• 한국의사학회지
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• 제25권2호
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• pp.1-10
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• 2012

The late Goryeo and Early Joseon period marks the development of Hyang-yak medicine in medical history in Korea. There have been not a few outcomes in organizing Hyang-yak medicine through the hitherto research works, but there has hardly any attempt to view the medicine in the late Goryeo and Early Joseon period from a different standpoint besides Hyang-yak. This writer, in the middle of doing research on 'Book for Alimentotherapy' named "Sikuisikgam", came to know that not a few parts of this book were quoted in a large volume of "Biebaekyobang" in the late Goryeo, "Hyangyakjipseongbang" which compiled the early Joseon Hyangyak medicine, "Uibangyuchi" which wrapped up the medical knowledge in East Asia before the early Ming Dynasty, and "Sikryochangyo" which was a representative book for alimentotherapy in the early period of Joseon Dynasty. The reason that the representative medical books written in the period of Late Goryeo and Early Joseon thought much of the knowledge contained in "Sikuisikgam" is that they showed a great concern for prevention and treatment of diseases through alimentotherapy. When we say that Hyangyak medicine, which has provided the Late Goryeo and Early Joseon medicine, bases its standard on 'Regionality' and 'Properties of Medicinal ingredients', then alimentotherapy puts its focus on a 'Remedial method' itself. As for food, they might have given priority to the food that was easy to get nearby, so there is no way for alimentotherapy but to have the realm which is overlapped with Hyangyak medicine in some measure, That's the very reason why alimentotherapy has remained inseparate from Hyangyak medicine. Through 'Alimentotherapy' and Late Goryeo and Early Joseon medical books, this writer thinks that it might be possible for us to take a view of the Late Goryeo and Early Joseon not only from the perspective of Hyangyak medicine but also from a new perspective of so-called alimentotherapy.

• 건축역사연구
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• 제33권1호
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• pp.45-60
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• 2024

This study aims to examine the cutting traces remaining on the bracket tie beams of Sungnyemun gate, identifying the tools employed during the late Goryeo to early Joseon periods by specific processes, and deliberating on the timber shaping techniques utilized in advanced architectural construction during the late Goryeo to early Joseon eras. Through the research, it was confirmed that in the production of Sungnyemun Gate's bracket tie beams during the 14th to 15th centuries, both the timber splitting and ripsawing methods were used in conjunction. Moreover, the wood finishing process revealed the use of a plane. It can be inferred that the characteristics of the plane used during that time were not significantly different from those observed in the later period of the Joseon dynasty. The ripsawing and plane finishing techniques were evident in various parts of the bracket tie beams of Sungnyemun gate across the reigns of king Taejo and Sejong, indicating that the techniques involving ripsaw and plane were already prevalent in the late Goryeo period. Consequently, it can be inferred that the ripsawing and plane finishing techniques might have been applied in the construction of prominent government buildings in Hanyang(Seoul), including Gyeongbokgung Palace, and in the residences of royalty and nobility after the establishment of the Joseon dynasty.

• 한국산학기술학회논문지
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• 제12권9호
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• pp.3815-3826
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• 2011

본 연구는 아직 잘 알려지지 않은 고려말 조선초의 상류층 여성복식을 고증하여 구체관절인형의상 세트를 시험제작하고 한국 문화상품의 아름다움을 알리기 위한 것이다. 고려말 조선초의 상류층 여성복식은 풍성한 실루엣, 원과 명 복식과의 융합, 옛 고려풍의 부활, 발달한 모시 직조기술, 불교문화 복식이라는 특성을 가진다. 13-14C의 문헌과 유물과 회화를 통한 연구자의 고증과 패턴제작 과정을 거쳐 총 8점의 아이템이 외주제작되었다. 각 아이템은 세트로 구성되었으나 소비자가 단품으로 선택할 수 있으며 다양한 조합이 가능하다. 인체와 특성이 다른 구체관절인형의 바디로 인해 부분적으로 다아트와 작은 고름이 첨가되고 강직한 직물이 사용되었다. 이후로는 기성품 생산을 위한 업체 시스템 개발 연구가 필요하다.

