• 패션비즈니스
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• 제11권6호
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• pp.125-138
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• 2007

The modern fashion contains the religious factors or theories out of numerous cultural traits. Shamanism is a product of the very complicated combination of diversified cultural phenomena and whose traits are depicted as spiritual and artistic forms, reflecting on the materialism culture, social relations, customs, and religious faith. The Shamanism that lies in the life of humans gives much impact on their clothing life up to date, consciously or nonconsciously as well. The Shamanism clothing studied as yet has been focused on the costumes that a Shamanism priest and a shaman, the principal Shamanism performer wears and on the symbolic meaning or formativeness of the traditional shaman clothing that is only confined to certain local regions. The Shamanism in the modern costume influences not only on the traditional clothing unique to shaman but also on the other apparels in a widely extended sense. Nevertheless, the research on the modern costumes related to Shamanism is yet to be progressed. In this context, it is believed that the examination of Shamanism interrelated with a contemporary clothing expression is needed. This work would take a look specifically at how the Shamanism is given in the modern clothing fashion and review the inherent aesthetic characteristics. A fact was driven through this study that the shamanism shown in fashion is not only expressed in the modern style of shaman clothing but also unconsciously absorbed in the fashion on the whole. A finding was also revealed that the geometrical and abstract expression, the implication of animistic components, and the application of inherent shaman's costume on to design in regard to clothing are related to a view point of studying about shamanism. The meaning in each expressive method is focused on the superhumanistic desire of shamanism.

• 대한간호학회지
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• 제30권2호
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• pp.498-513
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• 2000

The purpose of this study is to construct the nursing-policy and nursing-theory of Korean style by understanding the type of recognition and attitude immanent in Korean people through of Korean people to the Shamanism(巫敎). And this paper is using Q methodology by operant definition. Because individual recognition and attitude to Shammanism is very subjective and individualistic and many-sided. Q statements in this paper are ultimately 38 statements divided into 5 regions, which are abstracted from 285 Q samples. 38 persons in all are objects of P-population. The results of analyses on the characters of each type are as follows. The men who belong to type I is positive to the Shamanism in recognition and attitude at the same time. The men who belong to type II are negative the analysis of the recognition and attitude to Shamanism in recognition, but positive to Shamanism in practical attitude. The men who belong to type III are evidently negative to Shamanism in recognition and attitude at the same time. The men who belong to type IV are positive to Shamanism, but negative or reservative to it in attitude. In conclusion, we could affirm that shamanic care-act which modern medicine discard as only superstition is very deeply rooted in the Korean people'need. In short, Korean people is already and always related to Shamnism, whether positively or negatively. I dare to think this paper might contribute the other disciplines of sciences as basic data.

• 한국실내디자인학회논문집
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• 제13호
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• pp.124-129
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• 1997

The purpose of this study is understanding the principle of space construction in traditional houses in Cheju under the premise of house being the dweller's place. I studied it by shamanist interpretatiov. First I understood the quality and meaning of space by the theory of space and shamanism. As the method of study. I studied the space theory and shamanism and had a general idea of them. And then I looked upon the concept of space as residence and analyzed the traditional houses in Cheju. The conclusion of the study is this. I considered shamanism as a part of their way of life. Thus shamanism was a chief idea of Cheju people's thought, religion, and a view of the world. Naturally shamanism was the chief principle with which Cheju people constructed the residence. Because this cultural social aspect of shamanism, it is understood and used as the principle of space construct in modern architecture of Cheju.

• 기본간호학회지
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• 제6권2호
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• pp.288-309
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• 1999

This survey was done to construct a nursing theory according to Korean culture and to identify the Korean traditional view. From ancient time until now, shamanism has played an important role as determinant of Korean culture and of the personality formation of Korean people. The subjects are 321 patients and member of their families who were over 18 years old, and who are living in five large cities and two rural communities in Korea. Data collection was done from March, 8th to April, 29th in 1999. SPSS The tool developed by the investigator through literature review was used to measure the perception and the attitude of patients and their families to Korean shamanism. Collected data were analyzed by frequency, percent and $x^2$ test with SPSS program. The results are summarized as follows ; 1) While 35% of respondents answed that the destiny or fate(八字) was only relied on the abilities and endeavor of individual, 65% of respondents were fatalists(運命論者) or eclectic(折衷主義者) are compromised between the fate and endeavor. 2) While half of the respondents belief in divination(占) to some degree, the rest of them reported hardly any belief in divination. 3) There were almost twice as many respondents who directly consulted fortune-tellers were as respondents who did not consult fortunetellers. 4) The reasons for consulting fortunetellers were job problems, home problems, health problems by in that order. 5) The respondents almost always interpreted the cause of physical disease and mental disease as being psycho-sociological, but 1% of them explained mental disease as a shamanistic manitestation. 6) In case of disease, the reasons for consulting a fortuneteller was a) no hope of recovery from the sickness in any other way, b) the chronic disease in that order. 7) Of the respondents, 65% answered that diseases could not be cured by a 'Gut' (the performance done by the shaman), but 27% of respondents thought that disease could be cured by a 'Gut' in the case of mental disease. 8) Sixty six percent of the respondents answered that they have experienced praying for their wishes with clean water(井華水). 9) While 54% of the respondents answered that they have seen or heard the 'Beung Gut'(the performance to pray for recovery of sickness done by the shaman), 46% responded that they have never seen or heard it. 10) To the question 'do you intend to have a 'Beung Gut', 51.7% of respondents answer 'no' strongly, but 48% of them say 'yes' or took a compromising attitude. 11) Generally the respondents differed in perception and attitude to shamanism. In short, females more than males, old aged more than younger aged, lower educated more than higher educated, believers in Buddhism more than believers in any other religion, and blue color more than white color have more positive attitudes to shamanism. Also men living in rural communities have more positive attitude to shamanism than men living in the large cities. Consequently, Shamanism can be understood as an anxiety relieving cultural system even though Shamanism itself looks like a cultural complex.

