• 인문언어
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• 제1권2호
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• pp.67-90
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• 2001

In the past few years, a trend has emerged emphasizing the interdisciplinary relationship between cultural and literary studies, and "memory" has been suggested as the central theme in this trend. According to Aleida and Jan Assmann, "memory" as collective memory (not individual recollection) has various functions and forms, of which communicative memory and cultural memory occupy opposite poles of a central axis. Whereas communicative memory relates to the living past shared among contemporaries, cultural memory relates to "recollected history" rather than factual history. Cultural memory finds transmission through symbolic media such as myths, festivities, and literary works. Literary works preserve critical and living memories as opposed to forgotten memories. In other words, literature should be better read as "criticism and memory" than "imitation and preservation." Works of literature are characterized by a turning away from repetition toward representation-the process of "making present" of what is past.

• 중국학논총
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• 제68호
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• pp.75-94
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• 2020

If 《Bailuyuan》 is a piece that reflects the trend of changing Chinese contemporary literature after the 1990 reform and the opening up of socialism, 《Taebaek Mountain》 is a literary masterpiece that shows the peak of the people and coincided with subject controversy in the 1980s. These two pieces of literature were based on a common experience swayed by the encroachment of Japanese imperialism, and they became best sellers in Korean and Chinese literary circles in the 1980s and 1990s. Based on their similarities, this paper focused on and took a closer look at character modeling in the two texts. In these books, the investigators also discuss how the main characters of Bailuyuan and Taebaek Mountain are portrayed, and how this portrayal strategically works to realize the theme of the text as well as the literary significance, value, and expected effects of the comparison between these two pieces of literary work.

• Acta Via Serica
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• 제2권2호
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• pp.29-46
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• 2017

Chinese literature once had its splendid era in the Tang and Song Dynasties culminating in Tang poetry and influencing the literatures of its neighboring countries. However, during the past centuries, it has largely been "marginalized" on the map of world literature. On the one hand, large numbers of foreign literary works, especially those from Western countries, have been translated into Chinese, exerting a huge influence on the formation of a sort of modern Chinese literary tradition. On the other hand, few contemporary Chinese literary works have been translated into the major foreign languages. With the help of the rise and flourishing of comparative literature, contemporary Chinese literature has been moving toward the world and had its own Nobel laureate. The author, after analyzing the reasons why Chinese literature has been "marginalized," argues that Chinese literature will develop steadily in the age of globalization. Globalization in China has undergone three steps: first, it has made China passively involved in this irresistible trend; second, the country has then quickly adapted itself to this trend; and third, China has started to play an increasingly leading role in the first decade of the present century. In this way, contemporary Chinese literature and comparative literature studies will steadily develop with the help of the "Belt and Road" initiative.

• 품질경영학회지
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• 제28권4호
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• pp.99-105
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• 2000

This paper attempts to apply Markove chain theory to literary works. the objective of this paper is to show the trend of authors and his works by way of Markovian Models. In this introductory research, it is useful to make simple criteria as virtue and evil, good and bad, justice and injustice, positive and negative, man and woman, etc. Markovian transition matrixes which are derived by M.L.E. and A.U.E are almost same. In case of Hamlet, we are able to know the author of Hamlet or his works are inconsistent and fickle.

• 영어어문교육
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• 제16권1호
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• pp.209-233
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• 2009

Many difficult literary texts have been disregarded by the teachers as well as the students in the EFL context. The abridged version, however, has its pedagogical usability when viewed as an extension of the literary text like movies and comic strips. Legible abridgments boost up the critical mind among the learners by enhancing their involvement in responding more actively to each class. In addition, to study an abridged version makes the future teachers accustomed to use it as a usable material. Abridgment has its efficacy in the literary study, too: reader-response criticism and narrative scholarship. First, the learners' creative engagement to the text encourages them to draw their personal experiences which are made up of the basic storyline. Second, a personal experience linked to the story has a relationship to narrative scholarship proposed in contemporary ecocriticism. Narrative scholarship is a new academic trend that merges the writer's personal experience in physical surroundings with the text which describes the same or similar natural environment. The role of teachers is a key to succeed in the abridged version pedagogy. They can facilitate a web of learner, text, and social context by providing a friendly atmosphere to encourage students' active participation, as well as supplementary materials of the original text.