• 건축역사연구
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• 제27권3호
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• pp.43-58
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• 2018

This paper aims at researching on the substantial characters of the memorial address, namely the mookseo-myeongs(墨書銘), written at the members of the wooden buildings in the late period of Goryeo Dynasty and the early period of JoseonDynasty. In this paper, I pursued to declare the systematic origins by the comparison the Buddhist buildings with the other buildings, on the focused the written patterns. Furthermore, I tried to examine the transitional trends in the late period of Joseon Dynasty. The results are as follow: First, it is supposed that the mookseo-myeongs of the Buddhist buildings were not used for the a memorial address for the ceremony of putting up the ridge beam, so to speak the sangryang-muns(上樑文), but the prayer address(發願文) to memorize the donations of the believers for the constructions. Second, it is supposed that 'the short sangryang-muns' were originated in the mookseo-myeongs of Buddhist buildings and the other ancient prayer address. In the late period of JoseonDynasty, those were established in the formal literary styles. Third, to the early period of JoseonDynasty, 'the long sangryang-muns' were partially used in the several royal palaces. In the late, those were widely used not only in the royal palaces but also in Buddhist buildings, but those literary patterns were rarely changed from the former types.

• 복식
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• 제57권10호
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• pp.24-34
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• 2007

The purpose of this study is to examine the pieces of 100 fabrics excavated from unknown woman's tomb Incheon, by analyzing woven methods, names of the fabrics, the kinds and the shapes of the patterns. The characteristics to assume the period of the fabrics are as follows. The geumsundan which was woven peacock insignia at chest and back area was excavated for the first time from the tomb of Joseon. Peacock insignia woven with satin weave using supplementary golden wefts, wrapped gold thread. These kind of fabrics were usually imported in the $15^{th}$ century, according to the old documents, 'Nogeoldae' 'Joseonwangjosilrok' written at the end of Goryeo or early in Joseon. Thus, these relics are from about $15^{th}$ century. From this tomb, the mixture fabric of cotton and ramie are excavated. According to another excavated cases, the mixture fabric of cotton and ramie appears from the period before the Japanese Invasion of Korea in 1592, and after the invasion, there are usually mixture fabric of cotton and silk. This also tells that these fabrics show the characteristics of those from the early period of Joseon Dynasty. The rounded patterns of Jangot is only shown from the fabrics of late Goryeo Dynasty, and the cloud pattern of an upper garment with a squared neckline is shown from the early Joseon Dynasty. So, the patterns from these excavated costumes are ranged from the late Goryeo Dynasty to the early Joseon Dynasty. To assume the period through the overall study above, these relics show the characteristics of the $15^{th}$ century fabric.

• Acta Via Serica
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• 제2권1호
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• pp.85-108
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• 2017

This paper details the advance of the "Hui" (回) people to Korea and their socioeconomic activities in forming their own community during the late Goryeo and early Joseon period. Hui (回) or Hui Hui (回回) is generally recognized as representative of Muslim culture in Chinese and Korean sources. From the $8^{th}$ century, Korean-Muslim cultural relations accelerated as an outcome of ancient Chinese-West Asian commercial transactions along the Silk Road. These contacts between Muslims and Koreans on the Korean peninsula are borne out by references to Korea found in 23 Islamic sources written between the $9^{th}$ and $16^{th}$ centuries by 18 Muslim scholars, including Ibn Khurdadbih, Sulaiman al-Tajir, and Mas'ud1 i. Ibn Khurdadbih was the first Arab who wrote of Muslims' residence in the Unified Silla Kingdom (661-935CE). However, in the period of Silla, we could not find any reliable written documents in Korea to show encounters between Korea and the Muslim world. In the Goryeosa (GS) chronicle, Muslim merchants who came to Korea were described as "Daesik" (大食: Tashi). Daesik (Tashi) is most probably derived from "Tajir", which means "trader" in Muslim language. Muslims' mass influx and their wide ranging influence on Korean society manifested from the late $13^{th}$ century when the Goryeo Dynasty first came under Mongol control and afterward in the early $15^{th}$ century with the new dynasty of Joseon in Korea.

