• Journal of Korea Entertainment Industry Association
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• v.15 no.5
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• pp.55-68
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• 2021

The purpose of this study is to analyze the characters and narratives of series films and to extract corresponding elements of film music to compare and analyze how musical elements were utilized. The scope of the study was analyzing the story structure and characters of the films "Mary Poppins" and "Mary Poppins Returns" and the corresponding film music. After comparing the contents of the film "Mary Poppins" and "Mary Poppins Returns," the film matched the film music equivalent to the similar scenes of the two films. As a result, seven of the 11 songs of "Mary Poppins" overlap with those used in similar narratives of "Mary Poppins Returns", and eight songs overlap in "Mary Poppins Returns". Seven songs from "Mary Poppins" and eight songs from "Mary Poppins Returns" can be divided into nine scenes in total when connected to a common narrative. Among them, "A Spoonful of Sugar" from "Mary Poppins", "Jolly Holiday", "A cover is not the Book" from "Mary Poppins Returns" and "Triple light fantastic" were overlapping songs with narratives. Based on this, it analyzes leitmotiv film music, focusing on characters from the films "Mary Poppins" and "Mary Poppins Returns." The common leitmotivs in the two films are Mary Poppins leitmotiv, Lesson leitmotiv, Lullaby leitmotiv, World leitmotiv, Chimney Sweeper leitmotiv, Up & Down leitmotiv, Chimney Sweeper leitmotiv, and Sky leitmotiv. The characteristic rhythm and pitch used in Mary Poppins leitmotivs were used in the overall song featuring Mary Poppins. Through this, the elements of music symbolizing Mary Poppins, a key figure, were matched to the films "Mary Poppins" and "Mary Poppins Returns" and modified according to the narrative flow. The analysis results of this work have theoretical significance in that it is necessary to analyze the narratives and film music of series films to discover common features and consider how they are matched in theoretical terms.

• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.33-34
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• 2018

영화는 시청각 예술이고 다양한 시청각적 기법을 활용하여 영화에서 이야기하고자 하는 주제를 전달한다. 형체가 없는 이야기는 시각과 청각을 통해 형상화되고 그 과정에서 나타나는 등장인물의 심리변화 역시 시청각적 도구를 활용해 표현할 수 있다. 본고에서는 영화 "펀치 드렁크 러브"를 연구대상으로 삼아 영화에서 숨겨진 심리를 표현하기 위한 음악적 기법 중 하나인 라이트모티브(Leitmotiv)를 통한 표현기법을 고찰한다. 이는 영화음악에서 인물 심리의 상징적인 표현에 대한 예시와 관점을 제시한다.

• Journal of the Korean Institute of Landscape Architecture
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• v.17 no.3
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• pp.49-57
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• 1990

In general, Taek-li-ji is noted for its reliable source in studies on the old korean culture. But when we examine it in detail, we can find its contrary propositions with regard to the context ; for the thematic question of the good place to settle, that is the leitmotiv of Taek-li-ji, opinion, in consideration of the place of good settlement, has the author the conclusion ; nowhere, but by means of "I Ging" can be found a good one - place of no place. In the text, we find some other questionable points. In means that the content of this book must be to make understandable and we need a solution of the contradiction in context. 1 think it might be intended by the author. In this study I have tried, the intention of the author to find and the context to review, in order to interpretate the text and to resolve its contradiction. And I have earned a hidden opinion of the author, the second intention of the book.

• The Journal of the Korea Contents Association
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• v.18 no.7
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• pp.120-126
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• 2018

The film is an audiovisual art and conveys stories using various audiovisual techniques. Among the auditory elements, music has a wide variety of expressive techniques, a wide range of applications, and is sometimes used as a proprietary tool to convey stories. This study examines the musical expression technique for expressing the psychology of the character in the film by using the movie "Punch Drunk Love" as a subject of study. We study the use of music used to reveal meaning that does not appear on the screen in the film story flow, which is a tool to create the hidden meaning of the person's inner psychology and situation. This provides an example and perspective of the contrast and symbolic expression of character psychology in film music.