• 디지털융복합연구
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• 제10권6호
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• pp.213-218
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• 2012

현대문학은 사회적 배경에 따라 그 시대적 상황을 표현하여 왔다. 즉 시대가 변하면 문학작품도 변화를 가져왔다. 따라서 우리는 현대문학을 통해 그 시대를 이해할 수 있고, 그 시대의 사회적 요구를 습득할 수 있다. 이러한 문학작품들은 정보통신의 발달에 따라 미디어 매체로 제작됨으로서 사용자들에게 보다 가까이 접근하는 계기를 만들어 주고 있다. 최근, IT 융합, 디지털 융합이라는 새로운 학문의 기류는 서로 다른 학문분야를 접목하여 보다 많은 시너지 효과를 가져 오고 있다. 따라서 본 논문은 현대문학작품들을 디지털화 하는데 필요한 온톨로지를 설계하고자 한다. 이를 위하여 시대별 문학작품의 구조를 분석하고 각 요소들과의 관계를 명세한다. 명세의 방법은 토픽맵을 이용하였다. 또한 각 관계 모델은 토픽벡터를 통해 연결을 명세하였다.

• 동양고전연구
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• 제62호
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• pp.67-85
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• 2016

본고는 원말명초(元末明初) 문학의 전개과정을 검토하면서 명대(明代) 초기 관각문학의 기틀을 다졌던 송렴(宋濂) 문학의 위치를 점검해 보았다. 그는 명대 문학사에서 도학자적 문학관을 견지했던 것으로 단순 요약되고 있지만, 그 과정은 그리 간단하지 않다. 본고는 문학론과 관련된 송렴의 글을 연대기적으로 분석함을 통해 그가 청 장년기까지도 진한고문(秦漢古文) 등의 고문사(古文辭)에 빠져 오랫동안 헤어 나오지 못했음을 밝힐 수 있었다. 송렴은 삼십 세에 스승 황진(黃?)과의 만남을 계기로 육경에 침잠하며 도학적 문예관을 가지게 되었지만 고문사의 유혹을 완전히 떨쳐버리지는 못했다. 오십 이후 주원장(朱元璋)을 도와 명 건국의 주역으로 참여하게 되면서 비로소 자신의 경세적 문학관을 실천적으로 확립하였고, 이후 자신의 도학적-경세적 문학관을 이론적으로 정립할 수 있었다. 그리고 이 과정은 또한 청 장년기 그 자신의 문학 수련의 주요한 대상이자 명초의 가장 중요한 문학적 전범이기도 하였던, "사기" 등의 진한고문을 부정하는 과정이기도 하였다. 요약하면, 원말명초의 격동의 시기에 송렴은 개인적, 시대적으로 문학관의 변화를 겪으며, 그 생애 말년에 육경 및 송대의 도학자와 한유(韓愈) 구양수(歐陽脩) 등의 당송고문을 성인(聖人)의 문(文)으로 통하는 치세의 문학으로 재정립함으로써 명대 문학의 이념적 좌표와 새로운 문학적 전범을 제시하고 있었던 것이다.

• 영어어문교육
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• 제4호
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• pp.269-284
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• 1998

The purpose of this thesis is to understand Henry Jame's theory of the novel and to clarify the importance of him as a theorist. He developed many literary techniques through his dozens of works. But it is more important that he is a theorist who established the unique theory of novel through his critical essays. I arranged Jame's early theories, focusing on "The Art of Fiction" that was one of his major essays written in 1884. His main idea was that the purpose of novel was to represent life. The "experience" that James emphasized was composed of characters, impression and consciousness. "Psychological Realism", which is Jame's unique realism, reflected his interests in the inner mind of man. James believed in the capacity of human imagination as the source of creative inspiration and its ability to perceive reality in a manner that is more intense and comprehensive and transform it into a more balanced and orderly ideality. Henry James always insisted on the importance of writer's imagination. Another important imagination in Henry Jame's novel is the character's imagination. It is closely related with the consciousness, the heart of the Jame's literary world. James devised the new form of novel as well as the possibility of representation of mind. At this point, it is said that James was the pioneer of literary criticism. He evoked the trend of the early 20th century.

