• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2003년도 봄 학술발표대회논문집
• /
• pp.174-175
• /
• 2003

• 한방안이비인후피부과학회지
• /
• 제5권1호
• /
• pp.101-111
• /
• 1992

• 인문언어
• /
• 제2권1호
• /
• pp.239-258
• /
• 2002

The paper develops the arguments as to how one should perceive modem theater and how one should categories it, not to mention how one may identify the traits of modern theater. The Contemporary Theater has changed in a way that it is no longer possible to define the genre relying on conventional definitions that we associated with it in the past. The paper in this regard proposes a perspective which by addressing the evolutions that one has seen in the theories of reception and other relevant literary fields may define the very nature of the theater as we Cow it today. The paper is largely based on the aesthetics of reception and the objectivity theory which is based on the decontextualisation, recontextualisation and contextextualisation method that is being more and more commonly used in the field of literary academics of today. The relevancy of this paper rests with the hypothesis that it is by and through using various theories of reception that it is the only true solution as to defining and identifying the characteristics of modem theater.

• 영어어문교육
• /
• 제12권2호
• /
• pp.41-59
• /
• 2006

As the late partner to science fiction, various experimental languages such as animal language, telepathic language, newly invented language, alien language often appear as "unexpected and frightened situations" in SF. Like generative semanticists, some SF writers daringly delve into the sacred mystery of semantics in language whereas others avoid the dream of a universal language by holding themselves to manageable data. Samuel Delany's description of the ideal telepathic universal language in Babel 17 shows us humans' dream to be like God by showing to us the new process of communication in the factual interplanetary environment. Similar to the mystery of alien language in SF, the baby's babbling reveals how language is both simple and complicated. Children's language shows us the changing process of a soul revealed by language use and it is no wonder that many languages of AIs in SF often borrow their source from children's language acquisition processes. In short, science fiction as the repository of tropes illuminates other literary language studies and other literary genres. Especially in terms of the futuristic study of linguistics, the relationship between science fiction and linguistics is much closer than we thought.

• 수완나부미
• /
• 제14권1호
• /
• pp.109-131
• /
• 2022

This paper compares the French Gustave Flaubert (1821-1880) and the Vietnamese Vũ Trọng Phụng (1912-1939), and explores transformations of their aesthetic experiences that led to the autonomization of French literary field in the nineteenth century and Vietnamese in the early twentieth century. Inspired from the term "archive" coined by Michel Foucault, this article argues that Flaubert, in abandoning the bourgeois tastes, contested realism and built his own writing ideology and style, which is called subjective realism. On the other hand, it also argues that Vũ Trọng Phụng, through the popular report genre, he gained success and evolved his own novel writing style, aptly called the realism of speech. It is ostensible that the transformation in the two authors' writing style and aesthetic experience was derived from the way they distanced themselves from their contemporaries' common tastes while making use of free indirect speeches, all with the aim of granting readers the autonomy of reading.

• 수완나부미
• /
• 제5권2호
• /
• pp.81-99
• /
• 2013

Đoạn tuyệt is the representative of not only Nhất Linh's literary life but also of the Tự Lực Văn Đoàn [Self-Strength Literary Group]. Đoạn tuyệt's contributions are emphasized in the following aspects: 1) critique of the feudal family model, 2) an advocate of female and individual liberation, 3) nationalistic content, though rather vague. Based on analysis of gender power relations in the masculinization of femininity exemplified in the character Loan of the novel, this paper addresses the following points: - In Đoạn tuyệt, the woman is eager to free herself from feudalist ties not to construct her own identity but to identify her with men's identities. - The construction of new feminine identities was conditioned in new rising discourses of Western modernity-based nationalisms in pre-revolutionary Vietnam. - The feminization of masculinity echoes the crisis of Vietnamese masculine in facing colonial power.

