함되어 있다. 본고에서는 이를 대상으로 첫째, 한국학 자료들의 실제적인 구축 현황은 어떠한가? 둘째, 학문 분야와 자료의 성격, 그 가치는 무엇인가? 등을 고찰하였다. 이러한 과정을 통해 자료적 가치를 해명하고, 한국학 자료 체계화의 필요성을 제기하였다, 이는 미주 지역뿐만 아니라 동북아시아, 러시아 및 중앙아시아 한국학 자료에까지 확산될 논의이기도 하다. 현재는 이주 초기 한국학 자료들에 대한 전반적인 검토가 부족한 상태라고 할 수 있다. 그 결과 연구사적으로 중요한 자료임에도 불구하고, 동포들의 학문 및 문학, 문화, 예술 등 각 분야에 걸친 자료들을 파악하지 못하고 있는 경우도 상당할 것으로 보인다. 결국 본고는 코리안 컬렉션의 체계화와 향후 방향성을 모색한 시론이라 할 수 있다.

• 복식
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• 제57권2호
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• pp.86-99
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• 2007

In this study, the concept of play as an entertainment is redefined and applicable method of fashion design as a play are suggested by analyzing the feature of doll's costume design based on the play pattern. In literary study, the role of playing doll Is described and has been examined by the analysis of scholars' opinions. In positive study, the pattern and costume design of sample costume dolls are analyzed using 624 samples of the representative images collected from the literatures and real figures, and they are classified as collection dolls or fashion dolls in order to analyze the feature of fashion design in playing dolls. As a result of the analysis of doll's costumes based on its use, the costumers are divided into a real world costume which is similar to what human wear in daily life and a virtual costume which is used in the movie or play and the costumes only worn by the dolls. The examination of the type of costume worn by dolls, dress is principally dominant costume in collection doll, whereas in fashion doll, dress is still mainly worn but shirt blouse & pants, shirt blouse k skirt, jacket, coat, bathing suit. etc. are shown dispersedly as well. In the costume silhouette of dolls, collection doll uses mostly A line silhouette meanwhile fit and flare is mostly used in the fashion doll but other silhouettes are also relatively shown a lot. In the means of the color of the costume worn by dolls, collection doll is more similar to those in actual fashion design. On the contrary, the color of the costume that fashion doll is put on is more free and more various because the trendy rotors such as green, yellow, purple, etc are used.

• 비교문화연구
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• 제48권
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• pp.325-359
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• 2017

영문학자 프랑코 모레티(Franco Moretti)의 연구는 문학의 여러 방면에서 두드러진다. 교양소설 혹은 성장소설에 관한 독특한 해석, 세계문학을 보는 새로운 시각, 디지털 아카이브를 구축하여 문학사를 다시 읽는 방법, 또한 그러한 거시적인 방법을 통해 던지는 사회비평 등등, 폭 넓은 시야와 심도 있는 분석으로 다방면에 족적을 남겼다. 본 논문은 모레티의 세계문학론을, 그가 제안한 '멀리서 읽기'(distant reading)라는 거시적 방법론과 그 사례들을 살피며 타진해보고자 한다. 그의 방법론은 문학사에서 잊힌 비정전을 포함하여 거시적인 아카이브를 구성하고, 그 안에서 반복적으로 등장하는 현상을 하나의 계열로 묶어, 그 패턴의 형태적 의미를 파악하는 방식이다. 이 방법이 구체적으로 적용된 사례가 "그래프, 지도, 나무"(Graphs, Maps, Trees)라는 책이다. 이에 본 논문은 그 책에 초점을 맞추어 그가 제시한 형태론적 세계문학을 비판적으로 이해한다. 비판의 시각은 매체론, 특히 한국문학의 매체론적 관점이다. 신문과 잡지와 같은 매체에 대한 관심은 괴테가 세계문학론을 제창했을 때부터 있었고, 특히 미국의 영문학에서는 최근 정기간행물 연구(periodical studies)라는 영역이 새롭게 개척되어 다시금 주목받고 있다. 또한 한국문학에서는 서구 문예 수입, 장르의 형성, 문학의 사상화(思想化), 출판시장의 분화, 작가 등단 제도 등 근대문학 형성에 있어서 신문과 잡지와 같은 정기간행물, 혹은 매체의 역할은 따로 떼어놓고 생각할 수 없다. 따라서 본 논문은 모레티의 세계문학론과 세계문학 연구를 위한 방법으로 제시된 '멀리서 읽기'를, 매체론의 한 사례인 한국 근대문학의 입장에서 바라보고, 그가 간과하고 있는 측면(문학지식의 계열화에 수반되는 물적 토대)에 근거하여 몇 가지 문제제기를 하려 한다.

