• 한국실내디자인학회논문집
• /
• 제18권6호
• /
• pp.150-157
• /
• 2009

In the 1970's the Interior Design Associations was established and the activity of youth designers who werecalled the "first generation of Korean interior designers" were created. This study is aimed to analyze characteristics and trends of commercial interior design in the 1970's. The design methods include the documentary research and the actual proof research conducted. The frames of analysis were made by the background theories about Korean interior design, and the annual case studies were analyzed and estimated according to the design types. The design types were analyzed by the geometrical simplicity research, the romantic emotional expression, the Korean identity expression, the machine technical asthetic expression and the eclectic style with western classics. In the early 1970's, the abstract, brief, and simple expression were presented most frequently by the geometrical form and the repetition of the pattern. From the mid-1970's the romantic and emotional atmosphere of the youth culture that was popular at that time were expressed as vernacular design by the rough finishing of the natural materials such as plaster, brick, and wood floorings etc. The space such as a Korean food restaurant relates to the Korean traditional culture aims to be different through the expression by the Korean traditional patterns, furniture, and materials. In the late 1970's the metals and glass were used for the expression of the machine aesthetic form but was not popular because of the rare application. The type that revived the past western traditional form was presented by using the arch, dome, and the curved and luxurious moldings.

• 복식
• /
• 제56권2호
• /
• pp.1-16
• /
• 2006

The purpose of this study is to analyze the meanings of national images represented in Vivienne Westwood' collections through investigating her works in an aspect of national identity. The results were as follows: British fashion is generally known for having two national identities, Monarchy and Anarchy. Monarchy is the traditional British look and Anarchy is the free-spirited look which is related with the postwar phenomenon of rebellious youth culture. As a punk, Westwood participated in creating Anarchic identity of British fashion. But from the 80s, Westwood's attitude toward the national images has been changed. As a high fashion designer who became to represent British fashion in global market, Westwood started to research British dress tradition, especially through comparing with French fashion. She was particularly fascinated with the traditional fabrics like tartans, tweeds and innovative tailoring skills, which were related with the heritage of Englishness in dress. But she didn't follow the conventional ways and tried to reinvent the historical tradition in modern ways. By combining Monarchic tradition with tempting female sexuality, Westwood transgressed the existing ordinary Britishness of British fashion which was composed of aristocratic and royal identities, and created some innovative British fashion images. With these works, Westwood contributed to consolidate Englishness in dress on the one hand, but on the other hand, served to reconfigure Britishness of British fashion. Consequently, Westwood showed that what is believed as the essential national fashion identity can be challenged and reconfigured in modern fashion field.

• 복식
• /
• 제58권6호
• /
• pp.69-84
• /
• 2008

Considering that star reflects the image of current society, analyzing fashion of celebrity is to read ideal type and demands of beauty of the era. Especially the rock music-represents youth culture that last on present day-born in 1960's, and it is considered to a significant decade in pop music history. Thus this research will analysis rock star's fashions in iconological view of E. Panofsky. The aim of this document is Clarifying how the fashion of pop stars appeared and what formed its worth. As a result of analyzing fashions of rock star in 1960's, it is available to find these sameness and difference. The Mods borrowed images of the past, and introduce the elite modernism and shows very urban style. The Folky and the Psychedelic showed post-structuralism propensity against industrial society, in the case of the Folky it induced styles that symbolize labor class to realize social worth. And as an aftereffect of war and repulsion of commercial worth, they embody nature-returning peasant look so that it shows pastoral mood in total. The Psychedelic express somewhat struggling escapism and it generated illusionary images with quests to superego and glorification to psychedelic status. The Folky and the Psychedelic are same in the side of introducing existentialism, this occurred by using ethnic factor. But the Folky showed plain outlook by pop propensity, on the other hand, the Psychedelic showed magnificent outlook such as optical art, pop art, and futurism ought to express merrymaking culture. And common feature of these is introduction of unisex mod which is came after the change of gender role. Thus each star or group has professed special ideology into their culture and it is reflected to acts which is including music and dress style. This affair is analyzed like these two things. The mass of people schemes their identity with inducing special ideology to their culture at the first. And the purpose to archive cultural hegemony in inter-social class at the next.