• 헤리티지:역사와 과학
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• 제54권3호
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• pp.168-191
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• 2021

1997년부터 2015년까지 진행된 회암사지 발굴조사 중 2001년에는 4단지 문지에서 사천왕상을 장식했던 것으로 추정되는 소조편들이 출토되었다. 회암사 사천왕상은 대대적인 중창 불사가 있었던 여말선초에 4단지 문이 건립되면서 조성되었던 것으로 본다. 따라서 회암사 사천왕상은 조선시대 사천왕상의 연원과 관련하여 중요한 단서를 제공할 것이다. 이에 이 글에서는 양주 회암사지 4단지 문에 봉안되었던 사천왕상의 특징 및 도상과 조성 시기를 살펴보았다. 이를 위해 우선 출토 소조편을 천왕문에 봉안된 조선시대 사천왕상들과 비교하여 각 편의 대략적인 위치와 기능을 밝혔다. 또한 4단지 문지의 크기와 평면 형태를 조선시대의 다른 천왕문과 비교하여 회암사 사천왕상은 입상이었을 것이며 그 크기는 또 다른 입상인 법주사 천왕문의 사천왕상과 비례했을 것으로 보았다. 회암사 중창의 역사를 고려했을 때 4단지 문의 건립 완공 시기는 1376년과 1473년의 두 시기 중 하나로 볼 수 있고 회암사 사천왕상의 조성 시기 역시 이와 연동될 것이다. 따라서 이 글에서는 출토 소조편 가운데 화염형 장식편은 조선시대 사천왕상 보관의 일반적인 장식 요소로서 고려시대에는 나타나지 않는 점에 주목하였다. 이 편의 존재는 회암사 사천왕상의 조성 시기가 고려시대보다는 조선시대일 가능성을 높이기 때문에 유구 분석을 통한 건축사 연구에서도 4단지 문의 건립 시기를 대체로 15세기 후반으로 보는 의견을 근거로 제시하였다. 15세기 후반에 조성된 것으로 추정되는 회암사 사천왕상은 이후 조선시대 사천왕상의 도상에 영향을 미치는 하나의 새로운 전통으로서 정립되었다는 점에 그 역사적 의의가 있다. 이는 또한 거꾸로 4단지 문지의 건립 시기를 15세기 후반으로 보는 건축사학계의 의견에 하나의 근거가 될 수 있을 것이다.

• 복식
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• 제63권1호
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• pp.27-41
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• 2013

This study is to examine the costumes of Gyeokgu in different situations and to suggest when and how they should be used in historical drama. Gyeokgu is a type of polo game that was played in Korea and it was also known as Gyeokbong and Bonghee. The accounts of the game show that it was played during the South-North period as recorded in Balhaego, Haedongyeoksa, and Goryeosa until the Joseon period. The scenes of Gyeokgu have been shown in some historical dramas in order to make the story exciting or to show the life of royalty. The costume of Gyeokgu in the South-North period should be suggested Danryeong(團領), Bokdu, and Haw(靴) in a formal situation. The Gyeokgu in the Goryeo period was a sport for royalty. So the Gyeokgu costume in the Goryeo period was required to be worn with Danryeong(團領), Bokdu, and Haw(靴) for the kings and military officers in the early Goryeo period and with Cheollik(帖裡), Balip or Huklip(黑笠), and Haw(靴) from the middle of the Goryeo period. Women could wear Chima(skirt), Jeogori(blouse), Pyo, and Li(履) when they play Gyeokgu in the Goryeo period in the historical dramas. The Gyeokgu in the early Joseon period was a sport for the kings. After the king of Sejong, the Gyeokgu became a martial art for the military officers. The costume of Gyeokgu in the Joseon period should be Red Cheollik(紅帖裡), Kwadu, Jonglip, Gwangjodae(廣組帶), Sagu, and Haw(靴) as recorded in Muyedobotongji in the 18th century. The kings, servants, and military officers could wear the Cheollik and should be made in the different Git(collar), shape of the sleeves, and the proportion of the upper part and the underpart in each period properly. When the citizens play Gyeokgu, they could wear Geon(巾), Baji(pants), Jeogori(shirt), and Gipsin in the late Joseon period.