• 대한지리학회지
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• 제40권5호
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• pp.553-570
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• 2005

계룡산에는 상이한 종교(또는 이념) 집단들이 다양한 의미와 가치를 부여하며 이용해 온 공간과 장소들이 있다. 불교와 유교 그리고 무속을 포함하는 민간 신앙들은 자기 고유의 영역과 정체성을 생산하고 관리하기 위하여 제각기 다른 이념(또는 세력)을 구현하여 왔다. 무속을 중심으로 하는 저항의 지리는 계룡산 전역에 걸쳐 불연속적인 영역을 기반으로 진행되어 왔다. 이러한 저항의 지리가 가장 뚜렷하게 확인되는 지점은 삼불봉, 암용추, 숫용추 등이다. 지금까지 무속과 불교의 공간적이고 시간적인 뒤엉킴을 통하여 피지배 세력인 무속이 생존하여 왔던 것이다.

• 한국의류산업학회지
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• 제7권4호
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• pp.387-393
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• 2005

This study compares shamans' costumes of Korea with those of Siberia and Central Asia. It also investigates the meaning of shamanism and shamans,the relationship of Korean shamanism to shamanism, and the genealogy of Korean shamanism. For collecting and analyzing data of the research, literature reviews, field studies, and the investigation of historical relics are mostly used. The following are the major findings of the research: Through the comparison of shamans' costumes of Korea with those of Siberia and Central Asia, this research finds out some similarities and differences in the costumes. Both Korean shamans and Siberian and Central Asian shamans wore shaman's costumes and used utensils like bells or mirrors when they perform a religious service. On their costumes, they both used an element which stands for birds. However, they were different in terms of the materials or styles of the costumes, of the function of the costumes, and of the decorating with ornaments. The differences in the materials or styles of the costumes, different functions of the costumes, and using ornaments or not can be viewed as a general phenomenon, which is resulted from different environments. The soul's departing the body or the possession or a mixed method can be considered as mere variations due to regional or cultural differences. In conclusion, based on the comparison of the costumes of shamans of Korea with those of Siberia and Central Asia, the shamans of Korea and Siberia and Central Asia share the same origin. And the genealogy of Korean shamans can be said to be originated from the northern shamanism.

• 복식
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• 제58권6호
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• pp.1-11
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• 2008

The purpose of this study was to investigate how formativeness of shamanism has expressed and developed in modern fashion. Formative expression of shamanism in modern fashion has expressed in the way of on style, color, material and pattern as follows; Style has made animal and human incorporated by expressing abstract animal on the part or whole of costume and it has reconstructed traditional shaman costume into modern costume. Skin colors of living bodies which exist in nature, such as black, blown, yellow and grey, were used to symbolize spirit and low brightness of colors such as blue, white and black were also used to symbolize hyperspace. Artificial materials which imitate animal figure and genuine materials from animal were used. Various natural materials used in traditional shaman costume were also used. Animal patterns and abstract patterns symbolizing the celestial heaven and lower world, and patterns shown on wall painting and rock painting has appeared. The meaning of shamanism in modern fashion can be identified as interchangeable movement of time and space, a cosmic outlook on the world and ration. Spiritually designed costume has made fashion move to hyperspace in spirit trip. Modern fashion with shamanism has expressed its cosmic outlook on the world or universal wish beyond human's real world by patterns such as bird figure which means the celestial heaven and lower world. Corporation and transition of human and animal were symbolized as shaman hypernatural intercourse with designs expressed in costume using a part of animal or animal's characteristics.