• 한국비블리아학회지
• /
• 제30권1호
• /
• pp.5-27
• /
• 2019

본 연구는 소수의 이주배경 청소년이 연구자와 함께 6개월간 10권의 만화책을 읽고 그에 관하여 토론하는 독서 프로그램을 진행하면서, 독서 프로그램의 참여가 이들의 한국어 능력과 문화 적응에 어떤 영향을 미치는지 살펴보았다. 학교도서관저널 도서추천위원회에서 엮은 <어린이와 청소년에게 권하는 주제별 좋은 만화책 365권> 중 이주배경 청소년의 삶과 연관 있는 주제를 다루거나 이주배경 청소년이 높은 흥미를 보이는 만화책 열 권이 독서 프로그램의 읽기 자료로 선정되었다. 독서 프로그램 전후로 실시한 독서 능력 평가 결과, 연구 참가자들의 한국어 능력은 대체로 향상되었으며, 특히 추론력과 어휘력 부문에서 큰 상승폭을 보였다. 쓰기 영역에서는 전반적으로 비문이 줄고 문장 내에서 문법적 오류가 줄었다. 연구 참가자들은 대체로 한국 문화에 안정적으로 적응하고 있었으나, 통합적 민족정체성을 획득하지 못한 참가자의 경우 작품 속 인물과 정서적 공감대를 형성하며 문화적응의 어려움을 털어놓을 수 있었다. 본 연구의 참가자들은 만화책을 통하여 독서의 즐거움을 상기하였으며, 독서 프로그램이 끝날 때 쯤에는 이미지 없이 텍스트만으로 구성된 소설 형태의 읽기자료에까지 관심을 확장하게 되었다.

• 한국과학교육학회지
• /
• 제38권2호
• /
• pp.187-202
• /
• 2018

본 연구에서는 과학교육에서 다양한 학습자를 포용한다는 것은 과학 학습 참여와 소외 현상에 작동하는 사회문화적 기제를 분석하는 것이 전제되어야 한다는 문제의식 하에 관련 연구 동향을 고찰하고자 하였다. 이를 위해 과학 학습 정체성에 대한 사회문화적 접근으로 수행된 해외 학술지 논문 85편을 분석하였다. 논문 분석 결과는 먼저 연도별, 국가별 출판 수와 같은 기본적인 현황과 함께 연구 대상으로 삼은 학습자의 사회문화적 배경, 연구 맥락(상황), 연구 방법에 대한 범주별 현황을 제시하였다. 다음으로는 주요 연구 문제와 주제에 대한 이론적 틀과 구체적인 연구 사례를 제시함으로써 해당 연구 주제에 대한 보다 심층적인 분석을 시도하였다. 분석 결과 해당 분야 연구는 과학 학습을 공동체에서 참여함으로써 정체성을 발달해가는 과정으로 바라본다는 점에서 학습자가 지닌 다양한 사회문화적 정체성을 학습에 긍정적인 자원으로 바라보고자 하며, 이를 억압하는 과학수업의 문화나 사회에서의 담론을 비판함으로써 과학 학습에 있어 정당한 학습자(legitimate learner)의 범위를 확장하는데 기여해 오고 있음을 알 수 있었다. 연구들은 특히 과학교육에서 공정성(equity) 이슈를 강조하며, 전통적인 과학수업에서 소외되어 온 다양한 학습자들을 포용하고 행위주체성의 발달을 촉진하고자 하였다. 이러한 분석 결과를 바탕으로 앞으로 우리나라에서 '모두를 위한 과학교육'의 실현을 위해서는 과학 학습의 참여와 소외 현상을 둘러싼 다양한 사회문화적 기제에 대한 연구의 필요성을 주장하였고 이와 관련된 연구의 방향을 제안하였다.

• 복식
• /
• 제37권
• /
• pp.211-230
• /
• 1998

Advertisements provide consumers with in-formation and knowledge about products and help a society to sustain homogeneity by actively reflecting important characteristics of mass culture. Yet this reflection is a selective and purposeful representation by the party of the fashion manufactures and carries the intention of stimulating and augmenting desire for commodities aiming to perpetuate capitalism. This study understood this selective reflection of mass culture by advertisements as a feature of hegemonic struggle between/fashion business and consumers and defined the values selected by advertisements as ideologies supporting the consumption ideology of capitalism. The purpose of this study was to examine the contents of the ideologies expressed in the clothing advertisements in women's magazines to persuade consumers into consumption. The method of study was mainly qualitative with subsidiary citations from the results of content analysis. The objects of analysis were clothing advertisements in 1996 issues of CeCi and Woman Sense, which were identified as the two most popular women's monthly magazines. The ideologies identified were ideologies concerning (1) Self Identity, (2) Sensibility, (3) Sex Role, (4) Globalism, (5) Youth, (6) Leas-ure and Pleasure. Repeated and insisted as natural and true, there values were proposed to be believed as common senses and studies re-port that values of advertisements are ac-cepted as more readily as they are more unreasonable, and the acts and behaviors expres-sed within advertisements are often imitated in real life situations. Therefore, it is highly probable that these values emphasized within advertisements are enacted in thoughts and behaviors of consumers' real life. Accordingly the author suggests that critical interpretation of advertisements is seriously required to fully understand the commodity ridden post industrial society of today and to lead a subjective life within it.