• 건축역사연구
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• 제17권4호
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• pp.25-42
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• 2008

The Gyeongbok Palace was completed during the reign of King Taejo and King Sejong in the early Joseon Dynasty. The most remarkable spacious feature of the palace is that it has an inner palace wall without an outer palace wall. The absence of the outer palace wall had its origin in the palace of the late Goryeo Dynasty which did not provide the outer palace wall. Gwanghwamoon was the main gate of the palace, and the office buildings of the Six Ministries were arranged on the right side in front of the main gate. A wide road called Six Ministries Avenue was made between the builidings. The avenue was completed during the reign of the third king of Joseon, Taejong, and it was assumed that this arrangement was influenced by the government office arrangements of Nanjing, the early capital city of the Ming Dynasty. Gwanghwamoon held national rituals as well as the civic and military state examinations nations in front of the gate. The avenue was decorated with flowers and silks when kings and the royal families, or Chinese envoys enter the gate, and the civilians watched the parade, Because there was no outer palace wall, all the events held at Gwanghwamoon and the Six Ministries Avenue ware opened to the public, it was the unique feature of Gyeongbok Palace that the palaces of Goryeo dynasty and China did not have.

• 한국조경학회지
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• 제45권5호
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• pp.60-70
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• 2017

본 연구는 우리나라 약초원의 형성 과정을 추적하고 조경사적 의미를 밝히는 데 목적을 둔다. 이를 위해 본초학 연구가 이루어진 삼국시대부터 조선시대에 이르는 시기의 의료체계 속에서 약초원과 관련한 기록을 찾아보았다. 약초원은 여말선초인 13~15세기에 발달하였다. 지역성을 강조하는 성리학적 자연관의 영향으로 토산 약초를 뜻하는 향약(鄕藥)에 대한 관심이 높아진 고려 말 문인들이 약포(藥圃)를 가꾼 경향이 발견되며, 향약 조사 발견 재배 탐구 등 관련 정책이 시행된 조선 초 종약전(種藥田)이라는 이름의 약초원이 조성된 사실이 확인된다. 내의원과 혜민서와 같은 중앙의료 기구 부속 시설이었던 종약전은 15세기 중반에 실재했던 것으로 확인되고 조선 건국과 함께 설립되어 조선 후기에 쇠퇴한 것으로 추정된다. 종약전은 약현, 율도, 여우도, 사아리 등 한양 도성 밖 여러 곳에 있었고, 그 규모는 18세기 초 당시 약 16만 제곱미터였다. 형개, 지황, 감초 등을 포함한 수십 종이 종약전에서 재배되었고, 내의원에서 파견된 의관과 관노비 수십 명에 의해 종약전이 운영되었다. 종약전은 새로운 약초에 대한 학문적 관심이라는 사회적 배경 측면에서 르네상스시대 의과대학의 약초원과 공통점을, 약초의 종류 위치 기능 등의 측면에서 중세 유럽의 성곽과 수도원 내 약초원과 유사점을 지닌다. 본 연구는 약포와 종약전의 구체적 공간 형태를 밝히지 못한 점에서 한계를 가지나, 우리나라에서 약초원이라는 정원 유형이 여말선초 향약을 중심으로 한 의학의 발달과 함께 나타났으며 공동체의 치료제 재배를 위한 실용정원으로 기능했음을 밝혔다는 점에서 의의를 지닌다.