• 산경연구논집
• /
• 제12권11호
• /
• pp.1-8
• /
• 2021

Purpose: For the last few decades, human civilization has observed an enormous change due to digitalization. However, question remains whether and how management accounting has been transformed to meet the demand of the digitalization. This paper provides a literary illustration of such transformation in the context of a digitalized world. Research design, data and methodology: This is a conceptual study based on extant literature. Therefore, the secondary sources of materials were used. Materials include literatures published in this domain, archival documents, and other publicly available data. Results: Drawing from literary evidence, the paper first highlights the evolving character of management accounting. Then it illustrates the changing landscape in the milieu of global and institutional settings with a focus in accounting profession. It further demonstrates the digitalization impact in management accounting. Here it also identifies the changing role of management accountants. Conclusions: The paper is critical for the management accounting professionals in identifying the attributes and nature of management accounting in the contemporary world. It also provides a sketch of the potential skillset that management accounting professionals should embrace to tackle the challenges of the new environment.

• 비교문화연구
• /
• 제47권
• /
• pp.27-51
• /
• 2017

본고는 패전 후 일본의 대표적인 문예재판인 '채털리 재판'을 중심으로 평화헌법(신헌법)이 보장하는 인권을 사수하려고 하는 변호인 측과 검찰 사법권으로 대표되는 공권력과의 대립을 판결문을 중심으로 고찰한 것이다. 판결문을 통해서 드러나는 재판소의 외설문서의 판단기준은 '성행위의 비밀성'과 '사회통념'인데, 이들을 판단할 때 재판소는 편파적이고 애매한 기준을 부여하고 있다. 또한 재판소는 이 작품의 예술성과 외설성에 대해서 양자는 전혀 다른 차원의 것임을 인정하면서도 예술성을 공공의 복지를 기준으로 공권력인 재판소가 판단해야 한다고 주장한다. 이에 대항하여 변호인 측은 평화헌법이 보장한 표현의 자유는 무제한적이며, 중요한 것은 작품의 내용이 비인도덕인지 아닌지 라고 역설하였다. 이러한 변호인 측의 주장은 패전 이전의 상황을 연상시키는 공권력에 맞선 것으로, 단지 풍속 단속에 대해서 항의하는 차원이 아닌 과거의 일본을 재현하지 않으려고 한 투쟁이었다고 할 수 있다.

• 비교문화연구
• /
• 제31권
• /
• pp.241-262
• /
• 2013

In this study, we select and analyze the slang that is represented in Elistratov's "Dictionary of Russian slang". Through the above analysis, some conclusions were drawn as follows: First, as a social and psychological phenomenon appears universal in all languages, the study of slang generates strict criteria for the analysis. Unlike literary language, listed in the dictionary slang expressions can become obsolete for their short period of usage by native speakers. Therefore, in the following research of the actual data, we have to validate words targeted for analysis. Second, as the result of the analysis it is metaphor for the most part studied rather than metonymy. The semantic derivations as a result of metonymy are used very frequently in real life. But in this study we mainly analyze words, therefore the number of words was less in metonymy than was expected. Third, the basic types of metaphor are appeared as similarity by form, function, and location, and there are varieties of intervening of subjectivity in similarity of emotional impression. Fourth, the metonymy is divided into three cases: the part meaning the whole, the whole meaning the part, and some thing meaning the reality of where it exists. Fifth, not only literary language, but also slang as the 'transitional process' is the most active way of development of new meanings, and there are two methods to transfer main meaning to second meaning.

• 비교문화연구
• /
• 제29권
• /
• pp.201-232
• /
• 2012

In the world history in the rein of totalitarianism cultural project of government had been activated, and consequently of it official culture had been organized. But at the same time on the other side of it people('narod'), who didn't have cultural means for active expression of own opinion on the reality, had expressed world-view and judgement informally in everyday language. In the literature of autocracy, subjected to censorship, had been expressed and fixed mythically idealized image of sovereign and his works. But in the folklore the image of ruler had been created by liberal fantasy of people. This article examined russian literature and folklore texts of 18 century, when russian people suffered from rapid and dramatic changes, caused by Peter I. Although russian literature of 18 century had gone over to the new literary regime, it still accepted political mechanism as dominant of age, and consequently in the literary texts of this century Peter I was represented as ideal person and great monarch. But various images in folklore texts show that people's opinion on ruler and his activities couldn't be controlled. In other worlds, diverse images of Peter I in folklore texts reflect clear and plain historical consciousness of people. This analysis reveals not only difference between mechanism of idealization of government and historical consciousness of people, but also meaning of cultural memory as indicator of historical reality.