• 공연문화연구
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• 제34호
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• pp.111-131
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• 2017

무교(巫敎)는 오랫동안 사회의 주도세력에 의해 주변종교 또는 미신으로 치부되었다. 이는 사회를 주도하는 대중매체에 의해 의도적으로 왜곡되어 투영된 잔상이기도 하다. 특히 당대의 문화를 반영하는 첨단 대중매체인 영화에서 무교는 부정적 이미지로 투영되는 경우가 많았다. 객관성과 사실성을 중요하게 여기는 다큐멘터리 영화에서는 무교에 관한 입장이 비교적 중립적이고, 어느 정도 무교 친화적인 정치색을 갖는 다큐멘터리 영화감독들은 무교의 정신세계 또는 전통성 등을 부각시키기 위한 노력을 경주한다. 이글에서는 다큐멘터리 영화에 투영된 무교와 전통음악의 가치를 살펴보았다. 이글에서 다루는 영화는 <사이에서>와 <땡큐 마스터 킴>이다. 이 둘의 비교를 통해 내부인(한국인 감독)과 외부인(외국인 감독)이 각각 투영하고 싶어 하는 무교의 이미지를 파악할 수 있다. <사이에서>는 기승전결을 갖춘 '뮤지컬'로서의 굿을 표현하고자 하였다. 그러나 영화감독은 굿에서 핵심인 음악에 대한 이해가 없었기 때문에 굿음악의 예술성을 전혀 부각시키지 못했다. 무당과 굿에 관한 <사이에서>의 관점은 철저하게 신비함과 영적 능력에 맞춰져 있다. 이런 점에서 이 영화를 통해 우리 굿을 세계에 소개하고 싶었다는 감독의 의도는 그다지 성공적이지 못하다. 이와 반대로 <땡큐 마스터 킴>은 음악인의 시각으로 무당과 굿을 바라다보니 무당과 한국의 예술세계를 중심적으로 다루었다. 굿음악뿐만 아니라 다양한 음악 갈래의 전통적 미학을 소개한다. 영화의 스토리는 우리 문화의 생명수라 할 수 있는 큰 무당을 찾는 서사적 여정으로서 서사무가인 <바리공주>를 연상시키는 것이다. 그리고 이 여정에서 찾는 미학은 외국인의 시각에 비친, 이제는 우리나라 현실에서는 거의 존재하지 않는 '상상의 공동체'의 음악적 산물이다. 그리고 주인공이 찾는 '마스터 킴'은 우리나라에 국한된 것이 아니라 '탈(脫) 영토화'된 음악적 영웅인 것이다. 이런 일련의 음악적 흐름을 통해 외국인 관객들도 굿음악과 무교 세계에 대해 쉽게 접근할 수 있는 것이다. 음악은 '만국공통어(universal language)'이면서도 '비보편적 언어(non-universal language)'로서 한 공동체집단의 특수성을 반영하는 문화이다. 우리의 굿음악은 다른 사회에서는 찾아 볼 수 없는, 우리 문화의 정수를 간직한 매우 비보편적 언어로 이루어진 것이다. <사이에서>의 한국인 감독은 굿의 핵심적 요소인 음악에 대한 이해가 없기에 굿의 본질을 전달하는데 실패했다. 이에 반하여 <땡큐 마스터 킴>의 외국인 감독은 음악가로서의 배경을 통해 굿의 핵심적 요소인 음악을 전면에 부각시키면서 굿의 본질을 전달하는데 성공했다.

• 공연문화연구
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• 제40호
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• pp.343-372
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• 2020

본고는 동해안 무속에서 사용하는 굿거리장단의 변주유형의 운영을 연구한 논문이다. 동해안 별신굿 예능보유자였던 고(故)김용택의 굿거리장단 연주가 다른 장르에서 보았던 굿거리장단과 색다르게 다가왔고 그 요인을 찾기 위해 그가 연주할 때 사용하는 변주유형과 연주기법들을 살펴보았다. 동해안 무속 굿거리장단은 여타 다른 장르에서 연주되는 굿거리장단의 유형과 기법보다 다양한 변주유형이 존재하며 독특한 형태의 기법들을 사용하고 있다. 이 같은 다양한 변주유형과 독특한 연주기법이 실제 연주에 반영되어 즉흥적인 변주가 이루어지고 있다.

• 복식
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• 제50권6호
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• pp.5-20
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• 2000

This paper aims at analysing the formative character of the Korean Shaman's Costume in the area of Hong -Sung, Choong -Nam. Korean shamanism has been the core of the traditional folk religions. so that it has had a great effect upon the formation of Korean's mind and custom. And its magical power remains unabated even today. Modern shamanism in the Hong-Sung area has been changed under the influence of the shamanism in the Seoul-Koungki area. Therefore modern shaman's costume in the Hong-Sung area is similar to shaman's costume in the Seoul-Koungki area. Modern shaman's costume in the Hong-Sung area has only 5 or 6 kinds. These consist of Pulsajangsam, Chulik, Kugunbok, Mongduri and Wonsam. But there are some differences between modern shaman's costume and traditional costume in the formative character, Modern shaman's costume in the Hong-Sung area has became simpler in the formative character and more gorgeous in color or adornment than that of the traditional costume.