• 한국도서관정보학회지
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• 제32권1호
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• pp.223-248
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• 2001

The purpose of this study is to analyze the problems of classified items by directly applying the domestic literary publications of agriculture field one by one and to present revision scheme having KDC as the subject of the study. In order to do this, I directly applied and analyzed KDC's 4th edition to the 5,400 literatures of agricultural field from the collection list database at the National Library of Korea. Revision scheme of KDC's agricultural field that's been made based on the above revision scheme tried to follow the basic classified systems and items of KDC's 4th edition, if possible, and in terns of necessary items, it includes only addition of cycles and the minimum subdivided extension.

• 한국도서관정보학회지
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• 제39권2호
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• pp.85-107
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• 2008

이 연구의 목적은 미국의 대학들이 수행하고 있는 "한 책" 독서운동의 유형별 특성을 파악하고, 이들이 대학 자체와 지역사회라는 공동체에 미치는 영향을 분석하는 것이다. 미국의 많은 대학들은 지역사회 "한 책" 독서운동에 파트너로서 혹은 주관기관으로서 참여하기도 하고, 또는 캠퍼스 내에서 전형적 "한 책" 운동 혹은 "공동독서 프로그램"을 진행하고 있다. 대학은 "한 책" 독서운동을 통해 대학이 보유한 도서관 컬렉션, 전문적 인력자원 및 캠퍼스 시설 등의 다양한 자원의 제공자로서, 또한 그 자체가 대학의 "아웃리치" 활동으로서, 그리고 대학도서관 및 다양한 학과, 연구소 부서, 부속기관 등이 참여하는 전문영역의 독서진흥활동으로서 지역사회에 기여한다. 또한 대학 안팎에 "문학 독서(literary reading)"의 중요성에 대한 인식을 보다 높이고, 캠퍼스 내에서 학생들의 공동체 의식 함양, 독서에 따른 학업효과의 증진 등 효과를 달성하고 있다.

• 복식문화연구
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• 제13권2호
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• pp.269-279
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• 2005

Okso, Keun Seob($1671\sim1759$) was descended from a noble family of Noreun(노론) and learned from his uncle, Keun Sang-ha who is a disciple of Song Si-Yeol, Kim Chang-hyeub and Kim Chang-heub. His $\lceil$Oksoko$\rfloor$ remains in the form of a transcription or a lithographic printing, and documents on 'Hakchangeui' are recorded in jabeui(잡의), Euijedogi(의제도기), which is a part of it. He left Seoul in 1714, settled in Chungpung, journeyed to many places, including the Hwang river area and Jecheon and led a literary and artistic life as Sadaebu(사대부), which was written in a collection of his works where the record about 'Hakchangeui', the most suitable clothes for the life of a retired scholar remains today to express one part of his life. This study introduces data about Hakchangeui written in $\lceil$Oksoko$\rfloor$, pursues the reason why Okso, Keun Seob told about it and intends to embody the figure of Hakchangeui based on the system, measure, material, and sewing method according to the records in a collection. Hakchaneui described in $\lceil$Oksoko$\rfloor$ reveals a structure that is different from old Hakchaneui, showing characteristics like the following. It is a Sadaebu's costume for field amusement in which the length of a former part is longer than that of a later part and the side seam of a garment rips. Black Yeon is attached to the white texture. Yeon widths of Git(collar), Sugu and Gil are varied, respectively. Yeon's figure attached to Gil and Somaejindong is a mountain. Git is Bangryeong and link parts between Git and Gil is connected with Sangchim. This Hakchangeui is considered to playas a gown because it has no string or support to adjust his dress. Especially we can identify that Hwayanggun(화양건) was used in this Hakchangeui.