• 척추신경추나의학회지
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• 제4권2호
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• pp.211-223
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• 2009

Objectives : The aim of this research is to analyze the current trend of the studies about eridian muscle and to provide background for further studies. Methods : Reviewing 33 domestic oriental medical studies about meridian muscle, and comparative analysis was made. These studies were classified by method, theme and subtitle. Results : 1. According to the classification by study method, number of literary studies are 22(67%), which is more than half, number of experimental studies are 5(15%) and clinical studies are 6(18%). 2. According to the classification by study theme in literary study, percentage of 'Structure amp; Movement of Meridian Muscle' took 64%, Theory study of Meridian Muscle' took 14%, 'Application of Concept of Meridian Muscle' took 14%, 'Treatment of Meridian Muscle disorder' took 9% arranged in order. 3. In 'Theory study of Meridian Muscle', there were not only literary approaches but also Deficiency-Excessiveness(虛實) and historical approaches. Study about 'Structure & Movement of Meridian Muscle' includes analysis of muscle and Myofascial pain syndrome. On this background, it is necessary to recognize the linkage and motion analysis of Meridian Muscle. Therefore, studies were changed into interpretation about Anatomy trains, analysis of motion. The study about 'Treatment of Meridian Muscle disorder' provided the various treatment method-Acupuncture, Manual therapy, Ashi(阿是)-point therapy, CHUNA therapy etc.- in literary study. The study about the 'Application of Concept of Meridian Muscle' has been performed in relation to Embedding Therapy, Kyungkuen chuna, Ki-gong therapy. 4. Experimental Studies were all Anatomical Studies. Studies were done in trial of discovering the actual existence, but revealed problem in interpretating the meaning of Meridian Muscle. 5. Clinical Studies based on Ashi(阿是)-point therapy CHUNA Muscles Along Meridians Release Therapy etc, were performed. Experimental studies about Meridian Muscle were assessed as low grade according to Jadad Scale. There were no studies which were based on well-organized Meridian Muscle theory. Conclusions : There needs to be more discussion about concept of Meridian Muscle and proceed more reliable experimental studies with organized Meridian Muscle theory. Further objective studies about treatment of Meridian Muscle should be done.

• 동양고전연구
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• 제62호
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• pp.9-35
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• 2016

이 논문은 송계나식(松桂懶湜)(1684~1765)의 "송계대선사문집(松桂大禪師文集)"에 나타난 문학 세계를 고찰하고자 하였다. 특히 선행 논문에서 미진하게 다루어진 사상적 면모와 그 시대성, 불가 내의 문학 교유 양상 및 문학지리학적 측면에 주안점을 두고 고찰하였다. 송계대사는 숙종~영조 연간에 안동 봉화사에 주석했던 인물로서 환성지안(喚醒志安)(1664~1729)과 낙암의눌(落巖義訥)(1666~1737)에게 참학하였다. 대사의 휘하에 많은 제자들이 있거나 저술을 남긴 것은 아니나, 조선후기 교학의 수준이 심화되는 과정에서 강원의 이력과정을 충실히 이수함으로써 자신의 사상적 기반을 마련했고, 화엄학을 연찬하여 "화엄경칠처구회품목(華嚴經七處九會品目)"을 편찬하기도 하였다. 만년에는 정토신앙에 귀의한 것도 확인된다. 이를 통해 대사의 삶과 저술, 사상적 경향이 선 화엄 정토의 삼문겸수(三門兼修)라는 18세기 한국 불교의 특징을 잘 반영하고 있음을 확인할 수 있다. 대사는 시문을 꾸준히 연마하여 자신의 문학 세계를 구축해 나갔고 그 결과가 문집에 반영되어 있다. 송계대사는 평생 수행자의 길을 걸어가면서도 한편으로는 조선후기 영남의 안동이라는 특정한 시공간에서 문사로서 자신의 정체성을 구현해 나간 인물로 그려볼 수 있다.